The Allusionist

It’s the annual bonus episode. Throughout the year, the people who appear on the show tell me a lot of interesting stuff, not all of which is relevant to the episode they initially appeared in, so I stash it away in preparation for this moment. This year, hear about the history of roller skates, zazzification, giant origami, the heat death of the universe and more. Find information about this episode at http://theallusionist.org/bonus2017. Come to see the live Allusionist show at SF Sketchfest, 10pm 12 January at the Brava Theater in San Francisco. Tickets are on sale now at http://tinyurl.com/allusionistsfsketchfest2017. The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Charles Dickens wrote about the plight of the impoverished and destitute members of British society. So how come his name is a synonym for rosy-cheeked, full-stomached, fattened-goose, hearty merry “God bless us every one” Christmas? Avery Trufelman and Katie Mingle of 99% Invisible report from the streets of Victorian London at the annual Dickens Christmas Fair in Daly City, California, while historian Greg Jenner explains the origins of the festive traditions for which Dickens gets the credit, without even wanting the credit – in fact, his motivation for writing A Christmas Carol was far from a cash-in on Christmas. Find out more about this episode at http://theallusionist.org/dickens-christmas. The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Somebody has really ticked you off. You’re all steamed up inside and you want to vent that rage using words, but you don’t want to confront them directly because you’re either too polite or too cowardly. So do you:A. Subtweet them.B. With your finger, scrawl an insulting message into the dirt on their car.C. Get a small sheet of lead, scratch into it a message cursing your enemies, roll it up and throw it into your nearest sacred spring? Oh, I forgot to mention that it’s 1,700-2,000 years ago and you’re living in the Ancient Roman Empire, so the answer is C. Stephen Clews, the manager of the Roman baths at Bath, shows us the curses that were sloshing around in the waters for hundreds of years. NB One category A and one category B swear appear in this episode. Find out more about this episode at http://theallusionist.org/curse-tablets. The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusio

You’re holding a letter. What’s inside? A weather report from 5,000 miles away? Some devastating family history? A single word? A heartfelt dispatch from your past self that’s about to change the course of your life? Find out more about this episode at http://theallusionist.org/open-me-2. The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

From Me To You’s Alison Hitchcock and Brian Greenley didn’t know each other well. But when Brian was diagnosed with stage 4 cancer, Alison offered to write him letters. 100 letters later, their lives were changed. Ear Hustle is a podcast made inside San Quentin by and about the men incarcerated there, in collaboration with Nigel Poor. In prison, a letter is a precious thing. Find out more about this episode at http://theallusionist.org/open-me-1. The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Roman Mars returns for our annual dose of eponyms – words that derive from people’s names. This year: explosive revelations about the origins of the word ‘guy’. Find out more about this episode at http://theallusionist.org/guy. CONTENT NOTE: the episode contains a description of 17th century torture and execution. The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

You’ve encountered technobabble when Doc Brown is shouting about flux capacitors in Back To The Future, or when Isaac Asimov writes about positronic brains. Astrophysicist Katie Mack and NASA JPL technologist Manan Arya discuss how science fact relates to science fiction. This episode is a collaboration with Eric Molinsky of Imaginary Worlds; listen to his episode about technobabble, featuring ACTUAL HOLLYWOOD TECHNOBABBLERS, at http://imaginaryworldspodcast.org. The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

“Accent is identity. It’s a way of encoding and signaling – almost completely at an unconscious level for most people – who they feel like they are, who they want to be seen as, what group they feel like they belong to.” The podcast Twenty Thousand Hertz investigates how accents have evolved in the UK and USA. Hear Twenty Thousand Hertz at http://20k.org and find out more about this episode at http://theallusionist.org/evolution-of-accents. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Crossword-solving is often a solitary activity – over breakfast; on the train; on the loo… But a few times a year, crossword puzzle enthusiasts gather in their hundreds to compete to be the fastest, most accurate crossword-solver. This episode comes to you from a church basement on the Upper East Side of New York City, wherein takes place America’s second largest crossword puzzle tournament: Lollapuzzoola. For more about this episode, visit http://theallusionist.org/lollapuzzoola. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

“It’s sort of frozen body language; that’s what handwriting analysis is about.” Since it caught on a couple of hundred years ago, graphology – analysing handwriting to deduce characteristics of the writer – has struggled to be taken seriously as a practice. But undoubtedly, there are things about ourselves that we can’t help but reveal in our handwriting. Graphologist Adam Brand explains the ‘pseudoscience/useful art’. For more about this episode, visit http://theallusionist.org/graphology. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

