New Books In American Studies

One of the themes of the era of Donald Trump is whiteness and white identity. From his first steps into the public eye, Trump used race to frame his positions and relevance. His presidency has been no different. White identity, though, has remained a confusing topic to understand and precisely measure. What does it mean to hold the identity of the dominant racial group? Does white identity even exist? And if it does, what does it mean? Ashley Jardina answers dozens of questions like these in her timely new book, White Identity Politics (Cambridge University Press, 2019). Jardina is assistant professor of political science at Duke University. Where past research on whites' racial attitudes emphasized out-group hostility, Jardina brings into focus the significance of in-group identity and favoritism. White Identity Politics shows that disaffected whites are not just found among the working class; they make up a broad proportion of the American public - with major implications for political behavior, policy pref

New York City might have been the epicenter of the twentieth century American art scene, but Los Angeles was no slouch either, writes Kellie Jones in South of Pico: African American Artists in the 1960s and 1970s(Duke University Press, 2017). Dr. Jones, Professor of Art History at Columbia University and 2016 MacArthur Fellow, examines several African American artists and their work including Bettye Saar, Charles White, and John Outterbridge, and emphasizes the importance of migration, space, and interconnectivity in the LA art scene of mid-century. Watts, the site of a 1965 rebellion, was one particularly salient and vibrant part of the city’s African American art community. These artists used diverse media including performance and assemblage to comment on post-war American politics and society. The book appeals to experts and non-experts alike and is a strong example of how understanding art can help us to understand social movements and the interconnectivity of our world. Stephen Hausmann is a doctoral ca

When World War II ended, Americans celebrated a military victory abroad, but the meaning of peace at home was yet to be defined. From roughly 1943 onward, building a postwar society became the new national project, and every interest group involved in the war effort—from business leaders to working-class renters—held different visions for the war's aftermath. In Postwar: Waging Peace in Chicago (University of Pennsylvania Press, 2018), Laura McEnaney plumbs the depths of this period to explore exactly what peace meant to a broad swath of civilians, including apartment dwellers, single women and housewives, newly freed Japanese American internees, African American migrants, and returning veterans. In her fine-grained social history of postwar Chicago, McEnaney puts ordinary working-class people at the center of her investigation. What she finds is a working-class war liberalism—a conviction that the wartime state had taken things from people, and that the postwar era was about reclaiming those things with the

At the dawn of the radio age in the 1920s, Frederick Du Vernet—Anglican archbishop and self-declared scientist—announced a psychic channel by which minds could telepathically communicate across distance. Pamela E. Klassen retalls Du Vernet’s imaginative experiment in her newest book, The Story of Radio Mind: A Missionary's Journey on Indigenous Land (University of Chicago Press, 2018). Following Du Vernet’s journey westward across Canada, Klassen examines how contests over the mediation of stories—via photography, maps, printing presses, and radio—reveal the spiritual work of colonial settlement. Pamela Klassen is Professor in the Department for the Study of Religion at the University of Toronto. Hillary Kaell co-hosts NBIR and is Associate Professor of Religion at Concordia University in Montreal, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Katherine Preston’s new book, Opera for the People: English-Language Opera & Women Managers in Late 19th-Century America (Oxford University Press, 2017) is the first complete overview of the repertoire, companies, performers, and managers that provided English-language opera to Americans after the Civil War. Preston is one of the pioneers of the musicological study of American musical culture during the nineteenth century. In one of her earlier books, Opera on the Road: Traveling Opera Troupes in the United States, 1825–60 (University of Illinois Press, 1993), Preston established that opera was one of the most popular forms of entertainment in the United States. In Opera for the People, Preston focuses on English-language opera companies that traveled throughout the United States during the second half of the nineteenth century bringing European operas and operettas performed in English translation to big cities and small towns alike. She argues that the middle-class audience cultivated by English-language tr

In his new book, Our Germans: Project Paperclip and the National Security State (Johns Hopkins University Press, 2017), Brian Crim, Associate Professor of History at the University of Lynchburg, looks at the controversial program to bring German scientist to the United States after World War II. The book draws on recently declassified documents from the Department of Defense, State Department, the FBI and other intelligence agencies to show how these German scientists were incorporated into military and civilian agencies to work on various projects, most importantly rocket technology. Ultimately the book engages with the legacy of Project Paperclip and its place in national memory and how this Cold War program reflects the ambivalence of the American people about the national security state and the military industrial complex. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This 2018 reprint of Little Man, Little Man exemplifies communal and collaborative textual production. The story was written by James Baldwin and illustrated by French artist Yoran Cazac. It was published in 1976 and then went out of print. In this new edition, scholars Nicholas Boggs and Jennifer DeVere Brody write the introduction, while Baldwin’s nephew and niece, Tejan Karefa-Smart and Aisha Karefa-Smart write the foreword and afterword respectively. In Little Man, Little Man, which Baldwin alternately described as a children’s book for adults and an adults’ book for children, we see a slice of a Harlem neighborhood through the eyes of young TJ. The story presents a complex and multifaceted vision of black childhood in America and nudges the contemporary reader to think critically about what it means to see through the eyes of a child and to be seen by those in one’s world. Nicholas Boggs was an undergraduate at Yale when he discovered James Baldwin's out-of-print "children's book for adults," Little Man,

You eat what you are and are what you eat, right? There is an increasing number of Americans who pay great attention to the food they eat, buy organic vegetables, drink fine wines, and seek out exotic cuisine. The affordability of food across the class spectrum have become more accessible. The masses, however, still lack other forms of capital (social, cultural, and culinary) necessary to fully understand and enjoy the delights of its consumption. Further, people also seek to differentiate themselves from being labeled as an unrefined eater (e.g., the common person who lives on junk food), the food snob, a gourmet, and possibly even a foodie. In her new book Discriminating Taste: How Class Anxiety Created the American Food Revolution (Rutgers University Press, 2017), Dr. Margot Finn argues that the rise of gourmet, ethnic, diet, and organic foods must be understood in tandem with the economy. She offers an illuminating historical perspective on current trends in the production and consumption of food. Finn al

Kate Fullagar's and Michael A. McDonnell's edited volume Facing Empire: Indigenous Experiences in a Revolutionary Age(Johns Hopkins University Press, 2018) reimagines the Age of Revolution from the perspective of indigenous peoples. Rather than treating indigenous peoples as distant and passive players in the political struggles of the time, this book argues that they helped create and exploit the volatility that marked an era while playing a central role in the profound acceleration in encounters and contacts between peoples around the world. Focusing in particular on indigenous peoples’ experiences of the British Empire, this volume takes a unique comparative approach in thinking about how indigenous peoples shaped, influenced, redirected, ignored, and sometimes even forced the course of modern imperialism. The essays demonstrate how indigenous-shaped local exchanges, cultural relations, and warfare provoked discussion and policymaking in London as much as it did in Charleston, Cape Town, or Sydney. Facing

Jonathan W. White, an associate professor of American Studies at Christopher Newport University, is the co-author of “Our Little Monitor”: The Greatest Invention of the Civil War (Kent State University Press, 2018). Ever since their famous naval encounter in 1862, the Monitor and Merrimack (a.k.a., C.S.S. Virginia) have been part of American Civil War lore.  In this work White and his co-author, Anna Gibson Holloway, investigate the history of one of the most popular elements of the American Civil War: the Monitor ironclad ship.  The ironclads were innovative combat ships, which sat at the waterline and could prove effective against the then-dominant wooden-hulled ships of the world’s navies.  Although other nations had designed ironclads, the U.S.S. Monitor’s encounter with the C.S.S. Virginia on March 9, 1862 was the first test of ironclads in combat.  In this interview Professor White discusses the design and development of the Monitor, the famous Battle of Hampton Roads, the conditions under which crews s

