New Books In Dance

In Shakespeare’s comedy Much Ado About Nothing, Leonato says, “I pray thee peace; I will be flesh and blood. / For there was never yet philosopher / That could endure the toothache patiently, / However they have writ the style of gods / And make a push at chance and sufferance.” These lines serve as the inspiration for the title of a new book from today’s guest, Donovan Sherman. The Philosopher's Toothache: Embodied Stoicism in Early Modern English Drama, was published by Northwestern University Press in 2022. Donovan is a Professor of English at Seton Hall University; his previous book is Second Death: Theatricalities of the Soul in Shakespeare’s Drama (2016), from Edinburgh University Press. The Philosopher’s Toothache is a meditation on conceptual latticing of early modern theatre and the ancient Greek philosophy of Stoicism. Writers explored in the book range from James I to Shakespeare and Ben Jonson. John Yargo recently received his PhD in English literature from the University of Massachusetts Amherst,

In 2005, Tony Perman attended a ceremony alongside the living and the dead. His visit to a Zimbabwe farm brought him into contact with the madhlozi, outsider spirits that Ndau people rely upon for guidance, protection, and their collective prosperity. Perman's encounters with the spirits, the mediums who bring them back, and the accompanying rituals form the heart of his ethnographic account of how the Ndau experience ceremonial musicking. As Perman witnessed other ceremonies, he discovered that music and dancing shape the emotional lives of Ndau individuals by inviting them to experience life's milestones or cope with its misfortunes as a group. Signs of the Spirit: Music and the Experience of Meaning in Ndau Ceremonial Life (U Illinois Press, 2020) explores the historical, spiritual, and social roots of ceremonial action and details how that action influences the Ndau's collective approach to their future. The result is a vivid ethnomusicological journey that delves into the immediacy of musical experience

In 1973, the Philadelphia Orchestra boarded a Pan Am 707 plane in Philadelphia for a once-in-a-lifetime journey: a multi-city tour of Maoist China, months after Nixon’s history-making visit.  There was drama immediately after they landed in Shanghai. Chinese officials asked for a last-minute change to the program: Beethoven’s Sixth. After protests that the Orchestra didn’t bring scores with them, officials returned with copies haphazardly sourced from across the country, with different notations and different notes, forcing the orchestra to make do.  That’s just one of the stories recounted in Jennifer Lin’s book, Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China (Temple University Press: 2022). The book stems from the work Lin did in putting together a documentary film on the Philadelphia Orchestra’s trip; with so much left on the cutting room floor, she decided to turn it into an oral history.  Jennifer Lin is an award-winning journalist, author, and documentary filmm

Freedom Girls: Voicing Femininity in 1960s British Pop (Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, their careers were rooted in t

Released in 1946, The Best Years of Our Lives became an immediate success. Life magazine called it “the first big, good movie of the post-war era” to tackle the “veterans problem.” Today we call that problem PTSD, but in the initial aftermath of World War II, the modern language of war trauma did not exist. The film earned the producer Samuel Goldwyn his only Best Picture Academy Award. It offered the injured director, William Wyler, a triumphant postwar return to Hollywood. And for Harold Russell, a double amputee who costarred with Fredric March and Dana Andrews, the film provided a surprising second act. Award-winning author Alison Macor illuminates the film’s journey from script to screen and describes how this authentic motion picture moved audiences worldwide. General Omar Bradley believed The Best Years of Our Lives would help “the American people to build an even better democracy” following the war, and the movie inspired broad reflection on reintegrating the walking wounded. But the film’s nuanced cr

It is a scary and disorienting time for art, as it is a scary and disorienting time in general. Aesthetic experience is both overshadowed by the spectacle of current events and pressed into new connection with them. The self-image of art as a social good is collapsing under the weight of capitalism’s dysfunction. Art in the After-Culture: Capitalist Crisis and Cultural Strategy (Haymarket Books, 2022), art critic Ben Davis makes sense of our extreme present as an emerging "after-culture"—a culture whose forms and functions are being radically reshaped by cataclysmic events. In the face of catastrophe, he holds out hope that reckoning with the new realities of art, technology, activism, and the media, can help us weather the super-storms of the future. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of

Yussef El Guindi's In a Clear Concise Arabic Tongue (Broadway Play Publishing, 2021) collects short plays and monologues from almost twenty years of this exciting playwright's career. Guindi writes mainly about Arab and Muslim character, but does so within the framework of the American immigrant story. These are stories of characters caught between the reductive ideas wider American society holds about them and the much more complex reality they know is obscured by stereotypes. These plays are funny, moving, political, personal, epic, and miniature. They represent the arc of a playwright coming to artistic maturity, and should be a welcome addition to any theatre or school festival of short work. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supporti

