New Books In Dance

Jessica Lowell Mason and Nicole Crevar's Madwomen in Social Justice Movements, Literatures, and Art (Vernon Press, 2023) boldly reasserts the importance of the Madwoman more than four decades after the publication of Sandra Gilbert and Susan Gubar's seminal work in feminist literary criticism, 'The Madwoman in the Attic'. Since Gilbert and Gubar's work was published, the Madwoman has reemerged to do important work, rock the academic boat, and ignite social justice agency inside and outside of academic spaces, moving beyond the literary context that defined the Madwoman in the late 20th century. In this dynamic collection of essays, scholars, creative writers, and Mad activists come together to (re)define the Madwoman in pluralistic and expansive ways and to realize new potential in Mad agency. This collection blazes new directions of thinking through Madness as a gendered category, comprised of a combination of creative works that (re)imagine the figure of the Madwoman, speeches in which Mad-identifying artis

July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best? In Harlem World: How Hip Hop's Super Showdown Changed Music Forever (Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Ev

Children of families who are locked in a fatal feud, Romeo and Juliet risk community, identity, and life to pursue an all-consuming love. Today, Romeo and Juliet is one of the most famous love stories in the world. But the play isn’t simply a celebration of love or an idealization of the lovers. This wild and dangerous play lays bare the link between desire and death, between love and loss. The tragedy of Romeo and Juliet isn’t that their love is thwarted or impossible. The tragedy is love. In this course, you’ll learn the story of Romeo and Juliet, hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars, and see how Shakespeare brings its characters to life with the brightness and briefness of lightning. In Part 1, you’ll be guided through a detailed account of the story with commentary by Simon Palfrey, Professor of English at the University of Oxford. Professor Palfrey explains how this play is Shakespeare’s experimentation with new possibilities in dra

Tracy Rutler's Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature (Oxford University Studies in the Enlightenment, Liverpool UP, 2021) explores the imaginaries of novels and plays from the "liminal" period that followed the end of Louis the XIV's reign in France. Examining a range of French works from the 1730s and 1740s, including writing by Antoine François Prévost, Claude Crébillion, Pierre de Marivaux, and Françoise de Graffigny, Rutler traces a set of utopian themes and impulses that questioned and resisted heteronormativity and bourgeois family relations during this period. Interrogating gender, sexuality, and kinship in both the content and the form of their work, these authors challenged patriarchal power and relations as the foundations of state and society in France. At once intimate and political, the characters, scenes, and narratives these authors produced also posed questions about (the) Enlightenment more broadly. In readings informed by thinkers like Foucaul

The iconic Black rock band Living Colour's Time's Up, released in 1990, was recorded in the aftermath of the spectacular critical and commercial success of their debut record Vivid. Time's Up is a musical and lyrical triumph, incorporating distinct forms and styles of music and featuring inspired collaborations with artists as varied as Little Richard, Queen Latifah, Maceo Parker, and Mick Jagger. The clash of sounds and styles don't immediately fit. The confrontational hardcore-thrash metal - complete with Glover's apocalyptic wail - in the title track is not a natural companion with Doug E. Fresh's human beat box on "Tag Team Partners," but it's precisely this bold and brilliant collision that creates the barely-controlled chaos. And isn't rock & roll about chaos? Living Colour's sophomore effort holds great relevance in light of its forward-thinking politics and lyrical engagement with racism, classism, police brutality, and other social and political issues of great importance. In Living Colour's Time's

In Contemporary Chinese Queer Performance (Routledge, 2022), Hongwei Bao analyses queer theatre and performance in contemporary China. Boa documents various forms of queer performance - including music, film, theatre, and political activism - in the first two decades of the twenty first century. In doing so, Bao argues for the importance of performance for queer identity and community formation. This trailblazing work uses queer performance as an analytical lens to challenge heteronormative modes of social relations and hegemonic narratives of historiography. It will be of great interest to students and scholars of theatre and performance studies, gender and sexuality studies and Asian studies. Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show b

