New Books In Dance

Informações:

Sinopsis

Interviews with Scholars of Dance about their New Books

Episodios

  • Simon Critchley, Tragedy, the Greeks, and Us (Vintage, 2020)

    Simon Critchley, "Tragedy, the Greeks, and Us" (Vintage, 2020)

    14/05/2021 Duración: 55min

    Simon Critchley's Tragedy, the Greeks, and Us (Vintage, 2020) does not offer a comprehensive theory of tragedy. Instead, it takes issue with the bland simplifications that philosophers have offered in place of a robust engagement with tragedies, plural. Critchley examines Nietzche's wishful speculation on the origin of tragedy, Aristotle's dry and under-examined notion of catharsis, and Plato's excessive hatred of tragedy, finding that each attempt to find an essence of tragedy ignores the fact that tragedy as a form is uninterested in tidy endings or comforting morals. Critchley insists we go back to the experience of theatre in search of what Anne Carson calls a "more devastating" account of what it's like to watch these plays, which somehow resonate with us after more than two thousand years. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit m

  • Diana Souhami, No Modernism Without Lesbians (Head of Zeus Book, 2020)

    Diana Souhami, "No Modernism Without Lesbians" (Head of Zeus Book, 2020)

    13/05/2021 Duración: 39min

    Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad ch

  • Kathleen Collins, From Rabbit Ears to the Rabbit Hole: A Life with Television (UP of Mississippi, 2021)

    Kathleen Collins, "From Rabbit Ears to the Rabbit Hole: A Life with Television" (UP of Mississippi, 2021)

    13/05/2021 Duración: 56min

    In her new book From Rabbit Ears to the Rabbit Hole: A Life with Television (University of Mississippi Press, 2021) TV scholar and fan Kathleen Collins reflects on how her life as a consumer of television has intersected with the cultural and technological evolution of the medium itself. In a narrative bridging television studies, memoir, and comic, literary nonfiction, Collins takes readers alongside her from the 1960s through to the present, reminiscing and commiserating about some of what has transpired over the last five decades in the US, in media culture, and in what constitutes a shared cultural history. In a personal, critical, and entertaining meditation on her relationship with TV—as avid consumer and critic—she considers the concept and institution of TV as well as reminiscing about beloved, derided, or completely forgotten content. She describes the shifting role of TV in her life, in a progression that is far from unique, but rather representative of a largely collective experience. It affords a

  • Steve Dixon, Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance (Routledge, 2020)

    Steve Dixon, "Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance" (Routledge, 2020)

    11/05/2021 Duración: 01h06min

    Like the transdiscipline of cybernetics, the philosophical movement known as Existentialism rose to prominence in the decade following World War II, was communicated to the general public by a handful of charismatic evangelizers who, for a time, became bona fide celebrities in popular culture, generated much excitement and innovation on university campuses across Europe, the Americas and beyond, and, in subsequent decades, seemed to fade to the periphery of intellectual discourse with some declaring both movements dead and others keeping the faith in small circles of committed artists, scholars, and practitioners. Along the way, both movements have found some of their strongest expressions through works of art; from the plays and novels of some of existentialisms key players, to the 1968 Cybernetic Serendipity exhibition that toured America after its original incarnation at the Institute for Contemporary Arts in London. In the early decades of the 21st century, well into the so-called Information and at a his

  • Kate Dossett, Radical Black Theatre in the New Deal (UNC Press, 2020)

    Kate Dossett, "Radical Black Theatre in the New Deal" (UNC Press, 2020)

    10/05/2021 Duración: 54min

    Kate Dossett's book Radical Black Theatre in the New Deal (UNC Press, 2020) turns conventional understandings of the Federal Theatre Project on its head. This book shines a light on the extraordinary work done by the FTP's Negro Units, which staged classic plays with Black casts as well as new plays by Black writers like Theodore Ward. These works reflected contemporary conflicts within the Black community, including the competing radicalisms of Garveyism and Marxism, the place of the folk tradition in contemporary Black culture, and the role of woman as leaders in the Black community. Far from dry propaganda pieces, these plays were a vital response to a period of profound upheaval.  Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/pe

  • Michael L. Siciliano, Creative Control: The Ambivalence of Work in the Culture Industries (Columbia UP, 2021)

    Michael L. Siciliano, "Creative Control: The Ambivalence of Work in the Culture Industries" (Columbia UP, 2021)

    06/05/2021 Duración: 47min

    How should we understand creative work? In Creative Control: The Ambivalence of Work in the Culture Industries (Columbia UP, 2021), Michael Siciliano, an assistant professor of sociology at Queen's University, Canada, explores this question through a comparison of a recording studio and a digital content creation company. The book considers the meaning and practice of ‘creative’ labour, considering its ambivalences, the passions and commitments, as well as the compromises and alienations associated with this area of economy and society. It represents a crucial intervention to the literature on cultural production, as well as offering an important understanding of the impact of digital modes of distribution and production on creative industries. A rich and fascinating comparative ethnography, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show

