New Books In Literary Studies

Dr. Carol Any’s The Soviet Writer’s Union and Its Leaders: Identity and Authority Under Stalin (Northwestern University Press, 2020) covers the writer’s union’s formation and functions, from its inception in 1932 to the aftermath of de-Stalinization. This coverage is placed in context of the pre-1932 Association of Proletarian Writers, and so the book provides a useful interpretation of Soviet writers’ interrelationships as well as their relationship with the state, for much of the Soviet era. Particularly interesting is how Any analyzes the psychological universe Soviet writers inhabited. Many writers wrote what they were supposed to; some resisted doing so. But either way, the state was largely successful at controlling the intellectual terms of engagement for Soviet writers in its official union. Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests includ

In this episode, I interview Daniel Herskowitz, Career Research Fellow at Wolfson College, University of Oxford, about his first book, Heidegger and His Jewish Reception (Cambridge University Press, 2020).   In the book, Herskowitz examines the rich, intense, and persistent Jewish engagement with one of the most important and controversial modern philosophers, Martin Heidegger. Contextualizing this encounter within wider intellectual, cultural, and political contexts, he outlines the main patterns and the diverse Jewish responses to Heidegger. Herskowitz shows that through a dialectic of attraction and repulsion, Jewish thinkers developed a version of Jewishness that sought to offer the way out of the overall crisis plaguing their world, which was embodied, as they saw it, in Heidegger's life and thought. Neither turning a blind eye to Heidegger's anti-Semitism nor using it as an excuse for ignoring his philosophy, they wrestled with his existential analytic and what they took to be its religious, ethical, an

The Ukrainian literary scene today is particularly vibrant. The voice of Serhiy Zhadan is distinct, well-known, and easily-recognizable. In 2021, Yale University Press published his novel titled The Orphanage (Yale UP, 2021), which originally appeared in 2017. In this interview, translators Reilly Costigan-Humes and Isaac Stackhouse Wheeler talk about their team work on the novel translation into English. This is not their first translation of Zhadan’s works: Voroshilovgrad in their translation was published a few years ago. When answering the question about why they chose The Orphanage as their translation project, Reilly Costigan-Humes and Isaac Stackhouse Wheeler mentioned that they wanted to make this novel available to Anglophone readers. They find it transformative, as such that can change the way we look at life.  Reilly Costigan-Humes and Isaac Stackhouse Wheeler share their reading of the novel while drawing attention to the episodes that they found compelling. They also comment on the language of Se

Listen to this interview of Gerd Bräuer, Head of the Schreibzentrum, the writing center, at Freiburg University of Education. We talk about the place of the internet in writing development, we talk about views on writing in German higher education and more widely in German society and culture, and we talk about Bert Brecht's journals. Tnterviewer: "What part does a person's biography play in their writing? And I mean the academic writing students do, or also, the academic writing we publish, and not just literature and memoir." Gerd Bräuer: "Well, in the writing process, there's something we call writer-based prose. And here the writer would really get the chance, from the institution and from the instructor, to pay attention to this first phase within the writing process, where the writer struggles with his or her own thoughts and ideas and also reconnects to what he or she has learned through the writing––or however else they've learned it––and the writer gets the chance to be always trying to figure out wh

For the first time, one volume includes a discourse analysis of every writing in the New Testament. Discourse analysis of written texts involves examining units of language higher than the sentence and considering how the author used those units of language to accomplish communicative purposes. But discourse analysis is not a clearly defined method. Rather, it is a linguistic perspective that provides numerous ways to approach and better comprehend a discourse. For this reason, most analysts bring their own unique research questions about a discourse and, therefore, their own methodology. Each author in this volume explains their methodology, presents a macrostructure of the discourse, and then analyzes microstructures and other aspects of the discourse that support the proposed macrostructure. The reader is able to see each methodology on display, each with their emphases, strengths, and potential weaknesses. Each chapter of Discourse Analysis of the New Testament Writings (Fontes Press, 2020) also provides

Jeremy Black's new book on England in the Age of Austen, just published by Indiana University Press (2021), will be a treat for anyone who loves Jane - and who does not? - as well as anyone who is interested in her contexts. Black situates Austen's work in its social, political, economic and religious cultures, showing how her youthful commitments to Jacobite politics evolved into a more mature appreciation of the strengths and weaknesses of late eighteenth- and early nineteenth-century England. Alert to the ironies of her own life and the lives of her characters, Austen wrote of the kind of world in which she wanted to live, balancing the disappointments of her own life and those of her characters with a dependency upon providence and an active commitment to preserve the best values of English society. Crawford Gribben is a professor of history at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.s

Nell Shapiro Hawley and Sohini Sarah Pillai's book Many Mahābhāratas (SUNY Press, 2021) is an introduction to the spectacular and long-lived diversity of Mahābhārata literature in South Asia. This diversity begins with the Sanskrit Mahābhārata, an early epic poem that narrates the events of a catastrophic fratricidal war. Along the way, it draws in nearly everything else in Hindu mythology, philosophy, and story literature. The magnitude of its scope and the relentless complexity of its worldview primed the Mahābhārata for uncountable tellings in South Asia and beyond. For two thousand years, the instinctive approach to the Mahābhārata has been not to consume it but to create it anew. Because of its historical and linguistic breadth, its commitment to primary sources, and its exploration of multiplicity and diversity as essential features of the Mahābhārata’s long life in South Asia, Many Mahābhāratasconstitutes a major contribution to the study of South Asian literature and offers a landmark view of the fiel

Felicia Rose Chavez' The Anti-Racist Writing Workshop: How to Decolonize the Creative Classroom (Breakbeat Poets, 2020) is a practical and persuasive guide to revolutionizing the teaching of creative writing. Combining theory, memoir, and pedagogy, this book guides the reader through the process of de-centering whiteness (and de-centering the instructor) to allow all students but particularly students of color to find their unique voices and pursue their personal and and artistic goals. The insights in this book are derived from the creative writing classroom, but they are readily applicable to any creative pursuit. This is a must-read book for creative writing instructors looking for ways to break down the rigid hierarchies that have defined the creative writing classroom for more than eighty years. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Vi

In this episode, I interview Richard Kearney, professor of philosophy at Boston College, about his most recent book, Touch: Recovering Our Most Vital Sense. out through Columbia University Press. The basic premise of Touch is twofold: on the one hand, we have lost touch with our most basic sense, that of touch, the tactile; on the other hand, we must bring touch back to our lives. Kearney weaves together investigations of the centrality of touch that span the history of philosophy with discussions of its role in modern therapies and reflections on cultural tactility. Making the case for the complementarity of touch and technology, this book is a passionate plea to recover a tangible sense of community and the joys of life with others. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support o

What is the story of race in American fiction? In Redlining Culture: A Data History of Racial Inequality and Postwar Fiction (Columbia University Press, 2020), Richard Jean So, an assistant professor of English in the Department of English at McGill University, uses computational and quantitative methods, alongside close textual analysis, to demonstrate the institutional whiteness of the US publishing industry. Even as the rise of multiculturalism has been celebrated in American fiction, So shows how publishing houses, reviewers, prize givers, and audiences still focused on a minority of Minority authors, with little evidence of change during the second half of the twentieth century. Moreover, although as the struggle for recognition seemed to be won within universities, the literary world continued to exclude authors of colour. In addition, the book engages with, and draws inspiration from, the work and career of Toni Morrison, offering findings that will engage across both the humanities and social sciences

