New Books In French Studies

Owen Stanwood's newest book, The Global Refuge: Huguenots in an Age of Empire (Oxford UP, 2019), places the history of Huguenot refugees in a global context, the first truly international history of the diaspora. In the early modern world these French Protestant exiles scattered around the world, fleeing persecution following the Revocation of the Edict of Nantes in 1685. The story begins with dreams of Eden, as religious migrants sought to build perfect societies far from the political storms of Europe. In order to build these communities, however, the Huguenots needed patrons, forcing them to navigate the world of empires. The refugees promoted themselves as a chosen people, religious heroes who also possessed key skills that could strengthen the British and Dutch states. This embrace of empire led to a gradual assimilation. For over a century, they learned that only by blending in and by mastering foreign institutions could they prosper. While the Huguenots never managed to find a utopia or to realize thei

In Late-Colonial French Cinema: Filming the Algerian War of Independence, Mani Sharpe peploys the term “late-colonial” to describe (mostly) French films made during, and in response to, the Algerian War of Independence (1954-1962). Sharpe argues that late-colonial cinema represents a formally and thematically important, yet unappreciated tendency in French cinema; one that has largely been overshadowed by a scholarly focus on the French New Wave. Sharpe contends that whilst late-colonial French cinema cannot be seen as a coherent cinematic movement, school of filmmaking, or genre, it can be seen as a coherent ethical trend, with many of the fifteen central case studies explored in Late-colonial French Cinema filtering the Algerian War of Independence through a discourse of “redemptive pacifism”. Dr. Mani Sharpe about Late-Colonial French Cinema: Filming the Algerian War of Independence out in 2023 with Edinburgh University Press. Dr. Sharpe is a Lecturer in Film Studies at the University of Leeds. He previous

A cultural revolution in England, France, and the United States beginning during the time of the industrial and political revolutions helped usher in modernity. This cultural revolution worked alongside the better documented political and economic revolutions to usher in the modern era of continuous revolution. Focusing on the period between 1847 and 1937, Outrage: The Arts and the Creation of Modernity (Stanford University Press, 2023) by Dr. Katherine Giuffre examines in depth six of the cultural "battles" that were key parts of this revolution: the novels of the Brontë sisters, the paintings of the Impressionists, the poetry of Emily Dickinson, the Ballets Russes production of Le Sacre du printemps, James Joyce's Ulysses, and Zora Neale Hurston's Their Eyes Were Watching God. Using contemporaneous reviews in the press as well as other historical material, we can see that these now-canonical works provoked outrage at the time of their release because they addressed critical points of social upheaval and tra

Between September 1793 and July 1794, the French politicians and even the general public seemed positively overcome by the urge to denounce their peers: helping so-called crimes, devious machinations, and secret plots come to light. When the so-called “Reign of Terror” ended, however, liberal, radical, and conservative critics of the era alike continued to suggest that the problem was not an excess of public denunciations, but so many shadowy dealings that had yet to be revealed. By early nineteenth century France, transparency had taken hold as an almost necessary precondition to government legitimacy and public trust. In her new book, Tracing the Shadow of Secrecy and Government Transparency in Eighteenth-Century France (Palgrave Macmillan, 2022), Nicole Bauer traces the emergence of this discourse and the rejection of secrecy over the course of the eighteenth century. Bauer’s cultural and political history of pre-revolutionary and revolutionary France argues that while secrecy was at first envisioned as a

In the dying light of the nineteenth century, the world came to know and fear terrorism. Much like today, this was a time of progress and dread, in which breakthroughs in communications and weapons were made, political reforms were implemented and immigration waves bolstered the populations of ever-expanding cities. This era also simmered with political rage and social inequalities, which drove nationalists, nihilists, anarchists and republicans to dynamite cities and discharge pistols into the bodies of presidents, police chiefs and emperors. This wave of terrorism was seized upon by an outrage-hungry press that peddled hysteria, conspiracy theories and, sometimes, fake news in response, convincing many a reader that they were living through the end of days. Against the backdrop of this world of fear and disorder, The Rise of Devils: Fear and the Origins of Terrorism (Manchester UP, 2023) chronicles the journeys of the men and women who evoked this panic and created modern terrorism - revolutionary philosoph

