New Books In French Studies

“Is Theory Good for the Jews?” asks author Bruno Chaouat, professor of French at the University of Minnesota, in Is Theory Good for the Jews?: French Thought and the Challenge of the New Antisemitism (Liverpool University Press, 2017) . The title carries a measure of Chaouat’s characteristically ironic, self-deprecatory, yet polemical tone. So, Chaouat wonders, in both winking reference to the anti-Semitic trope of Jewish tribalism and self-involvement, and at the same time in all sincerity, whether “Theory” – in particular the canon of philosophy, literature, and social thought that grew largely out of Heideggerian roots and which continues to find contemporary purchase – is able to use its own tools to deal with today’s resurgent strains of anti-Semitism. In this episode, Chaouat discusses several recent events in French letters, including the 2010 publication of writer, diplomat and French Resistance fighter Stéphane Hessel’s manifesto Time for Outrage and novelist Salim Bachi’s literary op-ed, “Moi, Moham

Yoav Di-Capua‘s new book, No Exit: Arab Existentialism, Jean-Paul Sartre and Decolonization (University of Chicago Press, 2018) is narrative intellectual history at its best: a tale of friendship and betrayal, of missed connections and surprising syntheses, of unfinished revolutions, Oedipal revolts, and angst-ridden meditations on the meaning of freedom. Di-Capua’s story begins in May of 1944 with a six-hour dissertation defense heard around the Arab world, in which ‘Abd al-Rahman Badawi demonstrated the compatibility of Heideggerian phenomenology and Sufism. The subsequent chapters of No Exit offer a tour of existentialist hotbeds across the Middle East, ending with a detailed account of Sartre, Simone de Beauvoir, and Claude Lanzmann’s visit to the region on the eve of the 1967 war. At each juncture, Di-Capua offers a lucid analysis of how the Arab intelligentsia struggled with a set of intertwined questions about decolonization: What does it take to “secure the physical liber

In Foucault on Painting (University of Minnesota Press, 2017), Catherine Soussloff discusses an area of Foucault’s development that has remained largely overlooked: his engagement with painting.  Indeed Foucault, we learn, described himself as a painter.  Throughout his career, he examined painting and the image as he pursued critical elements of his philosophical ideas. Soussloff examines Foucault’s engagement with periods in European art history that captured his attention in particular: the Baroque, mid-nineteenth century French painting, Surrealism, and figurative painting of the 1960s and 1970s. The book also considers Foucault’s interest in five artists: Velázquez, Manet, Magritte, Rebeyrolle, and Fromanger. Soussloff’s study reveals the importance of art in Foucault’s philosophy, and affirms the relevancy of Foucault in consideration of the role of the image in the twenty first Century Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005) and currently is an Assistant P

In her book, The Fruits of Freedom in British Togoland: Literacy, Politics and Nationalism, 1914-2014 (Cambridge University Press, 2015), Kate Skinner examines the history behind the failed project that sought the reunification of Togoland. At the end of the nineteenth century, the Germans colonized the small territory of Togo in West Africa. During the first world war, the British and French invaded Togo and split it between them, introducing a new border that was criticized by the African inhabitants. After the second world war, in the era of decolonization, different visions of independence were put forward. One of these was ABLODE – meaning the reunification and joint independence of British and French Togoland.  But the Ablode movement was defeated, and instead British Togoland was integrated with the Gold Coast, and became an integral part of an independent Ghana. The Fruits of Freedom tells the story of ABLODE.’ Kate Skinner is a lecturer in the History of Africa and Its Diasporas at the Univers

What is the impact of austerity on minority women? How has this impacted on already long standing forms of social inequality across England, France and Scotland? These questions are the subject of Minority Women and Austerity: Survival and Resistance in France and Britain (Policy Press, 2017), the new book from Dr. Leah Bassel, an associate professor of sociology at the University of Leicester, and Professor Akwugo Emejulu, a professor of sociology at the University of Warwick. The book foregrounds the narratives and understandings of minority women activists with regard to the current political moment. It challenges contemporary social policy analysis by using an intersectional approach to the impact of both state and third sector actions, as well as the political mobilizations associated with resistance. Drawing on a wealth of interview fieldwork, detailed policy analysis, and a deep but accessible theoretical framework, the book offers an important intervention on the failures of both right and left wing p

Katelyn Knox’s book, Race on Display in Twentieth- and Twenty First–Century France (Liverpool University Press, 2016) examines francophone literature, art, dance, music, and fashion, considering how race and national identity intersect in postcolonial France. Emphasizing a widespread “institutionalized spectacularism” in France that exceeds the display of racialized bodies in more explicit, state-produced and orchestrated spectacle, Knox’s analysis emphasizes a more pervasive gaze permeating contemporary French culture. Moving from a discussion of the Colonial Exposition of 1931 to the analysis of more contemporary cultural forms, the book is a study of race that looks at a range of sources and varieties of performance. Thinking carefully through the persistent French engagement with and mobilization of ideas about race, Knox’s chapters explore official historical discourse, rhetoric and new media, cultural marketplaces, and the field of French and Francophone studies itself. The analysis throughout inc

Pedagogue, composer, and conductor Nadia Boulanger was a central figure in Igor Stravinsky’s life during the middle part of his career, providing him with support, advice, and a discerning analytical and editorial voice when he was writing some of his most important compositions including the Symphony of Psalms and Persephone. Dr. Kimberly A. Francis has recently published two books related to the complicated and tangled relationship between these two people. The first, released in 2015 by Oxford University Press, is Teaching Stravinsky: Nadia Boulanger and the Consecration of a Modernist Icon. Just last month, Boydell and Brewer published Francis’s edition of their letters in Nadia Boulanger and the Stravinskys: A Selected Correspondence. In other hands, Teaching Stravinsky might have been a simple joint biography, but Francis grounds her work within a theoretical framework that promotes a new approach to musicology and other fields. Building on Pierre Bourdieu’s theories on cultural produc

In her new book, Living with the Enemy: German Occupation, Collaboration and Justice in the West Pyrenees, 1940-1948 (Cambridge University Press, 2017), Sandra Ott, Associate Professor of Basque Studies at the University of Nevada, Reno examines German occupation of the Pyrenees. Particularly, Dr. Ott examines cases of collaboration and later justice and demonstrates how collaboration was often motivated out of base desires. She tells the story of this unique region through nine case studies of collaboration with a diverse group of characters bringing to life this fascinating history.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In the recent past, anti-Muslim hate crimes and rhetoric have surged across America and Europe. Much of this public discourse revolves around questions of assimilation and where Muslim positions on sexuality and gender fit into national unity. In Sexagon: Muslims, France, and the Sexualization of National Culture (Fordham University Press, 2017), Mehammed Amadeus Mack, Assistant Professor of French Studies at Smith College, explores the politicization of Muslim minority sexuality in France in various cultural domains. Whether in literature, journalistic media, or activist endeavors the general portrayal of Muslims in these contexts is structured around unmodern attitudes towards sexuality. It is assumed that African and Arab minorities in France are regressive, patriarchal, and intolerant of homosexuality. Through his study of a number of cultural arenas of representation Mack demonstrates that sexual identities are often unclear, hidden, or in flux. In our conversation we discussed sexuality and French ident

Politicizing Islam: The Islamic Revival in France and India (Oxford University Press, 2017) by Fareen Parvez is a rich ethnographic analysis of Islamic Revival movements in France (Lyon) and India (Hyderabad). In her study, Parvez maps the complex ways in which Muslims, especially women, engage in religious and political activism in secular states where they are minorities. Her study challenges many notions of secularity and political Islam, particularly as it intersects with complex class identities (i.e., those who are marginalized socio-economically) both in India and France. Moving through everyday spaces, such as schools (Islamic and secular), conferences, mosques, and cafes, Parvez’s study attunes us to the intricate realities of women’s political and religious activism. This study is of great importance to scholars invested in minority and Muslim politics in India and France, as well those working on secularism, Muslim women, and political Islam, while Parvez’s ethnographic methodolog

In Escape from Vichy: The Refugee Exodus to the French Caribbean (Harvard University Press, 2018), Eric T. Jennings reveals the fascinating history of the Martinique Corridor, a pathway travelled by thousands of political refugees who fled mainland France in the early years of the Second World War. Jennings deftly describes the array of obstacles faced by individuals seeking escape to Martinique, from difficulty dealing with French bureaucracy, to the perils of traveling by sea in wartime, to hostile reception by locals and officials after disembarking at shores of the French colony. Unable to reach their intended destinations in North, Central, and South America, many of refugees found themselves trapped on the island. According to Jennings, this led to numerous accidental and fruitful encounters between the motley crew of refugees (which included numerous renowned artists and intellectuals) and prominent local thinkers. Their unlikely interactions fostered new waves of thinking about racism and colonialism.

Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton’s thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing bac

In Mother of the Church: Sofia Svechina, the Salon, and the Politics of Catholicism in Nineteenth-Century Russia and France (Northern Illinois University Press, 2016), Tatyana V. Bakhmetyeva explores an influential figure in the history of Russian Catholicism. A Russian noblewoman and Catholic convert living in Paris in the early to mid-nineteenth century, Svechina (1782-1857) was the hostess of an illustrious and distinctively religious salon frequented both by the French and by her fellow Russian expatriates. First a salonniere in St. Petersburg, Svechina relocated to Paris after the rise of anti-Catholic and anti-French sentiment in Russia following the French Revolution. Svechina played a pivotal role in Liberal Catholic movement, acting as a mentor, spiritual counselor, and intimate friend to some of its leading figures, her influence extending into the world of political ideas beyond the salon. In this interview, Tatyana Bakhmetyeva discusses the intellectual and spiritual formation and influence of Sop

