Soul Music

The hauntingly beautiful Welsh song Myfanwy 'is in the air in Wales' according to singer Cerys Matthews. She along with others discuss what the melodic tale of unrequited love means to them. They include a Welsh woman living in Sicily for whom the song represents 'hiraeth', a longing or homesickness for Wales and another who believes it expresses the 'wounded soul of the Welsh'. A man remembers how his late brother and he used to sing it in pubs in North Wales and how the song symbolises the unrequited love he felt for him. Members of the Ynysowen choir, started after the mining disaster in Aberfan as a way of dealing with the emotion, talk about the song's power, and an ex soldier recalls digging for survivors with lines from it playing in his head "Give me your hand, my sweet Myfanwy". Producer: Maggie Ayre.

Labi Siffre wrote Something Inside So Strong in 1984. Widely believed to have been inspired by seeing film footage from South Africa, of young blacks being shot at by white policeman, he now reveals that the lyrics were also informed by the oppression he had experienced as a homosexual. The song has been taken up by individuals and groups around the world who have suffered from discrimination. The Choir With No Name in Birmingham, made up of homeless singers, always close their concerts with the song. Choir members explain why it's so important to them, giving them a sense of pride and dignity. The American singer Suede, talks about the power she finds in the song and the South African singer, Lira talks about making a special recording of it for the birthday of Nelson Mandela, as it was one of his favourite pieces. We hear how Celtic football fans sing it as an act of solidarity with their beleaguered manager, Neil Lennon. In his first interview for over a decade Siffre explains how he still sings the so

"It's the kind of music that makes you feel like you're just hurting so good" People of different ages reflect on why the pop country classic 'Crazy' made famous by Patsy Cline brings out such strong emotions in them, including a young woman mourning the loss of a father's love after divorce, broadcaster Fiona Phillips on losing her father to Alzheimers and 87 year old Wayne Rethford who as a young man in 1961 met Patsy Cline and two years later happened upon the crash site where she died after her plane came down in a heavy storm in Tennessee. "That music becomes embedded in your soul" he says. Producer: Maggie Ayre.

"I'm convinced it's the best thing ever written and recorded in the history of things written and recorded" - Moby. Rhapsody in Blue was first heard exactly 90 years ago when it premiered on February 12, 1924, in New York's Aeolian Hall. Through its use at the opening of Woody Allen's 'Manhattan' it has become synonymous with the city that inspired its creation. But for people around the world, George Gershwin's "experiment in modern music" has become imbued with the most personal of memories. LA based screen writer Charles Peacock reflects on how this piece has become entwined with his life and how, on an evening at the Hollywood Bowl this music "healed him". When Adela Galasiu was growing up in communist Romania, Rhapsody in Blue represented "life itself, as seen through the eyes of an optimist". For world speed champion Gina Campbell, the opening of that piece will forever remind her of the roar of the Bluebird's ignition as it flew through the "glass like stillness of the water" and brings back the memo

Soul Music tells the story of the song, Have Yourself a Merry Little Christmas, and talks to people for whom it has special meaning. 'Have Yourself A Merry Little Christmas', was first performed by Judy Garland in the 1944 MGM musical Meet Me In St Louis', for the now famous scene in which Garland and her seven year old sister, played by Margaret O'Brien are downcast about the prospect of moving away from their beloved home. Garland asked the composer, Hugh Martin to modify his original lyric, explaining it to be too depressing for her to sing, or the audience to hear. Martin's collaborator and friend, John Fricke, explains the importance this song had for the composer and the joy he experienced in hearing it covered by every major artist since, from Frank Sinatra to Chrissie Hynde, Punk band Fear to Cold Play, Rod Stewart to James Taylor. It's clear that the song's enduring power lies in a beautiful melody with a melancholic feel that sums up our emotional ambivalence to the Christmas season. We hear from

How Brahms' German Requiem, written as a tribute to his mother and designed to comfort the grieving, has touched and changed peoples lives. Stuart Perkins describes how the piece arrived at the right time in his life, after the death of his aunt. Axel Körner, Professor of Modern History at University College London, explains the genesis of the work and how the deaths of Brahms' friends and family contributed to the emotional power of the piece. Daniel Malis and Danica Buckley recall how the piece enabled them to cope with the trauma of the Boston marathon bombings. Simon Halsey, Chief Conductor of the Berlin Radio Choir, explores how Brahms' experience as a church musician enabled him to distil hundreds of years of musical history into this dramatic choral work. For Imani Mosley, the piece helped her through a traumatic time in hospital. Rosemary Sales sought solace in the physical power of Brahms' music after the death of her son. And June Noble recounts how the piece helped her find her voice and make

