Art Institute Of Chicago Lectures

Matt Keegan discusses his previous works that relate to the site-specific installation in the exhibition Exposure which grew out of the artist’s longstanding fascination with cities and their constant flux.

Steven Naifeh and Gregory White Smith, Pulitzer Prize winners for their biography on Jackson Pollock, presented their new book about Vincent Van Gogh to a packed house on December 8, 2011.

In this 1965 rare recording, Bertrand Goldberg leads psychologists Timothy Leary and Ralph Metzner on a tour of the recently completed Marina City and the Raymond Hilliard Center construction site. Famous for their research into various forms of psychedelic experience, Leary and Metzner discuss the layers of symbolism and social program in Goldberg's buildings. Clip 1: Marina City: “Adjusting your consciousness and your furniture to this kind of space” Clip 2: Tour of Marina City Apartments Clip 3: Raymond Hilliard Center: Integration through Design Clip 4: Psychedelic Art The Art Institute of Chicago, Archive of Bertrand Goldberg, Ryerson and Burnham Libraries, 2002.3 File Length: 13m 42s

Heather Rasmussen recreates international shipping containers in miniature, crafting them by hand from colored cardstock which she then damages, arranges, and photographs in order to address the underlying fragility of global supply and demand.

One of the special privileges of Sustaining Fellows membership is the opportunity to see exciting exhibitions before they open to the general public. On July 26, Sustaining Fellows hosted the opening festivities for Windows on the War: Soviet TASS Posters at Home and Abroad, 1941–1945. Peter Zegers, Rothman Family Research Curator, and Jill E. Bugajski, exhibition research associate, along with catalogue contributor Adam Jolles, provided an informative overview of the exhibition. Following their talk, Sustaining Fellows enjoyed a preview of the exhibition, a musical performance by Golosa, Chicago’s premiere Russian choir, and a festive reception in Griffin Court complete with 1940s-inspired fare and Big Band music. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

Painter Joyce Owens grew up in a culturally diverse neighborhood; her strong African American roots were infused with Jewish culture. Responding to the secular theme of Marc Chagall's *The Circus Rider,* Owens discusses how her work relates to what she describes as the sophistication of Chagall's deceptively simple work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

James Robinson, British Museum, provided a rich overview of Byzantine Reliquary Pendants and reviewed the context from which they came. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

Curator Martha Tedeschi explores how the artist's influential experiments in watercolor and unorthodox ideas about framing helped create modern objects that surge with emotion. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

James Elkins, School of the Art Institute of Chicago, reviewed observations on how we see things with a particular look at art. He was introduced by Art Institute President and Director James Cuno. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

On February 14 the Sustaining Fellows gathered for a recap of the previous year and also hear some news of things to come at the museum. After champagne around the Woman’s Board Grand Staircase, guests gathered in Fullerton Hall where curators Gloria Groom, Christopher Monkhouse, and James Rondeau provided an exciting first glimpse at upcoming exhibitions before a lovely dinner in Terzo Piano closed the night. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

Nii Quarcoopome, Detroit Institute of Art, highlighted selections of Asante and Ewe textiles in the Art Institute of Chicago collections. He was introduced by curator Kathleen Berzock. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990s. Jason Hill, PhD candidate, Department of Art History, University of Southern California, reviewed the 1940s newspaper PM. Louis Kaplan, Professor, History and Theory of Photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. David Campany, Reader in Photography, The University of Westminster, spoke on Dan Graham. Heather Diack, Postdoctoral Fellow, Department of Art History, Visual Art and Theory, University of British Columbia, talk about John Baldessari. Sophie Hackett, Assistant Curator of Photography, Art Gallery of Ontario, discussed Barbara Kruger. Abigail Solomon-Godeau, Professor, History of Art and Architecture, University of California, Santa Barbara, spoke on the 1990 Rodney King beatings. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by th

Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990s. Jason Hill, PhD candidate, Department of Art History, University of Southern California, reviewed the 1940s newspaper PM. Louis Kaplan, Professor, History and Theory of Photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. David Campany, Reader in Photography, The University of Westminster, spoke on Dan Graham. Heather Diack, Postdoctoral Fellow, Department of Art History, Visual Art and Theory, University of British Columbia, talk about John Baldessari. Sophie Hackett, Assistant Curator of Photography, Art Gallery of Ontario, discussed Barbara Kruger. Abigail Solomon-Godeau, Professor, History of Art and Architecture, University of California, Santa Barbara, spoke on the 1990 Rodney King beatings. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by th

Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990s. Jason Hill, PhD candidate, Department of Art History, University of Southern California, reviewed the 1940s newspaper PM. Louis Kaplan, Professor, History and Theory of Photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. David Campany, Reader in Photography, The University of Westminster, spoke on Dan Graham. Heather Diack, Postdoctoral Fellow, Department of Art History, Visual Art and Theory, University of British Columbia, talk about John Baldessari. Sophie Hackett, Assistant Curator of Photography, Art Gallery of Ontario, discussed Barbara Kruger. Abigail Solomon-Godeau, Professor, History of Art and Architecture, University of California, Santa Barbara, spoke on the 1990 Rodney King beatings. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by th

Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990s. Jason Hill, PhD candidate, Department of Art History, University of Southern California, reviewed the 1940s newspaper PM. Louis Kaplan, Professor, History and Theory of Photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. David Campany, Reader in Photography, The University of Westminster, spoke on Dan Graham. Heather Diack, Postdoctoral Fellow, Department of Art History, Visual Art and Theory, University of British Columbia, talk about John Baldessari. Sophie Hackett, Assistant Curator of Photography, Art Gallery of Ontario, discussed Barbara Kruger. Abigail Solomon-Godeau, Professor, History of Art and Architecture, University of California, Santa Barbara, spoke on the 1990 Rodney King beatings. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by th

Curator Kathleen Bickford Berzock traces the history of African Art at the museum from the 1920s to the present, introducing the new installation opening spring 2011. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990. Louis Kaplan, professor of history and theory of photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990. Louis Kaplan, professor of history and theory of photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

Photographer An-My Le reviewed her work highlighting the Vietnam War reenactment scenes and those of soldiers training for Iraq. This lecture was the keynote for the Material Witness symposium that took place February 4, 2011. Kate Bussard, exhibition curator and symposium host, introduced her. This event was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

Curator Sarah Kelly discusses self-taught artist Horace Pippin's layered paint technique and reviews primary sources that seem to have inspired his famous Cabin in the Cotton images. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.