In 1999, the Makahs went out on the Pacific for their first whale hunt in over seventy years. The event drew protests from animal rights activists and local (mostly white) Washingtonians. But to the Makahs, the event was a cause for celebration. Why did the whale hunt hold such divergent meanings for different people along the Northwest Pacific Coast? Joshua Reid, Associate Professor of History at the University of Washington, attempts to answer that question in The Sea is My Country: The Maritime World of the Makahs (Yale University Press, 2015), which won the Caughey Prize from the Western History Association in 2016, along with several other awards. For centuries, the Makahs valued maritime space as a central part of their homeland. Europeans empires, and later Americans and international institutions, tried to impose their own notions of spatial control and hard borders onto the Pacific Northwest borderland, but often ran up against Native power. The Makahs have repeatedly adapted to changing political an

Perhaps no form of popular art has appeared as poised to resist subversive sexual themes as the television situation comedy. But Tison Pugh writes that the sitcom’s historic dogmatic insistence on an earnest innocence was doomed to fail, and that the weight of this strain reveals itself under close scrutiny. In The Queer Fantasies of the American Family Sitcom (Rutgers University Press, 2018), Pugh looks at six beloved sitcoms throughout television history in a way you have probably never viewed them before. “Sexuality and queerness can never be banished from family sitcoms but instead percolate throughout various story lines that attempt to quell their disruptive force," Pugh writes. “In brief, queerness as a critical concept fractures cultural constructions of gendered and erotic normativity, dismantling rigid binary codes of licit and illicit desires and identities. Queer refers to contested sexual and gender identities but extends further to include identities that challenge regimes of normativity. More s

None of the climate news that we’re getting is good right now, especially now that a number of governments are reversing or failing to meet commitments they made as part of the Paris Climate Accord. One of the challenges facing human societies and the planet is the issue of aridification. As freshwater is depleted and unsustainable agricultural practices place more stress on soil than can be supported, an increasing amount of land is being lost to erosion, a process that will only become worsen as the planet heats up in the coming decades. Despite plentiful information and awareness, most of the solutions that have been offered up have failed to meaningfully stop the damage being done to the planet. In Dust Bowls of Empire: Imperialism, Environmental Politics, and the Injustice of "Green" Capitalism (Yale University Press, 2018), Hannah Holleman  looks at the Dust Bowl as one of the first manmade global environmental catastrophes. She begins by noting its manmade dimensions and the underlying forces that help

One of the most recent additions to the well-known and highly regarded Eerdmans series, the Library of Religious Biography, is The Religious Life of Robert E. Lee (Eerdmans, 2017), by R. David Cox, a professor of history at Southern Virginia University. Professor Cox’s book presents his perennially controversial subject was a consistently religious thinker, working from the deist and evangelical influences of Lee’s parents towards the religious convictions and commitments of his maturity. But what does Christian faith look like in times of civil war? Did Lee think about slavery within any kind of religious frame? And how could a man of sincere, if evolving, Episcopal faith come to terms with the fact that hundreds of thousands of men had died under his leadership? In today’s podcast, Professor Cox steers us through these troubled times. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author mo

On its back cover, Patrick B. Mullen’s Right to the Juke Joint: A Personal History of American Music(University of Illinois Press, 2018) is aptly described as “part scholar's musings and part fan's memoir”. Mullen is professor emeritus of English and folklore at the Ohio State University and across the eight chapters that make up this book, he enthusiastically and engagingly describes his many encounters with a wide range of vernacular musics throughout the north American continent and details his experiences with the musical genres, performers, events, and songs that have shaped the soundscape of his life. As his fellow music scholar, E. Cecilia Conway puts it: this “book lets us ride shotgun with Mullen on his journey from Beaumont, Texas boy to Ohio professor to dancing to 'Don't Be Cruel' and 'The Twist' amidst the diversity of American Music. Read Pat Mullen at his expansive best." Rachel Hopkin is a UK-born, US-based folklorist and radio producer and is currently a PhD candidate at the Ohio State Univer

