New Books In Genocide Studies

Benjamin Martin’s The Nazi-Fascist New Order for European Culture (Harvard University Press, 2016) examines the attempt by Nazi Germany and Fascist Italy to forge a European cultural empire out of their military conquests during World War II. Martin shows that the idea of Europe as a discrete political and cultural entity did not come from the postwar period (much less the European Union of the 1990s), but owes much to the cultural discourses of the 1930s. Germany in particular pushed for a kind of authentic “volkisch” cultural nationalism with a basis in folk traditions of central and eastern Europe. Germany’s initiatives in music, film, and literature appealed to the cultural sensibilities of Europe’s conservative cultural elite, offering a third way between American commercialism (epitomized by jazz and Hollywood films) and Soviet Bolshevism. With the Fall of France in 1940, the Nazi-fascist new order aimed to replace Anglo-French Civilization the universalist basis of Europea