Documentary First

What does it take to build a filmmaking career inside Ken Burns's world — and what happens when the hardest part isn't the craft, but learning who you are?Erik and Christopher Ewers are brothers who co-direct for PBS under the Ken Burns banner. Erik has been Burns's senior editor for 33+ years. Chris is a DP who's shot for Apple, Coca-Cola, and Tiffany & Co. Their latest project: Henry David Thoreau, a three-part PBS documentary series executive produced by Ken Burns and Don Henley, narrated by George Clooney, with Jeff Goldblum voicing Thoreau, Ted Danson as Ralph Waldo Emerson, and Meryl Streep. Henry David Thoreau premieres on PBS March 30. This is Part 1 of a two-part conversation.In Part 1, you'll learn:— How Erik ended up working for Ken Burns through a real estate deal involving window treatments and carpets— How a 22-minute visitors center film became the doorway to a three-hour PBS series— What it's really like to co-direct a documentary with your brother (even Ken Burns couldn't do it with his)—

In Bridgerton Season 4, Francesca Bridgerton stands in the middle of her husband’s funeral and says something no one expects: “I want to feel joy.”Eighty years earlier and four thousand miles away, a D-Day veteran stood on Utah Beach watching children play in the water where his friends had died—and said something just as unexpected: “That’s why we came.”In this episode of Documentary First: The Deep Dive, Christian Taylor connects these two moments to a discovery C.S. Lewis made in his grief journal A Grief Observed—and asks what it all means for the stories we tell as filmmakers. The answer surprised her. It might surprise you too.What You’ll Learn:What 20+ D-Day veterans told filmmaker Jake Schroeder when he asked if it was disrespectful to play on the beaches where men diedThe C.S. Lewis line that connects grief, praise, and joy—and why filmmakers need to hear itHow Bridgerton Season 4, Episode 7 modeled a radically different response to lossG.K. Chesterton’s 1908 concept that reframes everything: why joy

Jake Schroeder—former frontman of OP Gone Bad, national anthem singer for the Colorado Avalanche, and executive director of the Denver Police Activities League—now runs the D-Day Leadership Academy, bringing inner-city youth to Normandy, France to learn leadership through the stories of World War II.After concussions, insurance costs, and political shifts dismantled his youth sports programs serving 4,000 kids a year, Jake pivoted. Inspired by the WWII veterans he’d been bringing back to Omaha Beach and Utah Beach since 2011, he transformed his nonprofit into a Normandy-based leadership program built on five pillars drawn from D-Day: leading from the front, total commitment to mission, chaos, preparation, and empathy. In this conversation, he and host Christian Taylor—director of the award-winning documentary The Girl Who Wore Freedom—explore what success really means when the money isn’t there but the mission keeps growing.What You’ll Learn:What does the D-Day Leadership Academy teach kids in Normandy?How do

What if failure isn’t the enemy—but the training ground?That’s the question Christian Taylor explores in this episode of Documentary First: The Deep Dive, sparked by her conversation with filmmaker Quinnolyn Benson-Yates about the documentary Epic Bill. Bill Bradley lost his video rental empire to Netflix, went bankrupt, went through a divorce—and then rebuilt himself through extreme endurance athletics. His mantra? “Courage is a muscle.” And “Show up and suffer.”In this deeply personal episode, Christian connects Bill’s story to her own struggles as a filmmaker, podcast host, and business owner—and to the ancient wisdom of the Stoics, Scripture, and some of history’s greatest examples of failure-turned-triumph.What You’ll Learn:Why “courage is a muscle” is backed by actual scienceThe mental tennis lesson that changed Christian’s relationship with failureWhat Thomas Edison and Michael Jordan understood about reframing failureHow the 1980 “Miracle on Ice” wouldn’t have happened without a crushing 10-3 defeatWh

Award-winning filmmaker Quinnolyn Benson-Yates made her first feature documentary before film school—and its seven-year journey from short film concept to PBS distribution holds lessons every indie filmmaker needs to hear.Epic Bill follows an endurance athlete who lost everything when his video rental empire collapsed (thanks, Netflix). Bill’s mantra—“show up and suffer”—became Quinn’s filmmaking philosophy as she navigated polar vortexes, battery failures in -50° weather, and the brutal realities of distribution. In this episode, she shares how she cut a 93-minute film down to 56 minutes for PBS, why credibility matters more than connections, and the uncomfortable truth about what distribution actually solves.DocuView Déjà Vu:Free Solo, 2018, 100 mins, Watch on on Disney + Package / Hulu, IMDB Link: Free Solo (2018) ⭐ 8.1 | Documentary, Adventure, SportMeru, 2015, 90 mins, Watch on Prime Video, IMDB Link: Meru (2015) ⭐ 7.7 | Documentary, SportCrip Camp: A Disability Revolution, 2020, 106 mins, Watch on Netfl

