Studio 360 With Kurt Andersen

Join host Heather Freeman as she explores the secrets of America's rich magical tapestry. Each episode uncovers the fascinating magical practices, beliefs, and personal stories of America’s diverse cultural communities, both past and present. Discover the hidden realms of the United States, from religious remixing to enchanted beliefs and sorcerous workings. Part veiled history and part spiritual awakening, Magic in the United States illuminates both magic and religion in whole new ways. Go to MagicintheUnitedStates.com to find out more.

Meet Ray Christian. Some people call him a storyteller, historian, father. Shoot, if you’ve got the time, he could fill you in on everything he’s been called. But first and foremost, he’s a Black veteran from the rural South who finds himself floating between life in academia, public speaking, storytelling, parenting, and tending to the goats in his backyard. And he’s got stories. Really good ones. And stories that make you think a little differently about the world. In each episode of What’s Ray Saying, Ray shares his love of cultural history, personal narrative, and social justice.Think of him as your favorite uncle—a voice you can trust, filled with wise talk and scars and scratches, who makes you feel comfortable enough to listen to things that aren’t always that easy to hear. And don’t worry, you’ll meet the goats too.For more on the show, visit https://drraychristian.com and subscribe wherever you get your stories.

We Disrupt This Broadcast, a new podcast from The Peabody Awards and the Center for Media & Social Impact, features intimate interviews with award-winning television creatives shaping the future of entertainment with disruptive new narratives and fresh approaches. Join us as we explore how our favorite critically-acclaimed TV shows are re-imagining the world and tackling the big issues that move us forward. Upcoming guests include Quinta Brunson, Damon Lindelof, Ramy Youssef, Pamela Adlon, Charlie Brooker, and more. The podcast is hosted by Gabe González (comedian, writer and actor) with episodes releasing the second Thursday of every month.For more about the show, go to peabodyawards.com/podcast.

For listeners of Studio 360, we’re featuring an episode from the new PRX podcast Monumental. The landscape of public memory is shifting. As we re-examine the plaques in our parks and the sculptures on our streets, we grapple with what to do with them. Once we learn the stories these objects tell about who we are, will tearing down statues and renaming schools be enough? Monumental interrogates the state of American monuments and what their future says about our own. In this 10-episode series, host and author Ashley C Ford and a team of audio journalists from around the country will piece together the complex stories behind some of the thousands of monuments that exist in every corner of the U.S In this episode, we uncover the story of the only successful coup d’etat ever to happen on American soil. This act of racial violence was designed to eliminate all memory of a highly successful Black community in Wilmington, North Carolina back in 1898. That suppression involved racist mobs, as well as historians, c

Hello Studio 360 fans! We're sharing the first episode of a new podcast project, Nixon at War, hosted by Studio 360's Kurt Andersen. Nixon at War is a seven-episode history, a fresh new kind of chronicle about how Richard Nixon turned Vietnam into a war at home… that we’re still fighting today. Most accounts of the collapse of Richard Nixon’s presidency begin with Watergate - the now iconic tale of a bungled break-in and the misbegotten cover-up that followed.  But what led to Watergate?  How - and more puzzlingly, why - did one of the shrewdest, most gifted political figures of his time become embroiled in so manifestly lunatic an enterprise in the first place? Intrigued by that question, novelist and historian Kurt Andersen takes a deep dive into the vast archives at the Nixon Library and emerges with an answer he wasn’t expecting: While Watergate doubtless accelerated Nixon’s spectacular fall, it was the Vietnam War that led inexorably to the break-in, and from there to the sinking of his presidency. A

After 20 years, Studio 360 is switching off the ON AIR light one last time. Alec Baldwin conducts Kurt Andersen’s exit interview and they listen to some of Kurt’s favorite moments with guests. Since it’s this show’s finale, Kurt talks with TV showrunners David Mandel and Warren Leight about the art of writing a finale — and some of their favorites to watch. And finally — for real, finally — a longtime friend of Kurt whom he met when he first interviewed her for the show, Rosanne Cash, comes back one last time to say farewell with a song. Learn more about your ad choices. Visit megaphone.fm/adchoices