In his new book, Adventurism and Empire: The Struggle for Mastery in the Louisiana-Florida Borderlands, 1762-1803 (University of North Carolina Press, 2015), David Narrett explores the international political and diplomatic competition for control of the Old Southwest. His book begins with the conclusion of the French and Indian War and follows the story until the Louisiana Purchase secured the area for the United States. It superbly illustrates the weak control exerted by Britain, France, and Spain over the Louisiana-Florida borderlands during the last half of the eighteenth century. It also highlights the fragile ties between Anglo-Americans in the region and the newly independent United States. In doing so, Narrett introduces a rogues’ gallery of schemers and adventurers who operated below the radar, ready to do whatever it took to further their private ends. He also ably covers the diplomatic machinations of imperial and American officials as they tried to make good their claims to lands between the

What does it mean to be a citizen? Every country has its own legal codes that confer a set of rights on official members. But full citizenship is often more than what the law says. A better question is: what does it mean to be an accepted member of one’s society? According to France’s Republicanism, national and civic terms determine identity, and basic citizenship, “being French,” trumps all other group affiliations. Race, ethnicity—those common and powerful sources of identity and symbols of belonging—simply do not exist within this model. Not so for everyone in France, according to sociologist Jean Beaman in her new book Citizen Outsider: Children of North African Immigrants in France (University of California Press, 2017). In this work, Beaman focuses on a group of people in France who have ostensibly “made it”—children of maghrebin immigrants who have obtained university (and sometimes post-graduate) degrees, work professional jobs, and entered the mi

The story of the American West as it is often told typically involves Spanish, British, and American Empires struggling with Indigenous people for control of the vast territory lands and riches from the Mississippi to the Pacific. After the seventeenth century, French colonists and French-speaking Metis are often relegated to the role of bit players in this tale. Songs Upon the Rivers: The Buried History of the French-Speaking Canadiens and Metis From the Great Lakes and the Mississippi Across to the Pacific (Baraka Books, 2016) reemphasizes the importance of the French imperial legacy and Metis influence in the Great Lakes region, on the northern plains, and in the far Pacific West. In doing so, this book challenges American and Canadian narratives about the west which too often tend toward racial and national binaries. By telling the stories of people who lived across ethnic and national boundaries, Robert Foxcurran, Michel Bouchard, and Sebastien Mallett show how historians can use the complications of the

In Baron de Vastey and the Origins of Black Atlantic Humanism (Palgrave, 2017), Marlene Daut helps to resurrect the life and writings of one of Haiti’s most influential thinkers. Baron de Vastey is perhaps best known as Henri Christophe’s secretary in the years after Haitian independence. Within that position, Vastey wrote extensively on the new Haitian state, the indescribable horrors of slavery and colonization, and the fallacy of racial prejudice. As Daut explains, Vastey was at the vanguard of black intellectual expression in the Americas, particularly in his deconstruction of colonial oppression. Her book helps to situate Vastey within the complex historical and literary world of post-independence Haiti, and offers a fresh take on the intellectual contributions of the Caribbean’s first black state.Learn more about your ad choices. Visit megaphone.fm/adchoices

The French-Algerian War that erupted in 1954 ended with the emergence of an independent Algeria in 1962, but it was not until decades later that a broader French public turned its attention with vigor to the violence and pain of that conflict. Indeed, the French state only officially recognized the war as a war in 1999. Claire Eldridge‘s From Empire to Exile: History and Memory Within the Pied-noir and Harki Communities, 1962-2012 (Manchester University Press, 2016) interrogates the war’s legacies by focusing on the French settlers and the native military and civilian auxiliaries who fled Algeria in the thousands as French colonialism there came to an end. Examining pied-noir and harki grassroots collective mobilization and memory activism in France after 1962, From Exile to Empire shows that, while the war may have been repressed and silenced in a variety of ways in French society, the conflict was far from “forgotten” for these communities. Addressing material concerns including hous

What do gingerbread houses in Haiti teach us about the construction of identity in the French Caribbean? How do hurricanes and earthquakes reveal the connections between the tangible built environment and intangible notions of identity? Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean (Liverpool University Press, 2017) examines these questions in a rich body of works from Haiti, Guadeloupe and Martinique. The book proposes two key concepts to aid in our understanding of Caribbean writers’ construction of identity in their literary works. The term “architexture” asks readers to be attentive to the building blocks of the text and the inner workings of literary works that reflect on themselves and reach out beyond their own pages to be in conversation with other writers, other texts, other stories. Authenticity underscores the ever-present specter of the colonial past and the possibilities for drawing on multiple influences (or in Herbeck’s

Connections between France and North Africa have long been shaped by colonialism, nationalism, and economics. This intercultural relationship has also been mediated through the arts. In Muslim Women in French Cinema: Voices of Maghrebi Migrants in France (Liverpool University Press, 2016), Leslie Kealhofer-Kemp, Assistant Professor of French at the University of Rhode Island, examines one population who has often been left out of these cultural formations. Kemp focuses on the representation of first-generation Maghrebi women in France in documentaries, short films, feature films, and telefilms. Her analysis revolves around filmic textual analysis and the production, audience reception, and distribution of these art forms in contemporary French society. Kemp is attuned to filmic genre conventions, narrative structures, and formal techniques that media producers and artists use to both appeal to large mainstream audiences while challenging dominant stereotypes about Muslims. In our conversation we discussed vie