New Books In German Studies

Historian and academic Roger Moorhouse, revisits the opening campaign of World War II, the German invasion of Poland in September 1939., in his new book Poland 1939: The Outbreak of World War II (Basic Book, 2020). Although the German invasion was the cause of the outbreak of World War II, oddly there has not been much by way of English language treatments of this pivotal historical episode. With this fine and highly readable narrative history, Moorhouse more than makes up for this omission. Combing English, German and crucially Polish language sources, Moorhouse reveals to the reader the German campaign from start to finish. Along the way showing that stereotypical Western images of the Polish army: cavalry charging tanks, are mythological in nature and inaccurate. Moorhouse also details for the reader the shameful refusal of the British and French governments to assist their Polish ally. Equally well illustrated is the Soviet Union’s invasion of Eastern Poland. With the Soviet mythology that the invasion wa

Robert Whitehead of London, a self-described “Business Man” who was “no Churchman and not a Jesus worshipper, much as I admire him,” wrote to Robert Eisler on New Year’s Eve of 1929, asking “if it is a frequent occurrence that men see The Christ; and are there occasions known when the visions are free from religiosity and at the same time full of life and power?” These questions came in light of Whitehead’s dramatic experience when he had seen a blazing vision of Christ in his home. In letters between the two men over the next few years, Eisler gave a startling psychoanalytic interpretation of the dream, which he eventually published. In this episode, I talk about Eisler’s only known attempt to psychoanalyze anyone else with psychoanalyst and religion scholar Marsha Hewitt. Guest: Marsha Hewitt (Trinity College, University of Toronto) Voice of Robert Eisler: Logan Crum Additional voices: Logan Marshall Music: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra. Funding provided by the O

In his new book, Learning Empire: Globalization and the German Quest for World Status, 1875-1919 (Cambridge University Press) Erik Grimmer-Solem examines the process of German globalization that began in the 1870s, well before Germany acquired a colonial empire or extensive overseas commercial interests. Structured around the figures of five influential economists who shaped the German political landscape, Learning Empire explores how their overseas experiences shaped public perceptions of the world and Germany's place in it. These men helped define a German liberal imperialism that came to influence the 'world policy' (Weltpolitik) of Kaiser Wilhelm, Chancellor Bülow, and Admiral Tirpitz. They devised naval propaganda, reshaped Reichstag politics, were involved in colonial and financial reforms, and helped define the debate over war aims in the First World War. Looking closely at German worldwide entanglements, Learning Empire recasts how we interpret German imperialism, the origins of the First World War, a

Warning: Economics. In this episode, we begin with Eisler’s testimony before the skeptical Senators of the Committee on Banking and Currency in Washington, D.C. on January 20, 1934, in which he proposed that the nation adopt a dual currency system to control inflation and end the Great Depression. I (a non-economist) talk about what this means with noted economist Miles Kimball, who has recently brought renewed attention to Eisler’s plan in his own work. We also learn about Eisler’s theory of who actually wrote what we call the Gospel of John, talk with Steven Wasserstrom about Eisler’s brief involvement with Carl Jung and the Eranos Conference, and interpret a “dream poem” that Eisler recorded at his mother’s house in 1936. Guests: Guests: Miles Kimball (The University of Colorado-Boulder), Steven Wasserstrom (Reed College). Voice of Robert Eisler: Caleb Crawford Additional voices: Brian Evans Music: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra. Funding provided by the Ohio Univ

Today we speak with Luca Scholz, a Lecturer in Digital Humanities at the University of Manchester. Dr. Scholz has varied interests: wide-ranging data analysis, the collection of that data, broad trends over space and time, all of which intersect in the topic of today’s talk, his first monograph, Borders and Freedom of Movement in the Holy Roman Empire (Oxford University Press). The book draws on sources discovered in twenty archives, from newly unearthed drawings to first-hand accounts by peasants, princes, and prisoners. Scholz's maps shift the focus from the border to the thoroughfare to show that controls of moving goods and people were rarely concentrated at borders before the mid-eighteenth century. Uncovering a forgotten chapter in the history of free movement, the author presents a new look at the unstable relationship of political authority and human mobility in the heartlands of old-regime Europe. We delve deeply into the issues under discussion, particularly the conceptions of borders and free movem

