Word Balloon Comics Podcast

Mark Waid is back to preview his Superman Spiderman crossover. We talk about Mister Terrific's time dislaced team in Justice League Unlimited with a Tim Drake Batman and Blue Superman . Action Comics and the Superboy Saga , plus The World's Finest team of Superman and Batman and Mark's return to the Flash co-writing with Christopher Cantwell 

For years, Word Balloon has celebrated comics, pop culture, and the creative voices that shape them. Now, I want to turn the spotlight home, to Chicago radio comedy, a tradition that doesn’t always get its due.Other cities produced comedy collectives that broke out nationally—groups like The Credibility Gap, The Committee, Ace Trucking Company, and The Firesign Theater. They built reputations that went far beyond their local airwaves. Chicago took a different path. Our radio comedy was more idiosyncratic, more personality-driven, and deeply rooted in the city itself. But make no mistake—we had stars, innovators, and voices that mattered.This series of Word Balloon episodes will explore that history by talking directly to the people who lived it. Writers, performers, hosts, and producers who made Chicago radio funny, fearless, controversial, and unforgettable. Today’s episode starts on a personal note. During my years at WSCR The Score, I was lucky enough to contribute parody songs and character voices during

Welcome back to E-Motion Sickness, the Love Boat rewatch podcast where we chart the smooth seas, the rough waters, and the truly baffling creative decisions behind one of television’s most unlikely hits.Today we’re tackling the third Love Boat pilot film,the one where things finally start to feel like The Love Boat we remember. This time around, the puzzle pieces are coming together. Gavin MacLeod and Lauren Tewes finally join the other regular crew members, and for the first time the show feels like an actual ensemble instead of a rotating experiment. The chemistry improves, the tone settles down, and you can sense the producers getting closer to the formula that would eventually make the series a monster hit. That doesn’t mean everything works, far from it. Some storylines still wobble, some guest stars are clearly testing the limits of what this show wants to be, and there are creative choices that didn’t survive the voyage. But this pilot is fascinating because it’s the turning point. It’s where The Love

The IDW Editors of The Twilight Zone Ellen Boener and Nic Nino talk to me about the new series. It's a great collection of one and done stories that honor the tone and spirit of the iconic show.Technical issues really messed up the majority of the talk.Apologies, the arctic weather has been screwing with my streaming ability

All aboard for a brand-new podcast that dives headfirst into smooth seas, wild guest stars, and peak pop-culture chaos. E-Motion Sickness: A Love Boat Re-Watch is hosted by John Siuntres and Franco from the Word Balloon Network, and it’s exactly what it sounds like: a loving, clear-eyed, occasionally seasick revisit of The Love Boat, episode by episode.This isn’t just a recap show. Each episode breaks down the guest stars, the bonkers storylines, and the real-world pop-culture moments happening the very week each episode originally aired. If you’ve ever wondered why this episode feels like 1978 in human form, this podcast has answers.In the debut episode, the guys start where the series itself stumbled: the two misfire pilot TV Movies, featuring different captains, different crews, and a show still trying to figure out what it even is? The results? Absolute Madness. Highlights include:A shirtless Gabe Kaplan aggressively pursuing a swimsuit modelDon Adams attempting to murder Florence HendersonAnd Hope Lange

Today we’re breaking down Starfleet Academy, Episode 3, the episode that really tells us what kind of show this wants to be. The training wheels are off, the characters are starting to lock into focus, and the series finally leans into its core question: what does it actually mean to earn the uniform in a post-Burn, post-myth Federation?Wraslling with the finer points of the frat wars of the episode special guest Andy Price joins us. 

Today on Word Balloon, we’re joined by one of the true originals of independent cinema, Lloyd Kaufman, the co-founder and driving force behind Troma Entertainment, the longest-running independent film studio in the world and the home of cult classics like The Toxic Avenger and Class of Nuke ’Em High.For more than five decades, Lloyd has made movies completely on his own terms, low budget, high attitude, zero apologies. In this conversation, we talk about how Troma survived outside the Hollywood system, why embracing the underground still matters, what it really takes to stay independent, and how creativity thrives when you stop waiting for permission. This isn’t just a trip through cult-film history, it’s a master class in doing it yourself and sticking around long enough to prove it works

Taking a short break with ny voice and letting my colaborator and friend Eoin, host this edition of Word Balloon with an episode of his podcast Creator In Conversation.On this episode of Creator in Conversation, we’re sitting down with two voices from very different ends of the comics spectrum-Eoin McAuley, the head of Lightning Strike Comics out of Ireland, and a true legend of the medium, Frank Miller.This isn’t a nostalgia lap or a greatest-hits rundown. It’s a real conversation about storytelling, creative risk, influence, and how the medium keeps evolving,sometimes uncomfortably, sometimes brilliantly. We talk process, career arcs, the weight of legacy, and what it actually means to keep creating when expectations are sky-high and the industry never stops shifting.

