Seriously...

With “toxic masculinity” high on the agenda, are we are now viewing boys as potential perpetrators of sexism and violence? Is this fair - and what should we be teaching them? After #MeToo with phrases like “toxic masculinity” on everyone's lips, are we now beginning to view boys as potential perpetrators of sexism and violence? If so, what effect is it having on them? How do we teach boys positive behaviour and prevent them repeating the mistakes of previous generations, without also making them feel that they are being vilified as emerging men? Producer Emma Kingsley, herself a mother of sons, explores this delicate balancing act. She talks to one of her boys and meets boys and girls at Moreton School near Wolverhampton to hear their views. She meets developmental pyschologist Dr. Brenda Todd from City University, London to talk about how problematic ideas around boyhood can develop from an early age. She speaks to Dan Bell from the Men and Boys Coalition who has concerns about how current debates impact on

Who owns Shakespeare? The English? The tourist industry? The world? Branding and Graphic Designer Teresa Monachino goes in search of the 21st century phenomenon that is William Shakespeare and uncovers his contradictory brand values, with the help of a distinguished cast: Rev Dr Paul Edmondson from the Shakespeare Birthplace Trust, Nick Eagleton and Katharina Tudball from SuperUnion Greg Doran, Artistic Director of the Royal Shakespeare Company Vikki Heywood, Outgoing Chairman of the Royal Society of the Arts Chino Odimba, Writer Professor Michael Dobson, The Shakespeare Institute Duncan Lees, Warwick University Michael Pennington, Actor, Director, Writer and Founder of the English Shakespeare Company Alicia Maksimova, Filmmaker Wind up Will Producer: Ellie Richold.

Beanbags! Beanbags are what Millenials want from a job - along with free food and the lofty idea of ‘making an impact’. That’s what academic Simon Sinek's video about "Millennials in the Workplace", enjoyed by over 10 millions viewers, would have you believe. Everyone born between 1980 and 2000 are hobbled by a thin skinned sense of entitlement, weak education, coddling parents and an addiction to social media - and therefore, are terrible to deal with in the workplace. But does that idea of the ‘snowflake’ generation really ring true? How can it be that the most educated, most tech savvy generation to ever exist are the most incompetent in modern history? Why has the Millennial generation become the most mocked and derided in the workplace? By exploring the experiences of Millennials working in the real world, combined with expert inside on the political, economical and psychological anchor points that moulded the Millennial Generation India Rakusen explores the a fundamental clash of life experiences and va

At a time when we're being told we need more empathy, some experts claim that narcissism - empathy's evil twin - is on the rise. Narcissism has vaulted off the psychotherapist’s couch, sprinted away from the psychiatric ward, and is now squatting in the mainstream of popular conversation. Social media seems obsessed with "narcs", and with detecting narcissism personality disorder in people. It may or may not be a coincidence that we ended up with an apparent world-class narcissist in the White House at just the time when we seemed to be undergoing a public crisis about narcissism and narcissists. Blogs and books about narcissists are everywhere. Jolyon Jenkins talks to people who make a living from advising the public about narcissists, and a self-confessed celebrity narcissist who offers consultations to people who think they may be living with one of "his kind". The evidence that there really is more narcissism around seems thin, but that doesn't mean to say that we shouldn't take it seriously when it flips

Empathy is the psycho-political buzzword of the day. President Obama said - frequently - that America's empathy deficit was more important than the Federal deficit. Bill Clinton said "I feel your pain", and Hillary urged us all "to see the world through our neighbour’s eyes, to imagine what it is like to walk in their shoes". Many people have taken up the idea of empathy with gusto, and the United Nations has poured money into virtual reality films that led us allegedly experience the world of, for example, a Syrian refugee. As we seem to be driving ourselves ever deeper into silos of mutual incomprehension, the idea of taking another person's perspective seems an obviously useful one. But what's the evidence that feeling someone else's pain, or even understanding it, actually does any good? Jolyon Jenkins speaks to one self-described intuitive empath, who says she can sense the feelings of strangers in a room or even in the street. She describes it as both a gift and a curse. For the rest of us, is there not

As she prepares to perform two roles in a new production of the classic "White ballet", La Bayadere, the Royal Ballet's charismatic Argentinian-born principal dancer, Marianela Nunez shares her life behind the scenes. Marianela Nunez is considered one of the greatest ballerinas in the world, combining passion and flare from her Argentinian background with discipline and experience from her many years with the Royal Ballet. As she celebrates 20 years dancing with the company, she takes Radio Four's Beaty Rubens behind the scenes, sharing what it means to be a Principal Dancer today. The programme focuses on her preparations to dance the two key roles in the much-loved classic, La Bayadere - the temple dancer Nikiya and the princess Gamzatti. It reveals glimpses of her at home in her native Buenos Aires over the summer, follows her as she travels into work, attends specially - designed Pilates classes and studio rehearsals with the great Russian ballerina Natalia Makarova (who recreated Marius Petipa's 1877 Ind