How do you know if you’ve found a Joe Amodei—or a predatory film distributor?That’s the question Christian Taylor explores in this episode of Documentary First: The Deep Dive, after her conversation with Joe Amodei—filmmaker, 40-year industry veteran, and owner of Virgil Films Entertainment (Supersize Me, Restrepo, Forks Over Knives). What struck her wasn’t just what Joe said about Cat Fest 2026—it was the warmth and trust in their conversation. In her experience, that kind of rapport between filmmaker and distributor is genuinely rare.So she did some digging. What she found was both infuriating and clarifying: there’s no Better Business Bureau for film distribution. No government agency protecting filmmakers. No licensing board. The system that exists is word of mouth, peer networks, and a few dedicated nonprofits trying to shine a light in the darkness.What You’ll Learn: - The 5 essential steps for vetting a film distributor before signing - Red flags that should make you walk away from any distribution dea

Virgil Films founder Joe Amodei shares the hard truth: $250K is your budget ceiling, traditional marketing no longer is effective, and you must build your own audience.Joe has distributed films from the VHS era through streaming. In this episode, he breaks down which documentary genres actually sell (true crime, health/wellness, and ones that make us feel good—not adventure docs anymore), why 90% of his acquisitions come through referrals, and what separates films that make money from films that don’t. Plus: the 2025 Oscar nominations and Joe’s surprise announcement!DocuView Déjà Vu:Train Dreams, 2025, 102 mins, Watch on Netflix, IMDB Link: Train Dreams (2025) ⭐ 7.5 | DramaThe Alabama Solution, 2025, 117 mins, Watch on Disney+/Hulu, HBO Max, IMDB Link: The Alabama Solution (2025) ⭐ 7.8 | DocumentaryWhat You’ll Learn:• The maximum budget for an indie doc that can actually recoup ($250K—tops)• Which genres sell: true crime → health/wellness → inspirationalWhy adventure/mountain climbing docs have stopped workin

Imagine standing in an ancient Egyptian tomb, camera in hand, as a sarcophagus is opened for the first time in thousands of years. For filmmaker Jeffrey Roth, that moment sparked a realization: "No, this is real."This is the first-ever episode of Documentary First: The Deep Dive—a new companion series where Christian Taylor takes one insight from recent podcast conversations, explores it deeply, and connects it to the universal experience of creative work.In this episode, Christian unpacks why "mountaintop moments"—the ones you've worked years to reach—often feel completely different than you expect. Drawing from her own journey filming at Brecourt Manor in Normandy (the most famous house on D-Day), Christian explores the psychology behind why doubt doesn't disappear when dreams come true, and how the discipline of presence keeps us from missing the very moments we worked so hard to achieve.What You'll Explore:· • The Imposter Gap: Why calling yourself an "actor" or "filmmaker" for the first time feels like a

“People are going to watch your movie for such an infinitesimally small percentage of their life. What they’re going to do is remember it.”That insight from Emmy-winning editor Charles Olivier—who’s cut The Jinx, The Redeem Team, and George Clooney’s Surviving Ohio State—stopped Christian Taylor cold. It cuts right to the heart of documentary filmmaking: your audience will forget most of your film. The question is whether you’ve given them something worth remembering.In this episode of Documentary First: The Deep Dive, Christian explores the neuroscience behind “sticky” storytelling—why emotional moments lodge in memory while everything else fades—and shares how she accidentally discovered this principle while making The Girl Who Wore Freedom.What You’ll Explore:The Memory Paradox: Why viewers forget 90% of your film—and why that’s okayBrain Synchronization: How emotional moments literally sync your audience’s neural patternsThe Gist vs. Detail Trade-Off: What neuroscience says about what sticks and what fade

Emmy-winning editor Charles Olivier reveals how he restructured HBO's Surviving Ohio State and what it's like getting notes from George Clooney.Charles has cut some of the biggest docs of the last decade—The Jinx, Magic and Bird, The Redeem Team. Surviving Ohio State, produced by Clooney and directed by Oscar winner Eva Orner, exposes decades of abuse in college athletics. In this episode, Charles breaks down how he pitched a new vision to the production team, why he structures documentaries like symphonies instead of three-act narratives, and his advice for editors finding their voice.What You'll Learn:How documentary editors get hired (the "fresh eyes" audition)The editor as "midwife" to the director's visionStructuring docs like music—themes, movements, dynamicsEditing trauma narratives without losing emotional resonanceFinding your film's "grain" (why the lead isn't always who you expect)What it's actually like working with George ClooneyTimestamps:00:00 Introduction03:00 What is Surviving Ohio State?09:0