Jeremy Haun joins Word Balloon for a timely, wide-ranging conversation about creator ownership, publishing independence, and the moment The Beauty is having right now. With The Beauty debuting this week as an FX/Hulu television series produced by Ryan Murphy, Jeremy breaks down how the show translates his original Image Comics series to the screen, what stayed true, what changed, and why those differences actually matter. It’s an honest look at adaptation, collaboration, and letting a story evolve without losing its core. From there, the conversation shifts to the launch of Ignition Press: why Jeremy helped build a new publisher, what gaps he sees in the current comics landscape, and how Ignition plans to support creator-owned projects from concept to long-term success. Jeremy is candid about the realities of adaptation, the lessons learned from The Beauty, and why betting on bold, creator-driven ideas is more important now than ever. If you care about where comics, TV, and creator ownership intersect, this e

Van Jensen joins Word Balloon for a wide-ranging conversation about genre, adaptation, and why the best stories don’t play it safe. We dig into God Fall, Van’s epic, faith-shaking fantasy novel series that’s now being developed as a television project by Ron Howard and Imagine. Van breaks down what drew Hollywood to the property, how the story’s mix of theology, rebellion, and cosmic war translates to the screen, and what he hopes survives the adaptation intact.From there, we zoom out on Van’s knack for genre splicing—stories that take familiar frameworks and twist them into something sharper and stranger. That includes his IDW comic Godzilla: Heist, which turns the King of the Monsters into the centerpiece of a crime caper, and his take on Pinocchio, which leans far closer to the original, darker fairy tale than the softened Disney version most people know. It’s a conversation about respecting myth, bending expectations, and trusting readers—and viewers—to follow bold ideas wherever they lead.

Today on the show, I’m joined by one of the most influential visual storytellers in modern comics, Charlie Adlard. Best known as the co-architect of The Walking Dead, Charlie helped redefine what long-form horror could look like on the page, grounding the apocalypse in raw humanity, brutal choices, and unforgettable imagery that fueled a global phenomenon across comics, television, and pop culture.Now Charlie is turning the page with a powerful new graphic novel, Altamont, a deeply personal and atmospheric work that strips everything down to essentials: memory, loss, place, and the quiet weight of time. Altamont was the location for the infamous tragic 1969 concert that claimed the life of a fan, by the hands of a security person. We’ll talk about the origins of Altamont,and how it reflects where he is creatively today. We’ll also look back at The Walking Dead itself: how lightning struck, why it connected so deeply with readers, what surprised him most about its rise, and how he views the legacy of the serie

School is in sessio with new characters and old Disco folk. What did our crew members think?

Brad Meltzer is back talking comics and his amazing novels. You ever hold a book in your hand and feel like the world just flipped on its axis? That’s what happens when Brad drops a thriller. And today? We’ve get the lowdown on The Viper — the latest, pulse-pounding, turn-every-page thriller that just hit bookstores and is already getting the kind of buzz most authors only dream about. It's a bizzare case for Nola Brown, High stakes. Deep conspiracies. Characters you swear are real. That’s classic Meltzer — smart, sharp, unrelenting — and The Viper delivers in spades.But if you think that’s big… wait for this. Brad Meltzer is stepping into an entirely new arena. A crossover that nobody saw coming — a collision of icons that will shake the comics world to its core. He’s writing Spider-Man/Superman — yes, Spider-Man and Superman — in an unprecedented crossover event for Marvel, dropping mid-April. Two universes. Two legends. One story. And Brad is the architect. So buckle up, because whether you’re here for the

Today we’re dialing it up with one of the most provocative, inventive voices in comics: Tom King. We’re breaking down all the big news around Tom’s upcoming DC slate — including the Mister Miracle animated project that’s turning heads with its bold reimagining of Scott Free, and the fresh twists he’s bringing to Lanterns that are already reshaping the mythos of the emotional spectrum. Yep, we’re talking what it means for the future of the DCU, what fans can expect, and why these books matter beyond just explosions and capes.But we’re not stopping there. Later in the show: Archie Movie Roundup — we’re diving into what’s next for Archie on the big screen, how the classic juggernaut’s Hollywood evolution is playing out, and what it means for the Riverdale universe and beyond. We’ll also take a hard look back at classic movies that shaped storytelling — old favorites, hidden gems, and the films that keep influencing creators today.Plus: The usual deep dive into craft, comics philosophy, life lessons from panels a