Few songs can claim to be - quite literally - as far reaching as the 1967 classic 'Can't Take My Eyes off You'. In this edition of Radio 4's 'Soul Music', we hear from former astronaut Christopher Ferguson who heard this song as an early morning wake-up call aboard the space shuttle Endeavour. And from mum of two Michelle Noakes who sang this classic piece to the baby she was told she may never be able to carry. We also hear from the honeymoon couple whose marriage proposal began with a hundred strong 'flash mob' performance of this track and from Frankie Valli himself, who reflects on one of the most moving performances he ever gave when he sang 'Can't Take My Eyes off You' to a crowd of recently returned Vietnam Veterans. DJ Mark Radcliff recalls the many artists since Valli that have covered this song (not least his mum as she sang along to the Andy Williams version) and composer Bob Gaudio tells us how this now universally famous piece of music began life in a room over looking Central Park with a melody

From the seat of a concert hall piano, Pascal Rogé, one of the world's greatest interpreters of French piano music, leads us through a personal and musical journey of Erik Satie's Gymnopédies. You may not immediately know the title but in hearing just the first few notes you are most likely to know the music. Erik Satie's Gymnopédies are a collection of short, atmospheric pieces of which Gymnopédie No.1 is perhaps the most popular. Music historian and author Mark Prendergast has studied Satie's work and reveals the complex character of the man who revolutionised the 19th century classical music of Europe. Melbourne based artist Colin Duncan reflects on the music's 'physical form which takes you into space and time' and for him inspired a body of work created in brail. Murder Mystery writer Cathy Ace remembers how this meditative music could shut out the noise of the city as she sped around London in her old brown mini, whilst Mathematician and author Ian Stewart explores the mathematics of this special piece

"Southern trees bear a strange fruit, blood on the leaves and blood at the root..." Billie Holiday's famous song expresses the horror and anguish of those communities subjected to a campaign of lynching in the American South. Soul Music hears the stories of people whose relatives were lynched by white racists and of the various forms of grief, anger and reconciliation that have followed. These include the cousin of teenager Emmett Till, whose killing in 1955 for whistling at a white woman, added powerful impetus to the civil rights movement. Despite its association with the deep south, the song was actually composed in 1930's New York by a Jewish schoolteacher, Abel Meeropol. Meeropol adopted the children of Julius and Ethel Rosenberg after they were executed in 1953 as Soviet spies. One of those children, Robert, talks of his adopted father's humanity and his belief that the Rosenberg's were killed in a 'state sanctioned lynching by the American government'. For him, Strange Fruit is a comforting reminder o

How the choral work The Dream of Gerontius, by Elgar, has touched and changed people's lives. We hear from Terry Waite for whom it was the first piece of music he heard as a hostage in the Lebanon, after four years in solitary confinement. Music writer and broadcaster Stephen Johnson describes how Elgar's own fragile emotional state is written into the music, which describes the journey taken by a dying man. Singer Catherine Wyn-Rogers explains how Elgar's music helped her come to terms with the loss of her parents. Martin Firth recalls a life-enhancing performance of the piece in Bristol cathedral. Jude Kelly, artistic director of the South Bank Centre, explains how she experienced the choir in this piece as a 'spiritual army' when she performed it at university. Martyn Marsh describes how the music brought him to a realisation about how he would like to end his days. And Robin Self recalls a life-changing performance of this piece, which enabled him to grieve for his son. Producer: Melvin Rickarby.

Don't Leave Me This Way was written in the early 1970s by songwriters Huff, Gamble and Gilbert who were the composers behind the famous black American Philadelphia Sound. It was first performed by Harold Melvin and the Blue Notes, featuring Teddy Pendergrass on lead vocals, and later became a hit for Thelma Houston and the Communards. As the title suggests, the song is all about longing, yearning and loss. Remarkable stories in this edition of Soul Music reflect the pain expressed in this soul classic, including one told by Dr Dan Gottlieb, a quadriplegic therapist who befriended Teddy Pendergrass after he became paralysed in a car accident. Sharon Wachsler recalls dancing to the version made famous by The Communards in 1986 before a devastating illness left her housebound and reliant on her beloved service dog Gadget, who gave her a reason to keep going. When he died, the song was the only way she could express her grief over his loss. The Reverend Richard Coles, formerly of The Communards, talks about the s

The hymn 'Make Me a Channel of Your Peace' found its way into weddings, funerals and school assemblies and in this week's 'Soul Music' we hear how it has also embedded itself into the hearts of peace campaigners, charity workers and reformed alcoholics. The simplicity of this hymn often belies the challenges at its heart. Its lyrics call for unconditional love and forgiveness in the toughest situations. The words are based on a poem which has often been attributed to St Francis of Assisi. However, Franciscan Historian, Dr Christian Renoux, suggests it was most likely to have been written by an anonymous French noble women. The poem travelled across the globe with translations published during the first and second world wars, subsequently bringing inspiration to public figures ranging from Mother Theresa to President Roosevelt. In 1967 it caught the eye of South African born musician and 'yogi' Sebastian Temple who put these words to its most famous musical arrangement. It's Sebastian's version that was pl