  • Amit Chaudhuri, Finding the Raga: An Improvisation on Indian Music (NYRB, 2021)

    Amit Chaudhuri, "Finding the Raga: An Improvisation on Indian Music" (NYRB, 2021)

    06/05/2021 Duración: 44min

    Dismissal, in fact, is the default response to khayal (the preeminent genre of North Indian classical music), well before we get to know what khayal is, and vaguely term its strangeness 'classical music'. Those who later become acquainted with its extraordinary melodiousness forget that on the initial encounter it had sounded unmelodious. These words are part of the introduction to Amit Chaudhuri’s newest book Finding the Raga: An Improvisation on Indian Music (New York Review Books / Faber and Faber, 2021). The book is part guide to Indian music, part memoir of Chaudhuri’s life, part examination of modern culture. In this interview, I ask Amit to explain what makes Indian music so special, both in general and to his life. We explore how Indian music influenced the writing of this most recent book, and how his musical experiences in India and abroad have affected how he sees the world. Amit Chaudhuri is the author of seven novels, several collections of short stories, poetry and essays, one nonfiction work, a

  • Maureen Mahon, Black Diamond Queens: African American Women and Rock and Roll (Duke UP, 2020)

    Maureen Mahon, "Black Diamond Queens: African American Women and Rock and Roll" (Duke UP, 2020)

    04/05/2021 Duración: 01h01s

    Maureen Mahon’s book, Black Diamond Queens: African American Women and Rock and Roll (Duke University Press, 2020), focuses on the contributions to rock and roll by African American women from Big Mama Thornton to Tina Turner, and the erasure and marginalization of most of these women in other histories of popular music. Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll and puts them back into a narrative that generally emphasizes the role of white male guitar players in the development of the genre. She considers how the racialized vocal timbre of African American women’s voices has shaped rock from the girl groups of the early 1960s to the background singers who created the sound of some of the most iconic tracks recorded by the bands of the British invasion. Running throughout the book is a deep analysis of how the stereotypes about Black women crashed into the lived experiences of her subjects, affecting their c

  • Philip Auslander, In Concert: Performing Musical Persona (U Michigan Press, 2021)

    Philip Auslander, "In Concert: Performing Musical Persona" (U Michigan Press, 2021)

    30/04/2021 Duración: 54min

    Throughout In Concert: Performing Musical Persona (University of Michigan Press, 2021), Dr. Philip Auslander addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows. Although musicians do not usually enact fictional characters on stage, they nevertheless present themselves to audiences in ways specific to the performance situation. Auslander’s term to denote the musician’s presence before the audience is musical persona. While the presence of a musical persona may be most obvious within rock and pop music, the book’s analysis extends to classical music, jazz, blues, country, electronic music, laptop performance, and music made with experimental digital interfaces. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choi

  • Tara T. Green, Reimagining the Middle Passage: Black Resistance in Literature, Television, and Song (Ohio State UP, 2018)

    Tara T. Green, "Reimagining the Middle Passage: Black Resistance in Literature, Television, and Song" (Ohio State UP, 2018)

    30/04/2021 Duración: 59min

    From ships and novels to Mardi Gras, water, and television, how does the legacy of the Middle Passage, the leg of the Atlantic through which African people were trafficked as slaves, reverberate through the creations of writers and authors of the African diaspora? In this episode of New Books Network, Dr. Lee M. Pierce interviews Dr. Tara G. Green about her latest book on the Middle Passage, rebirth, trauma, water, social death, and resistance. In Reimagining the Middle Passage: Black Resistance in Literature, Television, and Song (Ohio State UP, 2018), Tara T. Green turns to twentieth- and recent twenty-first-century representations of the Middle Passage created by African-descended artists and writers. Examining how these writers and performers revised and reimagined the Middle Passage in their work, Green argues that they recognized it as a historical and geographical site of trauma as well as a symbol for a place of understanding and change. Their work represents the legacy African captives left for resis

  • E. Patrick Johnson, Sweet Tea: Black Gay Men of the South (U of North Carolina Press, 2011)

    E. Patrick Johnson, "Sweet Tea: Black Gay Men of the South" (U of North Carolina Press, 2011)

    30/04/2021 Duración: 54min

    E. Patrick Johnson's Sweet Tea: Black Gay Men of the South (University of North Carolina Press, 2011) has been a monograph, a documentary film, a stage play, and now a published script from Northwestern University Press.  This play weaves together interviews Johnson conducted with gay Black men from the South with Johnson's own recollections of growing up young, gifted, gay, and Black in Hickory, North Carolina. These stories are funny, heart-breaking, and inspiring, and reveal a collective portrait of gay Black Southern life that is much more complex than the simple narrative of repression and escape so often associated with this community.  In this interview we discuss what keeps Johnson returning to these stories, his relationship to Black spirituality, and the techniques he used to embody these men when he performed Sweet Tea as a one man show. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School f

  • Jack Black, Race, Racism and Political Correctness in Comedy: A Psychoanalytic Exploration (Routledge, 2021)

    Jack Black, "Race, Racism and Political Correctness in Comedy: A Psychoanalytic Exploration" (Routledge, 2021)

    28/04/2021 Duración: 01h06min

    Jack Black, Race, Racism and Political Correctness in Comedy (Routledge 2021). In what ways is comedy subversive? This vital new book critically considers the importance of comedy in challenging and redefining our relations to race and racism through the lens of political correctness. On this episode of New Books Network, your host Lee M. Pierce (they) interviews author Jack Black (he) about psychoanalysis, PC culture, The Office, and the subversive potential of comedy to change our collective experience. Race, Racism and Political Correctness in Comedy engages with the social and cultural tensions inherent to our understandings of political correctness, arguing that comedy can subversively redefine our approach to ‘PC debates’, contestations surrounding free speech and the popular portrayal of political correctness in the media and society. Aided by the work of both Slavoj Žižek and Alenka Zupančič, this unique analysis adopts a psychoanalytic/philosophical framework to explore issues of race, racism and pol

  • Carrie Noland, Merce Cunningham: After the Arbitrary (U Chicago Press, 2020)

    Carrie Noland, "Merce Cunningham: After the Arbitrary" (U Chicago Press, 2020)

    22/04/2021 Duración: 49min

    Carrie Noland's Merce Cunningham: After the Arbitrary (University of Chicago Press, 2020) goes past conventional understandings of Cunningham that insist that randomness was his central goal as a choreographer, instead providing a portrait of a choreographer interested in story, connection, and affect. For Noland, chance is a starting point in understanding Cunningham, not a final destination. His chance operations were always shaped and modified by a keen choreographic and theatrical eye. Chapters explore his relation to many other artists and thinkers, including John Cage, Marcel Duchamp, Robert Rauschenberg, James Joyce, and Bill T. Jones. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

  • Bill Nowlin, Vinyl Ventures: My Fifty Years at Rounder Records (Equinox, 2021)

    Bill Nowlin, "Vinyl Ventures: My Fifty Years at Rounder Records" (Equinox, 2021)

    20/04/2021 Duración: 47min

    In Vinyl Ventures: My Fifty Years at Rounder Records (Equinox, 2021), founder Bill Nowlin combines memoir with a history of the founding and evolution of Rounder as he talks about his experiences as one of the labels three founders. Rounder Records was born in 1970, a "hobby that got out of control," a fledgling record company more or less conceived while the Sixties were still in flower, which began on just over $1,000. Founded by three friends just out of college, the Boston-area company produced over 3,000 record albums, the most active company of the last half-century specializing in roots music and its contemporary offshoots. Rounder won 56 Grammy Awards and documented a swath of music that in many cases might otherwise never have been presented to a broader public. It's arguably a quintessentially American success story. This book focuses on the early years up to and just through when Rounder evolved to a second stage, with a generational change that has kept the label healthy and flourishing when so ma

  • Felicia Rose Chavez, The Antiracist Writing Workshop: How to Decolonize the Creative Classroom (Breakbeat Poets, 2020)

    Felicia Rose Chavez, "The Antiracist Writing Workshop: How to Decolonize the Creative Classroom" (Breakbeat Poets, 2020)

    20/04/2021 Duración: 01h06s

    Felicia Rose Chavez' The Anti-Racist Writing Workshop: How to Decolonize the Creative Classroom (Breakbeat Poets, 2020) is a practical and persuasive guide to revolutionizing the teaching of creative writing. Combining theory, memoir, and pedagogy, this book guides the reader through the process of de-centering whiteness (and de-centering the instructor) to allow all students but particularly students of color to find their unique voices and pursue their personal and and artistic goals. The insights in this book are derived from the creative writing classroom, but they are readily applicable to any creative pursuit. This is a must-read book for creative writing instructors looking for ways to break down the rigid hierarchies that have defined the creative writing classroom for more than eighty years. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Vi

  • Joshua Bennett, Owed (Penguin, 2020)

    Joshua Bennett, "Owed" (Penguin, 2020)