How did an authoritarian regime help lay the cornerstones of human rights and international law? Soviet Judgement at Nuremberg: A New History of the International Military Tribunal  (Oxford University Press, 2020) argues that Anglo-American dominated histories capture the moment while missing the story. Drawing upon secret archives open for a few brief years during Russia’s liberalization, Francine Hirsch takes readers behind the scenes to private parties and late-night deliberations where the Nuremberg Principles took shape. A vital corrective told through the messy and all too human negotiations behind a trial that changed everything and almost never happened. Francine Hirsch is the Vilas Distinguished Achievement Professor of History at University of Wisconsin-Madison. Her first book Empire of Nations: Ethnographic Knowledge and the Making of the Soviet Union (Cornell UP, 2005) received the Herbert Baxter Adams, Wayne S. Vucinich, and Council for European Studies book prizes. She specializes in Russian and

Of the many medical specializations to transform themselves during the rise of National Socialism, anatomy has received relatively little attention from historians. While politics and racial laws drove many anatomists from the profession, most who remained joined the Nazi party, and some helped to develop the scientific basis for its racialist dogma. As Sabine Hildebrandt reveals in The Anatomy of Murder: Ethical Transgressions and Anatomical Science during the Third Reich (Berghahn, 2017), however, their complicity with the Nazi state went beyond the merely ideological. They progressed through gradual stages of ethical transgression, turning increasingly to victims of the regime for body procurement, as the traditional model of working with bodies of the deceased gave way, in some cases, to a new paradigm of experimentation with the “future dead.” Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we focus on one of Eisler’s most controversial works, a reconstruction of the 1st-century Roman Jewish historian Josephus’ account of the events surrounding the death of Jesus and the ministry of John the Baptist, including a new physical description of Jesus that apparently prompted the Christ to appear to followers in America to prove he did not look like Eisler said he did. Also, Eisler gets into a bitter back-and-forth with Solomon Zeitlin in the pages of the Jewish Quarterly Review and one Christian scholar dedicates an entire book to discrediting the methods of Eisler and other “learned Jews." Voice of Robert Eisler: Caleb Crawford Additional voices: Brian Evans Music: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra. Funding provided by the Ohio University Humanities Research Fund and the Ohio University Honors Tutorial College Internship Program. Special thanks to the Warburg Institute. Bibliography and Further Reading --Eisler, Robert. The Messiah Jesus and

In her new book, After the Berlin Wall: Memory and the Making of the New Germany, 1989 to the Present (Cambridge University Press, 2019), Hope M. Harrison examines the history and meaning of the Berlin Wall, Drawing on an extensive range of archival sources and interviews, this book profiles key memory activists who have fought to commemorate the history of the Berlin Wall and examines their role in the creation of a new German national narrative. With victims, perpetrators and heroes, the Berlin Wall has joined the Holocaust as an essential part of German collective memory. Key Wall anniversaries have become signposts marking German views of the past, its relevance to the present, and the complicated project of defining German national identity. Considering multiple German approaches to remembering the Wall via memorials, trials, public ceremonies, films, and music, this revelatory work also traces how global memory of the Wall has impacted German memory policy. It depicts the power and fragility of state-ba

History that reads like a thriller; The Good Assassin: How A Mossad Agent and a Band of Survivors Hunted Down The Butcher of Latvia (Houghton Mifflin Harcourt, 2020) by Stephan Talty is the untold story of an Israeli spy’s epic journey to bring the notorious Butcher of Latvia to justice—a case that altered the fates of all ex-Nazis. Before World War II, Herbert Cukurs was a famous figure in his small Latvian city, the “Charles Lindbergh of his country.” But by 1945, he was the Butcher of Latvia, a man who murdered some thirty thousand Latvian Jews. Somehow, he dodged the Nuremberg trials, fleeing to South America after war’s end. By 1965, as a statute of limitations on all Nazi war crimes threatened to expire, Germany sought to welcome previous concentration camp commanders, pogrom leaders, and executioners, as citizens. The global pursuit of Nazi criminals escalated to beat the looming deadline, and Mossad, the Israeli national intelligence agency, joined the cause. Yaakov Meidad, the brilliant Mossad agent

