Interviews From Yale Radio / Artists, Curators And More

Paco Barragán (Oviedo, Spain) is a curator and culture theorist that believes that the so-called “white cube” is dead. Since 2016 he doesn’t do “white cubes.” Between 2015 and 2017 he oversaw the visual arts section of Matucana 100 in Santiago de Chile. As a curator he is interested both in the history of museology and exhibition design and the history of the making of the art market. Why? Because you can´t have a good command of curatorial practices without a profound knowledge of the art market, which had a profound impact on museological and curatorial practices. Most of the known museological displays, from the Period Room to the Impressionist or Expressionist hang respond after all to profound commercial goals. For this reason, Barragán wrote a book about the history of art fairs and biennials since ancient Greece and Rome until today as he understands that we need a longue durée perspective. At this very moment he’s finishing a book about the history of collecting since Assyria until today. Museums are