In 1969 Harold Wilson's Government lowered the voting age from 21 to 18. Fifty years on, with calls for votes at 16 gaining support, Professor James Tilley explores not just whether reducing it further makes sense, but if arguments could be made for raising it back to 21. As most other areas of the law restrict the rights and responsibilities of 16-year-olds, why should voting buck the trend of our rites of passage into adulthood happening increasingly late? Former Labour leader Ed Miliband offers his take on why 16-year-olds should be allowed to vote, and there's some voting mythbusting from Professor Phil Cowley, who honestly answers the question as to whether 16-year-olds really dislike him. LSE Professor of Social Policy and Sociology, Lucinda Platt offers insights into the changes in the age at which key milestones of life happen now compared to in the late 60s, and Dr Jan Eichhorn of the University of Edinburgh explains the picture in Scotland where 16-year-olds can vote. And Maisie and Lottie, campaign

Six months before Neil Armstrong’s ‘one small step’ came humanity’s giant leap. It was December 1968. Faced with President Kennedy’s challenge to land a man on the Moon before the end of the decade, NASA made the bold decision to send three astronauts beyond Earth orbit for the first time. Those three astronauts spent Christmas Eve orbiting the moon. Their legendary photograph, "Earthrise" showed our planet as seen from across the lunar horizon - and was believed to have been a major influence on the nascent environmental movement. Through extraordinary NASA archive, the first British astronaut Helen Sharman goes inside the capsule to tell the story of the first time man went to another world. Written and produced by: Chris Browning Researchers: Diane Richardson and Colin Anderton

Two families from very different backgrounds, one street and a baby on a doorstep. This series charts the story of how a young Christian couple came to entrust the care of their little daughter to a Muslim family that lived nearby in 1990s Watford. They were strangers but the couple - Peris Mbuthia and Martin Gitonga - needed help, as immigrants from Kenya working in low paid jobs with a child to support and no family to step in. They were struggling and their relationship was under strain. Early one morning, Martin left his flat with six month old Sandra zipped inside his jacket and handed her over to the Zafars across the road while he went to work at a warehouse. This arrival at the door was an event that changed the course of all their lives - that day the baby girl became the Zafars' Doorstep Daughter. And a special, enduring bond developed between Sandra and the Zafar’s daughter Saiqa. It is a story of faith, trust and love - a modern day telling of how it takes a village to raise a child. In this first

How did Twitter, invented to allow friends to keep track of each other's social lives and interests, become a key forum for political debate? And what effect has the social media platform had on the nature and quality of public life? Presenter David Baker speaks to the man who taught President Trump everything he knows about Twitter, the head of President Obama's social media campaign, and Twitter's own leader on strategy for public policy, to explore the real effect that it has had on politics. Producer: Jonathan Brunert

Young UK adults talk about the issues that matter most to them - and why they should matter to all of us.A new podcast from Radio 4.

'Gagging clauses' - NDAs or non-disclosure agreements - have been rarely out of the headlines in recent months. High profile cases in business, politics and celebrity life have prompted calls for an outright ban, particularly when used to cover up apparent sexual impropriety. This programme explores the rise and rise of the NDA. Who uses them, why, and when? Are they an invisibility cloak, helping the rich and powerful to silence victims of their bad behaviour? Or are they a vital tool for those looking to protect personal privacy and business interests? Tiffany Jenkins investigates. Producer: Dave Howard

The Berlin-based Argentinian artist, Tomás Saraceno, trained as an architect. He was struck by the beauty of spider webs, their structural intricacy and began making them into sculptural works. Then he realised that every time a spider tugs a string as it spins a web, or moves along the silken strands, this causes vibrations. Using microphones and amplifiers it is possible to hear the tiny music they make. The different species create various sounds - bass, treble, percussion - and the result is an orchestra of arachnids. On Air is Saraceno's latest and most ambitious exhibition. He has filled the Palais de Tokyo in Paris with extraordinary, beautifully lit spiders' webs, some connected to microphones so their occupant's movements echo round the gallery. There is an African spider that spins large webs which lift in the wind and so they travel, gliding places new. This inspires Saraceno's light-weight sculptures that do the same, and an aeolian harp of spider silk, which sings in response to the turbulence ca

The sounds of casting, chiming, singing and clanging are fused together to make a magical sound track to the story of how meat cleavers have been used as musical instruments for over 300 years.. Growing up in Suffolk, Nathaniel Mann, heard stories passed down by his grandma about a tradition of the village Rough Band, made up of pots and pans, iron and metal implements, including meat cleavers - delivering a sort of sonic warning to anyone stepping out of line, committing adultery or behaving in way considered unacceptable. As part of the Avant-Folk trio 'Dead Rat Orchestra', Mann, a singer and composer, has long been playing music with strange percussive instruments. Coming across an old meat cleaver in his dad's garage he was inspired to make a set of cleavers to play music on - so turned to a bronze bladesmith to help turn meat cleavers into musical gold. In a chance discovery, he discovered the idea wasn't new - and so he sought out Jeremy Barlow, author of “The Enraged Musician”, to find out the coded me