They look like numbers. They sound like numbers. You kinda know they are numbers. But they’re not actually numbers. Linguistic anthropologist Stephen Chrisomalis explains what’s going on with indefinite hyperbolic numerals like ‘zillion’, ‘squillion’ and ‘kajillion’. For more about this episode, visit http://theallusionist.org/zillions. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Translation, A Love Story: Translator listens to The Allusionist. Translator hears about the podcast The Memory Palace. Translator listens to The Memory Palace. Translator immediately becomes smitten with The Memory Palace. Translator translates The Memory Palace from English to Brazilian Portuguese, and turns it into a book – O Palácio da Memória – which will be published in Brazil two weeks hence. But, like any love story, it’s not quite that simple. Literary translator Caetano Galindo recounts the trials and treats of turning Nate DiMeo’s English language audio into Brazilian Portuguese text. Find out more about this episode at http://theallusionist.org/translation, and hear The Memory Palace at http://thememorypalace.us. The Allusionist is on a break during July. There’ll be a new episode out on 4 August; meanwhile, stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow. And come to see the live show at the London Podcast Fes

It’s August 2007. Lauren Marks is a 27-year-old actor and a PhD student, spending the month directing a play at the Edinburgh Fringe Festival. She’s in a bar, standing onstage, performing a karaoke duet of ‘Total Eclipse of the Heart’…and then a blood vessel in her brain bursts. When she wakes up in hospital, days later, she has no internal monologue, and a vocabulary of only forty words. Find out more about this episode at http://theallusionist.org/eclipse, and more about Lauren at http://astitchoftime.com. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

There’s a small matter I trip over regularly in the Allusionist:Dates.Not the fruit. Specicially, the terms BC and AD, Before Christ and Anno Domini (‘the year of the Lord’ (‘the Lord’ also being Christ)). How did Jesus Christ get to be all up in our system of counting the years? There’s more about the episode at http://theallusionist.org/abdc.  Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

As discussed in episode 51, Under the Covers part II, the vocabulary for sex and associated body parts is tricky to navigate in many ways – but even more so if you are trans or gender non-binary. CONTENT NOTE: this episode contains strong language and frank discussions of sex and bodies. There’s more about the episode at http://theallusionist.org/joins. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

“You keep using that word. I do not think it means what you think it means.” Hrishikesh Hirway of Song Exploder wants people to stop saying ‘namaste’ after a yoga session. There’s more about this episode at http://theallusionist.org/namaste. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

“Sometimes you want to make the dictionary sexy but it’s just not a sexy thing,” says Kory Stamper, lexicographer for the Merriam-Webster dictionaries. Sorry if this is disillusioning news for you. The dictionary is not a sexy thing, but as Kory explains, it is a fascinating, complicated, exacting thing. There’s more about this episode at http://theallusionist.org/authority. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

“Recognizing someone’s humanity is crucial. Calling someone a migrant, calling someone an asylum seeker, calling them a refugee: these are official categories. But in many ways, depending on how they use them, they can change and become more negative.” So says propaganda and migration specialist Emma Briant, as she explains the dangers of conflating and misusing terms like ‘refugee’ and ‘asylum seeker’, while British/Asian/but-kinda-not author Nikesh Shukla wonders where he’s from – where he is really from. There’s more about this episode at http://theallusionist.org/migration. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Sometimes words can become your worst enemy. Clinical psychologist Jane Gregory tells how to defuse their power. There’s more about this episode at http://theallusionist.org/behave-rerun. The main part of this episode is a rerun, but there’s new material as well – get ready for a thrill-ride into medieval accounting technology. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

The term ‘sanctuary cities’ has been in the news a lot in the past few weeks, as places in the USA declare themselves to be havens for undocumented immigrants. Though ‘sanctuary’ has a history of meaning safety for the persecuted, it has an even longer history of meaning something quite different: refuge for criminals. Rosalind Brown, a canon at Durham Cathedral, and historian John Jenkins explain how and why, for 1000 years, churches in England offered shelter to murders and thieves fleeing justice. For more information about this episode, visit http://theallusionist.org/sanctuary; and listen to the 99% Invisible episodes about the modern sanctuary movement at http://99pi.org. Find the show at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.