New Books In Asian American Studies

Between 1848 and 1899, miners extracted more gold from the earth than in the previous 3,000 years of human history combined. Each gold rush in this period, from the Sierra Nevada to the highlands of Australia to the Transvaal, was a global event, drawing argonauts and others seeking new lives from all corners of the world, including from China. In her Bancroft-Prize winning book, The Chinese Question: The Gold Rushes and Global Politics (Norton, 2021), Columbia University Professor of Asian American Studies and History Mae Ngai seeks to dispel a long held myth that Chinese gold-seekers arrived as unfree labor to sites of gold rushes. Instead, Mae describes in great detail not just the global nature of gold rushes, but the complicated lives and politics of Chinese participation in imperial-era gold mining. Using a comparative study of three gold rushes in California, Australia, and South Africa, Ngai explains why "The Chinese Question" became a driving social and political question among White settlers in each

In Climate Lyricism (Duke University Press, 2022), Min Hyoung Song models a climate change-centered reading practice that helps us better understand and respond to climate change by moving from forms of everyday denial to everyday attention and shared agency. Tune in to this episode of New Books in Asian American Studies to hear Min talk about how this project of reading for climate lyricism emerged out of his work as an Asian Americanist; the importance of the humanities in cultivating practices of everyday attention that are critical to understanding and acting on climate change; staying with bad feelings in order to move from practices of everyday denial to everyday attention; how reading with everyday attention to climate can model a way of living with everyday attention to climate, as well; the properties of climate change that make it so difficult to write about using plot or narrative; what writers might do to bring attention to and illuminate ways of living in and through climate crisis; how climate c

Images of Japanese and Japanese American women can teach us what it meant to be visible at specific moments in history. In Shadow Traces: Seeing Japanese/American and Ainu Women in Photographic Archives (U Illinois Press, 2022), Elena Tajima Creef employs an Asian American feminist vantage point to examine ways of looking at indigenous Japanese Ainu women taking part in the 1904 Louisiana Purchase Exposition; Japanese immigrant picture brides of the early twentieth century; interned Nisei women in World War II camps; and Japanese war brides who immigrated to the United States in the 1950s. Creef illustrates how an against-the-grain viewing of these images and other archival materials offers textual traces that invite us to reconsider the visual history of these women and other distinct historical groups. As she shows, using an archival collection's range as a lens and frame helps us discover new intersections between race, class, gender, history, and photography. Innovative and engaging, Shadow Traces illumin

The Selected Plays of Stan Lai (U Michigan Press, 2022) collects a cross-section from the four-decade career of one of the major dramatists of our time. Lai's works, including Secret Love in Peach Blossom Land, are famous throughout the Sinophone world, having been performed in Taiwan, Hong Kong, and Mainland China. Many lines from his plays have become almost proverbial, quoted by academics and cab drivers alike. The plays collected here are translated by Lai himself, and are suitable for performance (in addition to being a playwright and director, Lai is a theatre scholar with a Ph.D. from UC Berkeley). They retain the humor, theatricality, and pathos that have made Lai one of Asia's most popular playwrights. In this interview we discuss Lai's childhood between the US and Taiwan, as well as his semi-improvised method of playwrighting.  Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Art

The air in Los Angeles can be lethal, and nobody knows this better than the city’s Latinx and Asian immigrants, argues Dr. Nadia Kim in Refusing Death: Immigrant Women and the Fight for Environmental Justice in LA (Stanford UP, 2021). Kim, a professor of Asian and Asian American Studies and Sociology at Loyola Marymount University, spend years interviewing environmental justice activists and other residents of LA’s most polluted neighborhoods to show the depths of environmental injustice in America’s second largest city, and how people in these places conceive of and engage in political action. Refusing Death provides a depth of insight into how immigrant communities define themselves, protect their families, and organize to create a more just environment for themselves and for their children. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! h

To many Americans in the nineteenth and twentieth centuries, the West was simultaneously the greatest symbol of American opportunity, the greatest story of its history, and the imagined blank slate on which the country's future would be written. From the Spanish-American War in 1898 to the Great Depression's end, from the Mississippi to the Pacific, policymakers at various levels and large-scale corporate investors, along with those living in the West and its borderlands, struggled over who would define modernity, who would participate in the modern American West, and who would be excluded. In Making a Modern U.S. West: The Contested Terrain of a Region and Its Borders, 1898-1940 (U Nebraska Press, 2022)Sarah Deutsch surveys the history of the U.S. West from 1898 to 1940. Centering what is often relegated to the margins in histories of the region--the flows of people, capital, and ideas across borders--Deutsch attends to the region's role in constructing U.S. racial formations and argues that the West as a re

Duncan Ryuken Williams was born in Tokyo, Japan to a Japanese mother and British father. After growing up in Japan and England until age 17, he moved to the U.S. to attend college (Reed College) and graduate school (Harvard University, where he received a Ph.D. in Religion). Williams is currently a Professor of Religion and East Asian Languages & Cultures and the Director of the USC Shinso Ito Center for Japanese Religions and Culture. Previously, he held the Shinjo Ito Distinguished Chair of Japanese Buddhism at University of California at Berkeley and served as the Director of Berkeley's Center for Japanese Studies for four years. He has also been ordained since 1993 as a Buddhist priest in the Soto Zen tradition and served as the Buddhist chaplain at Harvard University from 1994-96. Williams' latest book is American Sutra: A Story of Faith and Freedom in the Second World War (Harvard University Press, 2019).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a prem

