New Books In Literature

Millicent Borges Accardi, a Portuguese-American writer, is the author of four poetry collections, including Only More So (Salmon Poetry, Ireland), and Quarantine Highway (FlowerSong Press). Among her awards are fellowships from the National Endowment for the Arts (NEA), Fulbright, CantoMundo, Creative Capacity, the California Arts Council, Foundation for Contemporary Arts (Covid grant), Yaddo, Portuegese National Cultural Foundation, and the Barbara Deming Foundation, "Money for Women." She lives in Topanga canyon. From re-definition to re-calibration, the poems in Quarantine Highway are artifacts to the early and mid-days of the pandemic. Though not specifically labeled as "Covid poems," they strike to the heart of the universal yet individual struggles of solitude, confinement, justice, isolation and, ultimately, self-reckoning. The poems push and pull between the constantly knocking global news cycle to the stillness of a surreal inner world. Find more of Millicent's writings here. Learn more about your ad

Parul Kapur's novel Inside the Mirror (University of Nebraska Press, 2024) centers on twin sisters growing up in 1950s Bombay, who aspire to become artists. The family is still recovering from the Partition of India in 1947, especially the twins’ grandmother, who once fought for justice against the British regime. One sister is supposed to study medicine, but she is a talented painter, and other studies education, but she is highly trained in a classical Hindu dance form called Bharata Natyam. They live in a Bengali community in which parents choose their daughters’ husbands and society demands conformity. Jaya’s paintings and Kamlesh’s dancing could destroy their chances of finding a good husband, ruin their father’s career, and affect the family’s standing in their community. Jaya moves out of the house, an aberration not only affects her medical schooling, but also disturbs the bond she has with her twin. This is a beautifully written novel about family, art, British colonialism, and coming of age in a tim

Nayereh Doosti speaks to managing editor Emily Everett about her story “The Little One,” which appears in The Common’s most recent issue. Nayereh talks about the many inspirations behind this story, which follows an older Iranian man coming to America, where he feels out of place with his family members, the community, and the younger generations. Nayereh also discusses her time as an intern at The Common, her MFA program at BU, and her brand new Persian translation of Aleksandar Hemon’s The Book of my Lives, out now in Tehran. Nayereh Doosti is an Iranian writer and translator based in Berkeley, California. Her writing has appeared or is forthcoming in Epiphany Magazine, The Massachusetts Review, and Nowruz Journal, among others. She holds an MFA from Boston University, and is a former intern at The Common. Read Nayereh’s story “The Little One” in The Common at thecommonoline.org/the-little-one. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collectiv

Kip, Leslie, and Kira are outliers—even in the metal scene they love. In arch-conservative Gulf Coast Florida in the late 1980s, just listening to metal can get you arrested, but for the three of them the risk is well worth it, because metal is what leads them to one another. Different as they are, Kip, Leslie, and Kira form a family of sorts that proves far safer, and more loving, than the families they come from. Together, they make the pilgrimage from Florida's swamp country to the fabled Sunset Strip in Hollywood. But in time, the delicate equilibrium they've found begins to crumble. Leslie moves home to live with his elderly parents; Kip struggles to find his footing in the sordid world of LA music journalism; and Kira, the most troubled of the three, finds herself drawn to ever darker and more extreme strains of metal. On a trip to northern Europe for her twenty-second birthday, in the middle of a show, she simply vanishes. Two years later, the truth about her disappearance reunites Kip with Leslie, who

In his debut essay collection, My Life of Crime (Sagging Meniscus Press, 2022), Tyler C. Gore brings readers on an awkward visit to a nude beach. A bike-pedaling angel careening through rush-hour traffic. The mystery of a sandwich found in a bathroom stall. A lyric, rainy-day ramble through the East Village. With the personal essays (and three other entertainments) Gore reveals the artistic secrets of his life of crime: a charming wit, compassionate observation, perfection of style, and, over all, a winsomely colorful light tinged with just enough despair. Whether stewing over a subway encounter with a deranged businessman, confessing his sordid past as a prankster, or recounting his family’s history of hoarding, Gore is by turns melancholy, profound and hilarious. The collection culminates with the novella-length essay “Appendix,” a twisted, sprawling account of routine surgery that grapples with evolution, mortality, strangely attractive doctors, simulated universes, and an anorexic cat. My Life of Crime co

At the moment when Voyager 1 is launched into space carrying its famous golden record, a baby of unusual perception is born to a single mother in Philadelphia. Adina Giorno is tiny and jaundiced, but she reaches for warmth and light. As a child, she recognizes that she is different: She possesses knowledge of a faraway planet. The arrival of a fax machine enables her to contact her extraterrestrial relatives, beings who have sent her to report on the oddities of Earthlings. For years, as she moves through the world and makes a life for herself among humans, she dispatches transmissions on the terrors and surprising joys of their existence. Then, at a precarious moment, a beloved friend urges Adina to share her messages with the world. Is there a chance she is not alone? Marie-Helene Bertino's Beautyland (FSG, 2024) is a novel of startling originality about the fragility and resilience of life on our Earth and in our universe. It is a remarkable evocation of the feeling of being in exile at home, and it introd

What if HIV started spreading in the early 1500s rather than the late 1900s? Without modern medicine, anybody who catches HIV is going to die. In Wages of Sin (Caezik SF & Fantasy, 2024), by Dr. Harry Turtledove, a patriarchal society reacts to this devastating disease in the only way it knows how: it sequesters women as much as possible, limiting contacts between the sexes except for married couples. While imperfect, such drastic actions do limit the spread of the disease. The ‘Wasting’ (HIV) has caused devastating destruction throughout the known world and severely limited the development of technology as well, creating a mid-nineteenth century England and London almost unrecognisable to us. This is the world Viola is born into. Extremely intelligent and growing up in a house full of medical books which she reads, she dreams of travelling to far-off places, something she can only do via books since her actions and movements are severely restricted by both law and custom. This interview was conducted by Dr.