70 years ago, the philosopher Theodore Adorno and a team of scholars released a massive book titled The Authoritarian Personality (Verso, 2019), which attempted to map the psychological and emotional dynamics of those who might find themselves seduced by authoritarianism. The book synthesized both empirical psychology and sociology, relying on massive sets of data, with psychoanalytic models of personality so as to approach their subjects with a set of deep hermeneutic tools. The result is a book that is both both data-driven and speculative, and covers a vast swatch of theoretical territory. It was recently republished by Verso books, with a new introduction by Peter Gordon. Charles Clavey, a lecturer in social studies at Harvard University, whose research focuses on critical theory and the history of authoritarianism. His writing has appeared in a number of places including Modern Intellectual History, The LA Review of Books and The Chronicle of Higher Education. Stephen Dozeman is a freelance writer. Learn

In this episode, we examine the rivalry/friendship between Eisler and the great scholar of Jewish mysticism Gershom Scholem and reassess Eisler’s infamous meeting with Scholem and Walter Benjamin in Paris in 1926. We try to unravel the mystery of why Eisler was disavowed by his government after he was appointed to The International Institute of Intellectual Cooperation. Finally, we take a look at the ambivalent reception of Eisler’s 1922 Orpheus lecture in Hamburg (he gets a spontaneous ovation but his attempted art theft comes back to haunt him) and his strained relationships with the pioneering German intellectual historians Aby Warburg and Fritz Saxl. One question remains: how did Eisler’s frock coat get stolen? Voice of Robert Eisler: Caleb Crawford Additional voices: Brian Evans and Chiara Ridpath Guests: Amir Engel (The Hebrew University of Jerusalem), Steven Wasserstrom (Reed College), and Claudia Wedepohl (The Warburg Institute). Funding provided by the Ohio University Humanities Research Fund and the

Oded Y. Steinberg (DPhil Oxford) is a fellow at the Center for the Study of Conversion and Inter-Religious Encounters, Ben-Gurion University of the Negev. Next year (2020-21), Steinberg will begin his joint tenure-track position at the Department of International Relations and the European Forum at the Hebrew University of Jerusalem. Steinberg’s research, as an intellectual historian of international relations, is primarily focused on the exchange of ideas across social and national borders in modern Britain and central Europe. Within this framework, his publications have explored various aspects of British and central European intellectual, cultural and diplomatic history. His book Race, Nation, History: Anglo-German Thought in the Victorian Era (University of Pennsylvania Press, 2019) focuses on two intertwined themes. First, he analyses the emergence of a particular notion of a “Teutonic” identity among a group of scholars in England and Germany, and how they utilized this notion in their identification of

This fascinating book by Richard Carswell looks at how the fall of France in the Second World War has been recorded by historians and remembered within French society. The Fall of France in the Second World War: History and Memory (Palgrave Macmillan, 2019) argues that explanations of the 'debacle' have usually revolved around the four main themes of decadence, failure, constraint and contingency. It shows that the dominant explanation claimed for many years that the fall was the inevitable consequence of a society grown rotten in the inter-war period. This view has been largely replaced among academic historians by a sizable consensus that distinguishes between the military defeat and the political demise of the Third Republic. It emphasizes the various contingent factors that led to the military defeat of French forces by the Germans. At the same time seeks to understand the constraints within which France’s policy-makers were required to act and the reasons for their policy-making failures in economics, de

In this episode, we talk with Michael Gubser about the pioneering art historian Alois Riegl, one of Eisler’s teachers in Vienna and a major influence on his thought. Then we look at Eisler’s first work on the history of religions, World Mantle and Heavenly Canopy, a massive two-volume study of ancient cosmology published in 1910. In the second half, we turn to Orpheus the Fisher: Comparative Studies in Orphic and Early Christian Cult Symbolism, larger questions about the figure of Orpheus and the idea of a widespread cult devoted to his worship in the ancient world, and even larger questions about what we can learn from “outdated” scholarship. Voice of Robert Eisler: Caleb Crawford Additional voices: Brian Evans Music: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra. Guests: Michael Gubser (James Madison University) Vladimir Marchenkov (Ohio University School of Interdisciplinary Arts) and Radcliffe G. Edmonds, III (Paul Shorey Professor of Greek and Chair of the Department of Greek

