See Hear Podcast

The early history of musicals often includes romantic comedies with slight plots as an excuse for big song and dance numbers (often in the context of “let's put on a show”). The romantic sub-plot is a big criticism of the Marx Brothers films at MGM, getting in the way of the anarchy of the masters of mirth. In 1941, a musical was released by Universal that broke all the rules of narrative and made fun of those romantic subplots. Welcome to See Hear Podcast episode 85. After 3 years on Broadway, a Vaudeville revue of song and sketches called Hellzapoppin' was made into a film. Knowing that it was unfilmable in its stage form, it was recreated as something completely different. This may not have been the first film to smash down the 4th wall, but it made it into an artform. Hellzapoppin' also features satire, surrealism, self mockery a film within a film within a film....and some great dancing and even a few good songs (we ARE a music film podcast, after all). A plot description of Hellzapoppin' would not