A Jewish Childhood in the Muslim Mediterranean: A Collection of Stories Curated by Lela Sebbar (U California Press, 2023) brings together the fascinating personal stories of Jewish writers, scholars, and intellectuals who came of age in lands where Islam was the dominant religion and everyday life was infused with the politics of the French imperial project. Prompted by novelist Leïla Sebbar to reflect on their childhoods, these writers offer literary portraits that gesture to a universal condition while also shedding light on the exceptional nature of certain experiences. The childhoods captured here are undeniably Jewish, but they are also Moroccan, Algerian, Tunisian, Egyptian, Lebanese, and Turkish; each essay thus testifies to the multicultural, multilingual, and multi-faith community into which its author was born. The present translation makes this unique collection available to an English-speaking public for the first time. The original version, published in French in 2012, was awarded the Prix Haïm Z

The Invention of Terrorism in France, 1904-1939 (Stanford UP, 2023) investigates the political and social imaginaries of 'terrorism' in early twentieth-century France. Chris Millington traces the development of how the French conceived of terrorism, from the late nineteenth-century notion that terrorism was the deed of the mad anarchist bomber, to the the fraught political clashes of the 1930s when terrorism came to be understood as a political act perpetrated against French interests by organized international movements.  Through a close analysis of a series of terrorist incidents and representations thereof in public discourse and the press, the book argues that contemporary ideas of terrorism in France as 'unFrench'--i.e., contrary to the ideas and values, however defined, that make up 'Frenchness'--emerged in the interwar years and subsequently took root long before the terrorist campaigns of Algerian nationalists during the 1950s and 1960s. Millington conceptualizes 'terrorism' not only as the act itself

What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature (Fordham University Press, 2023) reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Dr. Brett Brehm builds a bridge between visual culture and sound studies. Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own ti

With the defeat of France in 1940 by the Germans during World War II, its status as a world power was deeply shaken. It wasn't until the liberation by the Allies in 1944 that France was able to rebuild itself but faced many challenges both external and internal. Externally, the war against Germany still waged until May 1945. At the same time, the emerging Cold War between the United States and the Soviet Union meant France would be forced to pick sides. Internally, the legacy of polarized politics of the 1930s remained with the supporters of Charles de Gaulle on one side and the French Communist Party (PCF) on the other side. In the midst of this volatile mix were the American administrations of Franklin Delano Roosevelt and Harry S. Truman trying to determine on how best American foreign policy towards France should proceed in the post-liberation era. A common perception promoted by American diplomats in France was that the country was deeply weakened by the German wartime occupation and was on the verge of

J. P. Daughton's In the Forest of No Joy: The Congo-Océan Railroad and the Tragedy of French Colonialism (W. W. Norton, 2021) examines the complex and violent French construction of a line of railroad in Equatorial Africa from the coast inland. Begun in 1921, the Congo-Océan took 13 years to complete and resulted in the deaths of between 15,000 and 23,000 African lives. Daughton's book is a careful account of the brutality, harrowing labor conditions, and deprivation of these thousands of Africans whose very bodies were abused and destroyed in this iteration of the "civilizing mission" and "modernity" in empire. Working through a broad range of archives located in France, Switzerland, the U.S., and the Congo, the book's several chapters outline in visceral detail the individuals and structures involved in making the railroad a reality, from the forced enlistment of African labourers, through the challenges of resistant landscape, the suffering of those physically tasked with its conquest, to the justifying rh