From 1910 to 1970, 6.6 million African Americans migrated from the rural south – a dramatic movement that would permanently change the social, political and cultural fabric of our nation. In 1941, Jacob Lawerence’s iconic series The Migration of the Negro (now generally referred to as The Great Migration) rocked the art world with its depictions of an active moment very much underway. Over the course of 60 panels, the hardships of the South, the disappointments of the North, and the first steps of the Civil Rights movement are masterfully displayed. Learn more about your ad choices. Visit megaphone.fm/adchoices

Studio 360 broadcast its first episode on November 4, 2000, just before we elected George W. Bush as President and we all learned what a “hanging chad” was. Fittingly, that first program was an exploration of art and politics hosted by a newcomer to radio, author and journalist Kurt Andersen. Originally produced out of WNYC Radio, and most recently a Slate podcast, Studio 360 looks at the cool, but complicated, and sometimes strange ways that art touches our lives. Two decades later that mission hasn’t changed even if the people making the show have come and gone. The show’s current Executive Producer Jocelyn Gonzales was a still-wet-behind-the-ears associate producer when the show debuted. As Studio 360 comes to a close after 20 years on the air, she turned to her colleagues from the earliest days of the show for their impressions. Learn more about your ad choices. Visit megaphone.fm/adchoices

How Public Enemy brought the revolution to hip-hop with “It Takes a Nation of Millions to Hold Us Back.” Plus, our Americans Icons segment on Maya Angelou’s “I Know Why the Caged Bird Sings,” which broke boundaries when it was published and still profoundly resonates with readers today. And Young Adult author Angie Thomas on how the late TLC performer Lisa “Left Eye” Lopes spoke to her at a very troubling point in her life. Learn more about your ad choices. Visit megaphone.fm/adchoices

New York was the original center of American moviemaking. But soon filmmakers figured out it was cheaper and simpler to work in California’s open spaces and good weather. With the westward migration, however, certain types of filmmakers were still drawn to New York. They found a home at Paramount’s “Big House,” a grand movie studio built by Adolph Zukor during the silent film heyday in Astoria, Queens. That studio still stands and now operates as Kaufman Astoria Studios. For a hundred years, Astoria has been the East Coast alternative for artists who choose to be in New York. Learn more about your ad choices. Visit megaphone.fm/adchoices

Where do you turn when you’re heartbroken in the dead of night? Delilah, of course. Her radio call-in show pairs romantic advice with the perfect song. Plus, how Yanni, John Tesh and others discovered an improbable vehicle to ‘90s stardom: the PBS pledge drive. For our Guilty Pleasures series, the writer and “This American Life” producer Bim Adewunmi explains how the “Sweet Valley High” series is kind of preposterous and over-the-top — and completely obsessed her. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s all about the Oscars. Kurt talks with Thelma Schoonmaker, the longtime editor for Martin Scorsese who’s up for an Academy Award for “The Irishman”; Adam Driver, who’s a contender for his performance in “Marriage Story”; Quentin Tarantino, nominated for his film, “Once Upon a Time… in Hollywood”; and Antonio Banderas, nominated for his performance in “Pain & Glory.” Plus, the surprising story behind the man who actually posed for the sculpture that became the Oscar statue. And we meet Mark Sussman, the voiceover actor who overdubs Brad Pitt’s profane lines for the versions of his movies that run on airplanes and on television. Learn more about your ad choices. Visit megaphone.fm/adchoices

