Alan Weiss' The Uncomfortable Truth

If you want to see writing exhaustion, this is the series. After two pretty decent seasons, the show devolved through the ensuing six as if the writers had become deprived of oxygen. Every time someone knocks on a door, the response is, “What are you doing here?” It’s not, “Good to see you,” or “How can I help you?”, or “Are you lost?” People discussing matters in a private office are interrupted with a solution or dramatic new information by a colleague simply traipsing in from the halls. There are continuing confrontations and apologies, prefacing further confrontations and apologies, between and among the same people, often multiple times per show. People hard to reach are ambushed in the streets—outside their offices, at hot dog carts, in public garages—as if they were on a schedule and could easily be found. Similarly, people barge into private offices in other buildings without bothering to go through security or secretaries or assistants. And the person being accosted says, of course, “What are you d