“Nước Việt Nam: a home, a cradle, a point of departure” (Gandhi, 1). The Vietnamese word nước embraces the duality of land and water with an idea of “home.” Through a nuanced examination of the meaning of homeland and politics of belonging, Evyn Lê Espiritu Gandhi proposes nước to understand complex positionalities of refugee settlers on lands sutured through the traumas of US empire, militarization, and settler colonialism. Division in area studies has foreclosed conversations on how histories of settler colonialism and empire bring to light unexpected connections between Indigenous people and settlers across the Pacific and Atlantic oceans. By bringing together Vietnamese refugee settlers in Israel Palestine and Guam, Gandhi asks the difficult question of how we can imagine decolonial futurities when the creation of “home” for refugee settlers was predicated on the settler colonial project of dispossessing Indigenous people. Drawing inspiration from nước that embraces contradictions through relationality, G

Our Laundry, Our Town: My Chinese American Life from Flushing to the Downtown Stage and Beyond (Fordham UP, 2022) is a memoir that decodes and processes the fractured urban oracle bones of Alvin Eng's upbringing in Flushing, Queens in the 1970s. Back then, his family was one of the few immigrant Chinese families in a far-flung neighborhood in New York City. His parents had an arranged marriage and ran a Chinese Hand Laundry. From behind the counter of his parent's laundry and within the confines of a household that was rooted in a different century and culture, he sought to reconcile this insular home life with the turbulent yet inspiring street life that was all around them--from the faux martial arts of tv's Kung Fu to the burgeoning underworld of the punk rock scene. In the 1970s, NYC, like most of the world, was in the throes of regenerating itself in the wake of major social and cultural changes resulting from the Counterculture and Civil Rights movements. And by the 1980s, Flushing had become NYC's seco

In Black Dragon: Afro Asian Performance and the Martial Arts Imagination (Ohio State UP, 2022), Zachary F. Price illuminates martial arts as a site of knowledge exchange between Black, Asian, and Asian American people and cultures to offer new insights into the relationships among these historically marginalized groups. Drawing on case studies that include Kareem Abdul-Jabbar's appearance in Bruce Lee's film Game of Death, Ron van Clief and the Black Panther Party for Self-Defense, the Wu-Tang Clan, and Chinese American saxophonist Fred Ho, Price argues that the regular blending and borrowing between their distinct cultural heritages is healing rather than appropriative. His analyses of performance, power, and identity within this cultural fusion demonstrate how, historically, urban working-class Black men have developed community and practiced self-care through the contested adoption of Asian martial arts practice. By directing his analysis to this rich but heretofore understudied vein of American cultural e

Even in the midst of a nationwide surge of bias and incidents against them, Asians from coast to coast have quietly assumed mastery of the nation's technical and intellectual machinery and become essential American workers. Yet, they've been forced to do so in the face of policy proposals―written in the name of diversity―excluding them from the upper ranks of the elite. In An Inconvenient Minority: The Attack on Asian American Excellence and the Fight for Meritocracy (Diversion Book, 2021), journalist Kenny Xu traces elite America's longstanding unease about a minority potentially upending them. Leftist agendas, such as eliminating standardized testing, doling out racial advantages to "preferred" minorities, and lumping Asians into "privileged" categories despite their deprived historical experiences have spurred Asian Americans to act. Going beyond the Students for Fair Admission (SFFA) v. Harvard case, Xu unearths the skewed logic rippling countrywide, from Mayor Bill de Blasio's attempted makeover of New Y

Why has the underrepresentation of women and racial minorities in elected office proved so persistent in American politics? In Nowhere to Run: Race, Gender, and Immigration in American Elections (Oxford UP, 2021), Dr. Christian Dyogi Phillips argues that any analysis must contend with multiple dimensions of identity, context, and the simultaneous dynamism of opportunity and constraint. Complementing previous studies with her original datasets and rich interviews, Phillips demonstrates how two simultaneous and interactive processes shape electoral opportunity across groups. At the national level, majority-white districts sharply limit realistic opportunities for Latinx and Asian Americans of either gender to get on the ballot – and partisan politics further narrows prospects for women from these groups. At the local and group level, within districts and among Asian American and Latinx political elites and activists, the scarcity of viable opportunities exacerbates informal processes and institutions that tend