"'The God of War' is near to revealing himself, because we have heard his prophet." So wrote Jean Colin, naming Napoleon the God of War and Jacques-Antoine-Hippolyte, comte de Guibert, as his prophet. Guibert was the foremost philosopher of the Military Enlightenment, dedicating his career to systematizing warfare in a single document. The result was his magnum opus, The General Essay on Tactics, which helped to lay the foundation for the success of French armies during the French Revolutionary and Napoleonic Wars. In Jonathan Abel's Guibert's General Essay on Tactics (Brill, 2021), it is presented in English for the first time since the 1780s, with extensive annotation and contextualization. Jonathan Abel is Assistant Professor of Military History at the US Army Command and General Staff College at Fort Leavenworth. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwo

In the lead-up to World War II, the rising tide of fascism and antisemitism in Europe foreshadowed Hitler's genocidal campaign against Jews. But the horrors of the Holocaust were not limited to the concentration camps of Europe: antisemitic terror spread through Vichy French imperial channels to France's colonies in North Africa, where in the forced labor camps of Algeria and Morocco, Jews and other "undesirables" faced brutal conditions and struggled to survive in an unforgiving landscape quite unlike Europe. In Undesirables: A Holocaust Journey to North Africa (Stanford UP, 2023), historian Aomar Boum and illustrator Nadjib Berber take us inside this lesser-known side of the traumas wrought by the Holocaust by following one man's journey as a Holocaust refugee. Hans Frank is a Jewish journalist covering politics in Berlin, who grows increasingly uneasy as he witnesses the Nazi Party consolidate power and decides to flee Germany. Through connections with a transnational network of activists organizing agains

The surprise success of the German offensive in the West that commenced on May 10, 1940 caught the Allies completely off-guard, and France would soon capitulate to the Germans in late June. During the course of the campaign, large numbers of Allied forces would become trapped along the coast of the English Channel at the port of Dunkirk. The mass evacuation of Allied forces at the port of Dunkirk in 1940 is often considered one of the most iconic moments of the Second World War (1939-1945), demonstrating the resolve of the British in particular to carry on the fight against Nazi Germany. This image was portrayed in Christopher Nolan's blockbuster film Dunkirk (2017). By extension, the mass evacuation of Allied forces is also often considered a "missed opportunity" on the part of the Germans to deal a decisive blow to the British war effort. How exactly did the German High Command and German soldiers interpret the situation at Dunkirk? Through extensive research into German military archives, historian Robert

Where lay the fissures of Soviet power in Eastern Europe during the Cold War? Why did France fail in its postwar efforts to make its African colonies part of France itself? In two complementary books, Rachel Applebaum and Emily Marker explore the soft-power mechanisms of the Soviet and French empires after World War II. Their findings shed light on not only the distinctive characteristics of postwar empires, but on the reasons why Soviet internationalism and the unique French model of decolonization ultimately failed. Applebaum is author of Empire of Friends: Soviet Power and Socialist Internationalism in Cold War Czechoslovakia (Cornell UP, 2019). Marker is the author of Black France, White Europe: Youth, Race, and Belonging in the Postwar Era (Cornell UP, 2022). Stephen V. Bittner is Special Topics Editor at Kritika: Explorations in Russian and Eurasian History and Professor of History at Sonoma State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a p

In this episode of International Horizons, RBI's director, John Torpey interviewed Laetitia Bucaille about the factors that explain variation in resentment and grievances in former colonies drawing from the cases of Algeria and South Africa. Bucaille delves deeper into the case of Algeria and the affected populations whose identities were crossed cut by institutions and personal experiences as a former colony. Moreover, she explains how Algeria, considered not a colony but a French territory, still implemented discriminating laws against native Algerians who were deemed as second-class citizens. Finally, the author discusses the long-lasting consequences of this decolonization process and how it gets intertwined with politics and anti-Islam narratives in France. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Matt Dawson's The Political Durkheim: Sociology, Socialism, Legacies (Routledge, 2023) presents Durkheim as an important political sociologist, inspired by and advocating socialism. Through a series of studies, it argues that Durkheim’s normative vision, which can be called libertarian socialism, shaped his sociological critique and search for alternatives. With attention to the value of this political sociology as a means of understanding our contemporary world, the author asks us to look again at Durkheim. While Durkheim’s legacy has often emphasised the supposed conservative elements and stability advocated in his thought, we can point to a different legacy, one of a radical sociology. In dialogue with the decolonial critique, this volume also asks ‘was Durkheim white?’ and in doing so shows how, as a Jew, he experienced significant racialisation in his lifetime. A new reading and a vital image of a ‘political Durkheim’, The Political Durkheim will appeal to scholars and students with interests in Durkheim

