New Books In Popular Culture

Veiled Superheroes: Islam, Feminism, and Popular Culture (Lexington Books, 2017) by Sophia Rose Arjana (with Kim Fox), takes us on a riveting journey through the world of superheroes and villains from the streets of New York to Pakistan. The book is a creative, masterful, and fascinating analysis of female Muslim superheroes in popular comic books and animation.  Through the use of global examples, such as Ms. Marvel, Burka Avenger and Bloody Nasreen, just to name a few, Arjana engages her readers beyond reductive discussions of the veil, sexuality, and gender to highlight the ever-complex ways in which female Muslim superheroes can help us engage constructively with ideas of Islamic feminism, the Muslim female body, intersectionality, and even notions of violence. With supernatural powers, such through the mystical arts (i.e., Sufism), or human qualities of courage and bravery, the Muslimah superheroes featured in this study capture the real and complex lives of Muslim women globally, and the vast negotiatio

Today we are joined by Gregory Snyder, an Associate Professor of Sociology at Baruch College, City University of New York (CUNY), and author of Skateboarding LA: Inside Professional Street Skateboarding (New York University Press, 2017).  In Skateboarding LA, Snyder explores the world of professional street skateboarding in order to explain how the skate subculture produce a rich urban community and significant profits for professional skaters in spite of the widespread illegality of the sport. Based on almost a decade of ethnographic interviews with skateboarders, videographers, and promoters, Snyder de-centers notions of skateboarders as criminals and vandals. Instead he describes skaters as creative forces in the city: impromptu repair crews, street architects, amateur historians, urban explorers, and public space activists.  He shows how skaters see public spaces differently: stairs, benches, handrails, and fountains become potential obstacles for tricks.  They produce their own language to describe new m

Today we are joined by Jesse Berrett, author of Pigskin Nation: How the NFL Remade American Politics (University of Illinois Press, 2018). Berrett is a high school history teacher at University High School in San Francisco. He earned a PhD in History at the University of California, Berkeley, and has worked as a rock critic, television columnist, and book reviewer. In his new book, Berrett looks at the National Football League of the late 1960s and early 1970s, and how President Richard M. Nixon channeled his love for football into a useful tool to achieve political goals. Going to college football games like the 1969 Texas-Arkansas clash, talking baseball or drawing up plays for NFL coaches was not only a truly passionate response by Nixon, but also a productive wedge issue that allowed the president to connect with the audience he most coveted — conservative, middle-class American fans, particularly in the South. Nixon always identified with the underdog, and using sports metaphors about teamwork, character

What do Mary Shelley’s Frankenstein, media theorist Marshall McLuhan and Canadian popular culture have in common? This is the question that Mark A. McCutcheon seeks to answer in his new book, The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology, published in 2018 by Athabasca University Press. In this unique and penetrating analysis, McCutcheon argues that Shelley’s 1818 novel essentially reinvented the word “technology” for the modern age, establishing its connections with ominous notions of manmade monstrosity. In the twentieth century, this monstrous, Frankensteinian conception of technology was globalized and popularized largely through Marshall McLuhan’s media theory and its numerous, diverse adaptations in Canadian popular culture. The Medium is the Monster establishes Frankenstein, and its various adaptations, as the originating intertext for a modern conceptualisation of technology that has manifested with a unique potency in Canadian pop culture, informing w

In her book, Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago (Chicago Review Press, 2017), Emilie Le Beau Lucchesi presents the story of Sabella Nitti, an Italian immigrant arrested in 1923 an accused of murdering her husband. Sabella was found guilty and became the first woman in Chicago sentenced to hang. Through meticulous research into court documents and other public records, Lucchesi shares the riveting narrative of Sabella’s case. Situating Sabella in the 1920s, and looking at the ways in which this case shows how the legal system set up to defend her failed Sabella at every turn, Lucchesi’s book walks readers through the trial where there was no evidence and no witnesses, but reporters and the jury knew one thing for certain, Sabella must be guilty: she was ugly. Describing how the press, judges, and juries decided the guilt or innocence of women based on their looks, Lucchesi examines how Sabella’s fellow inmates such as Beulah and Belva were able to charm their

How did Nepal become synonymous, in the minds of many Westerners, with the idea of a mystical paradise and a place to find enlightenment? How did Kathmandu become the subject of songs by countercultural icons such as Janis Joplin and Cat Stevens? What did Nepalis make of the strange seekers who turned up on their doorsteps? In his book Far Out: Countercultural Seekers and the Tourist Encounter in Nepal (University of Chicago Press, 2017), anthropologist and historian Mark Liechty offers a deeply researched and thoroughly engaging to all of these questions and more.Learn more about your ad choices. Visit megaphone.fm/adchoices

A History of Infamy: Crime, Truth, and Justice in Mexico (University of California Press, 2017) explores the definitive changes that the justice system as well as criminal ideas and practices underwent during the 1920s-1950s. For his most recent book, Pablo Piccato investigated spaces, actors, and fictions that shaped the complicated relationship between crime, justice, and truth during the consolidation of the post-revolution Mexican state. Through a series of compelling arguments, the author shows how impunity, the lack of transparency in judicial processes, and infamy are related to a constant quest for truth and justice that the state could not provide to Mexicans.  From the abolition of the jury system in the 20s, to the emergence of crime fiction, the author shows that men and women, the press, detectives, policemen, and even murderers themselves, shaped both ideas and practices in regards to violence, law-breaking, and the normalization of injustice in the country. Pamela Fuentes is Assistant Professo

How does the portrayal of a character like Apu matter? What does the representation of South Asian TV characters tell us about society at large?  In her new book, South Asians on the U.S. Screen: Just Like Everyone Else? (Lexington Books, 2018), Bhoomi Thakore uses interviews and audience studies to explore these questions and more. By having participants list South Asian characters they’ve seen on TV, she learns a lot about representation in addition to the positive and negative characteristics attributed to these characters. Often times South Asians are relegated to minor characters in shows and Thakore explores how The Mindy Project breaks out of this mold. Exploring ideas and concepts including “forever foreigners,” assimilation, and acculturation, Thakore analyzes this media sociologically. The book also sheds light on the portrayal of South Asian female characters specifically, as well as how some shows emphasize the “every-day”-ness of some South Asian characters versus those portrayed as tokens. Overa

In his book, Flavor and Soul: Italian America and Its African American Edge (University of Chicago Press, 2017), scholar John Gennari examines the intersectionalities between African American and Italian American cultures in the United States. Using an auto-ethnographic lens, Gennari explores this relationship, what he calls “the edge”, between the two cultures. Gennari examines the intersectionalities in music, film, sports, and foodways, spotlighting the edge as a way to highlight the ways in which the relationship between Italian American and African American cultures has been both joyous and beneficial as well as fraught with violence and suspicion. He posits that an Afro-Italian sensibility has vitalized American culture, even with the conflicts over urban spaces, political and personal respect, and overlapping histories of exclusion. Through his personal connections as well as critical and well-researched chapters on the intersections between these two cultures, Gennari gives readers a deeper understand

Colin Kaepernick’s refusal to stand for the national anthem in August 2016 prior to a preseason game reopened a national conversation about public performances of patriotism. What does a national anthem do to promote unity in a nation with a long running history of racial slavery, lynching, and segregation? Imani Perry answers this question in her recent book May We Forever Stand: A History of the Black National Anthem (University of North Carolina Press, 2018). Through her history of “Lift Every Voice and Sing,” Perry powerfully shows how and why throughout the Black liberation struggles in the twentieth and twenty-first century, Black Americans adopted the song as the “Black National Anthem.” Adam McNeil is a soon-to-be Ph.D. in History and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty.Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Heroes, Villains and the Muslim Exception: Muslim and Arab Men in Australian Crime Drama (Melbourne University Publishing, 2017), Mehal Krayem, a sociologist and researcher at the University of Technology Sydney, explores the representation of Arab and Muslim men in Australian film and television crime dramas.  In a series of case studies, including the television show East West 101 and groundbreaking films like The Combination and Cedar Boys, Krayem investigates how race and ethnicity, religion, gender, and class intersect in contemporary Australian depictions of Arab and Muslim men.Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, Dinner in Camelot: The Night America’s Greatest Scientists, Writers, and Scholars Partied at the Kennedy White House (ForeEdge, 2018), Joseph Esposito examines the night of April 49, 1962 when President John F. Kennedy and First Lady Jacqueline Kennedy hosted America’s leading scientists, writers, activists, and thinkers to honor 49 Nobel Prize Winners. With guests such as American hero and astronaut John Glenn, Linus and Ava Helen Pauling who had picketed the White House prior to the dinner, J. Robert Oppenheimer, and writers including Pearl Buck, John Dos Passos, Robert Frost, and James Baldwin the dinner served as one of the most important nights in the White House. Esposito positions readers in the political climate of the time and shares a glimpse into a political climate where intellectuals and immigrants were honored, and even those with political differences could come together to honor one another for one night. Well researched, Esposito’s work gives a fascinating g

In her new book, Consumptive Chic: A History of Beauty, Fashion, and Disease (Bloomsbury, 2017), Carolyn Day tracks the relationship between dress, appearance, and tuberculosis in the eighteenth and early nineteenth centuries. Blending the histories of medicine and fashion, she charts multiple and often contested understandings of consumption and its socio-cultural significance. Day’s focus on experiences of upper- and middle-class women highlights gendered critiques of fashionable activities that allegedly led to the disease: riding, dancing, “impractical” dress. Emerging alongside these criticisms was the belief that some sufferers acquired desirable characteristics of feminine beauty—what Day terms an “aesthetics of consumption”—via the incurable illness. Complemented by rich case studies and illustrations, Consumptive Chic reveals the entangled history of ill health and beauty, as eighteenth- and early nineteenth-century aesthetics took an especially lethal turn.