This Woman’s Work is a series of stories from Classic Album Sundays and Studio 360, highlighting classic albums by female artists who have made a lasting impact on music and pop culture. This time: the Grammy nominated live album “Black Gold” by singer and pianist Nina Simone. It was recorded in front of a packed audience at Philharmonic Hall in New York City on October 26, 1969 and released in 1970. “Black Gold” displays Nina Simone’s talents at interpreting a song, not to mention her range, moving from soul and gospel to show tunes and folk music. Through it all, her distinctive voice soars into moments of defiance and uplift. Political activist and scholar Angela Davis says Simone’s influence extends beyond her musical gifts. “I don't think I have ever met anyone before meeting Nina Simone who was so focused on using her talents to change the world. She wanted to use her music, use her voice, use her capacity to create new worlds.” Learn more about your ad choices. Visit megaphone.fm/adchoices

For our latest installment of American Icons, Studio 360’s Sam Kim explores “12 Angry Men,” the courtroom drama that has inspired jurists — and Hollywood script writers — for decades. And how Kris Maddigan, a first-time video game composer, wrote a 3-hour long jazz album for the popular indie game Cuphead. Learn more about your ad choices. Visit megaphone.fm/adchoices

He’s a jazz icon, but Wynton Marsalis has always been drawn to classical music as well. Marsalis talks with Kurt Andersen about composing symphonies and performing with orchestras. And the newest installment in our series about influential albums by women, This Woman's Work, features “Hounds of Love” by Kate Bush, with performers as varied Outkast’s Big Boi and singer Julia Holter revealing how the work inspired them. Learn more about your ad choices. Visit megaphone.fm/adchoices

The final eight episodes of “BoJack Horseman” — Netflix’s animated series about a washed-up ’90s sitcom star living in the Hollywood Hills — will be released on January 31. Its protagonist is half-horse, half-man, and its tone is half-jokes, half-existential-angst. That’s a study in contrasts that seems inexplicable—until you talk with the show’s creator, Raphael Bob-Waksberg. In 2017, he talked with host Kurt Andersen about why so many people who go to Harvard are dummies, the genius of the film “Who Framed Roger Rabbit?” and the underappreciated poignancy of “The Simpsons.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Six decades after it premiered on Broadway, “West Side Story” is everywhere again, with a revival on Broadway and a movie in the works. But many still are troubled by the way Puerto Ricans are depicted. Plus, the story behind Garry Winogrand’s 1967 photo, "Central Park Zoo," which featured a white woman and a black man holding chimpanzees dressed in human clothes, and is one of his most widely exhibited — and controversial — images. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ranky Tanky performs live in our studio, and explains to Kurt Andersen how their music is rooted in the regional Gullah culture — descendants of West African slaves who lived on isolated islands along the coasts of Georgia and the Carolinas. For our Guilty Pleasures series, comic Tig Notaro says why she loves the widely loathed band Nickelback, especially their song “Photograph.” And mezzo-soprano Jamie Barton, a rising star of the opera world, performs love songs directed at women that were meant to be sung by men, and tells Slate’s June Thomas how a sense of bisexual pride drives such performances. Learn more about your ad choices. Visit megaphone.fm/adchoices

Garry Winogrand was a master of street photography, even though he disavowed that label. He photographed across the United States, including Texas and California, but his hometown, New York City, remained his greatest inspiration. His 1967 Central Park Zoo photo, of a white woman and a black man holding chimpanzees dressed in human clothes, is one of his most widely exhibited — and controversial — images. Despite its popularity, its ultimate success as a photograph was always an open question for Winogrand. Learn more about your ad choices. Visit megaphone.fm/adchoices

A half century later, Stanley Kubrick’s “2001: A Space Odyssey” is still shaping our future. With no help from CGI, the movie predicted private space travel, artificial intelligence and much of Apple’s product line. It showed the promise and perils of technology and explored life’s biggest mystery: Are we alone in the universe? In Part Two of our look at the movie in our American Icons series, we visit the same IBM research lab that helped inspire HAL. We meet CIMON, a real-life AI robot on the International Space Station and Garrett Reisman, a former NASA astronaut who blasted the “Blue Danube” in the space shuttle. Plus we speak to New York Times critic Wesley Morris, filmmakers Christopher Nolan and Tom Hanks, artist James Turrell and former U.S. poet laureate Tracy K. Smith. American Icons is made possible by a grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices