Dissecting Dragons

There's something very appealing about a moral outlaw character, Whether it's Robin Hood, stealing from the rich to give to the poor or a barely leashed Jack Reacher doing what's right rather than what the law defines as appropriate. Our fiction is full of those who exist outside the law, crossing the line into the dark without ever losing audience sympathy. This week Jules and Madeleine take a look at why this trope is so popular, how you can incorporate it in your own work and just why exactly it pops up in some very surprising genres. On the slab this week: Legally Blonde, the Hunger Games, Twilight and many more.   Title music: Ecstasy by Smiling Cynic

If there is one skill that's essential for getting readers to keep reading and yet gets thought of last amongst writing advice, it's that of pacing. Nor is it an easy skill to master since it varies depending on genre, style, voice and reader taste. This week the dragons take a look at some tips and tricks that can help you crack the art of pacing, with a look at a few examples along the way.    Title music: Ecstasy by Smiling Cynic

This week the dragons present another 'fairy tales in focus' episode and they certainly couldn't have picked one with grimmer origins. Hansel and Gretel, though comparatively a young story in fairy tale terms, has its origins in some very real and very dark historical events. While the well known tale is beloved by children - not least for the house made of sweets - its themes are multi-layered and complex. This week Jules and Madeleine take a look at what lies behind the gingerbread cottage from Medieval famine to infanticide. On the slab this week: The Witch of Duva - Leigh Bardugo, Indexing - Seanan McGuire, The Great Hunger - Martin Gilbert and many more.    Title music: Ecstasy by Smiling Cynic

It's hardwired into humans (and pretty much every other organism) to compete, which is why it should come as no surprise that 'competition' is one of the most 'buttery' tropes you can write into a book. This week, Jules and Madeleine take a look at exactly why and how you can utilise this in your own work. Whether it's as escapism, tickling the problem solving brain cells or to add stakes, competition adds a uniquely engaging element to fiction. On the slab this week The Hunger Games Suzanne Collins, The Fourth Wing - Rebecca Yarros, the Karate Kid and many more.   Title music: Ecstasy by Smiling Cynic

Fiction featuring the 'afflicted woman' trope is not a new subgenre but it's enjoying somewhat of a renaissance lately. The 'sad girl' of literary fiction has recently spent a lot more time hanging out in genre fiction which give the dragons the opportunity to dissect the trope. So what is it about the 'afflicted or messy woman' that's so appealing? Is it entirely about catharsis or is there a more sinister element? How has she been depicted in other forms of art? Find out in this week's episode. On the slab - Fleabag, Penny Dreadful, Woman Eating - Claire Kohda and many more.   Title music: Ecstasy by Smiling Cynic

Advancements in Artificial Intelligence are now creeping into how art is shaped and produced. It's no exaggeration to say that this will change the face of the book industry. Understandably, many creatives are very concerned about what this means for them and their livelihoods as the genie is well out of the bottle and unlikely to ever be put back. While the dragons are not experts on the subject, they are here to have an open discussion about matters as they stand. It isn't the end of the creative process and there are ways to use the technology in an ethical manner. So don't panic - the dragons may not have all the answers but they can probably point you in the right direction.

This week the dragons are delighted to welcome Olivia Atwater - author of Half a Soul and Small Miracles - to the show. Olivia's fantasy novels cross several genre lines and magic systems play a strong role in the stories, which makes her the perfect person to join this episode's discussion.  Magic systems in fantasy have evolved a long way since the advent of recording traditional folk tales in writing and the dawn of modern epic fantasy. There are now a variety of different types of systems which broadly fall within the hard (defined) and soft (nebulous) categories. In fact many fantasy novels employ a combination or even both at once, so does it matter which you use? What does the magic system add to the story and how do you shape it for best effect?  Under the microscope this week: The Lord of the Rings - JRR Tolkien, The Old Kingdom series - Garth Nix, Small Miracles - Olivia Atwater and many more.   Title music: Ecstasy by Smiling Cynic

The topic of the 'not like the other girls' trope is a potentially fraught one. For starters, it's not always clear where a piece of fiction falls into this trope with opinions varying greatly. This week Jules and Madeleine revisit this thorny issue, taking a look at how things have progressed over the last few years and whether it might not be time to examine whether the calling out of the trope is not in fact as potentially harmful as the trope itself. And what exactly does all that have to do with underwear? On the slab this week: Anne with an E, Little Women, The Hunger Games and many more.   Title music: Ecstasy by Smiling Cynic

It will come as no surprise to regular listeners that the dragons are passionate about good diverse representation in speculative fiction, and they've certainly discussed segments of that huge topic before. This time, Jules and Madeleine are focusing on how bisexuality is depicted in SFF, both for good and ill, and in ways that are frankly misunderstood. So just how important are labels? Can you have good representation without them? And what are some of the real bugbears about how bisexuality is displayed and how people misinterpret it that really annoy both dragons?  On the slab this week: The Witcher, The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid, The Boys and many more.