How do the media make race? This question is at the heart of Race and the Cultural Industries (Polity, 2018), the new book by Anamik Saha, Lecturer in Media, Communications and Promotion at Goldsmiths, University of London. The book sits between critical race theory and the political economy of culture, proving to be an astute and valuable contribution to a field that, as yet, has yet to find a definitive take on the question of race and the cultural industries. The book is filled with examples from media, including news rooms, publishing, music, theatre and film, as well as rich and detailed theoretical engagements with scholarship accounting for the often hidden structures that give us a culture dominated by the norms of whiteness. It is not only essential reading for media studies scholars, but also is important for anyone interested in contemporary culture.Learn more about your ad choices. Visit megaphone.fm/adchoices

Everyone loves a good conspiracy theory as we prep for the zombie apocalypse. In her new book Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018), Dahlia Schweitzer brings them together as she explores the outbreak narrative in popular film, television and other media. Examining the outbreak narrative in popular culture, Schweitzer traces the film cycle of the outbreak narrative as it plays out in the themes of globalization, terrorism, and the end of civilization. Schweitzer explores how popular cultural narratives in additional to official media sources heighten and perpetuate the fears created through the outbreak narrative. Although we leave in a world that is far safer today than most any time in history, the outbreak narrative as it is structured in popular culture creates a pattern of fear and conspiracy theories that are representative of larger societal panics. Well researched and covering a wide array of film, television, and other media that address the outbreak

In his book Playback: A Genealogy of 1980s British Videogames (Bloomsbury Academic, 2018), Alex Wade examines the culture of bedroom coding, arcades, and format wars in 1980s Britain. Wade interviews gamers, developers and journalists to better understand the cultural habitus of early gaming. Wade expertly explores the bedroom culture of early coders, examining the ways in which games were copied and distributed among players. He situates gaming in the underground subcultures of arcades, connecting early arcade cultures to present-day gambling and gaming. Wade analyzes the ways that 1980s gaming gave rise to today’s gaming industry. Through his in-depth research into 1980s British gaming culture, Wade argues that video games give insight into social, political, and cultural landscapes in ways that deserve exploration and recognition. Wade’s work on gaming and gaming culture is essential reading in games studies and media and his focus on sociology of gaming makes for an appeal to a wide audience.

In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let’s Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens’ expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched. Christine E. Evans is assistant professor of history at the University of Wisconsin-Milwauke

Eddie Cantor was once among the most popular performers in the United States. He was influential and innovative on stage, radio, and film from the early twentieth century though the early 1960s. He is not widely known today, however, despite his importance in his time. In a new biography, David Weinstein discusses Cantor, his work, his times, and his politics. The Eddie Cantor Story: A Jewish Life in Performance and Politics (Brandeis University Press, 2017) explains the many ways Cantor’s work was representative of the period, but also the ways he pushed the boundaries of entertainment during his career. Cantor was Jewish and unlike many of his Jewish contemporaries in the business, he did not hide or shy away from his background either in performance or in politics. In this episode of New Books in History, Weinstein discusses his biography of Cantor. He talks about Cantor’s career and his anti-Nazi activism and the importance of his Jewish heritage is shaping his career and political activism. W

I first really got to know Andrew Friedman after the death of our mutual friend, the great food writer Josh Ozersky. Andrew is a widely respected food writer who has collaborated on numerous landmark cookbooks and chef memoirs. Now his labor of love, Chefs, Drugs and Rock & Roll: How Food Lovers, Free Spirits, Misfits and Wanderers Created a New American Profession (Ecco Press, 2018), is making waves in the industry. Friedman charts a course starting in the mid 1960s and winding up in the early 1990s during which the profession of cheffing became what it is today: Respectable. But what a hot, heavy, up and down journey to get there! We conducted this interview on the front sun deck of a beautiful house in Silverlake, Los Angeles.Learn more about your ad choices. Visit megaphone.fm/adchoices

In his book Reality TV (Routledge, 2017), author Jon Kraszewski explores reality television’s relationship to the American cityscape. Starting with show such as Candid Camera and An American Family, Kraszewski positions reality television in cities where individuals were able to thrive regardless of social class. In this space, early reality television created a laboratory for individuals. Moving to the early 1990s and beyond, Kraszewski challenges the ways in which reality television persisted in this relationship with the city although most viewers do not have the means to live in cities. Using case studies of how the Bravo network exploits the urban servant, the examination of “Boston” Rob Marino and Tiffany “New York” Pollard as reality show representative of major global American cities, and how shows such as Here Comes Honey Boo Boo, Alaska: The Last Frontier, and Swamp People, Krasweski present the complex and often problematic relationships between American urban space an