Shakespeare's Restless World

The publication of the First Folio of Shakespeare's collected plays in 1623 began the process of turning an early modern playwright into a global phenomenon. An annotated copy of the Collected Works of Shakespeare reveals the extent to which Shakespeare has inspired and influenced audiences across the globe and through the ages.Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Pr

A human eyeball in a silver setting provides a striking insight to the theatre of cruelty in Elizabethan and Jacobean Britain. Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in May 2012.

A set of designs for the Coronation Procession of James I reveals the extent of classical knowledge amongst Shakespeare's audience.Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in May 2012.

May 1603 saw not only a new king but the worst plague outbreak since the Black Death. Its impact and reach is told through a series of early seventeenth century proclamations. Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in May 2012.

A rare domestic clock with an equally rare minute hand and quarter-hour chimes reveals the changing relationship Shakespeare's audiences had to time.Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in May 2012.

The problems in uniting Scotland and England and in creating a Great Britain are encapsulated in a set of designs for a common flag. Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in May 2012.

Deception and religion, cross-dressing and travelling salesmen are all unpacked via a pedlar's trunk. Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in May 2012.

Sunken gold from West Africa sheds light on the complex relationship Elizabethan England had with the Moors of the Mediterranean. Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in May 2012.

A delicate glass goblet reveals the twin seductions of Venice: its sought after luxuries and its equally sought after lecherous women. Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in May 2012.

A tabloid history of Shakespeare's England, told through a collection of contemporary accounts of plots to murder Elizabeth I and James I. Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in April 2012.

The differences between Scottish and English witches are revealed by a model ship, made to be hung in a church. Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in April 2012.

Dr Dee's Mirror was actually a highly polished disk of black obsidian from Mexico but it reflects the Elizabethan fascination with the new sciences of cosmology and astrology. Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in April 2012.

The life of London's apprentices and Shakespeare's groundlings told through a rare woollen cap. Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in April 2012.

A rare woodcut offers a equally rare visual impression of the troubles and tragedies of Elizabethan Ireland.Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in April 2012.

As a tourist attraction in Westminster Abbey, Henry V's instruments of battle reflect the view of English history as depicted on the Elizabeth stage.Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in April 2012.

The essential accoutrements of any self-respecting gentleman - the rapier and the dagger- show us the extent of violence in Elizabethan London - both onstage and off. Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in April 2012.

A portrait was painted in 1571 to justify and celebrate Elizabeth I's position in the Tudor succession.Yet by the 1590s, with no direct Tudor heir, this image had very different implications in Shakespeare's Restless World. Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in April 2012.

Object-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in April 2012.

The Stratford Chalice. The communion cup that Shakespeare may well have used, sheds light on the dramatic religious changes that came in the aftermath of the ReformationObject-based history series presented by Neil MacGregor, former Director of the British Museum.Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in April 2012.

How Sir Francis Drake's circumnavigation of the globe changed the way Shakespeare's audiences viewed the world and their country's place on it. For the first time, England was engaging with the whole world.First in an object-based history series presented by Neil MacGregor, former Director of the British Museum. Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed. He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.Producer: Paul KobrakFirst broadcast on BBC Radio 4 in April 2012.