Khmer Nationalist: Sơn Ngc Thành, the CIA, and the Transformation of Cambodia (Northern Illinois UP, 2023) is a political history of Cambodia from World War II until 1975, examining the central role of Sõn Ngoc Thành. The book is a story of nationalist movements, political intrigue, coup attempts, war, and American intelligence operations. Matthew Jagel shows how central Sõn Ngoc Thành was to the rise of Cambodian nationalism, the brief period of Japanese dominance, the fight for independence from France, and the establishment of ties with the United States. Factoring Sõn Ngoc Thành into a discussion of Cambodian political history is a major contribution that will advance scholarly discourse about Cold War politics in Southeast Asia. Sõn Ngoc Thành’s career requires us to think about pre-Khmer Rouge Cambodia with much greater nuance. Dr. Matthew Jagel earned his MA at Northern Illinois University with a thesis entitled “PHILCAG: The History of Filipino Involvement in the Vietnam War” and his Ph.D. with a diss

Annabel Kim's second book*, Cacaphonies: The Excremental Canon of French Literature (University of Minnesota Press, 2022) digs into fecal matter as a preoccupation of modern French literature. Inspired by the author's observations of a certain "fecal blindness" among student and other readers of French literature, Cacaphonies examines a series of canonical authors and texts through the twentieth and twenty-first centuries in which shit plays a powerful role as the work and waste of bodies and a figure of radical equality. Throughout its five chapters, the book examines the writing of Louis-Ferdinand Céline, Samuel Beckett, Jean-Paul Sartre, Jean Genet, Marguerite Duras, Romain Gary, Anne Garréta, and Daniel Pennac. Reading the role that fecal matter plays in the works of these authors, Cacaphonies considers the materiality of shit in relationship to French identity, democracy, and universalism. It also explores the excrementalities of writing, literature, and literary studies more broadly. Provocative in the

Brian Valente-Quinn is an Associate Professor of Francophone African studies at the University of Colorado Boulder. His book, Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa, was published at Northwestern University Press in 2021. Senegalese Stagecraft explores the theatrical stage in Senegal as a site of poetic expression, political activism, and community engagement. In their responses to the country’s colonial heritage, as well as through their innovations on the craft of theater‑making, Senegalese performers have created an array of decolonizing stage spaces that have shaped the country’s theater history. Their work has also addressed a global audience, experimenting with international performance practices while proposing new visions of the role of culture and stagecraft in society. Through a study of the innovative work of Senegalese theater-makers from the 1930s onward, Senegalese Stagecraft explores a wide range of historical contexts and themes, including French colonial educ

In the wake of its defeat in the Franco-Prussian War (1870-71), the French Third Republic sought to rebuild its strength to avenge its defeat and secure itself as a major world power. To help achieve these ends, the first professional intelligence services were created to help secure French interests against all possible enemies - both foreign and internal. This gripping story of French intelligence during the late nineteenth century is the subject of Deborah Bauer's Marianne Is Watching: Intelligence, Counterintelligence, and the Origins of the French Surveillance State (‎University of Nebraska Press, 2021). Dr. Deborah Bauer is an associate professor of history at Purdue University Fort Wayne. Her research has focused primarily on the cultural, diplomatic, and military history of France and the French Empire at the end of the nineteenth and early twentieth centuries. Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Analysis, Social Complexity, Big History, Hist