New Books In Asian American Studies

In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands’ bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands’ sacred ecologies. Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperial

In this episode, I talked to Corinne Sugino, whose book Making the Human: Race, Allegory, and Asian Americans (Rutgers UP, 2024) examines how mainstream stories about Asian American success have come to serve harmful ideas about progress. At the turn of the century, Asian Americans have come to embody meritocracy and heteronormative family values, and more recently, some Asian Americans have become the face of law and order. These ideas become solidified in a variety of narratives, from blockbuster movies such as Crazy Rich Asians, to (supposedly) myth-busting documentaries such as Seeking Asian Female, to legal arguments against Affirmative Action. But these stories—usually stories about American citizens of East Asian descent—erase the diverse lived experience of Asian America. In this conversation, Corine Sugino also explains how we can draw on Black Studies, including scholarship by Sylvia Wynter and Katherine McKittrick, to develop a more capacious understanding of “the human” and antiracism. This provid

Jami Nakamura Lin spent much of her life feeling monstrous for reasons outside of her control. As a young woman with undiagnosed bipolar disorder, much of her adolescence was marked by periods of extreme rage and an array of psychiatric treatments, and her relationships suffered as a result, especially as her father's cancer grasped hold of their family. As she grew older and learned to better manage her episodes, Lin grew frustrated with the familiar pattern she found in mental illness and grief narratives, and their focus on recovery. She sought comfort in the stories she'd loved as a child -- tales of ghostly creatures known to terrify in the night. Through the lens of the yokai and other figures from Japanese, Taiwanese, and Okinawan legend, she set out to interrogate the very notion of recovery and the myriad ways fear of difference shapes who we are as a people.  Featuring stunning illustrations by her sister, Cori Nakamura Lin, and divided into the four acts of a traditional Japanese narrative structur

In a book that pulls together both sides of the Pacific, Bundok: A Hinterland History of Filipino America (UNC Press, 2023) asks the question: what if we look at Filipino history not from the cities or the imperial metropoles, but from the mountains and the countryside? Or put another way, from the "bundok," the Tagalog word for "mountain" which American soliders in the late 19th century would come to use as a catachall for the places they found themselves fighting imperial wars. In Bundok, NYU history and FIlipino Studies professor Adrian De Leon tracks both the movement of European and American colonizers into the archipeligo, as well as how people and images moved beyond the islands and into the wider Pacific world, and how these pictures and these emigres shaped ideas about civilization, savagery, and the nature of Filipine identity itself. In a book that traces pathways from the mountains of Luzon to the mountains of South Dakota, De Leon demonstrates how the American West has always been a transnational

This empowering book blends history, storytelling, and culturally grounded techniques to equip readers with the tools needed to promote self-reflection, personal growth, and diasporic healing. Asian Americans represent the fastest growing ethnic group in the United States, yet few books capture how historical events, immigration experiences, cultural values, and unhelpful generational patterns contribute to this group's thoughts, attitudes, and actions in ways that impact relationships, well-being, and psychological health. In Patterns That Remain: A Guide to Healing for Asian Children of Immigrants (Oxford University Press, 2025), Dr. Stacey Diane Arañez Litam empowers readers to heal from diasporic wounds and become people, partners, and parents who embody abundance mentalities grounded in joy, balance, and gratitude. This unique book combines complex and nuanced facets of Asian American history, research, and therapeutic modalities in ways that validate Asian American worldviews and promote a deep sense of

In Unsustainable Empire: Alternative Histories of Hawai‘i Statehood (Duke University Press, 2018), Dean Itsuji Saranillio offers a bold challenge to conventional understandings of Hawai‘i’s admission as a U.S. state. Hawai‘i statehood is popularly remembered as a civil rights victory against racist claims that Hawai‘i was undeserving of statehood because it was a largely non-white territory. Yet Native Hawaiian opposition to statehood has been all but forgotten. Saranillio tracks these disparate stories by marshaling a variety of unexpected genres and archives: exhibits at world's fairs, political cartoons, propaganda films, a multimillion-dollar hoax on Hawai‘i’s tourism industry, water struggles, and stories of hauntings, among others. Saranillio shows that statehood was neither the expansion of U.S. democracy nor a strong nation swallowing a weak and feeble island nation, but the result of a U.S. nation whose economy was unsustainable without enacting a more aggressive policy of imperialism. With clarity a

In 1986 the Compact of Free Association marked the formal end of U.S. colonialism in the Republic of the Marshall Islands, while simultaneously re-entrenching imperial power dynamics between the two countries. The U.S.-RMI Compact at once enshrined exclusive U.S. military access to the islands and established the right of “visa-free” migration to the United States for Marshallese citizens, leading to a Marshallese diaspora whose largest population resettled in the seemingly unlikely destination of Springdale, Arkansas. An “all-white town” by design for much of the twentieth century, Springdale, having nearly quadrupled in population since 1980, has been remade by Marshallese as well as Latinx immigration. Through ethnographic, policy-based, and archival research in Guåhan, Saipan, Hawai’i, Arkansas, and Washington, D.C., New Destinations of Empire: Mobilities, Racial Geographies, and Citizenship in the Transpacific United States (University of Georgia Press, 2024) by Dr. Emily Mitchell-Eaton tells the story o

Justin K.H. Tse captures the voices of Cantonese Protestant Christians from the San Francisco, Vancouver, and Hong Kong metropolitan areas as they reflect on their efforts to adapt to secular communities while retaining their identity and beliefs. In the context of the transpacific region between Asia and the Americas, the “Pacific Rim” refers to a window of time in which predominant narratives emphasized skilled migration and the rise of multicultural societies—the era before the rise of Chinese nationalism in 2012 and the Hong Kong protests. Diasporic Cantonese Protestant Christians of this time were frequently portrayed as a homogenous people bringing their Chinese culture and Christian communities from Hong Kong to cities such as Vancouver and San Francisco—sometimes contesting liberal developments like same-sex marriage but also offering new democratic awareness. Sheets of Scattered Sand: Cantonese Protestants and the Secular Dream of the Pacific Rim (U Notre Dame Press, 2024) challenges that depiction o

Set in 1977, Johnny Delivers (Guernica Editions, 2024) tells the absorbing story of 18-year-old Johnny Wong—the son of Chinese immigrants to Canada—who calls on the spirit of Bruce Lee to help him navigate the still relevant challenges of racism and how it permeates our interiority, our institutions, our relationships, and our livelihood. Toxic masculinity, homophobia, and the struggle for belonging. With the 100th Anniversary of the Enactment of the Chinese Exclusion Act in Canada barely behind us, the themes explored in this book are particularly salient. An exciting and heart-wrenching story combined with the distinctly Canadian setting and universal themes make this book a wonderful book to read. Wayne Ng was born in downtown Toronto to Chinese immigrants who fed him a steady diet of bitter melon and kung fu movies. Ng is a social worker who lives to write, travel, eat, and play, preferably all at the same time. He is an award-winning author and traveler who continues to push his boundaries from the Arcti

For anyone who has ever felt like they don't belong, Sigh, Gone: A Misfit's Memoir of Great Books, Punk Rock, and the Fight to Fit In (Flatiron Books, 2020) shares an irreverent, funny, and moving tale of displacement and assimilation woven together with poignant themes from beloved works of classic literature. In 1975, during the fall of Saigon, Phuc Tran immigrates to America along with his family. By sheer chance they land in Carlisle, Pennsylvania, a small town where the Trans struggle to assimilate into their new life. In this coming-of-age memoir told through the themes of great books such as The Metamorphosis, The Scarlet Letter, The Iliad, and more, Tran navigates the push and pull of finding and accepting himself despite the challenges of immigration, feelings of isolation, and teenage rebellion, all while attempting to meet the rigid expectations set by his immigrant parents. Appealing to fans of coming-of-age memoirs such as Fresh Off the Boat, Running with Scissors, or tales of assimilation like V

