New Books In Dance

Celeste Day Moore is a historian of African American culture, media, and Black internationalism in the twentieth century. Her first book, Soundscapes of Liberation: African American Music in Postwar France (Duke University Press, 2021), was awarded the Gilbert Chinard Prize from the Society for French Historical Studies. Her research has appeared in American Quarterly, the Journal of African American History, and the first edited volume of the African American Intellectual History Society (AAIHS). She received her doctorate from the University of Chicago and has been a fellow at the Institut d’Études Politiques in Paris and the Carter G. Woodson Institute for African-American and African Studies at the University of Virginia. As an associate professor of history at Hamilton College, she teaches courses on African American history as well as histories of empire, race, Black internationalism, and U.S. international relations. In Soundscapes of Liberation, Celeste Day Moore traces the popularization of African A

As You Like It is one of Shakespeare’s most beloved romantic comedies. It is also his most daring exploration of sex, gender, and identity. In the Forest of Arden, Rosalind flips the script of romantic convention and pursues the man she loves — while she is disguised as a man. In this course, you’ll learn the story of As You Like It, unpack the complex games it plays with gender and performance, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. In Part 1, you’ll be guided through a detailed account of the story with commentary by Dr. Will Tosh, research fellow and lecturer at Shakespeare's Globe in London. Dr. Tosh discusses the significance of the play in Shakespeare’s career and of the way that Shakespeare’s company first performed it. This summary is told using the language of the play itself, placing key quotations in context to help you understand where these lines come from and what they mean.  Learn more about your ad choices. Visit megap

Feeling is not “feelin”. Feelin, in African American Vernacular English, is how Black women artists approach and produce knowledge as sensation: internal and complex, entangled with pleasure, pain, anger, and joy, and manifesting artistic production itself as the meaning of the work. Feelin: Creative Practice, Pleasure, and Black Feminist Thought (Northwestern University Press, 2022) discusses Black women’s creative production as feminist knowledge production produced by registers of affect called feelin. Through interviews, close readings, and archival research, Judd draws on the fields of affect studies and Black studies to analyze the creative processes and contributions of Black women. Bettina Judd is an interdisciplinary writer, artist, scholar, and performer whose research focus is Black women’s creative production and our use of visual art, literature, and music to develop feminist thought. She is Associate Professor of Gender, Women, and Sexuality Studies at the University of Washington. Latoya Johnso

In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and ’70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution

In 1941, Dorothy Sayers, Christian apologist, author of The Mind of the Maker, and even more famous for her Peter Whimsey mystery novels, wrote a cycle of plays on the life, death, and resurrection of Jesus Christ. It was produced by the BBC for the radio and was a great success, though Sayers got flak for it from all directions—from secular voices calling it religious propaganda, from conservative voices calling it blasphemy. She also broke an established prohibition against actors playing Jesus and made a number of editorial choices that were astonishing for the time and remain notable in the twenty-first century. In 2023, Kathryn Wehr annotated, edited, and published a new edition of these plays by Dorothy Sayers, including her commentary on the text and its context. Dr. Wehr is a Catholic apologist and writer, and is the managing editor of Logos: A journal of Catholic Thought and Culture. She also writes and performs devotional songs. She has a Doctorate of Divinity from St. Andrews University in Scotland

In Fluxus Forms: Scores, Multiples, and the Eternal Network (U Chicago Press, 2020), Natilee Harren captures the magnetic energy of Fluxus activities and collaborations that emerged at the intersections of art, music, performance, and literature. Reacting against an elitist art world enthralled by modernist aesthetics, Fluxus encouraged playfulness, chance, irreverence, and viewer participation. The diverse collective—including George Brecht, Robert Filliou, Dick Higgins, Alison Knowles, George Maciunas, Yoko Ono, Nam June Paik, Benjamin Patterson, Takako Saito, Mieko Shiomi, Ben Vautier, and Robert Watts—embraced humble objects and everyday gestures as critical means of finding freedom and excitement beyond traditional forms of art-making. While today the Fluxus collective is recognized for its radical neo-avant-garde works of performance, publishing, and relational art and its experimental, interdisciplinary approach, it was not taken seriously in its own time. The book offers insight into the nature of art

Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long ’68. Italian Political Cinema: Figure of the Long '68 (U Minnesota Press, 2023) conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country’s history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long ’68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical int

Cosplay, a portmanteau of “costume” and “play,” emerged from geeky Japanese subcultures to become a popular hobby, and even profession, around the world. Frenchy Lunning dives into the reasons why people cosplay through interviews, pictures, and her own firsthand experience of cosplay events in America and Japan. She distills the essence of cosplay to performance and the negotiation of identity, a pair of concepts that she interrogates in part by contrasting cosplay practices in America and Japan. Cosplay: The Fictional Mode of Existence (U Minnesota Press, 2022) is livened with extensive photographs and fascinating tidbits about key figures in cosplay, such as Mari Kotani. Cosplayers are allowed to speak for themselves, describing what cosplay means to them and how they use it to negotiate their social roles and identities in fascinating detail. Lunning layers individuals’ testimony on a history of cosplay that highlights the changing settings, technologies, and communities supporting cosplay over the decade

