New Books In Dance

Informações:

Sinopsis

Interviews with Scholars of Dance about their New Books

Episodios

  • Fiona Gregory, "Actresses and Mental Illness: Histrionic Heroines" (Routledge, 2018)

    09/05/2023 Duración: 45min

    Actresses and Mental Illness: Histrionic Heroines (Routledge, 2018) investigates the relationship between the work of the actress and her personal experience of mental illness, from the late nineteenth through to the end of twentieth century. Over the past two decades scholars have made great advances in our understanding of the history of the actress, unearthing the material conditions of her working life, the force of her creative agency and the politics of her reception and representation. By focusing specifically on actresses’ encounters with mental illness, Fiona Gregory builds on this earlier work and significantly supplements it. Through detailed case studies of both well-known and neglected figures in theatre and film history, including Mrs Patrick Campbell, Vivien Leigh, Frances Farmer and Diana Barrymore, it shows how mental illness – actual or supposed – has impacted on actresses’ performances, careers and celebrity. The book covers a range of topics including: representing emotion on stage; the ‘f

  • Shakespeare's "Othello" Part 2: Characters and Questions

    08/05/2023 Duración: 20min

    Part 2 delves into the characters’ psychologies and how character is created by speech — how Othello’s language reflects his changing sense of self and how Iago carries out his plot with particular rhetorical strategies. With Professor Farah Karim-Cooper, you’ll also address questions of race in Othello, including the question of whether the play’s depiction of a racist society makes it a racist play. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

  • Brian Valente-Quinn, "Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa" (Northwestern UP, 2021)

    06/05/2023 Duración: 01h15min

    Brian Valente-Quinn is an Associate Professor of Francophone African studies at the University of Colorado Boulder. His book, Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa, was published at Northwestern University Press in 2021. Senegalese Stagecraft explores the theatrical stage in Senegal as a site of poetic expression, political activism, and community engagement. In their responses to the country’s colonial heritage, as well as through their innovations on the craft of theater‑making, Senegalese performers have created an array of decolonizing stage spaces that have shaped the country’s theater history. Their work has also addressed a global audience, experimenting with international performance practices while proposing new visions of the role of culture and stagecraft in society. Through a study of the innovative work of Senegalese theater-makers from the 1930s onward, Senegalese Stagecraft explores a wide range of historical contexts and themes, including French colonial educ

  • Philip Ewell, "On Music Theory, and Making Music More Welcoming for Everyone" (U Michigan Press, 2023)

    03/05/2023 Duración: 59min

    On Music Theory and Making Music More Welcoming for Everyone (University of Michigan Press, 2023) by Philip Ewell is an unflinching look at white supremacy and the academy, specifically in the discipline of music theory, although Ewell’s insights and arguments can apply just as well to all music studies and most, if not all, other academic fields. Using meticulous research and his own experiences, Ewell documents the results of music theory’s white racial frame. He shows how the power traditionally wielded by white, cisgender men in academia is supported by the methodologies, the pedagogy, and the very music that most music specialists study, perform, and teach, and how this white racial frame makes it difficult for anyone else to feel comfortable, much less succeed in the field. Ultimately, the book brings attention to the myriad ways that people are excluded, denigrated, and marginalized by deeply entrenched beliefs, analytical methods, and systems in music theory. Ewell reminds readers that there is a diff

  • James Charney, "Madness at the Movies: Understanding Mental Illness through Film" (Johns Hopkins UP, 2023)

    02/05/2023 Duración: 01h35min

    The study of classic and contemporary films can provide a powerful avenue to understand the experience of mental illness. In Madness at the Movies: Understanding Mental Illness through Film (Johns Hopkins UP, 2023), James Charney, MD, a practicing psychiatrist and long-time cinephile, examines films that delve deeply into characters' inner worlds, and he analyzes moments that help define their particular mental illness. Based on the highly popular course that Charney taught at Yale University and the American University of Rome, Madness at the Movies introduces readers to films that may be new to them and encourages them to view these films in an entirely new way. Through films such as Psycho, Taxi Driver, Through a Glass Darkly, Night of the Hunter, A Woman Under the Influence, Ordinary People, and As Good As It Gets, Charney covers an array of disorders, including psychosis, paranoia, psychopathy, depression, bipolar disorder, obsessive-compulsive disorder, and anxiety. He examines how these films work to c

  • Shakespeare's "Othello" Part 1: The Story

    01/05/2023 Duración: 21min

    William Shakespeare’s Othello is the only one of his tragedies to feature a black male protagonist. Othello is a black general who elopes with a white noblewoman called Desdemona — a marriage that Iago, Othello’s comrade-in-arms, plots to destroy. In this course, you’ll learn Othello’s story, explore the complicated impact of race on Othello’s society and Othello himself, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. In Part 1, you’ll be guided through a detailed account of the story with commentary by Farah Karim-Cooper, Head of Higher Education and Research at Shakespeare's Globe and Professor of Shakespeare Studies at King's College, London. Professor Karim-Cooper provides key historical background for understanding the play’s representation of Othello. This summary is told using the language of the play itself, placing key quotations in context to help you understand where these lines come from and what they mean.  Learn more about your

  • Annie Zaleski, "Lady Gaga: Applause" (Palazzo Editions, 2022)

    30/04/2023 Duración: 52min

    As one of the world's best-selling musicians, Lady Gaga has set the musical bar high. Since her debut album, The Fame (2008), she has sold more than 124 million records and scooped numerous awards, including twelve Grammy Awards and eighteen MTV Music Video Awards. Yet she is much more than a musician. At the helm of the Haus of Gaga--a close-knit circle of behind-the-scenes creatives--Lady Gaga is a performance artist like no other; her forward-thinking fashions and innovations mark her out as the ultimate maverick. Recently, she has reinvented herself as an accomplished jazz performer, dueting with legendary singer Tony Bennett on Cheek to Cheek (2014) and Love For Sale (2021), while also proving herself a consummate actor with lead roles in A Star Is Born (2018) and House of Gucci (2021). And with her advocacy for LGBT rights and active championing of kindness via the Born This Way Foundation, co-founded with her mother Cynthia Germanotta in 2011, it's clear to see why her fans adore her. Lady Gaga: Applau

  • Katherine Gillen et al., "The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en la Frontera" (ACMRS, 2023)

    30/04/2023 Duración: 49min

    First performed in the Milagro Theater of Portland, Oregon in 2014, Olga Sanchez Saltveit’s ¡O Romeo! imagines William Shakespeare, late in his life, writing a play set in Mexico about a conquistador and his beloved, a woman from Tenochtitlán. Shakespeare tells Rifke, his Spanish housekeeper that his conquistador protagonist will “integrate” his beloved’s “life and faith with” his own. Rifke who has received letters from her missionary brother living in the Americas responds, “Los conquistadores no integran, imponen. ¿No has oído lo que escribe mi hermano?” (“The conquistadors do not integrate, they impose. Have you not heard what my brother writes?”) Saltveit’s play has been published in the first volume of a new anthology titled The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en La Frontera (ACMRS, 2023), with its editors, Katherine “Kate” Gillen, Adrianna M. Santos, and Kathryn “Katie” Vomero Santos. Katherine Gillen is Professor of English at Texas A&M-San Antonio and is the author

  • Craig Leonard, "Uncommon Sense: Aesthetics after Marcuse" (MIT Press, 2022)

    29/04/2023 Duración: 54min

    In Uncommon Sense: Aesthetics after Marcuse (MIT Press, 2022), Craig Leonard argues for the contemporary relevance of the aesthetic theory of Herbert Marcuse, an original member of the Frankfurt School and icon of the New Left, while also acknowledging his philosophical limits. This account reinvigorates Marcuse for contemporary readers, putting his aesthetic theory into dialogue with anti-capitalist activism. Craig Leonard speaks to Pierre d’Alancaisez about anti-art, habit, the practice of defamiliarisation, a subversion of common sense. Leonard brings forward Marcuse’s claim that the aesthetic dimension is political because of its refusal to operate according to the repressive common sense that establishes and maintains relationships dictated by advanced capitalism. Craig Leonard‘s research and teaching interests include artist publications, sound art, performance and sculpture. His recent exhibitions include Central Art Garage (Ottawa), Darling Green (New York) and Double Happiness (Toronto). He is associ

  • David Shulman and Heike Oberlin, "Two Masterpieces of Kuttiyattam: Mantrankam and Anguliyankam" (Oxford UP, 2019)

    27/04/2023 Duración: 56min

    Kūṭiyāṭṭam, India’s only living traditional Sanskrit theatre, has been continually performed in Kerala for at least a thousand years. David Shulman and Heike Oberlin's Two Masterpieces of Kuttiyattam: Mantrankam and Anguliyankam (Oxford UP, 2019) focuses on Mantrāṅkam and Aṅgulīyāṅkam, the two great masterpieces of Kūṭiyāṭṭam. It provides fundamental general remarks and relates them to pan-Indian reflections on aesthetics, philology, ritual studies, and history. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

  • Will York, "Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age" (Headpress, 2023)

    25/04/2023 Duración: 52min

    In Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age (Headpress, 2023), Will York draws on over 100 interviews with musicians, artists, and scene participants as well as zines and other ephemera from the time period to chronicle post-punk San Francisco. York starts with the Punk Era and moves through Post Punk, Hard Core, the Eighties and into the Nineties, to explore the golden age of analog DIY culture, from the dark cabaret of Tuxedomoon and Factrix, the apocalyptic sounds of Minimal Man and Flipper, the conceptual humor of Gregg Turkington's Amarillo Records; through to the subversive pop music of Faith No More, the left-field experimentalism of Caroliner, Mr. Bungle, and Thinking Fellers Union Local 282, and much more. It's a tale full of existential drama, tragic anti-heroes, dark humor, spectacular failures--and even a few improbable successes. In addition, York has a companion podcast to delve further into the scene and the interviews. Rebekah Buchanan is a Professor of English

  • Shakespeare's "As You Like It" Part 3: the Language

    24/04/2023 Duración: 24min

    As You Like It is one of Shakespeare’s most beloved romantic comedies. It is also his most daring exploration of sex, gender, and identity. In the Forest of Arden, Rosalind flips the script of romantic convention and pursues the man she loves — while she is disguised as a man. In this course, you’ll learn the story of As You Like It, unpack the complex games it plays with gender and performance, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. In Part 3, Dr. Will Tosh offers close-readings of some of the play’s most significant scenes. You’ll discover how a seemingly “wise” speech can actually be foolish and why Rosalind’s apparently foolish games contain a lot of wisdom, and see how the play opens up the question of who “Rosalind” actually is. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

  • Shakespeare's "As You Like It" Part 3: the Language

    24/04/2023 Duración: 24min

    As You Like It is one of Shakespeare’s most beloved romantic comedies. It is also his most daring exploration of sex, gender, and identity. In the Forest of Arden, Rosalind flips the script of romantic convention and pursues the man she loves — while she is disguised as a man. In this course, you’ll learn the story of As You Like It, unpack the complex games it plays with gender and performance, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. In Part 3, Dr. Will Tosh offers close-readings of some of the play’s most significant scenes. You’ll discover how a seemingly “wise” speech can actually be foolish and why Rosalind’s apparently foolish games contain a lot of wisdom, and see how the play opens up the question of who “Rosalind” actually is. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

  • Catherine Grant, "A Time of One's Own: Histories of Feminism in Contemporary Art" (Duke UP, 2022)

    22/04/2023 Duración: 57min

    In A Time of One's Own: Histories of Feminism in Contemporary Art (Duke UP, 2022) Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists’ engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art

  • Rachel Anne Gillett, "At Home in Our Sounds: Music, Race, and Cultural Politics in Interwar Paris" (Oxford UP, 2021)

    22/04/2023 Duración: 01h02min

    Rachel Gillett's At Home in Our Sounds: Music, Race, and Cultural Politics in Interwar Paris (Oxford University Press, 2021) explores the world of the French "Jazz Age" in the years after the First World War. Tracing the common ground and differences between communities of African American, French Antillean, and French West African artists who lived, performed, and interacted with one another in the French capital during the 1920s and 30s, the book asks questions about Blackness, Frenchness, colonialism, racism, identity, and solidarity through a focus on the experiences of a diversity of historical actors and sources. Connecting the rich and complex world of entertainment to social and political change and resistance, the book draws attention to class and gender as well as race to think through issues of nationalism, transnational movement and exchange, and anti-colonialism. Its chapters work with a range of materials including police records, recordings, biography and autobiography, and a wealth of images o

  • Jonathan Gray, "Dislike-Minded: Media, Audiences, and the Dynamics of Taste" (NYU Press, 2021)

    20/04/2023 Duración: 52min

    In this episode, our host Sim Gill discusses the book Dislike-Minded: Media, Audiences, and the Dynamics of Taste (2021) by Jonathan Gray. You’ll hear about: A brief history of the book and its connection to global studies of media and communication; The role of media and cultural studies in amplifying the voices of dislikers, and how can scholars in these fields better understand and appreciate the register of dislike; The method of refractive audience analysis as a way to understand how adaptations of media texts affect people's perceptions of the original texts; How paratexts can shape audience perceptions and understanding of a media product; How the gendered norms may hinder women from expressing dislike, and how this relates to larger cultural systems of dislike, including political contexts; Some recent developments that have added to or changed the initial arguments/findings in the book. About the book Dislike-Minded draws from over two-hundred qualitative interviews to probe what the media’s

  • Dwayne Epstein, "Killin' Generals: The Making of The Dirty Dozen, the Most Iconic WW II Movie of All Time" (Citadel Press, 2023)

    18/04/2023 Duración: 52min

    An explosive inside look at The Dirty Dozen, the star-studded war film that broke the rules, shocked the critics, thrilled audiences, and became an all-time classic. The year was 1967. A cinematic blockbuster exploded across American popular culture. The Dirty Dozen didn’t just reinvent the “men on a mission” war story, it blew the genre to pieces. Like its ragtag team of misfits, it defied authority, mocked the military, and still managed to deliver action, adventure, and no-holds-barred Nazi-killing. It also received four Oscar nominations, launched the careers of many Hollywood legends, and inspired generations of filmmakers like Sam Peckinpah, Quentin Tarantino, and James Gunn. Based on exclusive interviews with the surviving cast and crew, friends and families of the stars, and other Hollywood insiders, Killin' Generals: The Making of The Dirty Dozen, the Most Iconic WW II Movie of All Time (Citadel Press, 2023) is a riveting must-read for film buffs, military fans, and anyone who loves a down-and-dirty

  • Shakespeare's "As You Like It" Part 2: Characters and Questions

    17/04/2023 Duración: 22min

    As You Like It is one of Shakespeare’s most beloved romantic comedies. It is also his most daring exploration of sex, gender, and identity. In the Forest of Arden, Rosalind flips the script of romantic convention and pursues the man she loves — while she is disguised as a man. In this course, you’ll learn the story of As You Like It, unpack the complex games it plays with gender and performance, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. Part 2 addresses the play's central questions by examining its structure, literary context, and main characters. With Dr. Will Tosh, you’ll discover how Shakespeare blended different literary traditions to create the exploratory space of Arden, to investigate questions of identity, gender, and same-sex desire, and to afford his characters new kinds of freedom. You’ll explore the play’s performance history and the questions it has always raised around gender roles, and learn why Rosalind carries out her co

  • Jeremy Richey, "Sylvia Kristel: From Emmanuelle to Chabrol" (Cult Epics, 2022)

    13/04/2023 Duración: 01h01min

    A trailblazing figure in film and popular culture, Netherlands native Sylvia Kristel became one of the biggest stars in the world as Emmanuelle in 1974. Alongside her most famous role, directed by Just Jaeckin, a little-known fact is that Sylvia Kristel also appeared in over 20 films between 1973 and 1981 featuring exceptional work with some of the greatest directors in film history including Walerian Borowczyk, Alain Robbe-Grillet, Roger Vadim and Claude Chabrol.  Now the story of Sylvia's astonishing career in the '70s is told in Sylvia Kristel: From Emmanuelle to Chabrol (Cult Epics, 2022). Featured are new interviews with Just Jaeckin, Pim de la Parra, Robert Fraisse, Joe Dallesandro and Francis Lai among others. Sylvia Kristel: From Emmanuelle to Chabrol is a film-by-film guide to one of the most distinctive and uncompromising careers in modern cinema, and a celebration of a most remarkable woman in a fully illustrated coffee-table book written by author Jeremy Richey. A recollection of Sylvia Kristel's

  • Tina Post, "Deadpan: The Aesthetics of Black Inexpression" (NYU Press, 2023)

    12/04/2023 Duración: 01h08min

    Explores expressionlessness, inscrutability, and emotional withholding in Black cultural production.  Arguing that inexpression is a gesture that acquires distinctive meanings in concert with blackness, Deadpan: The Aesthetics of Black Inexpression (NYU Press, 2023) tracks instances and meanings of deadpan—a vaudeville term meaning “dead face”—across literature, theater, visual and performance art, and the performance of self in everyday life. Tina Post reveals that the performance of purposeful withholding is a critical tool in the work of black culture makers, intervening in the persistent framing of African American aesthetics as colorful, loud, humorous, and excessive. Beginning with the expressionless faces of mid-twentieth-century documentary photography and proceeding to early twenty-first-century drama, this project examines performances of blackness’s deadpan aesthetic within and beyond black embodiments, including Young Jean Lee’s The Shipment and Branden Jacobs-Jenkins’s Neighbors, as well as Buste

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