New Books In Dance

For six years, anthropologist and artist Maya Stovall enacted a series of dance performances outside of liquor stores in the McDougall-Hunt neighborhood on Detroit’s east side. Stovall conceptualized these performances as prompts for people that may pass by and as a means to open up space for conversation with Detroit residents.  These filmed performances and the interviews that followed make up Liquor Store Theatre (Duke University Press, 2020). In the book, Stovall probes the historic, economic, and political forces that constructed and shape the city of Detroit. Liquor Store Theatre attends closely to the methods of performance and interviews as they unfold in the author’s pursuit of this project. Stovall’s interlocuters share their perspectives on the changes in the city, the challenges the city faces, as well as their hopes for a future in which they can enjoy the benefits of the city. A native Detroiter herself, Stovall’s artistic ventures turn the lens back on the city itself and center the voices of D

On this episode, I interview Mario Telò, professor of Classics and Comparative Literature at the University of California, Berkeley, about his new book, Archive Feelings: A Theory of Greek Tragedy, recently published by The Ohio State University Press. In the text, Telò examines how contemporary theorizations of the archive (especially Derrida’s Mal d’Archive) and the death drive (in Freud as well as Bersani, Butler, Edelman, Deleuze, Lacan, Rancière, and Žižek) can help us understand the aesthetic experience of tragedy. Archive Feelings: A Theory of Greek Tragedy locates the tragic genre's aesthetic allure beyond catharsis in a vertiginous sense of giddy suspension, in a spiral of life and death that resists equilibrium, stabilization, and all forms of normativity. In so doing, Telò forges a new model of tragic aesthetics. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or

André Gregory's not-memoir This Is Not My Memoir (FSG, 2020) is a fascinating trip through theatre history as seen through the eyes of one of its greatest directors. The André we encounter in this book will be familiar to fans of his theatre work or of his celebrated performance in My Dinner with André: curious, ebullient, searching, passionate, funny, and inspiring. This book also includes reflections on André's collaborations and friendships with some of theatre's greatest artists, including Jerzy Grotowski, Wallace Shawn, and Helene Weigel. This book belongs on a shelf next to great autobiographies of the theatre like Harold Clurman's The Fervent Years and Tennessee Williams' Memoirs. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The “diva” is a common trope when we talk about culture. We normally think of the diva as a Western construction: the opera singer, the Broadway actress, the movie star. A woman of outstanding talent, whose personality and ability are both larger-than-life. But the truth is throughout history, many cultures have featured spaces for strong female artists, whose talent allows them to break free of the gender roles that pervaded their societies. In Three Asian Divas: Women, Art and Culture in Shiraz, Delhi and Yangzhou (Abbreviated Press: 2020) David Chaffetz briefly explores how these “Asian divas” could be seen as some of the first recognizably “modern women''. In this interview, David and I talk about the three different cultures of Three Asian Divas: Shiraz, Delhi and Yangzhou. We discuss what it meant to be a diva in these historical contexts, and what they say about gender roles in these historic Asian societies. After studying Persian, Turkish and Arabic in college, David Chaffetz worked on the publicatio

Much is known about the Qing sartorial regulations and how the Qing conquerors forced Han Chinese males to adopt Manchu hairstyle and clothing. But what happened on the stage? What did Qing performers wear, not only when they performed as characters in the Han past, but also when they appeared as subjects in the Manchu present? Reading dramatic works against Qing sartorial regulations, Staging Personhood: Costuming in Early Qing Drama (Columbia University Press, 2020) explores a two-sided question: how did the Ming-Qing transition influence costuming as theatrical practices and how, in turn, did costuming enable the production of different types of personhood in early Qing China? With readings of several early Qing theatrical works, from the canonical Peach Blossom Fan (Taohua shan) to the lesser-known A Ten-Thousand-Li Reunion (Wanli yuan), combined with visual and performance records and historical documents, Staging Personhood provides a new and interdisciplinary perspective on the cultural dynamics of ear

The story of the Passion of Christ has lived through the ages in the Netherlands despite secularism growing in the popular narrative of the nation. In this episode, Dr. Mirella Klomp, of the Protestant Theological University, the Netherlands, discusses her book “Playing On: Re-staging the Passion after the Death of God,” published by Brill, and talks about how the Passion has seeped out from the liturgy to the wider cultural domain, why its story remains so popular today, whether depicting Christ in conjunction with popular music and pursuits is disrespectful, and whose story the Passion really is. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

When Mike Anthony moved to New York City to become an actor, he’d imagined being under the bright lights of Broadway, living a life full of fame and fortune. Instead, he took a job not on stage for a Broadway show, but behind its bar, and found a life full of meaning. In Life at Hamilton: Sometimes You Throw Away Your Shot, Only to Find Your Story (Waterside, 2020), Mike takes us along on his journey, recounting his extraordinary experiences as Hamilton rocketed into Broadway history, from its unparalleled opening night, through the 2016 election, to its COVID-19 intermission. On display along the way are Mike’s heartfelt and often humorous encounters with the show’s patrons, including some of the most famous celebrities in the world, and its biggest (and littlest) Hamilfans. Mike’s story is a testament to the potent power of theater to connect, to inspire, and to heal. For as long as there have been people, they have put on plays. Life At Hamilton reminds us why. Alexandra Salkin is currently a student at Un

New Books in Performing Arts own Andy Boyd has written a new play about a young experimental playwright named Andy Boyd who pitches Georges Lucas his screenplay for a new Star Wars film. The concept: a prequel to the prequels that fleshes out the economic and social implications of the mysterious Trade Federation. Andy’s script is a full on Marxist allegory where The Trade Federation is The International Monetary Fund, the Gungans are the Zapatistas, and the Jedi are an international community reluctant to push for any real structural change- the UN, basically. Lucas thinks the movie sounds really boring and unceremoniously kicks Andy out of his office. Then things really get weird.  Andy Boyd joins host Toney Brown, as he discusses his life and relationship to the Star Wars Franchise, Marxism, Socialism, Globalization, US Imperialism and the future of leftism in American Theater. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard Uni

Sailor Song: The Shanties and Ballads of the High Seas (University of Washington Press, 2020) by performer and scholar Gerry Smyth includes lyrics and commentary for dozens of sea shanties, as well as a brief history of the genre. The world that emerges in these 19th century sailor songs is surprisingly multi-cultural; in a sense, sea shanties were the first sonic products of globalization, combining African-American work songs, Irish ballads, and English folk tunes. This book is designed to be used by performers and ensembles looking for singable versions of these ribald and entertaining songs. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Nowak's Social Poetics (Coffee House Press, 2020) is a history of the poetry workshop "from below and to the left." Inspired by previous workers' poetry workshops led by writers like June Jordan and Ngũgĩ wa Thiong'o, Nowak's book traces the history of worker poetry both in the US and abroad. It also details Nowak's own involvement with workers' poetry workshops held with autoworkers facing layoffs, farm workers in Hudson Valley, and metal workers in South Africa. Nowak shows that poetry is not a luxury for the elite, but a vital tool in describing working class lives and in imagining a classless future. Learn more about your ad choices. Visit megaphone.fm/adchoices

Psychoanalysis and Hidden Narrative in Film: Reading the Symptom (Routledge, 2018) proposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films, Trevor C. Pederson recognizes that the psychoanalytic tradition began with making sense of the seemingly inconsequential. Here he turns his attention to popular films like Joel Schumacher's The Lost Boys (1987). While masterworks like Psycho (1960) are not the object of interpretation, Hitchcock's film is used as a skeleton key. The revelation that Norman Bates' character had been his mother all along, suggests a framework of reading a film as having symptom characters who are excised to create a latent plot. The symptom character's behavior or inter-relations are then transcribed to an ego character. This is a shift in the tradition of literary doubling from hermeneutic intuition to a formal methodology that generates data for the unconscious. Pederson continues the project of unifyin

Jenn Shapland's My Autobiography of Carson McCullers (Tin House Books, 2020) is a fascinating cross-genre book that combines elements of traditional biography with Shapland's own personal narrative of researching McCullers and discovering the many ways her life and McCullers' mirror each other. McCullers was a lesbian, but many of her biographers have shied away from this aspect of her life, referring to her partners as "friends" or "obsessions." Shapland's book is a bold work of historical reclamation, insisting we view McCullers as a queer writer and drawing attention to previously-obscured elements of queerness in her work. It is also a portrait of a vibrant queer community existing beneath the placid surface of mid-century America: Tennessee Williams, Truman Capote, Gypsy Rose Lee, and W.H. Auden all make memorable appearances in its pages. My Autobiography of Carson McCullers is a must-read for fans of McCullers, but it will also be of interest to fans of cross-genre writers like Maggie Nelson, Eileen My

In the first book in the Modern Music Masters series, Tom Boniface-Webb examines the Manchester band Modern Music Masters-Oasis (MMM, 2020). Founded in 1994 and playing together until their spectacular and abrupt breakup in 2009, during their time together Oasis made an imprint on British music that will last for generations, impacting fans throughout the world. Modern Music Masters-Oasis looks at the ways in which the band's chart placings--including eight number 1 albums and eight number 1 singes- show the larger narrative of rock-n-roll and the way Oasis impacted the rock-n-roll landscape during their 15-year history. Modern Music Masters-Oasis is the first in this series of books that explores artists (most of which from the United Kingdom) by looking at the social and political environment surrounding their careers.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in