Macbeth is one of Shakespeare’s most concentrated and thrilling tragedies. Macbeth is a warrior lord living in medieval Scotland who starts the play by saving his king — only to then murder the king himself. In this course, you’ll learn Macbeth’s story, explore the complex morality and psychology of Macbeth and his accomplice, Lady Macbeth, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. In Part 3, Professor Emma Smith offers close-readings of some of the play’s most significant monologues. You’ll discover the unique kind of speech that Shakespeare develops in this play to reflect his characters’ sense of conscience and guilt, and learn to see how Shakespeare reflects the largest themes of his plays in the smallest units of language. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Sofia Coppola's Lost in Translation (2003) brings two Americans together in Tokyo, each experiencing a personal crisis. In this close look at Coppola’s multi-award-winning film, Suzanne Ferriss’s book, Lost in Translation (British Film Institute, 2023), uses the film’s travel theme as a structuring device to detail the complexities of filming the 27-day shoot without permits in Tokyo, to explore Coppola's allusions to fine art, to examine the subtle color palette, the use of music over words, and the characters' experiences in and around the Park Hyatt Tokyo. Ferriss also evaluates the filmmaker’s distinctive cinematic signature and the elements that make Lost in Translation a cinema classic. Suzanne Ferris is Professor Emerita at Nova Southeastern University. She has published extensively on fashion, film, and cultural studies. Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history

Colleen Lye and Christopher Nealon's edited volume After Marx: Literature, Theory, and Value in the Twenty-First Century (Cambridge UP, 2022) demonstrates the importance of Marxist literary and cultural criticism for an era of intersectional politics and economic decline. The volume includes fresh approaches to reading poetry, fiction, film and drama, from Shakespeare to contemporary literature, and shows how Marxist literary criticism improves our understanding of racial capitalism, feminist politics, colonialism, deindustrialization, high-tech labor, ecological crisis, and other issues. A key innovation of the volume's essays is how they attend to Marx's theory of value. For Marx, capitalist value demands a range of different kinds of labor as well as unemployment. This book shows the importance of Marxist approaches to literature that reach beyond simply demonstrating the revolutionary potential or the political consciousness of a 19th-century-style industrial working class. After Marx makes an argument fo

Paul Thomas Anderson’s evolution from a brash, self-anointed “Indiewood” auteur to one of his generation’s most distinctive voices has been one of the most remarkable career trajectories in recent film history. From early efforts to emulate his cinematic heroes to his increasingly singular late films, Anderson has created a body of work that balances the familiar and the strange, history and myth: viewers feel perpetually off balance, unsure of whether to expect a pitch-black joke or a moment of piercing emotional resonance. The Cinema of Paul Thomas Anderson: American Apocrypha (Columbia UP, 2023) provides the most complete account of Anderson’s career to date, encompassing his varied side projects and unproduced material; his personal and professional relationships with directors such as Jonathan Demme, Robert Altman, and Robert Downey Sr.; and his work as a director of music videos for Fiona Apple, Joanna Newsom, and Haim. Ethan Warren explores Anderson’s recurring thematic preoccupations―the fraught dynam

By the early 1950s, Jane Russell (1921–2011) should have been forgotten. Her career was launched on what is arguably the most notorious advertising campaign in cinema history, which invited filmgoers to see Howard Hughes's The Outlaw (1943) and to "tussle with Russell." Throughout the 1940s, she was nicknamed the "motionless picture actress" and had only three films in theaters. With such a slow, inauspicious start, most aspiring actresses would have given up or faded away. Instead, Russell carved out a place for herself in Hollywood and became a memorable and enduring star. Christina Rice offers the first biography of the actress and activist perhaps most well-known for her role in Gentlemen Prefer Blondes (1953). Despite the fact that her movie career was stalled for nearly a decade, Russell's filmography is respectable. She worked with some of Hollywood's most talented directors―including Howard Hawks, Raoul Walsh, Nicholas Ray, and Josef von Sternberg―and held her own alongside costars such as Marilyn Mon