The three decades that followed World War II were an exceptionally fertile period for American essays. The explosion of journals and magazines, the rise of public intellectuals, and breakthroughs in the arts inspired a flowering of literary culture. At the same time, the many problems that confronted mid-century America--racism, sexism, nuclear threat, war, poverty, and environmental degradation among them--proved fruitful topics for America's best minds. In The Golden Age of the American Essay: 1945–1970 (Anchor Books, 2021), Phillip Lopate assembles a dazzling array of famous writers, critics, sociologists, theologians, historians, activists, theorists, humorists, poets, and novelists. Here are writers like James Agee, E. B. White, A. J. Liebling, and Mary McCarthy, adroitly pivoting from the comic indignities of daily life to world peace, boxing, and restaurants in Paris. Here is Norman Mailer on Jackie Kennedy and Vladimir Nabokov on Lolita. Here is Martin Luther King, Jr.'s "Letter from Birmingham Jail,"

In this episode, I interview Michael Snediker, professor of English at the University of Houston, about his book, Contingent Figure: Chronic Pain and Queer Embodiment, recently published by University of Minnesota Press. At the intersection of queer theory and disability studies, Snediker locates something unexpected: chronic pain. Starting from this paradigm-shifting insight, Snediker elaborates a bracing examination of the phenomenological peculiarity of disability, articulating a complex idiom of figuration as the lived substance of pain’s quotidian. This lexicon helps us differently inhabit both the theoretical and phenomenal dimensions of chronic pain and suffering by illuminating where these modes are least distinguishable. Suffused with fastidious close readings, and girded by a remarkably complex understanding of phenomenal experience, Contingent Figure resides in the overlap between literary theory and lyric experiment. Snediker grounds his exploration of disability and chronic pain in dazzling close

In this episode, I interview David Wills, professor of French Studies at Brown University, about his book, Prosthesis, recently republished for its 25th anniversary by University of Minnesota Press. A landmark work in posthuman thought that analyzes and explores the human body as a technology, the book promotes the idea that the human body is open to supplementation by artificial addenda that operate both internally or externally and engage it in an unceasing arbitration with the environment. Questioning the opposition between animate and inanimate along with the logic of the automatic prioritization of living flesh, Prosthesis undertakes these assumptions by studying thematics of artificiality through the writings of Freud, Derrida, William Gibson, Peter Greenaway, and others. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad cho

John Garth's The Worlds of J.R.R. Tolkien: The Places That Inspired Middle-Earth (Princeton University Press, 2020) takes you to the places that inspired J. R. R. Tolkien to create his fictional locations in The Lord of the Rings, The Hobbit, and other classic works.  Written by renowned Tolkien expert John Garth, The Worlds of J.R.R. Tolkien features a wealth of illustrations, including Tolkien's own drawings, contributions from other artists, rare archival images, and color photos of contemporary locations across Britain and beyond, from the battlefields of World War I to Africa.  Garth identifies the locales that served as the basis for Hobbiton, the Elven valley of Rivendell, the Glittering Caves of Helm's Deep, and many other settings in Middle-earth, from mountains and forests to rivers, lakes, and shorelands. He reveals the rich interplay between Tolkien's personal travels, his wide reading, and his deep scholarship as an Oxford don. Garth debunks popular misconceptions about the inspirations for Middl

Telling stories: that sounds innocuous enough. But for the first chronicle in the Japanese vernacular, A Tale of Flowering Fortunes (Eiga monogatari), there was more to worry about than a good yarn. The health of the community was at stake. Flowering Tales: Women Exorcising History in Heian Japan (Harvard University Press, 2020) is the first extensive literary study of this historical tale, which covers about 150 years of births, deaths, and happenings in late Heian society, a golden age of court literature in women’s hands. Takeshi Watanabe contends that the blossoming of tales, marked by The Tale of Genji, inspired Eiga’s new affective history: an exorcism of embittered spirits whose stories needed to be retold to ensure peace. Tracing the narrative arcs of politically marginalized figures, Watanabe shows how Eiga’s female authors adapted the discourse and strategies of The Tale of Genji to rechannel wayward ghosts into the community through genealogies that relied not on blood but on literary resonances. T