Artist Emma Critchley meets filmmakers, photographers, sculptors and painters who are drawn beneath the sea to create underwater art. Julie Gautier performs a graceful, lyrical ballet on the floor of the deepest pool in the world. Without a tank of air or mask, she dances magically through crystal-clear waters across a sunken stage. In the azure waters of the world, sculptor Jason deCaires Taylor uses the seabed as his canvas. He has installed hundreds of life-sized, concrete people on the sea floor. Fish weave through his couple playing on sea-saw, tourists taking photographs or migrants huddling in a raft. As Jason works towards the opening of his first cold water installation, Emma asks what draws him to the sea, the meaning of his work and how audiences can engage with underwater art. She explores the unpredictability of working with the sea, hearing stories of storms, seasickness and near drowning. Suzi Winstanley is petrified of the deep, but her passion for documenting wildlife has taken her to the rem

Laurie Taylor investigates the people who hear the voices of the dead in recorded sounds - and uncovers the strange and haunting world of auditory illusion. Believers in EVP, or Electronic Voice Phenomena think they're hearing the voices of the beyond - messages captured in the throb and static of white noise. Laurie Taylor's a rationalist - he doesn't go in for this mumbo-jumbo. But whilst the peculiar world of EVP may not be evidence of the afterlife, it does show how we're susceptible - far more susceptible than we might have ever believed - to be deceived by our ears. Laurie takes us on an mind-bending journey through the world of aural hallucination and illusion - revealing how the ghosthunters of EVP actually are showing off something rather profound about the flaws in our auditory perception...and they way we scrabble for meaning in the booming, buzzing confusion of the world around us. Contributors include the acclaimed expert on auditory illusion Diana Deutsch, writer and sound artist Joe Banks, neur

Alex Bellos is brilliant at all things mathematical, but even he can't hold a candle to the amazing mathematical feats of the supercalculators. Alex heads to Wolfsburg in Germany to meet the contestants at this year's Mental Calculation World Cup. These men and women are the fastest human number crunchers on the planet, able to multiply and divide large numbers with no need to reach for a smart phone, computer or calculator. So how do they do it, and is it a skill that any of us can learn? Alex talks to Robert Fountain, the UK's two-time winner of this prestigious prize, about his hopes for this year's competition and the mathematical magicians of the past who have inspired him. He also meets Rachel Riley, Countdown's number queen, to find out what it takes to beat the countdown clock.

Donald Trump's pledge to build a "big beautiful wall" along the US-Mexico border has inserted a political urgency into the mainstream art world and made the Latino experience a point of inspiration for many. Seven artists working on either side of the border wall, from the Pacific Ocean in the west to the Gulf of Mexico in the east, describe their work and how recent US immigration policy has helped to shape it. From music, to sculpture, virtual reality and performance art, the Art of Now explores the diverse artistic scene thriving along the 2000 miles border. Producer: Sarah Shebbeare

How instant noodles, now 60 years old, went from a shed in Japan to global success. What is the most traded legal item in US prisons? Instant Noodles. According to the World Instant Noodles Association, 270 million servings of instant noodles are eaten around the world every day. Annually, that's 16 to 17 portions for every man, woman and child. At the turn of the millennium, a Japanese poll found that "The Japanese believe that their best invention of the twentieth century was instant noodles." The Taiwanese-Japanese man who invented them (Momofuku Ando) was convinced that real peace would only come when people have enough to eat. In the bleak wreckage of post-war Japan, he spent a year in a backyard hut, creating the world's most successful industrial food. Crucially, he wanted the noodles to be ready to eat in less than three minutes. That convenience has since become a selling point for noodles that are consumed by students, travellers and, yes, prisoners the world over. Instant noodles first went on sale

The story of knife crime, told in verse by the weapon itself. Why do teenagers carry knives? How does it feel to live in a world where that's normal? How should we respond to the moral panic generated by the current wave of youth crime? Momtaza Mehri, Young People's Poet Laureate for London, presents a verse-journey into the thoughts and feelings of those for whom knife crime is an everyday reality. Perpetrator or victim, armed or defenceless, all the lines blur in "Ballad of the Blade" - a poem told in the voice of the knife as it travels on a chilling arc out of a child's bedroom, through fear, a yearning to belong and succeed, ruin and - sometimes - redemption. First-person voices from London and Sheffield splinter through the poem, reflecting the mosaic of lives affected by youth violence - bereaved youngsters and determined parents, criminals and youth workers. "Ballad of the Blade" is scored by Jon Nicholls. The programme was devised by Andrew Efah of BBC II! Producer Monica Whitlock.