Written by Joaquin Rodrigo in 1939, the Concierto de Aranjuez is a guitar classic. It was written amid the chaos of the Spanish Civil War, and in circumstances of poverty and personal tragedy. This programme explores how the piece touches and changes people's lives. The composer's daughter Cecilia Rodrigo explains how the blind composer was inspired by the fountains and gardens of the palace of Aranjuez. Nelício Faria de Sales recounts an unforgettable performance deep inside one of Brazil's largest caves, while David B Katague remembers how the piece got him through a difficult period of separation from his family in the Philippines. Guitarist Craig Ogden explains the magic of the piece for a performer, and actor Simon Callow recalls how hearing the piece was a formative experience for him during his schooldays, when it turned rural Berkshire into a piece of Spain. Producer: Melvin Rickarby.

A new series of SOUL MUSIC begins with stories of love, loss and friendship through the WWII favourite Lili Marlene, made famous by Marlene Dietrich and sung by soldiers on both sides. Producer: Maggie Ayre.

The song from 1982 was written by Elvis Costello and Clive Langer for Robert Wyatt and has been recorded in several versions by Elvis Costello himself, Suede, June Tabor, Hue and Cry, Tamsin Archer and The Unthanks. The blend of subtle lyrics and extraordinary music makes this a political song like no other. It transcends the particular circumstances of its writing: the Falklands War and the decline of British heavy industry, especially ship-building. Clive Langer and Elvis Costello describe how the song came to be written and how the legendary jazz trumpeter and flugelhorn player, Chet Baker, came to perform on Costello's version. Richard Ashcroft is a philosopher who wants the song, which he describes as a kind of secular hymn, played at his funeral because it gives a perfect expression of how he believes we should think about life. Not being able to feel the emotion of the song would, he feels, be like being morally tone-deaf. If you don't like this song, he'd find it hard to be your friend. The song's

The Stabat Mater's imagines the sufferings of the Virgin Mary at the foot of the cross, and Pergolesi's eighteen-century setting remains a choral favourite. Pam Self tells the moving story of how this piece unites her and her friend Helen Vaughan, both during life and after. Soprano Catherine Bott reflects on the piece's themes. The Stabat Mater has been reinterpreted many times over the years: Sasha Lazard recalls singing it in the school choir, before later taking the melody and transforming it into a dance version for her album 'The Myth of Red' rechristening it 'Stabat Mater IXXI' in the wake of the September 11th attacks. Victor Alcantara also sang it as a boy, before returning to the piece as an adult and transforming it into a jazz opus. Composer and Conductor Paul Spicer examines the musical tensions in the piece, likening its opening to "a heartbeat." Professor Anthony DelDonna recalls a performance of the Stabat Mater in his hometown of Naples, and reflects on the moment which reaffirmed his h

The Irish traditional song She Moved Through The Fair is well loved and well recorded by many. To some it is a ghost story that tells of unfulfilled longings and of hopes and aspirations cut short. Sinead O' Connor and others talk about the haunting beauty of this ancient song and of why its imagery is carved into their souls.

More than just 'da da da dum': Beethoven's 5th Symphony is this week's Soul Music. It accompanied Sir Robin Knox-Johnston on the regular Bombay to Basra route he sailed during his early days in the Merchant Navy. Archaeologist and crime novelist, Dana Cameron, spent many a long day in a dark, lonely basement analysing artefacts from a merchant's house in Salem, Massachusetts. A CD player was often her only companion and Beethoven's 5th buoyed her through these arduous days working towards her PhD And for conductor, Christopher Gayford, it was the piece which provided a breakthrough in his musical life. Recalling the time he spent rehearsing it with the Sheffield Youth Orchestra - for a tour in East Germany - he describes the build up to one of the most memorable performances of his career. Producer: Karen Gregor.

Is That All There Is, the Leiber and Stoller song made famous by Peggy Lee, is based upon a short story by Thomas Mann called 'Disillusionment', but those who know and love it feel it's inspirational rather than a cynical, world weary musical take on existentialism and the futility of life. Soul Music finds the compelling individual stories behind our collective love of music. Producer: Maggie Ayre.

Bach's St Matthew Passion was written in 1727 and was probably first performed as part of the Good Friday Service at Thomaskirche in Leipzig. This programme explores ways in which Bach's St Mattew Passion touches and changes people's lives. Guitarist Andrew Schulman describes what happened when he was played this music whilst he was in a coma. James Jacobs talks about the St Matthew Passion providing solace in difficult times during childhood. And singer Emma Kirkby, conductor Paul Spicer and musical historian Simon Heighes explore how the music works and what it's like to perform. Producer: Rosie Boulton.