Jeffrey Roth has spent his career letting extraordinary people tell their own stories—Apollo astronauts, President George H.W. Bush, and now Dr. Zahi Hawass. In this episode, Christian Taylor inquires about the logistics of independent documentary filmmaking in Egypt: working with fixers, navigating permits, shooting in ancient tombs with one hour of access, and why he withholds narration. Plus: the personal moments that make his films unforgettable.Links:Trailer- The Man with the Hat - Official TrailerThe Man with the Hatinstagram.com/themanwiththehatmovieTiktok: @themanwiththehatmovieSocials:instagram.com/themanwiththehatmovietiktok.com/@themanwiththehatmoviehttps://www.facebook.com/profile.php?id=61585782550439zahifilm.comDr. Zahi Hawass“41”, 2021, 98 mins, Watch on HBO MAX, IMDB Link: 41 (2012) ⭐ 6.6 | Documentary, BiographyPresident in Waiting, 2020, 77 mins, Watch on Fawsome or Pluto TV or Roku Channel or Tube or Prime Video, IMDB Link: President in Waiting (2020) ⭐ 7.8 | Documentary, History DocuView

In this episode of Documentary First, host Christian Taylor sits down with filmmaker Peter Kelly to explore his remarkable journey from his Mississippi roots to documenting the rich cultural and maritime history of Salt Cay in the Turks and Caicos. Peter reflects on how growing up in a small Mississippi community shaped his storytelling sensibilities, his love of history, and the creative instincts that now guide his work.The conversation dives into the realities of filming in a remote island location—limited resources, environmental challenges, and the unexpected surprises that come with working far off the grid. Peter shares the thought process behind crafting his documentary: how he chose his subjects, the equipment he relied on, and why capturing a holistic portrait of the island mattered deeply to him.Ultimately, this episode celebrates the art of discovery—of place, of story, and of self. It’s a thoughtful look at the creative process behind documentary filmmaking and the passion that drives filmmakers

In this episode of Documentary First, host Christian Taylor interviews acclaimed documentary filmmaker, writer, photographer, and cultural documentarian Alan Govenar—a storyteller with a 44-year career devoted to preserving overlooked American lives and histories. The conversation centers on Govenar’s powerful film Quiet Voices in a Noisy World, which examines the struggle for change in Jasper, Texas, and the long shadow of racial violence on a community searching for truth, healing, and forward movement.Govenaris the president of Documentary Arts, a nonprofit media production company. He and Christian explore what it means to document communities with integrity—earning trust, listening deeply, and building narratives that uplifts the voices of others.Links:Documentary Arts: Documentary Arts, Inc. > HomeCigarette Blues: Cigarette Blues (Short 1985) ⭐ 6.8 | Short, DocumentaryStoney Knows How: Stoney Knows How (Short 1981) ⭐ 7.8 | Documentary, ShortTruth In Photography: TRUTH IN PHOTOGRAPHYQuiet Voices in A

Susan Lacy—the iconic creator of PBS’s American Masters and one of the most influential voices in biographical documentary filmmaking joins us. From her early roots in journalism to building a landmark series that reshaped cultural storytelling on public television, Lacy shares the real behind-the-scenes truth of what it took to launch American Masters, fight for ambitious filmmaking, and evolve from producer to director.Together, Christian and Susan dig into what makes a documentary last: deep research, emotional access, trust with subjects, and interviews that go beyond “good questions” to uncover the soul of a story. Lacy also reflects on being a woman leading at the highest levels of the industry, the power of mentorship, and how shifting economics—from the DVD era to today’s streaming landscape—have changed development, financing, and distribution.If you care about documentary storytelling, PBS history, HBO documentaries, or how to direct intimate, character-driven films that preserve legacy and culture,

