Writing Excuses

Your Hosts: Dan, Tempest, and DongWon The single most asked question we get on the subject of writing cultures other than our own is some variation on "can we even DO this anymore?" Short answer: YES, YOU CAN. Our objective with this episode is to encourage you to put in the work, do the research, and write outside of your culture or personal experience. At risk of sounding cliché, it's not easy, but it's worth it.

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard What is an allegory, anyway? This episode probably won't settle that question, but we did manage a discussion on how to use our stories to teach things, or be stand-ins for things, and to do it in the ways that allegories and/or parables might. We talk about some famous allegories, some things whose authors insisted were not allegorical, and the possible pitfalls of didacticism. Credits: This episode was engineered by Dan Thompson and mastered by Alex Jackson.

Your Hosts: Brandon, Dan, Howard, and Mahtab We often worldbuild religions and rituals for the stories we create. In this episode we discuss the decisions surrounding this, and our approaches for doing it well. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Dan, and Howard Theme is one of those high-falutin' concepts we're often reluctant to approach in a nuts-and-bolts sort of way. In this episode we'll talk about how our themes can be communicated through elements of our settings, deepening reader engagement with the things we write. We offer examples from our own work, and from things we've watched or read which have done this in ways that resonated well for us. Credits: This episode was recorded by Rob Kimbro, and mastered by Alex Jackson

Your Hosts: Howard, Mary Robinette, Dan, and DongWon This episode is about comp titles (comparative titles), which are those things you use to describe your project in terms of other works. We discuss the ones we've used (both successfully and unsuccessfully), and the criteria we use to come up with good ones. Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard Your setting can quickly tell the reader what kind of a story they're reading, and in this episode we'll talk about how we make that happen. Think of it as the "establishing shot" principle from film making, expanded to cover whatever worldbuilding details we choose to reveal first. Liner Notes: Here are the Schlock Mercenary Book 19 prologues Howard described, complete with the footnotes which make fun of prologues. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Dan, Howard, and Mahtab We've spent a lot of time talking about magic systems in our worldbuilding. It's time to talk about  science and technology in that same way. This has been a staple (perhaps the defining staple) of science fiction since before "science fiction" was a word. At risk of opening the "where do you get your ideas" can of worms, this episode covers a little bit of where we get our ideas, and where you might get—and subsequently develop—some more of yours. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Dan, and Howard "Show, don't tell," they tell us. Except sometimes showing is not always the best thing to do. Or even the right thing to do. Sometimes we should be telling. In this episode we'll tell you about telling. (We'd show you about telling, but we still don't have a video feed.) Credits: This episode was recorded by Rob Kimbro, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard What's the difference between an obstacle and a complication? Margaret Dunlap takes the lead on this episode for us, giving us the tools we need to create 'impediments to main character progress' which will drive our stories across page turns (and commercial breaks) in compelling, twisty ways. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.

Your Hosts: Dan Wells, Tempest Bradford, DongWon Song, and Julia Rios Julia Rios joins us to talk about writing characters who come from one of the many Latin-American cultures or subcultures. "Latinx" is a catch-all term for people with Latin-American heritage, including mixed-race people. In this episode we talk about mash-up cuisine, intersectionality, and how to navigate the subtleties to find the specific cultural elements which will help you create Latinx characters. Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson.

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard When we say "without rules" we're talking about stories whose magic is not held under logical scrutiny for the reader. There are lots of reasons why you might do this, and in this episode we'll talk about not just about the why, but also the how. Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson

Your Hosts: Brandon, Dan, Howard, and Mahtab Let's design magic systems! We talk about how we do it, and how the principles of magic system design apply to the science fiction systems we create, and vice-versa. NOTE: In this episode we're talking about "hard" magic systems, where there are well-defined rule sets (even if the reader isn't shown them explicitly.) Next week we'll talk about "soft" magic. Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson.

Your Hosts: Brandon, Mary Robinette, Dan, and Howard Let's infodump without infodumping. Let's deliver lots of exposition without sounding expository. Let's talk with the maid and the butler without having maid-and-butler dialog. Credits: This episode was recorded by Benjamin Hewett, and mastered by Alex Jackson  

Your Hosts: Howard, Mary Robinette, Dan, and DongWon We invited attendees at WXR 2018 to ask us some general worldbuilding questions. Here's what they asked: What cultural stuff do you need to know during the writing process? How do you treat overlaps between real-world religions and fictional religions when the fictional religions are part of the story's fundamental conflict? How much worldbuilding do you have figured out before you start your first draft, and how much do you discover on the fly? What's the point in a book beyond which you shouldn't introduce big worldbuilding elements? How do you ensure that the world comes through as a character of its own? How much change to terminology is too much? Credits: This episode was recorded live by Bert Grimm, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard How weird, how far outside the realm of what the reader feels to be familiar, is too weird? Where is the line beyond which the fantasy is too fantastic, the unreal too unrealistic, or the aliens too alien? In this episode we discuss finding that line, and with the tools at our disposal, possibly moving it. Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson.  

Your Hosts: Brandon, Dan, Howard, and Mahtab Let's talk about race, sort-of. Let's talk about creating races—species of people, really—which is a critically important activity in much of our worldbuilding. In this episode we discuss a few of the pitfalls, some of our own techniques, and a few of our favorite alien¹ races. ¹Can of Worms: It's likely you'll subconsciously code your creations after people who are "other" to you. This is both fraught and inescapable, but we don't want to discourage you from trying. On May 26th we'll go into detail telling you "yes, you can," in a Writing The Other episode entitled "Yes You Can."

Your Hosts: Brandon, Mary Robinette, Dan, and Howard When you're defining your world for the reader, some voice in the text must speak those definitions. This episode is about how we use character voices—their dialog and their narrative view points—to worldbuild. What do they see? How do they perceive it? What are their favorite jokes? What do they say when they swear? Credits: This episode was recorded by Benjamin Hewett, and mastered by Alex Jackson      

Your Hosts: Dan, Tempest, DongWon, and TJ This is the first of our Writing The Other episodes, in which we set out to help writers portray people who are unlike them. In this episode we're joined by T.J. Berry. She walks us through the language and terminology of bisexuality.  

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard Margaret Dunlap joins us during season 14 to talk about worldbuilding. In this, her first episode with us, we talk about worlds in which a monolithic culture (like, say, 'everyone wears hats') is represented. We cover how to use the trope to your advantage, and how to avoid the trope if it's going to cause problems.

Your Hosts: Brandon, Dan, Howard, and Mahtab Mahtab Narsimhan joins us this year for a dozen episodes on worldbuilding, and this week we're talking about geography and biomes. These pieces of our settings can be central to the stories we tell, but they can also be backdrops, and the story purposes they serve may determine which tools we use to describe them. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson