Lenswork - Photography And The Creative Process

HT1870 - Stages of Creative Thought I've talked before about the solutions to problems that pop up from seemingly nowhere. I've recently been reading The Origin of Consciousness in the Breakdown of the Bicameral Mind by Julian Jaynes. I found there a fascination quote that discusses this process. Glad to know I'm not alone in observing how creative ideas so often appear unexpectedly.

HT1869 - Artwork Left Behind I remember years ago hearing of a photographer who would leave small prints wherever he happened to find himself. He would leave his artwork on a bus bench, a restaurant table, a seat in the library, literally anywhere the spirit so moved him. I was so fascinated with this idea that I followed this plan the last time I was in Japan.

HT1868 - The Absolutely Necessary The ideal kit includes everything I might need. The opposite of how much gear can I take is how little gear can I get by with. Perhaps it's a function of my aging knees and back, but I find myself brainstorming about the least amount of gear I can take with me and still be productive. Obviously I need a camera and lens, a battery and a memory card, but what else is absolutely necessary in order for me to be successful with the kind of photography I do? All 1860+ episodes of Here's a Thought . . . are available in their entirety to members of LensWork Online, our extensive resource library of our 30-year publishing history. Learn more about LensWork Online.

LW1397 - Looking for Photographs When you want to make a photograph, what do you do? Probably you set out into the world somewhere and start looking for things you might photograph. You are on the hunt for potential. What if you were to point yourself to your Lightroom catalog rather than the world out there? I would propose that searching the world and searching in your exigent collection are pretty much the same thing. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

HT1867 - Feedback and the Pressure to Conform Yesterday I was talking about feedback and the way the digital workflow makes getting feedback about our work so much easier. Not unexpectedly, there is a downside to such easy feedback; the pressure to conform. All previous episodes of Here's a Thought . . . are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com that looks at failures as a way to learn. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

HT1866 - Learning Without Feedback How well do you suppose you would learn tennis if you could never see where the ball went after you hit it? Learning is always a function of action, feedback, assessment. This is equally true for photography and this explains one aspect of the digital revolution that I think is highly overlooked, but has radically changed the nature of photography.

HT1865 - How to Save $1,600 Once again I found myself contemplating the super long 100-400mm Panasonic Leica lens for my m/43 camera. As a part of the research, I decided to investigate a cropped image from the Panasonic Leica 50-200mm I already own. Then the next step was to see what the results would look like if I used either pixel shift technology versus Super Resolution Enhancement in Lightroom. Fascinating results.

HT1864 - Viewing Lights The light we use to view a print or book is so critical in determining how that photograph appears. Unfortunately, we have no control over the light people use to view our work. A story from Paul Strand's biographer demonstrates how frustrating this issue can be for us photographers.