New Books In French Studies

In Muslims and Jews in France: History of a Conflict (Princeton University Press, 2014), Maud S. Mandel, Dean of the College at Brown University, challenges the view that rising anti-Semitism in France is rooted solely in the Israel-Palestine conflict. Instead, Mandel argues that the Muslim-Jewish conflict in France has been shaped by local, national, and international forces, including the decolonization of French North Africa. Looking at key moments, from Israel’s War of Independence in 1948, to the 1968 student riots, to France’s experiments with multiculturalism in the 1980s, Mandel poses a challenge to the reductionist narrative of Muslim-Jewish polarization.Learn more about your ad choices. Visit megaphone.fm/adchoices

As overseas departments of France, the islands of Guadeloupe and Martinique are frequently described as anomalies within the postcolonial Caribbean. Yet in reality, as Yarimar Bonilla argues in her new book Non-Sovereign Futures: French Caribbean Politics in the Wake of Disenchantment (University of Chicago Press, 2015), the majority of Caribbean states are in fact non-sovereign. Moreover, even for those nations that are nominally independent, their sovereignty is nonetheless continually compromised by the foreign influence that comes with globalization. Thus, the Caribbean as a whole is a region where non-sovereignty is the dominant political status, requiring alternative political frameworks that move beyond identifying sovereignty as the inevitable and necessary result of decolonization. Bonilla calls this process of imagining and testing out these new frameworks “non-sovereign politics.” Non-Sovereign Futures examines the emergence of non-sovereign politics through an ethnography of labor acti

In Saharan Jews and the Fate of French Algeria (University of Chicago, 2014), Sarah Abrevaya Stein, professor of history and the Maurice Amado Chair in Sephardic Studies at UCLA, takes a new perspective to the history of Algerian Jews, looking at the Saharan Jews to south of the larger, coastal communities.  Saharan Jews received different treatment from French authorities, asking us to rethink the story we tell about colonialism and decolonization and Jewish history. Stein draws on materials from thirty archives across six countries to shed light on this small, but revealing, community that has not received its due attention until now.Learn more about your ad choices. Visit megaphone.fm/adchoices

Jerome de Bourdon‘s Histoire de la television sous de Gaulle (Presses des Mines, 2014) is a revised version of a book that first appeared in 1990. This edition has been revamped, and includes a new introduction in which Bourdon explores the historiography of the medium in the years since the book’s original publication. A history of television that is also a history of the De Gaulle presidency and the early years of the Fifth Republic, Histoire de la television sous de Gaulle examines a range of issues, from government legislation to programming and content, to the variety of personnel (directors, producers, technicians, administrators) who made television happen during this “era of professionalization.” Exploring the medium as both information and entertainment, the book considers the relationship between television and the cinema, situating television within the broader cultural and political history of France during this critical period. Covering key events and turning points, inclu

The French philosopher Alain Badiou is not best known for his engagement with ecological matters per se. Badiou’s insights regarding being, truth, and political militancy are, however, highly relevant for the consideration of “the ecological question.” Based on a doctoral thesis written under Badiou’s supervision, Am Johal‘s new book, Ecological Metapolitics: Badiou and the Anthropocene(Atropos Press, 2015) is a thinking through and with Badiou’s work while addressing some of the most pressing concerns of our time: the relationship between human beings, technology, and nature; the meaning of change; and the possibilities of democratic politics and resistance. This, during an era that many now refer to as the “Anthropocene,” a period in which the impact of human beings on geological conditions and change has become unmistakable. Ecological Metapolitics is a work of engaged philosophy that will illuminate readers’ understanding of Badiou’s oeuvre. The

Anita Guerrini‘s wonderful new book explores Paris as a site of anatomy, dissection, and science during the reign of Louis XIV between 1643-1715. The journey begins with readers accompanying a dead body to sites of dissection across the city, after which we are introduced to four anatomists – charter members of the Paris Academy of Sciences – who will act as focal points for the rest of the story.The Courtiers’ Anatomists: Animals and Humans in Louis XIV’s Paris (University of Chicago Press, 2015) opens up Parisian bodies – human and animal, dead and alive – to argue that dissection played a major role in the development of experimental methods in seventeenth century science. In Guerrini’s hands, the history of science and medicine in early modern Paris was simultaneously a history of fairy tales and opera, dogs and chameleons, artists and knife-makers, labyrinth-making and oratory. It is a fascinating book that is a must-read for historians of anatomy and of ea

Malick Ghachem‘s recent book The Old Regime and the Haitian Revolution (Cambridge University Press, 2012) takes a long look at Haiti’s colonial history on the legal questions around slavery. In particular, he traces the implementation of the Code Noir, France’s earliest attempt to impose a legal structure on its American colonies’ plantation system. Over the course of the eighteenth century, the Code ostensibly regulated how masters and slaves related to one another. Provisions in the Code sought to keep a strong colonial economy going, which meant limiting how much control an owner had over enslaved people. This produced areas of tension between imperial officials wanting to rein in abuse, and planters desire for total control over their laborers. At the same time, it created a legal consciousness for enslaved people who would eventually use the terms of the Code Noir in their insurgency turned revolution. Ghachem’s account adds rich complexity to our understanding of why the Ha

“Pop pop pop pop musik” -M Jonathyne Briggs‘ new book, Sounds French: Globalization, Cultural Communities, and Pop Music, 1958-1980(Oxford University Press, 2015) makes music the historical focus of the Fifth Republic’s first two decades. What made certain sounds “French,” and how did different cultural communities come together, expressing themselves in a variety of musical forms? From Francoise Hardy to Serge Gainsbourg, to the sounds of free jazz, Brittany folk, and punk, the book considers French musical production and consumption in global cultural context. Exploring the relationship between audio and national identities and communities, Briggs tracks both the influences from outside France on a range of scenes in and beyond Paris, and the reach of “French” sounds beyond the nation’s borders. Sounds French is a book that examines the contributions of artists and listeners, reading “the noise” of (and surrounding) the music treated in its

In Fictions of Conversion: Jews, Christians, and Cultures of Change in Early Modern England (University of Pennsylvania Press, 2013), Jeffrey S. Shoulson, the Doris and Simon Konover Chair in Judaic Studies and the Director of the Center for Judaic Studies and Contemporary Jewish Life at the University of Connecticut, argues that the promise and peril of conversion was projected onto the figure of the Jew, the ultimate religious “other” in English society. Shoulson looks at English writings on religious conversion and how conversion became a means through which other “technologies of transformation” were figured. His reading of diverse texts, from the translated King James Bible to the poetry of Milton, helps us understand the ways in which the figure of the Jew could serve a variety of purposes in the early modern English imagination.Learn more about your ad choices. Visit megaphone.fm/adchoices

In August 2003, a heat wave in France killed close to 15,000 people, the majority of whom were over 75. Prominent among the dead were a group of victims known as “the forgotten,” people who died alone and whose bodies were never claimed. Known as the “forgotten,” their stories are at the heart of Richard C. Keller‘s fascinating new book Fatal Isolation: The Devastating Paris Heat Wave of 2003 (University of Chicago Press, 2015). Official narratives of the disaster focused narrowly on the problem of the elderly who died alone, seemingly because their families were too busy vacationing to check in or claim their relatives. Yet, as Keller shows, these official narratives were incomplete and often incorrect. Moreover, by focusing so intently on elderly victims, these narratives have shaped subsequent public health initiatives, which have collectively identified the elderly as the most vulnerable population in the event of heat, all the while ignoring other similarly vulnerable groups

Dana Simmons‘s marvelous and thoughtful new book takes on a question that many of us likely take for granted: “What is a need; what is a want, a desire, a luxury?” Vital Minimum: Need, Science, and Politics in Modern France (University of Chicago Press, 2015) offers an answer that emerges from and is embedded in the particular historical context of nineteenth century France, but has consequences that range well beyond modern French history. Early in this fascinating study, Simmons articulates an argument that threads through the book: “a science of human needs undergirded the modern wage economy and the welfare state.” That science was collaboratively built by a diverse community of agronomists, chemists, doctors, anthropologists, economists, sociologists, amateur data gatherers, trade unions, and others who collectively attempted to define and then measure human needs for the sake of better social organization. How to do this was not at all self-evident, and fierce debates were

Tabetha Ewing‘s Rumor, Diplomacy and War in Enlightenment Paris (Oxford University Studies in the Enlightenment, 2014) is all about the on dit, the word on the street that everyday Parisians might have picked up, and/or spread around town in the 1740s. Focused on rumor during the War of Austrian Succession that lasted from 1740-1748, Ewing’s is a book that examines a range of urban voices and opinions across a pivotal decade of the Enlightenment. Taking very seriously the landscapes of gossip and fantasy, Rumor, Diplomacy, and War is intriguing in its subject matter and its methodology. Interested in the circulation of speech and ideas, Ewing tracks a variety of bruits–open and clandestine media, royal efforts to release and police information about matters of state and military conflict, and oral and written forms of communication. All this, with the aim of exploring a distinctively early-modern brand of political participation, and an “inchoate citizenship” that existed in the

Lisa Moses Leff joins host Jonathan Judaken to discuss her new book, The Archive Thief: The Man Who Salvaged French Jewish History in the Wake of the Holocaust (Oxford University Press, 2015). In the aftermath of the Holocaust, wracked by grief and determined to facilitate the writing of an objective...Learn more about your ad choices. Visit megaphone.fm/adchoices

