Fresh Air

Hundreds of thousands of people, mostly from Central America, arrive at the U.S.-Mexico border every year. What to do with these migrants is one of the most divisive issues in Washington. New Yorker staff writer Jonathan Blitzer says the crisis is partially the result of decades of American policy. Blitzer's new book is called Everyone Who is Gone is Here. He also recounts the stories of those attempting to cross the border.

NBC journalist Antonia Hylton spent more than a decade piecing together the history of Maryland's first segregated asylum, where Black patients were forced into manual labor. Her new book is Madness: Race and Insanity in a Jim Crow Asylum. Also, Ken Tucker reviews the new album The Interrogator from The Paranoid Style.

Tracee Ellis Ross co-stars in the new movie American Fiction, which is nominated for five Oscars, including Best Picture. For eight seasons, she starred in the ABC comedy series Black-ish. Ross played the mother, Bow, and she worked with the writers to make sure her character wasn't just what she calls "wife wallpaper." She spoke with Tonya Mosley about those roles. Also, Dr. Uché Blackstock talks about her new book, Legacy: A Black Physician Reckons With Racism In Medicine. Maureen Corrigan reviews the debut novel Martyr! from Iranian American poet Kaveh Akbar.

We remember composer and classical music satirist Peter Schickele, whose alter ego was "P.D.Q. Bach." His comic music arrangements were funny, but the level of musicianship was no joke. He spoke with Terry Gross in 1985. Also, we remember Mary Weiss, lead singer of the Shangri-Las, the girl group whose biggest hit was "Leader of the Pack." From working-class Queens, they acquired a tough girl image, in contrast to the glamor girl groups of the era. Weiss was on Fresh Air in 2007 when she released a solo album. Also, TV critic David Bianculli reviews Masters of the Air, the new World War II series from Steven Spielberg and Tom Hanks on Apple TV+.

New York Times correspondent David Sanger says that Iran and its proxies are posing new challenges: "We're seeing outbreaks of low-level but highly damaging conflict all over the region."Also, John Powers reviews the new Mexican film Tótem.

Tracee Ellis Ross co-stars in the Oscar-nominated movie American Fiction. For eight seasons, she starred in the ABC comedy series Black-ish. We talk about her new projects, her superstar mother, Diana Ross, and forging her own path outside of her mother's success. We also talk about how she's come to embrace, at 51, never having children or being married.Also, film critic Justin Chang reviews the new Vietnamese drama Inside the Yellow Cocoon Shell and book critic Maureen Corrigan reviews Kahveh Akbar's debut novel Martyr!

Time correspondent Simon Shuster has been interviewing Ukrainian President Volodymyr Zelenskyy since 2019, when Zelenskyy was still a famous entertainer and satirist. Shuster talks about Zelenskyy's rise to power, the infamous call with Trump that led to Trump's first impeachment, and how the war with Russia has changed him. Shuster's new book is The Showman.

Dr. Uché Blackstock was one of the first doctors to raise the alarm that COVID-19 was disproportionately impacting Black people. She spoke with Tonya Mosley about how medical schools contribute to inequities in health care, and what we can do about it. Her book is Legacy: A Black Physician Reckons with Racism in Medicine.

Ava DuVernay's new film Origin explores a new way to consider the historical subjugation of Black people in America: as the adverse result of a caste system. The film is inspired by Isabel Wilkerson's book Caste: The Origins of Our Discontents. In the movie, Wilkerson embarks on a journey to learn about caste, traveling to Germany and India to get to the root of the Black experience in America.Also, we'll talk about how algorithms flatten culture with journalist Kyle Chayka. He says algorithms affect every aspect of our lives — from what we watch on Netflix, what songs are at the top of the charts, to what our local coffee shop looks like. His book is Filterworld.

HBO's Succession swept at the Emmys, winning six awards for its fourth and final season. We compiled interviews with show creator/head writer Jesse Armstrong and actors Kieran Culkin and Matthew Macfadyen. Also, David Bianculli reflects on the 25th anniversary of The Sopranos.

Home schooling is now America's fastest growing form of education, but Washington Post reporter Peter Jamison tells Dave Davies, "It's remarkable how little oversight there is of home-schooled children." Also, we remember TV critic Tom Shales.

Filterworld author Kyle Chayka examines the algorithms that dictate what we watch, read and listen to. He argues that machine-guided curation makes us docile consumers. Also, Maureen Corrigan reviews You Only Call When You're in Trouble, a new novel from Stephen McCauley.

You may have heard about the pioneering research of anthropologist Margaret Mead, but do you know about her work with psychedelics? Mead and her husband, Gregory Bateson, thought psychedelics might reshape humanity by expanding consciousness. We'll speak with author Benjamin Breen about that research and how it led to the CIA's secret experiments in the '50s and '60s, using psychedelics in interrogation. He also shares with us details about a NASA-funded experiment to try to get dolphins to talk by giving them LSD. His book is Tripping on Utopia.Also, John Powers reviews the Apple TV+ series Criminal Record.

Award-winning director Ava DuVernay's new film Origin explores a new way to consider the historical subjugation of Black people in America: As the adverse result of a caste system.The film is inspired by Isabel Wilkerson's book Caste: The Origins of Our Discontents. In the movie, Wilkerson embarks on a journey to learn about caste - traveling to Germany and India to get to the root of the Black experience in America. DuVernay also directed 13th, When They See Us, and Selma.

Actor Sterling K. Brown co-stars in the new film American Fiction. We'll talk about his role in that, as well as playing O.J. Simpson prosecutor Christopher Darden. Also, we'll hear from Paul Giamatti. He just won a Golden Globe for his role in The Holdovers, as a pompous and disliked teacher at a boys boarding school. The Holdovers is the second collaboration between Giamatti and director Alexander Payne. The first was the surprise hit movie Sideways.

The Grammy-Award winning baritone first auditioned to play the Demon Barber of Fleet Street back in high school. He didn't get the part then; but he starred in in the latest Broadway revival. Groban will leave the role this month. He spoke with Fresh Air's Ann Marie Baldonado about his affinity for Stephen Sondheim, poking fun at his own image on TV, and starting his singing career as a teen. Also, Justin Chang reviews the new film Memory.

Washington Post reporter Julian Mark talks about the resignation of Harvard President Claudine Gay, and the broader movement to dismantle DEI practices in academia and corporate America. Also, TV critic David Bianculli reviews Monsieur Spade, starring Clive Owen on AMC.

Giamatti says his latest movie, filmed at various prep schools in Massachusetts and directed by Alexander Payne, triggered memories of the time he spent as a day student at a private school. He spoke with Sam Briger about his reunion with Payne after 20 years, Billions, and what he loves about acting.

Annie Liontas experienced three brain injuries in the span of one year, which led to dizziness, memory fog and anger — and impacted Liontas' marriage and sex life. Their memoir is Sex with a Brain Injury: On Concussion and Recovery. Also, David Bianculli reviews HBO's True Detective: Night Country starring Jodie Foster Kali Reis.

Brown won an Emmy for his portrayal of Christopher Darden in The People v. O.J. Simpson, and another for This Is Us. He now appears in the film American Fiction. He spoke with Terry Gross about losing his father, how his feelings about the O.J. Simpson case changed, and prejudice he faced in Hollywood.