Despite discussing folktales and fairy stories regularly and at length, the dragons haven't really touched on 'modern' original fairy tales. That is books or stories written using fairy tale story modes but often set in contemporary or even futuristic settings. Contrasting the contemporary with the traditional fairy tale really highlights how steeped the both are in the politics and morality of the time, whilst still capturing that timelessness of themes. This week Jules and Madeleine take a look at a selection of case studies including Elizabeth von Arnem's The Enchanted April, Elizabeth Goudge's The Little White Horse and George Orwell's Animal Farm.   Title music: Ecstasy by Smiling Cynic

Special Guest Episode!   This week the dragons are thrilled to welcome C. N. Rowan to the show. As the author of the imPerfect Cathar urban fantasy series, which follows Paul, an 800 yr old immortal who was once a 'perfect' of the group we came to call the Cathars, but is now a magic wielding, monster hunting emotional train wreck with a smart mouth and a nose for trouble. The series is darkly comedic and a lot of fun, which make Chris the perfect person to join the episode's discussion.  Urban fantasy is spawning sub genres at speed and there are target audiences who are just ravenous for these new twists on a well established genre. But how do you make your UF books stand out? Well, one way is to add a strong historical component. How? Tune into to find out. On the slab this week: Indiana Jones, imPerfect Cathar, The Parasol Protectorate and many more.   Title music: Ecstasy by Smiling Cynic

It's been a while since the dragons have done a 'fairy tales in focus' episode so this week Jules and Madeleine take a dive into the origins, inspiration and socio-political interpretations of 'The Little Mermaid'. Written in the early nineteenth century by Danish author Hans Christian Anderson, the story cannot boast the long history of other popular fairy stories. It's also devoid of the usual happy ending and the substitute for happily ever after is oddly unsatisfying and eerie. However, it still became one of the most beloved fairy tales of all time. Why is that and what was Anderson really saying? What folktales influenced his work? And are any of the literary interpretations close to the mark? Find out in this week's episode.   Title music: Ecstasy by Smiling Cynic

Hard science fiction has been a recognised term since the 1950s. Hard fantasy is comparatively more recent as a definition but is certainly something which is being applied now to fantasy with a highly logical world, heavy political threads or more challenging storylines. However, there are cons as well as pros to narrowing the field genre wise, and a certain amount of intellectual or literary snobbery creeps in. So what does the qualifier 'hard' mean in reference to sff? What qualities qualify a book for the term? And what are the drawbacks? This week Jules and Madeleine dive into the subject with examples such as The Masquerade series by Seth Dickenson, Dune by Frank Herbert and many more.   Title music: Ecstasy by Smiling Cynic

There are few things more annoying to a reader than being cheated by the author - whether intentionally or not. One of the most annoying forms of this is the cliffhanger. Originally a device which accidentally emerged from serialised Victorian fiction, it turned into a way of manipulating the audience into buying the next book or watching the next episode. This week, Jules and Madeleine discuss the various types of cliffhangers used in speculative fiction and address why most of the time, using any sort of cliffhanger is a bad choice. On the slab this week: The Eternals, Crescent City - S.J.Maas, The Empire Strikes Back and many more.   Title music: Ecstasy by Smiling Cynic

Creating an actual villain, rather than just an antagonist, is a tricky business. It's easy to go too far and fall into the realms of cartoonish unbelievability. On the other hand, your villain needs to feel like a clear and present danger otherwise what are they doing in your MC's story? This week, Jules and Madeleine take a look at the main pitfalls on the road to making your villain genuinely menacing, as well as offering tips for how to make them villainous and still believable. Under the microscope this week: Lord of the Rings, The Terminator, Harker & Blackthorn and many more.   Title music: Ecstasy by Smiling Cynic

Special guest episode! The dragons are delighted to welcome urban fantasy author, Heather G Harris, to the show this week. Heather is the author of the wildly popular Other Realm and Other Wolf series, and her British set UF is packed with humour, unusual creatures and great characters, which makes her the perfect person to join this week's discussion. (As well as a chat about her books and hints about forthcoming projects.)   Urban fantasy is something of an umbrella term and can include different micro genres depending on who's doing the categorising. For the purposes of this episode, UF is fantasy set against the backdrop of the mundane modern world as we know it. One of the interesting aspects of the genre is the slightly different flavour UK and Irish UF has in comparison to US UF. Considering the similarities between the UK and her cousins across the pond, what's at the root of this? Is there a real difference? And if so, what differences have we noticed? (Hint: yes there is the tea aspect. But it's not

There are many ways to end a story but one of the most popular is triumph against a seemingly insurmountable foe. While there is something very satisfying about bringing your heroes to a point where it seems all is lost before they snatch victory from the jaws of defeat, there are definitely ways to do it wrong. This week Jules and Madeleine take a look a different ways of achieving this kind of ending in a believable way. On the slab this week: Star Wars, Lord of the Rings, Stranger Things and Many more.   Title Music: Ecstasy by Smiling Cynic

Most writers at some point become familiar with the idea of the monomyth and the work of Joseph Campbell. However, despite the misleading name, the monomyth is not the only blueprint for all storytelling. While it's very prevalent in almost ever story in the Western world, there are several other storytelling modes which privilege different aspects of a story for a variety of different reasons. This week, Jules and Madeleine take a look at other kinds of story templates, travelling through the monomyth to the Heroine's Journey and then onto modes used in other parts of the world.   Title Music: Ecstasy by Smiling Cynic 

Every so often the dragons like to break away from writing technique and storytelling analysis and do something light and fun. This week they have a list of contenders for the hand of an imaginary batchelorette. Our would be suitors are drawn from the most highly sought after romantic male leads of fiction - from Mr Darcy to Edward Cullen. But just what is it that makes any of our romantic hopefuls appealing? Find out as Jules and Madeleine gently poke fun at them and weigh their finer qualities.   Title music: Ecstasy by Smiling Cynic

Welcome to another 'fairytales in focus' episode. This week the dragons are tackling one of the most gruesome popular folk stories. The story of well known wife murderer 'Bluebeard' has inspired a lot of Gothic and horror fiction, but its own origins - while comparatively recent - are somewhat unusual. In addition, while it's often slammed for being a truly sexist story, digging into the folklore suggests that its 'moral' was probably lost in translation. Jules and Madeleine track the story's grisly journey through history and folk tradition in this episode.   Title music: Ecstasy by Smiling Cynic