In this episode, we talk with Michael Gubser about the pioneering art historian Alois Riegl, one of Eisler’s teachers in Vienna and a major influence on his thought. Then we look at Eisler’s first work on the history of religions, World Mantle and Heavenly Canopy, a massive two-volume study of ancient cosmology published in 1910. In the second half, we turn to Orpheus the Fisher: Comparative Studies in Orphic and Early Christian Cult Symbolism, larger questions about the figure of Orpheus and the idea of a widespread cult devoted to his worship in the ancient world, and even larger questions about what we can learn from “outdated” scholarship. Voice of Robert Eisler: Caleb Crawford Additional voices: Brian Evans Music: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra. Guests: Michael Gubser (James Madison University) Vladimir Marchenkov (Ohio University School of Interdisciplinary Arts) and Radcliffe G. Edmonds, III (Paul Shorey Professor of Greek and Chair of the Department of Greek

When Americans think about trials of Holocaust perpetrators, they generally think of the Nuremberg Trials or the trial of Adolf Eichmann or perhaps of the Frankfort trials of perpetrators from Auschwitz. If they think of Polish trials at all, they likely assume these were show trials driven by political goals rather than an interest in justice. Gabriel Finder and Alexander Prusin's book Justice behind the Iron Curtain: Nazis on Trial in Communist Poland (University of Toronto Press, 2018) shows that the truth was considerably more nuanced. The book is a comprehensive account of the trials of Nazi perpetrators conducted in liberated and postwar Poland. But it’s more than that—it’s a reflection on how politics impact justice, on what trials can teach us about perpetrator behavior, and on the ways in which ordinary Poles responded to the Holocaust. Finder and Prusin show that the trials were shaped by their political context. But this context allowed and sometimes encouraged the participation of a variety of act

In Staged: Show Trials, Political Theater, and the Aesthetics of Judgment (Columbia University Press, 2020), Minou Arjomand provides a startling account of the many intersections between theatre and trials in Germany and the United States from the 1930s to the 1960s. Through case studies of Hannah Arendt, Bertolt Brecht, and Edwin Piscator, Arjomand explores the use of trials as a theatrical form, as well as what theatre theory might tell us about political justice. In doing so, Arjomand demonstrates that calling a trail theatrical is not a criticism but merely a starting point. In considering what type of justice is possible in a trial, we must ask what theatrical conventions are being used, and to what ends. Arjomand’s book both allows us to see pivotal theatrical artists in a new light and poses profound questions about the nature of theatre itself. Andy Boyd  is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Ari

In this episode (# 2), we discuss Eisler’s early years as a member of the Jewish bourgeoisie in turn-of-the-century Vienna with historian Steven Beller. We also hear from the closest living relative of Robert Eisler, his grand-nephew Richard Regen. Philosopher Tom Hurka provides some background for understanding the arguments Eisler is making in Studies in Value Theory, especially his critiques of hedonism and aesthetic philosophy. Finally, we look at the events surrounding Eisler’s dramatic arrest and trial for attempted art theft in Udine in 1907 and discuss its short- and long-term consequences. Voice of Robert Eisler: Caleb Crawford Additional voices: Brian Evans Editing and engineering: March Washelesky Music: “Shibbolet Baseda,” recorded by Elyakum Shapirra and his Israeli Orchestra. Guests: Steven Beller (independent scholar), Tom Hurka (Chancellor Henry N. R. Jackman Distinguished Professor of Philosophical Studies at the University of Toronto), Richard Regen (grand-nephew of Robert and Lili Eisler).

At Newman I co-teach a class titled "The Holocaust and its Legacies." I teach the course with a Professor of Theology and it's designed to help students understand the ways in which the Holocaust shaped the world they live in. It is, in a sense, designed to help students gain insight. John K. Roth's new book Sources of Holocaust Insight: Learning and Teaching about the Genocide (Cascade Books, 2020) may become a required text in this course.  His book is different than, I think, any other books I’ve discussed on the show. It is a reflection, a tribute, and perhaps a kind of valedictory all at once. John reflects on the people who have taught him, in all the different ways teaching can happen, and the lessons that he’s learned over decades of thinking and writing about the Holocaust. In doing so, he offers the reader an insight both into his own development and into the way historians, theologians, philosophers and artists have responded to the Holocaust over time. It's a revealing book, sober, reflective and