Deanne Williams's newest book, Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy (Bloombury, 2023), is a groundbreaking study of the girl actor in the medieval and early modern world, demonstrating the existence of the girl performer in England long before the Restoration. Challenging existing academic assumptions about the supposed male dominance of the early modern stage, this book reveals girls' participation in a host of areas, from medieval religious drama to pageants and royal entries under the Tudors, country house entertainments, and Jacobean masques. Williams situates her historical study of the girl actor within the wider contexts of 'girl culture', including singing, translating, and writing. By examining the impact of the girl actor in Shakespeare's various constructions of girlhood– those girl characters which play upon the precedent of the performing girl in the medieval world– Girl Culture in the Middle Ages and Renaissance argues that girls' actively shaped culture in t

In Part 3, Professor Emma Smith offers close-readings of some of the play’s most important scenes, which dramatize the wide range of relationships and types of love explored in the play. Speeches and performers: Orsino, 1.1, “If music be the food of love, play on …” (Jeffrey Blair Cornell) Malvolio and Olivia, 1.5, “I marvel your Ladyship takes delight in such a barren rascal …” (Amanda Harris) Antonio and Sebastian, 2.1, “If you will not murder me for my love …” (Kelly Hunter, MBE) Viola, 2.2, “I left no ring with her …” (Katy Stephens) Malvolio, 2.5, “M.O.A.I. …” (Jeffrey Blair Cornell) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Drawing from sources including the ethology of art and the cognitive science of religion, An Ethology of Religion and Art: Belief as Behavior (Routledge, 2020) proposes an improved understanding of both art and religion as behaviors developed in the process of human evolution. Looking at both art and religion as closely related, but not identical, behaviors a more coherent definition of religion can be formed that avoids pitfalls such as the Eurocentric characterization of religion as belief or the dismissal of the category as nothing more than false belief or the product of scholarly invention. The book integrates highly relevant insights from the ethology and anthropology of art, particularly the identification of "the special" by Ellen Dissanayake and art as agency by Alfred Gell, with insights from, among others, Ann Taves, who similarly identified "specialness" as characteristic of religion. It integrates these insights into a useful and accurate understanding and explanation of the relationship of art a

In Dreams in Double Time: On Race, Freedom, and Bebop (Duke UP, 2023), Jonathan Leal examines how the musical revolution of bebop opened up new futures for racialized and minoritized communities. Blending lyrical nonfiction with transdisciplinary critique and moving beyond standard Black/white binary narratives of jazz history, Leal focuses on the stories and experiences of three musicians and writers of color: James Araki, a Nisei multi-instrumentalist, soldier-translator, and literature and folklore scholar; Raúl Salinas, a Chicano poet, jazz critic, and longtime activist who endured the US carceral system for over a decade; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before working as a public servant. Leal foregrounds that for these men and their collaborators, bebop was an affectively and intellectually powerful force that helped them build community and dream new social possibilities. Bebop’s complexity and radicality, Leal contends, made

The Golden Voice: The Ballad of Cambodian Rock's Lost Queen (Life Drawn, 2023) is very well-reseraech graphic novel based on the life of beloved Cambodian singer Ros Serey Sothea, whose “Golden Voice” helped define Cambodia’s Golden Age of music until her mysterious disappearance in the killing fields of Pol Pot’s Khmer Rouge. Developed in partnership with Sothea’s family. There is a saying in Cambodia: Music is the soul of a nation. Perhaps no one embodied that spirit more than Ros Serey Sothea, a young woman who would forever change the landscape of Cambodian music as the Queen with the Golden Voice. From a humble rice farmer to nationally recognized singer, Sothea’s success captured the hearts of the Khmer people. Throughout her career, she recorded over 500 songs, her signature angelic voice soaring over genres from traditional ballads to psychedelic rock and beyond. As the Cambodian civil war raged, Sothea's singing career continued to flourish, even when she served in the army as one of the country's fi

The idea that women are dangerous - individually or collectively - runs throughout history and across cultures. Behind this label lies a significant set of questions about the dynamics, conflicts, identities and power relations with which women live today. The Art of Being Dangerous: Exploring Women and Danger through Creative Expression (Leuven UP, 2021) offers many different images of women, some humorous, some challenging, some well-known, some forgotten, but all unique. In a dazzling variety of creative forms, artists and writers of diverse identities explore what it means to be a dangerous woman. With almost 100 evocative images, this collection showcases an array of contemporary art that highlights the staggering breadth of talent among today's female artists. It offers an unparalleled gallery of feminist creativity, ranging from emerging visual artists from the UK to multi-award-winning writers and translators from the Global South. This book emerges from the Dangerous Women Project. For more informati

Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities.  Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Part 2 looks at the many instances of inversion and transgression, looking at how characters cross boundaries of gender, status, and social role, and how they are punished or rewarded. Professor Emma Smith looks closely at the final scene and how it settles—or doesn’t— the characters’ roles and the play’s own status as a comedy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The history of race in American theater is more complicated than you might think, writes Dr. Josephine Lee in Oriental, Black, and White: The Formation of Racial Habits in American Theater (UNC Press, 2022). Dr. Lee, a professor of English and Asian American Studies at the University of Minnesota, examines the linked histories of orientalism, Blackface and Yellowface, in nineteenth and early twentieth century American theater, showing how identity creation and racialization occurred among multiple groups simultaneously. Within the context of large scale East Asian immigration to the West coast, labor debates, and American empire building. Theaters, both on the East and West coasts, and touring Black and white theater companies, thus both reflected and shaped American ideas about race and belonging throughout this time period. A fascinating and complex look at how Americans tried to make sense of their world, Lee asks readers to look beyond easy answers and assumptions, and look at American theater in a new wa

How are women represented in Chinese crime films? In what ways do the representation reflect traditional Chinese values and contemporary Chinese social-cultural norms? How did boys’ love culture emerge in China? What is the role of the Chinese state in queer media production and queer culture in China? In a conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden, and an affiliated PhD student at NIAS, Tingting Hu talked about her book Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films and her latest research on A Transmedia ‘Third’ Space: The Counterculture of Chinese Boys’ Love Audio Dramas. Tingting Hu is an Assistant Professor at the Department of Media and Communication, Xi’an Jiaotong Liverpool University. Her research interest lies in the articulation of film, media and cultural studies with feminist theories, and transmedia studies in various social and cultural contexts. You can connect with Tingting at tingting.hu_academic@hotmail.com. Vict

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, o

Dr. Richard Waugaman is an emeritus supervising and training analyst at the Washington Baltimore Center for Psychoanalysis. He is also a well-respected author. With regard to his career he has said, “I have practiced clinical psychoanalysis for over 40 years. Initially, my publications were mostly on psychoanalysis.” In 2002, he made a discovery when he learned that the traditional theory about who wrote Shakespeare is faith-based, not evidence-based. As he plunged deeply into primary research on this exciting topic, he learned that the Geneva Bible owned by the Earl of Oxford, now at the Folger Shakespeare Library, has marginalia and under-linings that Roger Stritmatter shows correspond closely with biblical echoes in Shakespeare. He then researched the Whole Book of Psalms and discovered it was the largest Psalms literary source for Shakespeare. He has also published evidence that many other Elizabethan works were also written by the Earl of Oxford anonymously, using pen names, or allonyms. Now he has contr

Digging My Own Grave: The Films of Caveh Zahedi (Factory 25, 2015) is the most comprehensive collection of filmmaker Caveh Zahedi possible with 36 films including: A Little Stiff, I Don’t Hate Las Vegas Anymore, In the Bathtub of the World, Tripping with Caveh, I Am a Sex Addict, and The Sheik and I. Writings by Bill Brown, Arnold Barkus, Greg Watkins, Thomas Logoreci, Alison Bechdel, Amanda Field, Richard Clark, Britta Sjorgren, Matthew L. Weiss, Jay Duplass, Lena Dunham, Akira Lippitt, Don Lennon, Josh Safdie, Jay Rosenblatt, and Caveh Zahedi. Caveh Zahedi is an independent filmmaker and Assistant Professor of Screen Studies at the New School. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Twelfth Night, named for the celebration that is both the culmination and the close of the Christmas festivities, is a bittersweet romantic comedy at once melancholy and merry. Through its central plot, in which the female Viola takes on the guise of the male Cesario and becomes beloved of both men and women, this play is also one of Shakespeare’s most modern approaches to identity and sexuality. In this course, you’ll learn the story and context of Twelfth Night, explore the questions it raises around genre and gender, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. In Part 1, you’ll be guided through a detailed account of the story with commentary by Emma Smith, Professor of Shakespeare Studies at the University of Oxford. Professor Smith offers key historical context for understanding the wide variety of relationships depicted in the play. This summary is told using the language of the play itself, placing key quotations in context to help