    19/04/2021 Duración: 01h08min

    Owed (Penguin, 2020) is the second collection of poems by Dr. Joshua Bennett, poet, professor, and artist. This volume is a wide-ranging, celebratory book focused on what Bennett calls "the Black quotidian," including the poetry of the barbershop, plastic slip-covers on couches, and the benign struggle between a father and a son over a pair of long johns. Throughout the book, Bennett's attention to detail and gift for both sound and sense are on dazzling display. In this conversation we discuss Owed, as well as Bennett's evolving relationship to spirituality, his process of learning to write out loud through poetry slams, and his experience of being a new father. Bennett is also the author of the poetry volume The Sobbing School, the monograph Being Property Once Myself, and the upcoming Spoken Word: A Cultural History. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more abou

  • R. Armstrong and R. Hughes The Art of Experiment: Post-Pandemic Knowledge Practices for 21st-Century Architecture and Design (Routledge, 2020)

    R. Armstrong and R. Hughes "The Art of Experiment: Post-Pandemic Knowledge Practices for 21st-Century Architecture and Design" (Routledge, 2020)

    19/04/2021 Duración: 01h16min

    The Art of Experiment: Post-Pandemic Knowledge Practices for 21st-Century Architecture and Design (Routledge, 2020) is a handbook for navigating our troubled and precarious times. In search of new knowledge practices that can help us make the world livable again, this book takes the reader on a journey across time—from the deep past to the unfolding future. Hughes and Armstrong search beyond human knowledge to establish negotiated partnerships with forms of knowledge within the planet itself, examining how we have manipulated these historically through an anthropocentric focus. Rachel Armstrong and Rolf Hughes speak with Pierre d'Alancaisez about their approach to knowledge-making and organa paradoxa as an apparatus for incorporating the unexpected into research and practices. They also talk about sending cockroaches into space, living Shakespearean bricks, and about the value of experimentation in establishing productive cross-disciplinary collaborations. Some of the works discussed in the interview are des

  • Maria San Filippo, Provocauteurs and Provocations: Screening Sex in 21st Century Media (Indiana UP, 2021)

    Maria San Filippo, "Provocauteurs and Provocations: Screening Sex in 21st Century Media" (Indiana UP, 2021)

    13/04/2021 Duración: 01h13min

    Twenty-first century media has increasingly turned to provocative sexual content to generate buzz and stand out within a glut of programming. New distribution technologies enable and amplify these provocations, and encourage the branding of media creators as "provocauteurs" known for challenging sexual conventions and representational norms. While such strategies may at times be no more than a profitable lure, the most probing and powerful instances of sexual provocation serve to illuminate, question, and transform our understanding of sex and sexuality. In Provocauteurs and Provocations: Screening Sex in 21st Century Media (Indiana UP, 2021), award-winning author Maria San Filippo looks at the provocative in films, television series, web series and videos, entertainment industry publicity materials, and social media discourses and explores its potential to create alternative, even radical ways of screening sex. Throughout this edgy volume, San Filippo reassesses troubling texts and divisive figures, examinin

  • Anne Searcy, Ballet in the Cold War: A Soviet-American Exchange (Oxford UP, 2020)

    Anne Searcy, "Ballet in the Cold War: A Soviet-American Exchange" (Oxford UP, 2020)

    09/04/2021 Duración: 01h06min

    During the Cold War, cultural diplomacy was one way that the governments of the United States and the Soviet Union tried to cultivate goodwill towards their countries. As Anne Searcy explains in her book, Ballet in the Cold War: A Soviet-American Exchange (Oxford University Press, 2020), dance was part of this effort. She focuses on two tours of the USSR undertaken by American troupes when the American Ballet Company visited the Soviets in 1960, and when choreographer George Balanchine returned to the country of his birth in 1962 with his New York City Ballet Company. These popular tours functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. Although geo-political tensions feature in the book, Searcy is just as concerned with the reception of these tours by Soviet and American critics, and how they filtered their opinions on the dances and performers they saw t

  • Shannan Clark, The Making of the American Creative Class: New Yorks Culture Workers and 20th-Century Consumer Capitalism (Oxford UP, 2020)

    Shannan Clark, "The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism" (Oxford UP, 2020)

    06/04/2021 Duración: 01h02min

    During the middle decades of the twentieth century, the production of America’s consumer culture was centralized in New York to an extent unparalleled in the history of the United States. Every day tens of thousands of writers, editors, artists, performers, technicians, and secretaries made advertisements, produced media content, and designed the shape and feel of the consumer economy. While this centre of creativity has often been portrayed as a smoothly running machine, within these offices many white-collar workers challenged the managers and executives who directed their labours. Shannan Clark. author of The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism (Oxford UP, 2020), speaks with Pierre d’Alancaisez about the origins of the creative class, their labour union struggles and successes, the role of the Works Projects Administration, and institutions like the Design Laboratory and Consumer Union which foretell the experiences of today’s culture worke

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