In Salvage Poetics: Post-Holocaust American Jewish Folk Ethnographies (Wayne State University Press, 2020), Sheila Jelen explores how American Jewish post-Holocaust writers, scholars, and editors adapted pre-Holocaust works, such as Yiddish fiction and documentary photography, for popular consumption by American Jews in the post-Holocaust decades. These texts, Jelen argues, served to help clarify the role of East European Jewish identity in the construction of a post-Holocaust American one. In her analysis of a variety of "hybrid" texts-those that exist on the border between ethnography and art-Jelen traces the gradual shift from verbal to visual Jewish literacy among Jewish Americans after the Holocaust. S. Ansky's ethnographic expedition (1912-1914) and Martin Buber's adaptation and compilation of Hasidic tales (1906-1935) are presented as a means of contextualizing the role of an ethnographic consciousness in modern Jewish experience and the way in which literary adaptations and mediations create opportuni

The election of Barack Obama propelled the idea of a post-racial United States, or that the country had moved beyond race as a defining feature of social difference and beyond racism as an everyday reality.  Dr. Danielle Fuentes Morgan examines the ways in which African American comedians and cultural producers took aim at such claims through the lens of satire. In her book, Laughing to Keep from Dying: African American Satire in the Twenty First Century (University of Illinois Press, 2020), Morgan demonstrates and argues for satire’s capacity for social justice through its expression of Black interiority and individuality that troubles simplistic renderings of Black people. Morgan examines texts such as Insecure, Get Out, and comedy by Chris Rock and Dave Chapelle, to show how African American satire fulfills or stymies possibilities for liberation. In expressing Black interiority, satire not only provokes revolutionary laughter but aids in African American psychic and physical survival. During the interview

Consumption and the Literary Cookbook, edited by Roxanne Harde and Janet Wesselius (published 2021 by Routledge) examines the ways in which recipe authors and readers engage with one another through reading, cooking and eating the foods contained within the pages of Literary Cookbooks. The editors define literary cookbooks as novels and memoirs that include recipes, cookbooks that include narrative, and children's books that include recipes. Divided into three parts­– “Textual Consumption,” “Consumption and Community,” and “Cultural Consumption”– the collection explores a diverse cross section of cooking literature and food culture from nineteenth century manuscript cookbooks to cookbooks built on the narratives of childhood classics Alice in Wonderland and Anne of Green Gables. Through this assortment of historical documents and cultural touchstones, Harde and Wesselius and their contributors work to convince scholars of literature and food studies that literary cookbooks offer unique insight into the era, s

Ramsey McGlazer's Old Schools: Modernism, Education, and the Critique of Progress (Fordham University Press, 2020), traces the ways in which a group of modernist cultural practitioners (thinkers, politicians, artists, poets, novelists, and filmmakers) across varied linguistic and cultural contexts ((Italian, English, Irish, and Brazilian) resisted certain notions of education perceived as “progressive”. At the heart of this remarkable study, pulses a nexus of issues that are of interest to anyone teaching anything anywhere: What is education? How does it differ from “instruction”? What is education for? (if anything) What does it mean to ask the question “what is education for”? Who is education for? What are the stakes of that question?  Education reforms from the end of the Victorian Era until the mid-20th century sought to surpass the “sterile and narrow” forms of education that insisted on rote learning (memorization, declamation, imitation, and so forth) that did not help students of any age or grade “t

During the middle decades of the twentieth century, the production of America’s consumer culture was centralized in New York to an extent unparalleled in the history of the United States. Every day tens of thousands of writers, editors, artists, performers, technicians, and secretaries made advertisements, produced media content, and designed the shape and feel of the consumer economy. While this centre of creativity has often been portrayed as a smoothly running machine, within these offices many white-collar workers challenged the managers and executives who directed their labours. Shannan Clark. author of The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism (Oxford UP, 2020), speaks with Pierre d’Alancaisez about the origins of the creative class, their labour union struggles and successes, the role of the Works Projects Administration, and institutions like the Design Laboratory and Consumer Union which foretell the experiences of today’s culture worke