It's a new King's speech with writer Tom King We open with breaking ground on the big screen. Tom King talks about the upcoming Supergirl movie and how his Eisner-winning comic Supergirl: Woman of Tomorrow became the creative DNA for the film. In Trinity, Tom breaks down the core idea behind the series—using time travel not as a gimmick, but as a way to finally let Wonder Woman’s daughter Lizzie truly know her father. Through fractured timelines and lived-in moments, Lizzie comes to understand Steve Trevor not as a legend or a memory, but as a man. It’s personal, it’s intfilm, imate, and it reframes the Trinity legacy in a way that sticks. We also widen the lens and talk Wonder Woman herself—what she represents now, what she’s always represented, and why writing her requires a different emotional frequency than almost any other character in comics. And yes—we go there. Tom is candid about his lingering regret in the Bat-corner of the DC Universe: Alfred Pennyworth is still gone, and Tom reflects on the weight

This special episode commemorates the 60th anniversary of the groundbreaking ABC television series Batman, the pop-culture lightning bolt that turned comic books into primetime spectacle and permanently rewired how superheroes could be portrayed on screen. I share a couple of professional and personal encounters with "The Bright Knight" But, at the heart of the episode is a rare 2016 interview with the late, great Adam West, recorded not long before his passing. West reflects candidly on stepping into the cape and cowl, navigating the razor-thin line between sincerity and satire, and why playing Batman seriously—even when the world was laughing—was the key to the show’s success. He discusses:How the series embraced comic-book logic without mocking itThe cultural shockwave of Batmania in the 1960sThe unexpected responsibility of becoming Batman to generations of fansWhy the role followed him for life—and why he ultimately embraced that legacyThis episode isn’t just a celebration of a TV show. It’s a tribute to

Word Balloon Book Club brings together John Siuntres, Patreon supporters, and members of Brian Michael Bendis’s Discord for an in-depth, no-nonsense discussion of The Hunter, the hard-boiled graphic novel adaptation by Darwyn Cooke.The conversation digs into Cooke’s razor-sharp storytelling, his mastery of mid-century crime aesthetics, and how The Hunter distills the brutal, minimalist spirit of classic pulp fiction into pure visual momentum. We break down Cooke’s page design, color choices, and economy of dialogue, while also talking about why Parker remains such an enduring anti-hero and how this book stands apart from more traditional crime comics.It’s a smart, passionate discussion fueled by creators, longtime readers, and serious fans.Equal parts literary analysis, comics craft talk, and shared enthusiasm for one of the great graphic novels of the 21st century. Exactly what a book club should be: focused, informed, and fun.

set sail with its maiden voyage, and we’re not easing into calm waters. In this debut episode, John Siuntres and Franco dive headfirst into Season One, Episode One of The Love Boat, the episode that launched a TV institution and defined late-’70s comfort viewing for decades to come. Joining them as this week’s guest passenger is Margaret Larkin from The Radio Girl Podcast, bringing sharp insight,  and zero tolerance for shallow nostalgia. Together, the crew breaks down:The episode’s multiple guest-star storylines and how the rotating-romance format was established right out of the gateWho these guest stars really were beyond their Love Boat appearances—career highs, unexpected turns, and pop-culture contextBehind-the-scenes facts, network strategy, and why this show worked when it absolutely shouldn’t haveWhat holds up, what’s already dated, and what still weirdly worksThis isn’t a breezy recap. It’s a smart, funny, occasionally skeptical re-watch that treats The Love Boat as both a time capsule and a televis

Today On Word Balloon Scene Missing takes a deep dive into Otto Preminger’s Anatomy of a Murder, the landmark courtroom drama that shattered Hollywood taboos and rewrote how adult themes could be portrayed on screen.Joining me is Chicago radio legend Dan McNeil, known to generations of listeners from WSCR and WMVP, bringing his sharp perspective and cultural memory to the conversation. We break down why Anatomy of a Murder was so controversial in 1950.From its frank sexual dialogue and moral ambiguity to Duke Ellington’s groundbreaking jazz score, and why it still feels modern today. McNeil and I examine James Stewart’s career-defining performance, George C. Scott’s volcanic debut, and Preminger’s fearless refusal to spoon-feed the audience easy answers. This isn’t just a film-school autopsy. It’s a conversation about censorship, masculinity, truth versus storytelling, and how a supposedly “old” movie still punches harder than most modern courtroom dramas. Smart, opinionated, and unapologetically adult.