Race is the subject of passionate and increasingly angry debate. But amidst all the talk of unconscious bias it’s an area into which many fear to tread. In this podcast Professor McWhorter of Colombia University outlines his sometimes controversial views on these issues and explains why he wants to debate them in public. His latest book is Woke Racism: How a New Religion Has Betrayed Black America (Portfolio, 2021). Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Based on longitudinal ethnographic work on migration between the United States and Taiwan, Time and Migration: How Long-Term Taiwanese Migrants Negotiate Later Life (Cornell UP, 2021) interrogates how long-term immigrants negotiate their needs as they grow older and how transnational migration shapes later-life transitions. Ken Chih-Yan Sun develops the concept of a “temporalities of migration” to examine the interaction between space, place, and time. He demonstrates how long-term settlement in the United States, coupled with changing homeland contexts, has inspired aging immigrants and returnees to rethink their sense of social belonging, remake intimate relations, and negotiate opportunities and constraints across borders. The interplay between migration and time shapes the ways aging migrant populations reassess and reconstruct relationships with their children, spouses, grandchildren, community members, and home, as well as host societies. Aging, Sun argues, is a global issue and must be reconsidered in

In Disorientation: A Novel by Elaine Hsieh Chou (Penguin Press, 2022), we meet Ingrid Yang: an eighth-year PhD student in East Asian studies struggling to write a dissertation on (fictional) canonical Chinese American poet Xiao-Wen Chou. Her situation is made all the more distressing by the fact that her student loan deferral is soon to expire, and it’s dawning on her that she was never interested in Xiao-Wen Chou in the first place—rather, her advisor convinced her that this would be a good topic for a marketable dissertation. Then one day, a strange note in the archives leads her to a shocking discovery. What is it? What happens? You’ll have to read Disorientation to find out. Tune in to this episode of the New Books Network podcast to hear Elaine Hsieh Chou discuss the inspiration for Disorientation, how liberating it felt to have the last word on toxic white men, the difficulties of finding institutional space for Asian American studies, the continued importance of the legacy of the Third World Liberation

In this episode I talk with Daniel Y. Kim, Associate Professor of English and American Studies at Brown University, about his 2020 book Intimacies of Conflict: Cultural Memory and the Korean War, published by New York University Press. Though often considered “the forgotten war,” lost between the end of World War II and the start of the Cold War, the Korean War was, as Daniel Y. Kim argues, a watershed event that fundamentally reshaped both domestic conceptions of race and the interracial dimensions of the global empire that the United States would go on to establish. He uncovers a trail of cultural artefacts that speaks to the trauma experienced by civilians during the conflict but also evokes an expansive web of complicity in the suffering that they endured. Taking up a range of American popular media from the 1950s, Kim offers a portrait of the Korean War as it looked to Americans while they were experiencing it in real time. Kim expands this archive to read a robust host of fiction from US writers like Su

Charles Yu won the 2020 National Book Award for Interior Chinatown but some of us became fans a decade earlier, with How to Live Safely in a Science Fictional Universe (2010). He brilliantly uses SF conventions to uncover the kind of self-deceptive infilling that we all do every day, the little stories we tell ourselves to make our world seem predictable and safe when it’s anything but. His other work includes two books of short stories (Third Class Superhero 2006 and Sorry Please Thank You in 2012) and some episodes of Westworld, He speaks with John and with Chris Fan, Assistant Professor at UC Irvine, senior editor and co-founder of Hyphen magazine, noted SF scholar. The conversation gets quickly into intimate territory: the pockets of safe space and the "small feelings" that families can and cannot provide, and that science fiction can or cannot recreate. Graph paper and old math books get a star turn. Charlie's time as a lawyer is scrutinized; so too is "acute impostor syndrome" and the everyday feeling o

Ruth Ozeki, whose most recent novel is The Book of Form and Emptiness, speaks with critic Rebecca Evans and guest host Emily Hyde. This is a conversation about talking books, the randomness and serendipity of library shelves, and what novelists can learn in the editing room of a movie like Mutant Hunt. Ozeki is an ordained Zen Buddhist priest, and her novels unfold as warm-hearted parables that have been stuffed full of the messiness of contemporary life. The Book of Form and Emptiness telescopes from global supply chains to the aisles of a Michaels craft store and from a pediatric psychiatry ward to the enchanted stacks of the public library. The exigencies of environmental storytelling arch over this conversation. Evans asks Ozeki questions of craft (how to move a story through time, how to bring it to an end) that become questions of practice (how to listen to the objects stories tell, how to declutter your sock drawer). And we learn Ozeki’s theory of closure: her novels always pull together at the end so

Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's mult

In Minor Transpacific: Triangulating American, Japanese, and Korean Fictions (Stanford University Press, 2021), David S. Roh brings Asian Americanist study of Korean American literature in conversation with Asian studies scholars’ work on Zainichi literature—that is, the literature of ethnic Koreans displaced to Japan during the Japanese occupation of Korea—to model what a sustained dialogue between Asian studies and Asian American studies scholarship might reveal about both Korean American and Zainichi literatures. On this episode of New Books in Asian American Studies, David Roh chats about the fortunate happenstances that led him to this project, Younghill Kang’s thoughts on Syngman Rhee and the expansion of US empire in Korea, the legal status of the Zainichi and how it troubles Asian American assumptions about citizenship and nationality, the incorporation of American racial discourse into Kazuki Kaneshiro’s GO, tensions and problems in Asian American studies’ taking up of discourse around so-called “com