We are not what we think we are. Our self-image as natural individuated subjects is determined behind our backs: historically by political forces, cognitively by the language we use, and neurologically by sub-personal mechanisms, as revealed by scientific and philosophical analyses. Under contemporary capitalism, as the gap between this self-image and reality becomes an ever greater source of social and mental distress, these theoretical insights are potential dynamite. Shifting his explorations from the sonic to the social, amplifying alienation and playing with psychic noise, artist and performer Mattin finally lights the fuse. The noise is here to stay. Alienation is a constitutive part of subjectivity and an enabling condition for exploring social dissonance—the territory upon which we already find ourselves, the condition we inhabit today. Mattin speaks (and sings) to Pierre d’Alancaisez about his performance score Social Dissonance, in which the audience is the instrument and the legacy of the Marxist t

The Earth Dies Streaming: Film Writing, 2002-2018 (N+1 Books, 2018) collects the best of A. S. Hamrah’s film writing for n+1, The Baffler, Bookforum, Harper’s, and other publications. Acerbic, insightful, hilarious, and damning, Hamrah’s aphoristic capsule reviews and lucid career retrospectives of filmmakers and critics have taken up the mantle of serious American film criticism—pioneered by James Agee, Robert Warshow, and Pauline Kael—and carried it into the 21st century. Taken together, these reviews and essays represent some of the best film criticism in the English language. The Earth Dies Streaming showcases a remarkable critical intelligence while offering a cultural history of the cinema of our times. In this conversation with host Annie Berke, A. S. Hamrah discusses his influences as a critic, lays out the challenges and shortcomings of film criticism today, and explains the differences between film and television. Currently the film critic for The Baffler, A. S. Hamrah was n+1’s film critic from 200

Recording History: Jews, Muslims, and Music Across Twentieth-Century North Africa (Stanford UP, 2022) offers a new history of twentieth-century North Africa, one that gives voice to the musicians who defined an era and the vibrant recording industry that carried their popular sounds from the colonial period through decolonization. If twentieth-century stories of Jews and Muslims in North Africa are usually told separately, Recording History demonstrates that we have not been listening to what brought these communities together: Arab music. For decades, thousands of phonograph records flowed across North African borders. The sounds embedded in their grooves were shaped in large part by Jewish musicians, who gave voice to a changing world around them. Their popular songs broadcast on radio, performed in concert, and circulated on disc carried with them the power to delight audiences, stir national sentiments, and frustrate French colonial authorities. With this book, Christopher Silver provides the first histor

The Hygienic Apparatus: Weimar Cinema and Environmental Disorder (Northwestern UP, 2022) traces how the environmental effects of industrialization reverberated through the cinema of Germany’s Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder. Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema’s material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, enco

With I Am Jugoslovenka!: Feminist Performance Politics During and After Yugoslav Socialism (Manchester UP, 2022), Jasmina Tumbas examines forms of feminist political and artistic engagement in Yugoslavia and its successor nations. By bringing together a wide range of materials—from performance and conceptual art, video works, film and pop music, lesbian activism, and press photos of female snipers in the Yugoslav wars—this study reveals that performative representations of women’s emancipation were crucial for the rise of gender equality in the socialist project. Covering celebrated and lesser-known artists from the 1970s to today, I am Jugoslovenka offers a unique insight into the struggles and ambitions of Yugoslav women through the intersection of feminism, socialism, and nationalism in visual culture. Jasmina Tumbas is an Assistant Professor of Contemporary Art History and Performance Studies in the Department of Global Gender and Sexuality Studies at the University at Buffalo. Her research interests incl

Stories of world-ending catastrophe have featured prominently in film and television lately. Zombie apocalypses, climate disasters, alien invasions, global pandemics, and dystopian world orders fill our screens—typically with a singular figure or tenacious group tasked with saving or salvaging the world. In her new book, Apocalypse and Heroism in Popular Culture: Allegories of White Masculinity in Crisis (McFarland Press, 2022), Dr. Katherine E. Sugg asks, why are stories of End Times crisis so popular with audiences? And why is the hero so often a white man who overcomes personal struggles and major obstacles to lead humanity toward a restored future? This book examines the familiar trope of the hero and the recasting of contemporary anxieties in films and TV like The Walking Dead, Snowpiercer, Mad Max: Fury Road, and more. Some have familiar roots in Western cultural traditions, yet many question popular assumptions about heroes and heroism to tell new and fascinating stories about race, gender and society,

In Brecht and the Bible: A Study of Religious Nihilism and Human Weakness in Brecht's Drama of Morality and the City (UNC Press, 2020), Father G. Ronald Murphy argues that Brecht, atheist and Marxist though he was, was also a sensitive reader and interpreter of the Bible. Murphy persuasively shows that Brecht's use of Biblical texts was not only satirical, but was at times deadly serious, particularly concerning the theme of death itself. For Brecht, the Bible provides eloquent reminders of the finitude of life and of the necessity of work, of eating by the sweat of one's brow. The conflict between work and life, for example in the case of Mother Courage's paradoxical dependence on the war for her survival even as it kills her precious children, proves a major theme in Brecht. This is a work that should appeal to scholars of German literature, but also to anyone interested in the interpretation of Brecht, whether for scholarly or artistic reasons. Andy Boyd is a playwright based in Brooklyn, New York. He is

José Rivera's Lovesong (Imperfect) (Broadway Play Publishing, 2021) follows a passionate love triangle in an unusual situation: the US government has outlawed death, trees grow lights instead of leaves, and lovers sword fight as a form of flirtation. This play is a wildly theatrical, lyrical, surreal, and at times very dark work that will delight fans of Rivera's previous plays like Marisol and References to Salvador Dalí Make Me Hot, as well as new readers. In this conversation we discuss being inspired by Tennessee Williams, Rivera's research process for his screenplay The Motorcycle Diaries, and why he really wants to write a horror movie. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

What happened to arts organisations during the pandemic? In The Club on the Edge of Town: A Pandemic Memoir (Salamander Street, 2022), Alan Lane, Artistic Director of SlungLow, a theatre company based in Leeds in the North of England, explores this question by telling the story of the theatre company and the community in 2020. Beginning from the decision to partner with Britain’s oldest working men’s club, through the lockdown, to the pivot to serving the local area by becoming ‘a non means tested self-referral food bank’, the book captures the heroic efforts of a community to survive whilst still being artists and making art. By telling the story of The Holbeck during the pandemic, the book raises profound questions about how we organise society and its welfare state, alongside the nature of art and culture. It will be essential reading across the arts, humanities, and social sciences, as well as for anyone interested in understanding why and how the arts matter to society. Dave O'Brien is Professor of Cult

John Luther Adams's Silences So Deep: Music, Solitude, Alaska (Farrar, Straus and Giroux, 2020) is a profound, funny, and enlightening memoir from one of our greatest contemporary composers. Adams describes the process of writing music inspired by the wild landscapes of the far north, pieces with titles like Arctic Dreams, In the White Silence, and Become Ocean. But as much as Silences So Deep is a meditation on craft, it is also a masterpiece of nature writing, reminiscent at times of Walden, at other times of Dharma Bums.  Adams moved to Alaska as a young man in search of the solitude of America's last frontier. But Adams also discovered community: a bohemian group of farmers, poets, activists, and musicians, including the poet John Haines and the conductor/composer/activist Gordon Wright.  Silences So Deep is sure to reward long-time fans of Adams' work and listeners of contemporary classical music more broadly. It will also appeal to nature lovers and to anyone interested in the day to day work of a life

Justin Gautreau's book The Last Word: The Hollywood Novel and the Studio System (Oxford UP, 2020) argues that the Hollywood novel opened up space for cultural critique of the film industry at a time when the industry lacked the capacity to critique itself. While the young studio system worked tirelessly to burnish its public image in the wake of celebrity scandal, several industry insiders wrote fiction to fill in what newspapers and fan magazines left out. Throughout the 1920s and 1930s, these novels aimed to expose the invisible machinery of classical Hollywood cinema, including not only the evolving artifice of the screen but also the promotional discourse that complemented it. As likeminded filmmakers in the 1940s and 1950s gradually brought the dark side of the industry to the screen, however, the Hollywood novel found itself struggling to live up to its original promise of delivering the unfilmable. By the 1960s, desperate to remain relevant, the genre had devolved into little more than erotic fantasy o

Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms by Kira Thurman (Cornell University Press, 2021) is a truly interdisciplinary study. Dr. Thurman’s work sits at the intersection of German Studies, History, and Musicology. Beginning in the 1870s with concerts given by the Fisk Jubilee Singers, Singing Like Germans covers a century of Black musicians performing classical music in Germany and Austria. This sprawling book takes on how and why Black musicians came to Central Europe to perform classical music from their homes in North America, Africa, or the Caribbean, and what their reception reveals about German ideas of race, nationhood, and musical culture. She traces how the political tumult of one hundred years of war, Nazism, and the division between East and West Germany contributed to the changing circumstances of Black musicians in the area, but also how ideas of race remained remarkably consistent in all that time. Performers such as Roland Hayes, Marian Anderson, and Grac

Unlike many books that examine the how of making theater, Brian Kulick's The Secret Life of Theater: On the Nature and Function of Theatrical Representation (Routledge, 2019) examines the why. Using Jorge Luis Borges' story Averroes's Search as a guide, Kulick defines theatre via its proximity to play, ritual, imitation, and religion, all of which share elements of theatricality. He then takes us on a whirlwind tour of theatrical history by examining key stage moments from some classic works of theater, from Agamemnon to Angels in America. Finally, Kulick looks at theater's changing relationship to fellow-feeling, whether pity, sympathy, or empathy, and articulates how the union of thought and feeling is a key insight of theatrical representation. By rekindling our sense of fellow-feeling and allowing us to see the world anew, Kulick suggests theater may provide valuable emotional and intellectual resources for our troubled times. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the