In his new book Native but Foreign: Indigenous Immigrants and Refugees in the North American Borderlands(Texas A&M University Press, 2017), Brenden W. Rensink asks the question "How do national borders affect and react to Native identity?" To answer this question he compares indigenous peoples who traversed North American borders in the nineteenth and twentieth centuries--emphasizing migrations of Crees and Chippewas who crossed the border with Canada into Montana and Yaquis from Mexico who migrated into Arizona. Countering the popular myth otherwise, Dr. Rensink employs experiences of the Yaquis, Crees, and Chippewas to depict Arizona and Montana as an active and mercurial blend of local political, economic, and social interests pushing back against and even reshaping broader federal policy. Despite opposition, Crees, Chippewas, and Yaquis gained legal and permanent settlements in the United States, and successfully broke free of imposed transnational identities. Learn more about your ad choices. Visit megap

Was World War II really the 'Good War'? In the years since the declaration of peace in 1945 many myths have sprung up around the conflict in the victorious nations, especially the United Kingdom. In his newest book, The Phoney Victory: The World War II Illusion (I.B. Tauris, 2018), writer and journalist, Peter Hitchens, past winner of the Orwell Prize and regular columnist for the Mail on Sunday, takes on the myth of World War II as the 'good war', and in the process he deconstructs the many fables which have become associated with this highly popular historical narrative. Whilst not per se arguing against the idea that at some point in time Hitler's Germany had to be defeated, Hitchens queries the need to have commenced that war in September 1939. Along the way, Hitchens queries and or attacks various other myths such as Anglo-American solidarity and the so-called 'Special Relationship'; that the Battle of Britain was an important turning point in the war, or that British and American involvement were the ke

As scholars and readers, we often view literary history in rigid, simplistic terms. We imagine that nineteenth-century aesthetic and thematic preoccupations withered away as 1899 became 1900, only to be replaced immediately by a new literature of the twentieth century. In their dynamic, wide-ranging collection Melanie V. Dawson and Meredith L. Goldsmith challenge this conventional understanding of American literary history. Drawing together a diverse range of essays focused on iconic turn-of-the century writers such as Edith Wharton, Jack London and Sarah Piatt, as well as lesser-known authors like Jessie Fauset and Laura Jean Libbey, American Literary History and the Turn toward Modernity (University Press of Florida, 2018) encourages readers to reconsider their understanding of literary “modernity.” The essays contained in this wonderful new collection, published just this year by the University Press of Florida, interrogate the popular construction of literary culture between 1880 and 1930. Paying close at

2018 has been a great year for books about sub-national government in the United States. The year ends with another to add to the list. Jessica Trounstine has written Segregation by Design: Local Politics and Inequality in American Cities(Cambridge University Press, 2018). Trounstine is associate professor of political science at the University of California, Merced. Segregation by Design draws on a century of data from thousands of American cities to explore how local governments design policies that create race and class segregation. Trounstine maps the historical development of segregation and the ways that suburbanization has fit with patterns of residential segregation. Zoning laws and public goods have been used to advance the goal of some residents for racially segregated neighborhoods. She argues that local governments have pursued these policies to enhance the wealth and resources of white property owners at the expense of people of color and the poor. Learn more about your ad choices. Visit megaphon

It rose against the Texas sun in all its architectural audacity: a domed stadium big enough to cover a baseball field. When it opened in 1965, the Houston Astrodome defied engineering precedent and forever changed professional sports. Today, its legacy today is complicated, and its future remains uncertain. Robert Trumpbour and Kenneth Womack tell the story of this groundbreaking building in The Eighth Wonder of the World The Life of Houston's Iconic Astrodome (University of Nebraska Press, 2016). The book won the Seymour Medal from the Society for American Baseball Research in 2017. Trumpbour is professor of communications at Penn State University. He is also the author of The New Cathedrals: Politics and Media in the History of Stadium Construction (Syracuse Univ. Press, 2006). Womack is a dean and professor of English at Monmouth University, and the author of several books, including Long and Winding Roads: The Evolving Artistry of the Beatles (Bloomsbury, 2007). Learn more about your ad choices. Visit meg