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The 1970s were a fertile time for feminist film, producing not just a huge body of women's work - including Chantal Akerman's seminal 1975 film Jeanne Dielman - but also a corpus of journals and criticism. This week, Tom Overton talks to Daniella Shreir, editor of Another Gaze (http://www.anothergaze.com/) about the need for such publications and the history of feminist film criticism, as well as the work of Chantal Akerman, whose memoir Daniella has translated for Silver Press (https://www.silverpress.org/). SELECTED REFERENCES Marina Abramović Chantal Akerman – https://www.lrb.co.uk/blog/2015/october/on-chantal-akerman Dorothy Allen-Pickard - https://www.dorothyallenpickard.com Melissa Anderson - http://www.bkmag.com/2016/09/19/brooklyn-100-melissa-anderson-film-critic/ Erika Balsom - http://www.erikabalsom.com Grace Barber-Plentie - https://www.bfi.org.uk/people/grace-barber-plentie Camera Obscura (journal) - https://www.dukeupress.edu/camera-obscura Cléo (film journal) - http://cleojournal.com Marguerite