The Tour de France is happening right now! The 2015 edition started on July 4th and will continue until July 26th. I’m excited to be able to share this interview with Eric Reed about his new book, Selling the Yellow Jersey: The Tour de France in the Global Era (University of Chicago Press, 2015) as riders make their way through the various stages of this, the most famous bike race in the world. A compelling historical narrative of the Tour, including some of its most significant moments and stars, Selling the Yellow Jersey explores the Tour as a global phenomenon. Reed argues that, over the course of the twentieth century, France was a full participant in a globalization that the Tour exemplified as a business and media enterprise, and a spectacle consumed by millions of fans around the world. Considering the roles of organizers, riders, and spectators within and outside of France, the book examines the meanings of “Frenchness” in contexts regional, national, and global. From the Tour’

Gary Wilder‘s new book, Freedom Time: Negritude, Decolonization, and the Future of the World (Duke University Press, 2015) builds upon the work he began in The French Imperial Nation State: Negritude and Colonial Humanism between the Two World Wars (University of Chicago Press, 2005). Freedom Time considers the politics and poetics of Aimee Casaire and Leopold Senghor during the period 1945-1960, “thinking with” and “working through” the ways these figures anticipated a post-imperial world. The book explores notions of liberation and temporality, considering the alternatives to nationalism and the nation-state that these thinkers imagined as they looked forward to a more democratic, autonomous future on the other side of colonialism. While The French Imperial Nation State asked readers to “rethink France,” the project here is, in the author’s own words, to “unthink France”. Indeed, France, decolonization, and even liberation itself, are all interroga

Felicia McCarren‘s latest book, French Moves: The Cultural Politics of le hip hop (Oxford University Press, 2013) explores the fascinating evolution of this urban dance form in the French context. Following the choreography and performances of key figures from the hip hop world in France, McCarren’s is a history that pays close attention to dancers and their moves, and especially to the ways in which contemporary dance is informed by-and responsive to-social and political concerns and change. Tracing the history of le hip hop as a form that arrived in France from the United States in the 1980s, French Moves examines the ways this cultural import came to “speak French”. Dance has occupied a privileged place in French national culture historically.French hip hop benefited from the outset from the support of a Socialist government interested in encouraging this meeting of street and stage in performances that embody youth, cultural diversity, and a mouvement social on a number of levels.

In 1967, French President Charles de Gaulle cried out “Vive le Quebec libre!” from the balcony of Montreal’s City Hall. The controversial moment became a myth almost instantly. The four words De Gaulle uttered remain emblematic of an extremely important moment in the histories of Quebec and Canada. Illustrative of the General’s penchant for political provocation and spectacle, they also hold a special place in his dramatic biography. David Meren‘s With Friends Like These: Entangled Nationalisms in the Canada-Quebec-France Triangle, 1944-1970(University of British Columbia Press, 2012), is anchored by President de Gaulle’s famous cri du balcon. Situating the incident within the broader context of a complex “triangle” of relations between Canada, Quebec, and France, the book deepens our understanding of what De Gaulle said and the meanings his exclamation have carried since. At the same time, the book develops a much broader and richer historical picture of the re

Hugo Frey‘s new book, Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945-1995 (Berghahn Books, 2014) distinguishes between a national cinema (films made in France) and a nationalist cinema motivated by the specific agenda to promote une certaine idee de la France. Working with ideas about “political mythology” and the “film event,” Frey analyses a series of films and filmmakers, including: Michel Audiard, Jean-Luc Godard, Claude Lelouch, Jean-Pierre Melville, Marcel Pagnol, Jean Renoir, Jacques Tati, and Francois Truffaut. Contributing to a vast and complex field of work on the cinema in France since 1945, Nationalism and the Cinema in France offers readers an analysis of French “metafilms” (films about film and filmmaking) in the postwar period; the representation of French history and modernity; the conversation between French cinema and Hollywood  (and France and the United States more generally); the complex relationship between Fren

Studies of Christian missions can easily fall into two different traps: either one-sidedly presenting the missionaries as heroes saving benighted savages or portraying them as villains carrying out cultural imperialism. At the same time, these vastly different perspectives are based on the same error of minimizing native agency. In The...Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicolas Kenny‘s new book, The Feel of the City: Experiences of Urban Transformation (University of Toronto Press, 2014) explores the sensory histories and urban development of Montreal and Brussels from the 1880s to 1914. We’ve read about Paris, London, New York, and Berlin, but what of the middle-sized cities in Europe and North America where so many turn-of-the-century dwellers saw, smelled, heard, touched, and tasted their way through urban life? What did it feel like to live in Montreal and Brussels, to walk their streets, to work in their sites of industry and production, to seek refuge in their domestic spaces? A model of transnational scholarship, The Feel of the City moves from discussion of panoramic and labyrinthine images of the city, to the analysis of sources revealing the ways inhabitants across the social landscape experienced work, home, and the street.  In our conversation, Nicolas and I talk about how contemporaries and scholars grapple with this contested term. We also take on i