In The Camera Lies, published in 2020 by Oxford University Press, author Dan Callahan spotlights the many nuances of Hitchcock's direction throughout his career, from Cary Grant in Notorious (1946) to Janet Leigh in Psycho (1960). Delving further, he examines the ways that sex and sexuality are presented through Hitchcock's characters, reflecting the director's own complex relationship with sexuality. Dan Callahan is the author of Barbara Stanwyck: The Miracle Woman, Vanessa: The Life of Vanessa Redgrave, The Art of American Screen Acting, 1912-1960, and The Art of American Screen Acting, 1960 to Today. He has written about film for Sight & Sound, Film Comment, Nylon, The Village Voice, RogerEbert.com and many other publications. Detailing the fluidity of acting -- both what it means to act on film and how the process varies in each actor's career -- Callahan examines the spectrum of treatment and direction Hitchcock provided well- and lesser-known actors alike, including Ingrid Bergman, Henry Kendall, Joan B

Edwin Wilson's book Magic Time, a Memoir: Notes on Theatre & Other Entertainment (Smith & Kraus, 2020) is a spirited memoir of a long and fruitful career in the American theatre. Wilson was the theatre critic at the Wall Street Journal for over twenty years, and is also the author of some of the most widely-used theatre textbooks. In Magic Time he shares his reflections on the "golden age" of American theatre from the 1920s to the 1960s, as well as the changes that have come to Broadway since that time, including the emergence of major talents like August Wilson but also the increasing timidity of Broadway producers. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Bedroom Beats & B-Sides: Instrumental Hip-Hop & Electronic Music at the Turn of the Century (Velocity Press, 2020), Laurent Fintoni explores the rise of a new generation of bedroom producers at the turn of the century through the stories of various instrumental hip-hop and electronic music scenes. From trip-hop, downtempo, and IDM to leftfield hip-hop, glitch, and beats, the book explores how these scenes acted as incubators for new ideas about composition and performance that are now taken for granted. Combining social, cultural, and musical history with extensive research and over 100 interviews, the book tells the B-side stories of hip-hop and electronic music from the 1990s to the 2010s. Using the format of a beat tape, it explores the evolution of a modern beat culture from local scenes to global community via the diverse groups of idealists on the fringes who made it happen and the external forces that shaped their efforts. Before the uniformity of streaming services, always-on social media, and onli

Dr. Stanley Rabinowitz once again immerses us into the world of ballet and Akim Volynsky with his book And Then Came Dance: The Women Who Led Volynsky to Ballet's Magic Kingdom (Oxford UP, 2019). In this interview, Rabinowitz discusses his path to this book which is a lovely addition to his first book on Volynsky  as well as some sage advice in publishing manuscripts.   Presenting for the first time Akim Volynsky's (1861-1926) pre-balletic writings on Leonardo da Vinci, Fyodor Dostoevsky, Otto Weininger, and on such illustrious personalities as Zinaida Gippius, Ida Rubinstein, and Lou Andreas-Salome, And Then Came Dance provides new insight into the origins of Volynsky's life-altering journey to become Russia's foremost ballet critic. A man for whom the realm of art was largely female in form and whose all-encompassing image of woman constituted the crux of his aesthetic contemplation that crossed over into the personal and libidinal, Volynsky looks ahead to another Petersburg-bred high priest of classical da

It comes as little surprise that Hollywood films have traditionally stereotyped Arab Americans, but how are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves?  In Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation (Syracuse University Press, 2020), Waleed F. Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted. Hollywood films have fostered reductive imagery of Arab Americans since the 1970s as either a national security threat or a foreign policy concern, while Egyptian filmmakers have used polarizing images of Arab Americans since the 1990s to convey their nationalist critiques of the United States. Both portrayals are rooted in anxieties around globalization, migration, and US-Arab geopolitics. In contrast, Arab American cinema provides a more complex, rea

Noel Pinnington's A New History of Medieval Japanese Theatre: Noh and Kyōgen from 1300 to 1600 (Palgrave, 2019) traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. Pinnington writes in a clear and accessible style, making this an ideal work for theatre students and Japanese scholars alike. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 play

Timothy Hampton's Bob Dylan: How the Songs Work (Zone Books, 2020) is a fascinating and meticulous study of Bob Dylan's songwriting craft. Hampton discusses how Dylan incorporated and then transcended the Greenwich Village folk music tradition, how he reinvented himself as a visionary poet in the mid sixties, how he learned from poets as diverse as Rimbaud, Brecht, and Petrarch, and how his late-career work draws on and extends the themes he's been pursuing for his whole life. Hampton's book is written in a clear and accessible style and should appeal to anyone interested in the technique of this master songwriter. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre o