Sad Moth Music

just another fucking episode of our bullshit.  week, it's DRONE FOR DAYZ withbORIS VS MElvinsamplifier WORSHIP vs LYSoL

Sad mothsters discuss, compare and contrast the relative quality of two grunge albums sung by dead guys.  How the fuck is eddie vedder the last one left? How???

Back by no one's demand.\Hug it out fellas!

Real-life teenager SHIG joins the guys to talk seminal pop-punk LPs from the late 90's.

The east side kidz from the bay dissect two seminal alt-rock LPs from the mid-00's, The Fray's "How to Save a Life" and Train's "Drops of Jupiter".  Is Over My Head (Cable Car) a certified banger?  How does the rest of "Drops of Jupiter" hold up after it's stand out track?  Is Napa Auto Parts a nice place to work?  Answers to those questions in more in the audio that follows!

Things get a little ~~heated~~ as our intrepid Sad Moth Podcasters Noah and Patrick go toe to toe over the relative merit of Out of Time by R.E.M. and Bandwagonesque by Teenage Fanclub.  **Warning** This one is VERY LONG and goes off the rails about halfway through as things get contentious over the quality of "Losing My Religion".  Listen with caution! 

Sad Moth sits down to explore the merits of The Cure's Disintegration and The Smiths' The Queen is Dead, and debate which is superior. 

Woah! Look at 'em go!  Today we resurrect the Sad Moth Radio Network with a new series we like to call "The album grate debate except this time it's a song but usually it's going to be an album" or "Sad Moth Smackdown".  Normally, we'll debate the merits of two comparable albums, but in this one, we rundown the controversy over the Lana Del Rey/Radiohead beef.  They're fightin' alright, mostly about the similarities between Radiohead's Creep and Ms. Del Rey's song Get Free".  We also discuss  Radiohead's past legal issues over the similarity between Creep and the Hollies' Air that I Breathe.  We then argue over which one of these three songs is actually the best.  Who wins?  Listen on to find out!Here's some links to the songs discussed:Radiohead: CreepLana del Rey: Get FreeThe Hollies: The Air that I Breathe

Sad Moth Manny, Noah, and special guest Nathan are all up in it with a track for track evaluation of two of the most influential albums of all time -- the Digimon: The Movie and Shrek soundtracks.  But which one is better????  We weren't sure either, but we each ranked all of the tracks from first to last, and figured it out!  Who won?  I dunno, you gotta LISTEN to it nerds!vs.Here's the link to the poll we used throughout the episode. We highly encourage you to take it as well!http://www.polljunkie.com/poll/zrwmqc/shrek-vs-digimon-the-movie-the-ultimate-smash-n-bash

1. Steely Dan - Aja2. Toto - Africa3. George Benson - Breezin4. England Dan & John Fore - I'd Really Love to See You5. Stephen Bishop - On and On6. Kenny Loggins - Keep the Fire7. Crawler - Stone Cold Sober8. Ambrosia - How Much I Feel9. Ween - Joppa Road10. Loggins and Messina - Angry Eyes11. Paul Davis - Cool Night12. The Doobie Brothers - Minute by Minute13. Steely Dan - Hey NineteenOne nation under smoothitude

The beauty of the sea is it's mystery, it's majesty.  And the silky smooth grooves that it inspires.  Presenting: The Seas of Pleasure, a weekly radio show on WNUR FM Evanston Chicago,simulcast on the Sad Moth Radio Network.  This week, we've got some Dan, some Doobies, and an appearance from the jazz cat himself.  Check out the maiden voyage below.

We're starting something new on Sad Moth Music!  For those of you who don't know (some of you), and for those of you who don't care (all of you) I (sadmothnoah) have a radio show.  If i do a good one, I'll post in on here for your low-quality-audio listening pleasure. This week, SadMoth Noah plays all the hits from the state that's better than the one he lives in now, that's for sure.  Originally broadcast in front of a live studio audience on WNUR FM Evanston Chicago.Once again I apologize for the bad audio quality.  I think there's a way to get better quality but I'm not sure how to do it.  Maybe I should figure that out. Or not.