Macbeth is one of Shakespeare’s most concentrated and thrilling tragedies. Macbeth is a warrior lord living in medieval Scotland who starts the play by saving his king — only to then murder the king himself. In this course, you’ll learn Macbeth’s story, explore the complex morality and psychology of Macbeth and his accomplice, Lady Macbeth, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. Part 2 addresses some of the central questions the play raises, especially questions of evil and guilt. With Professor Emma Smith, you’ll explore the Macbeths’ marriage and the different ways it can be interpreted, issues about joint agency and responsibility, and the question of how Shakespeare can dramatize such evil in Macbeth and Lady Macbeth and still make these figures sympathetic.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Elizabeth Bronwyn Boyd's book Southern Beauty: Race, Ritual, and Memory in the Modern South (U Georgia Press, 2022) explains a curiosity: why a feminine ideal rooted in the nineteenth century continues to enjoy currency well into the twenty-first. Elizabeth Bronwyn Boyd examines how the continuation of certain gender rituals in the American South has served to perpetuate racism, sexism, and classism. In a trio of popular gender rituals—sorority rush, beauty pageants, and the Confederate Pageant of the Natchez (Mississippi) Pilgrimage—young white southern women have readily ditched contemporary modes of dress and comportment for performances of purity, gentility, and deference. Clearly, the ability to “do” white southern womanhood, convincingly and on cue, has remained a valued performance. But why? Based on ethnographic research and more than sixty taped interviews, Southern Beauty goes behind the scenes of the three rituals to explore the motivations and rewards associated with participation. The picture tha

Today I talked to Sarah L Kaufman about her book The Art of Grace: On Moving Well Through Life (Norton, 2016). Grace as a word comes from Greek, conveying a sense of giving a favor as a gift or act or kindness. It’s related to Hebrew and Muslim words for compassion, and is something today’s society could use more of notes today’s guest. Instead, we have reality TV that thrives on dis-grace. This book began as the author confesses, with her writing an appreciation of how well Cary Grant moves on screen. In this interview, we also had time to hear from the author on the “devastatingly liquid” forehand of Roger Federer, and his overall grace on and off the court. Is grace charming? So much so that Cary Grant even once deliciously said, “Even I want to be Cary Grant.” Learn why Margaret Thatcher (“Atilla the Hen”) qualifies as graceful, and how we might move past today’s penchant for intolerance. Sarah L. Kaufman is an author, journalist and educator. For almost 30 years, she was a Pulitzer Prize-Winning dance cr

Macbeth is one of Shakespeare’s most concentrated and thrilling tragedies. Macbeth is a warrior lord living in medieval Scotland who starts the play by saving his king — only to then murder the king himself. In this course, you’ll learn Macbeth’s story, explore the complex morality and psychology of Macbeth and his accomplice, Lady Macbeth, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. In Part 1, you’ll be guided through a detailed account of the story with commentary by Emma Smith, professor of Shakespeare Studies at the University of Oxford. Professor Smith outlines the imagery and structure of the play and its relationship to historical events of Shakespeare’s time. This summary is told using the language of the play itself, placing key quotations in context to help you understand where these lines come from and what they mean.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! h

In Play Like a Man: My Life in Poster Children (University of Illinois Press, 2023), Poster Children bassist Rose Marshack details her life in the 80s and 90s as part of a heavily touring Indie Rock band. Using her Tour Reports from the 1990s, Marshack relates what life was like during the indie rock breakthrough while the advent of new digital technologies transformed the recording and marketing of music. Touring in a van, meeting your idols, juggling a programming job with music, keeping control and credibility, the perils of an independent record label (and the greater perils of a major)--Marshack chronicles the band's day-to-day life and punctuates her account with excerpts from her tour reports and hard-learned lessons on how to rock, program, and teach while female. She also details the ways Poster Children applied punk's DIY ethos to digital tech as a way to connect with fans via then-new media like pkids listservs, internet radio, and enhanced CDs. An inside look at a scene and a career, Play Like a M

In Autonomy: The Social Ontology of Art under Capitalism (Duke University Press, 2019), Nicholas Brown offers a fresh perspective on aesthetic autonomy and its political value, one of the great debates of the twentieth century. The monograph illustrates the viability of the modernist project in the era after postmodernism while offering one illuminating reading after another of contemporary examples in novels, photography, sculpture, popular music, TV, or movies. Brown defends art as a liberatory force in an age dominated by markets. By exploring the nuances of artistic production, Autonomy is a feast of delicious and insightful appraisals of artwork—with surprising turns and twists—within a larger context of the dialectics between art and market. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this podcast, Claire MacDonald and Sarah Parry discuss the history of recording, the sharing of sound art between artists, how recording has shaped communities, the impact of technology on artists and their publics, and the artist's voice and the different genres it inhabits. About the Contributors: Claire MacDonald is a curator, writer, and editor whose work focuses on the intersections of performance, writing, and art. She is a founding editor of Performance Research and a contributing editor to PAJ: A Journal of Performance and Art. She recently served as Director of the International Centre for Fine Art Research at University of Arts London, and is currently Professor II at the Norwegian Theatre Academy. She has a PhD in Critical and Creative Writing from the University of East Anglia, and has recently written a novel. Sarah Parry has been teaching at the Univeristy of British Columbia since 2005. Her Ph.D. dissertation at the University of Alberta, entitled "Caedmon Records, the Cold War, and the Scen