Eavesdropping At The Movies

Neither of us has ever seen classic British thriller Don't Look Now before, though we're keenly aware of the esteem in which it is held. And it's fair to say that we're blown away by the expressive visual design and editing style, though Mike at first admits to a certain degree of nonplussedness - a film's reputation for greatness can often result in a dampened experience when it is finally encountered - but finds that the film quickly opens up as we discuss it. Don't Look Now is about grief, and expresses it at a formal level. Donald Sutherland's character is unable to save his daughter from drowning at a young age, and thereafter, Mike argues, cannot prevent images of her death from flashing into his mind, just as they flash into the film with no warning. His wife, played by Julie Christie, handles her grief differently, and we discuss whether she does so more successfully than her husband - but if there's something on which we agree, it's that the film primarily conveys his point of view and experience of