Jackie Wang is a poet, scholar, multimedia artist, and Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is the author of the poetry collection The Sunflower Cast a Spell to Save Us from the Void (2021), which was a finalist for the National Book Award; the critical essay collection Carceral Capitalism (Semiotext(e), 2018); and the chapbooks The Twitter Hive Mind Is Dreaming (2018) and Tiny Spelunker of the Oneiro-Womb (2016). Her research is on racial capitalism, surveillance technology, and the political economy of prisons and police. Alien Daughters Walk into the Sun: An Almanac of Extreme Girlhood (Semiotext(e), 2023) features the early writings of Jackie Wang, drawn from her early zines, indie-lit crit, and prolific early 2000s blog. Compiled as a field guide, travelogue, essay collection, and weather report, Alien Daughters Walk into the Sun traces Jackie Wang’s trajectory from hard femme to Harvard, from dumpster dives and highway bike rides to dropping

Today, U.S. Immigration & Customs Enforcement (ICE) detains an average of 37,000 migrants each night. To do so, they rely on, and pay for, the use of hundreds of local jails. But this is nothing new: the federal government has been detaining migrants in city and county jails for more than 100 years.  In The Migrant's Jail: An American History of Mass Incarceration (Princeton UP, 2024), Brianna Nofil examines how a century of political, ideological, and economic exchange between the U.S. immigration bureaucracy and the criminal justice system gave rise to the world's largest system of migrant incarceration. Migrant detention is not simply an outgrowth of mass incarceration; rather, it has propelled carceral state-building and fostered intergovernmental policing efforts since the turn of the twentieth century. From the incarceration of Chinese migrants in New York in the 1900s and 1910s to the jailing of Caribbean refugees in Gulf South lockups of the 1980s and 1990s, federal immigration authorities provided co

Today’s book is: Immigration Realities: Challenging Common Misperceptions (Columbia UP, 2024), by Ernesto Castaneda and Carina Cione, which is a practical, evidence-based primer on immigrants and immigration. Each chapter debunks a frequently encountered claim and answers common questions. Presenting the latest findings and decades of interdisciplinary research in an accessible way, Dr. Castañeda and Carina Cione emphasize the expert consensus that immigration is vital to the United States and many other countries around the world. Featuring original insights from research conducted in El Paso, Texas, Immigration Realities considers a wide range of places, ethnic groups, and historical eras. It provides the key data and context to understand how immigration affects economies, crime rates, and social welfare systems, and it sheds light on contentious issues such as the safety of the U.S.-Mexico border and the consequences of Brexit. This book is an indispensable guide for all readers who want to counter false

When people migrate and settle in other countries, do they automatically form a diaspora? In Insurgent Communities: How Protests Create a Filipino Diaspora (U Chicago Press, 2024), Sharon M. Quinsaat explains the dynamic process through which a diaspora is strategically constructed. Quinsaat looks to Filipinos in the United States and the Netherlands—examining their resistance against the dictatorship of Ferdinand Marcos, their mobilization for migrants’ rights, and the construction of a collective memory of the Marcos regime—to argue that diasporas emerge through political activism. Social movements provide an essential space for addressing migrants’ diverse experiences and relationships with their homeland and its history. A significant contribution to the interdisciplinary field of migration and social movements studies, Insurgent Communities illuminates how people develop collective identities in times of social upheaval. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn Uni

Alexandra Chan thinks she has life figured out until, in the Year of the Ram, the death of her father—her last parent—brings her to her knees, an event seemingly foretold in Chinese mythology. Today’s book is: In The Garden Behind the Moon: A Memoir of Loss, Myth, and Magic (Flashpoint Books, 2024), by Dr. Alexandra Chan, who is a left-brained archaeologist and successful tiger daughter. But she finds her logical approach to life fails her in the face of profound grief. Slowly, painfully, wondrously, she discovers that her father and ancestors have left threads of renewal in the artifacts and stories of their lives. Through a long-lost interview conducted by Roosevelt’s Federal Writers’ Project, a basket of war letters written from the Burmese jungle, a box of photographs, her world travels, and a deepening relationship to her art, this archaeologist makes her greatest discovery to date: the healing power of enchantment. In an epic story that travels from prerevolution China to the South under Jim Crow, from

