Jay & Miles X-plain The X-men

In which writing X-books requires a somewhat different approach to continuity than writing about them; time is weird; Jay overthinks fictional publications; Scott Summers is (at least sometimes) Autistic; Sinister is not subtle; and no story is the whole story.

In which Cable has clearly inherited his father’s inability to go on a date that doesn’t end disastrously; Husk is a lightweight; we are very taken with a turtle; you really don’t want to run into the other Hemingway in an elevator, either; Jubilee can speak in logos; and Wolverine gives some fatherly advice.

This would usually be a skip week, but the world is still being a jerk, so we made you a bonus, entirely unedited, and almost entirely off-topic episode. This time, our

In which we continue our ongoing tour of the post-Age of Apocalypse X-Universe; Onslaught gets a name; nobody’s sure what Noah Dubois is doing there; Iceman gets to be the practical one, for once; T&A should not generally appear on the same visual plane; someone needs to talk to Cannonball about kink safety; and Emma Frost lets a call go to voicemail.

In which X-Factor gets its own roster shakeup; most bartenders will look at you funny if you order a flight of superheroes; Kaboom is a great name for a nightclub; we lack significant feelings about the clone saga; Yukio probably sends love to everyone’s girlfriends; Forge has terrible coping mechanisms; and Jay’s current life is not conducive to consistent acoustics (sorry!).

In which Jay discovers a continuity loop; phonetic spelling reaches a new level of implausibility; it’s always already Onslaught; X-Force’s roster gets shaken up; Siryn goes undercover; and the Upstarts remain vaguely plot-relevant despite our fervent wishes.

This would usually be a skip week, but the world is still being a jerk, so we made you a bonus, entirely unedited, and almost entirely off-topic episode. This time, we

In which writer and editor Laura Hudson joins us as we take a break from X-Men comics to discuss the complicated ethics of consuming and covering comics by creators we’re

In which you should probably not mess with space junk; Exodus is terrible at many things; Rusty Collins deserved better; X-Men #100 references are dirty (but effective) pool; Magneto goes through a lot of orbital bases; Nate Grey makes things worse; Frenzy is generally the most competent member of any team she’s on; and we sincerely regret not making more Satellite of Love jokes about Avalon.

In which we enter our fourth century of podcasting with brand new theme music; we have both Wolverine questions and wolverine questions; it is extremely rough to be Bishop; the creator of Garfield may or may not live in a sewer on Earth-616; Rogue needs better coping mechanisms; bigotry is depressingly timeless; and everything is Onslaught now.

This would usually be a skip week, but the world is still being a jerk, so we made you a bonus, entirely unedited, and almost entirely off-topic episode. This time, we

In which the Age of Apocalypse comes to an end; Angel briefly lives up to his potential; Bishop was sometimes right; It’s not a climactic ending without an X-Men #137 reference; Colossus breaks our hearts; X-Men: Marvels Snapshot will be out in September; and somehow we have made 300 of these things.

In which some universes are more pleasant than others; Havok is basically a Care Bear; Wolverine is a P.R. nightmare; Nate Grey tries; stealth is not among the Silver Surfer’s strengths; Night Thrasher ascends to godhood; Jay and Miles dive down the What If rabbit hole.

In which the moments of X-Universe are better than the whole; the code name “Dirigible” carries some inherent risks; Tony Stark is often more interesting without Iron Man; Clint Barton is no James Rhodes; there is somehow a Matt Murdock who makes even worse choices than the one from Earth-616; nobody should ever trust Mikhail Rasputin; and the baby’s name really doesn’t matter.

In which Nate Grey is a drama kid; Forge-295 is the hero we need; Mister Sinister is a graduate of the Danielle “Moonstar” Moonstar school of secret identities; and we really, really, really wish that the theater troupe had gotten the ongoing series.

In which Magneto doesn’t really do work/live divide; Amazing X-Men is a bit of a misnomer; Exodus is the lawful evil to Fabian Cortez’s chaotic evil; smoking is bad for you; moisture molecular inversion is fairly definitely not a real thing; Earth-295 Quicksilver and Earth-616 Cyclops would probably get along; OSHA would probably like a word with the Madrii; Gambit had ONE JOB; and there are no superheroes in the Age of Apocalypse.

This would usually be a skip week, but the world is still being a jerk, so we made you a bonus, entirely unedited, and almost entirely off-topic episode. This time, we

In which this episode may or may not be a temporal aberration; Gambit is bad at marketing; Jubilee’s sixth birthday was probably worse than yours; Earth-295’s chronology doesn’t make that

In which a whole lot of things burn; Nightcrawler gets gritty; it’s hard to be Dead Man Wade; Apocalypse’s IT department has some explaining to do; Mystique is the most mom of all moms; Doug Ramsey dies (again); and Jay will fight anyone who says comics can't be "real" literature.

In which not all Mondos are created equal; the kids are only rarely all right; the Age of Apocalypse is not Magneto’s fault; Sugar Man is the stuff of universal nightmares; “cartoonish” is not necessarily a plus; and the Age of Apocalypse is not particularly sustainable.