In this episode of Documentary First, host Christian Taylor welcomes back Emmy-nominated director and producer Nicholas (Nick) Bruckman for his third visit to the show. Together, they pull back the curtain on the real world of documentary filmmaking—from getting into top festivals like Sundance and Tribeca, to navigating labs and markets, to landing a doc on Netflix.Nick shares how his early narrative feature Valley of Saints got into Sundance off a “cold” submission, and how he’s since used programs like Gotham Week, Film Independent’s labs, and Tribeca’s Creators Market to build meaningful relationships with programmers and industry partners. He breaks down his rough-cut screening process (including Google forms and phone-watching “tells”) and explains why being radically open to feedback is one of the most powerful tools a filmmaker has.Christian and Nick also dive into Minted: The Rise and Fall of the NFT, exploring why that film became Netflix’s “definitive” NFT documentary—and what that reveals about ma

In this episode of Documentary First, Christian sits down with filmmaker Jessica Levin, co-director and producer of the Critics Choice Documentary Awards in the Best Music Documentary-nominated HBO documentary Billy Joel: And So It Goes. Jessica shares what it was like to tell the story of Billy Joel—not just as a legendary musician, but as a human being full of depth, contradiction, humor, and heart. Together, they explore the craft of music documentary filmmaking: how to build trust during intimate interviews, how to follow emotional truth rather than timeline, and how music itself can become the spine of a narrative. Jessica opens up about the collaborative process behind shaping the film’s nonlinear structure, as well as the responsibility that comes with telling a story about someone the world already feels like they know.Whether you are a filmmaker, a musician, or someone whose life has ever been held by a song — this conversation is creative, heartfelt, and filled with insights about storytelling, memo

In this episode of Documentary First, return guest filmmaker Elise Jaffe, first-time director of documentary project: UnScarred, and special guest, Stacie Rae Weir, a tattoo artist and breast-cancer previvor featured in the film join us!UnScarred explores how survivors of trauma and illness—those living with scars from breast cancer, self-harm, and other life-altering experiences—reclaim their bodies and identities through the art of tattooing. Elise and Stacie share powerful personal stories of healing and transformation, and share what it takes to fund and finish an independent documentary in today’s filmmaking landscape.Together, they unpack the real-world lessons behind UnScarred’s ongoing Kickstarter campaign. Stacie Rae also shares her journey from mastectomy to artistry—and how she’s now offering a personal tattoo session perk as part of one of the Kickstarter rewards to help bring this story to life.This episode is not only an inspiring look at art, trauma, and recovery—it’s a practical, can

In this episode of Documentary First, filmmaker Josh Roush opens up about his deeply personal journey creating the documentary Long Lonesome Highway, a heartfelt tribute to legendary actor Michael Parks. Josh reflects on his friendship with Parks, the creative decisions behind the film, and the challenges of navigating distribution, budgeting, and fair use of archival footage.The conversation dives into Parks’ multifaceted talent, his artistic integrity, and the lessons learned from a career defined by both triumph and adversity. Together, we explore how passion fuels storytelling, the power of documentaries to preserve legacies, and the importance of resilience in the face of obstacles.This episode is not just about one film—it’s about what it takes to make art that matters. Links:Josh Roush Narrative Film - IMDB Link: Wrong Reasons (2022) - Reference view - IMDbDocuView Déjà Vu Recommendation:Burden of Dreams by Werner Herzog, 1982, 95 mins, Watch on Amazon Prime, IMDB Link: Burden of Dreams (1982) - R

In this episode of Documentary First, host Christian Taylor opens up with heartfelt personal updates and reflections on the journey of documentary filmmaking. Fresh off a moving trip to Normandy, Christian is joined by team members Peyton Rabb and Todd Anderson to share stories, challenges, and unforgettable moments from the experience.Together, they explore how veterans continue to impact younger generations, the role of gratitude in storytelling, and how filmmaking shapes not just the audience but the filmmakers themselves. From moments of humor and surprise to deeply emotional encounters with history, this episode captures the resilience, growth, and transformative power of telling true stories.  Sponsor: Virgil Films http://www.virgilfilms.com/Support us by buying merch or watching our films: https://documentaryfirst.com/

In Part 2 of our crossover with MovieRob Minute WWII veteran Ceo Bauer (95th Infantry Division, “Iron Men of Metz”) continues his powerful story. At 102 years old, Ceo reflects on forgiveness, receiving his Purple Heart, and returning decades later to the battlefields of Metz and Luxembourg.He explains the mystery of WWII “invasion money,” shares how he first met Christian Taylor—sparking the journey that became The Girl Who Wore Freedom—and reads an unforgettable letter of gratitude written by French citizen Elizabeth Gosso for the 50th anniversary of Metz’s liberation.This conversation captures Ceo’s humor, candor, and resilience, while reminding us why keeping these stories alive matters.