One of my talking points when hanging out with my fellow diplomatic historians is the painful absence of scholarship on Hawaii. Too many political histories treat Hawaii’s statehood as a kind of historical inevitability, an event that was bound to pass the moment the kingdom was annexed. As I would frequently pontificate, “nobody has unpacked the imperial history of the islands in sufficient detail, nor the fact that their political fate diverged sharply from a number of other possessions.” For better and for worse, Sarah Miller-Davenport has robbed me of this particular talking point by writing a new book on the process of Hawaiian statehood, American imperialism and its relationship to mainland politics and society shortly after statehood. Gateway State: Hawai’i and the Cultural Transformation of American Empire (Princeton University Press, 2019) takes a close look at some of the narratives that have grown up around the islands and unpacks them. She notes that the process of becoming a state was not a foreg

The Parashakthi Temple in Pontiac, Michigan serves as a site of worship for the Hindu goddess Karumariamman, whose origins are in South India. In her American home Karumariamman has assumed the status of Great Goddess, a tantric deity and wonder worker who communicates directly with devotees through dreams, visions, and miracles. Drawing on fifteen years of field work, Tracy Pintchman reveals how the Parashakthi Temple has become a site of theological and ritual innovation. A unique spiritual community, the temple does not simply reproduce Indian goddess traditions, but instead reimagines Hinduism and the Hindu Goddess in the American religious, cultural, and natural landscape. The congregation's faith is grounded in a vision of the Goddess as a breaker of boundaries, including those of race, ethnicity, religion, geography, history, and nationality. Like her congregants, Pintchman suggests, the goddess is emblematic of the qualities of a new immigrant; she embraces the opportunities her new home affords her a

Made in Asia/America: Why Video Games Were Never (Really) about Us (Duke UP, 2024) explores the key role video games play within the race makings of Asia/America. Its fourteen critical essays on games, ranging from Death Stranding to Animal Crossing, and five roundtables with twenty Asian/American game makers examine the historical entanglements of games, Asia, and America, and reveal the ways games offer new modes of imagining imperial violence, racial difference, and coalition. Shifting away from Eurocentric, white, masculinist takes on gaming, the contributors focus on minority and queer experiences, practices, and innovative scholarly methods to better account for the imperial circulation of games. Encouraging ambiguous and contextual ways of understanding games, the editors offer an “interactive” editorial method, a genre-expanding approach that encourages hybrid works of autotheory, queer of color theory, and conversation among game makers and scholars to generate divergent meanings of games, play, and

Vice President Kamala Harris is poised to become the Democratic Party’s nominee for president. The path to this nomination and the generation election has been a bit unusual—with President Joe Biden deciding not to pursue re-election but doing so after the primary season has concluded. Thus, there is a rather condensed election season, and Vice President Kamala Harris has worked to bring the Democratic Party together after she received President Biden’s endorsement after he withdrew from the race. Given the changing dynamics of the presidential race, we also find ourselves with an unexpected choice for the presidency, Kamala Harris, a former attorney general for California, a senator from California, a former prosecutor, and now the vice president of the United States. Harris is also bi-racial, of South Asian and Black heritage, and she will be the second woman nominated as the standard bearer for one of the two major political parties in the United States. I invited three experts on presidential politics, ge

Between 1919 and 1961, pioneering Chinese American actress Anna May Wong established an enduring legacy that encompassed cinema, theatre, radio, and American television. Born in Los Angeles, yet with her US citizenship scrutinised due to the Chinese Exclusion Act, Wong—a defiant misfit—innovated nuanced performances to subvert the racism and sexism that beset her life and career. In To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World (University of California Press, 2024), Dr. Yiman Wang marshals extraordinary archival research and a multifocal approach to illuminate a lifelong labour of performance, creating critical study of Wong's cross-media and transnational career. Viewing Wong as a performer and worker, not just a star, To Be an Actress adopts a feminist decolonial perspective to speculatively meet her as an interlocutor while inviting a reconsideration of racialized, gendered, and migratory labour as the bedrock of the entertainment industries. This interview was conducted by