Kate Quinn and Janie Chang are independently acclaimed authors of historical fiction, both of whom have previously appeared on this podcast channel. Here they combine their skills to tell a story about the 1906 San Francisco earthquake from multiple points of view. One line follows the story of Alice Eastwood, a botanist whom we meet in London five years after the tragedy. Her perspective is contrasted with that of Gemma Garland, an aspiring opera star whose unique voice can’t quite compensate for the migraines that sideline her just as she’s about to make her mark on the world. The third narrator is a young Chinese-American named Feng Suling (“Susie” to the rich white customers who can’t be bothered to learn her name), with a gift for embroidery and a grand ambition: to escape the arranged marriage her uncle plans for her and reunite with Reggie, the love she has lost. How these three stories intersect and overlap, united by the Phoenix Crown and the man who owns it, I’ll leave for readers to discover. Each

Chandrica Barua is the Nonfiction and Online Editor for MQR. A PhD candidate in the Department of English Language and Literature, her dissertation focuses on encounters between imperial objects and colonial bodies in the British Empire, especially in British India. She hails from Assam, India. What draws an editor to a particular essay? In Chandrica Barua’s case, her criteria definitely include: whether the essay is inventive in form (for instance, by being a hybrid or “braided” essay that brings together different topical strands) and if it surprises the reader by where it goes. Also of note are factors like: does it have a compelling title, a strong start, and a satisfying moment of closure? The first of the essays discussed here comes from a special, forthcoming African literature issue. Does Emelda Nyaradzai Gwitimah’s “My Hairdresser Is Dead” have an intriguing title? Absolutely, along with a sense of humor missing in many memoirs. In turn, another African essay, “Side Pieces” by Chike Frankie Edozien,

Mako Yoshikawa's Secrets of the Sun: A Memoir (Mad Creek Books 2024) contains a host of essays about her difficult, brilliant father. Shoichi Yoshikawa grew up in a wealthy family in 1930s Japan, but his mother died when he was five, and he died alone on the eve of Mako’s wedding. He had been a genius, renowned for his research in nuclear fusion and respected at Princeton, until he fell apart. She remembered him being alternatingly kind or violent when bipolar disease gripped him. Her mother packed up and left the house with Mako and her sisters, later remarrying a wonderful man and brilliant chess player who Mako considered the father she always wanted. Mako wants to understand him; why he cross-dressed, why he was so passionate about fusion, why he alienated his daughters so that he hadn’t even been invited to Mako’s wedding. Mako Yoshikawa is the author of the novels One Hundred and One Ways and Once Removed. Her novels have been translated into six languages; awards include a Massachusetts Cultural Counci

In this fantastic recent episode from our colleagues at Novel Dialogue, Sheila Heti sits down with Sunny Yudkoff and John to discuss her incredibly varied oeuvre. She does it all: stories, novels, alphabetized diary entries as well as a series of dialogues in the New Yorker with an AI named Alice. Drawing on her background in Jewish Studies, Sunny prompts Sheila to unpack the implicit and explicit theology of her recent Pure Colour (Sheila admits she “spent a lot of time thinking about …what God’s pronouns are going to be” )–as well as the protagonist’s temporary transformation into a leaf. The three also explore how life and lifelikeness shape How Should a Person Be. Sheila explains why “auto-fiction” strikes her as a “bad category” and “a lazy way of thinking about what the author is doing formally” since “the history of literature is authors melding their imagination with their lived experience.” if you enjoyed this Novel Dialogue crossover conversation, you might also check out earlier ones with Joshua Co

Today’s book is: Whiskey Tender: A Memoir (Harper, 2024), by Deborah Jackson Taffa, who was raised to believe that some sacrifices were necessary to achieve a better life. Her grandparents—citizens of the Quechan (Yuma) Nation and Laguna Pueblo tribe—were sent to Indian boarding schools run by white missionaries, while her parents were encouraged to take part in governmental job training off the reservation. Assimilation meant relocation, but as Deborah Jackson Taffa matured into adulthood, she began to question the promise handed down by her elders and by American society: that if she gave up her culture, her land, and her traditions, she would not only be accepted, but would be able to achieve the “American Dream.”  Whiskey Tender traces how a mixed tribe native girl—born on the California Quechan (Yuma) reservation and raised in Navajo territory in New Mexico—comes to her own interpretation of identity, despite her parent’s desires for her to transcend the class and “Indian” status of her birth through edu

Garnett Kilberg Cohen’s fourth short story collection, Cravings (University of Wisconsin Press, 2024), contains twelve beautifully-written tales. They each start simply before delving into universal human struggles of love, aging, repercussions, and community. Characters mull over or confront decisions and recognize or bemoan past mistakes. A little girl’s life changes while she’s sneaking olives from the pantry, a woman is plunged back in time while attending the book release of her ex, parents of a disabled child struggle as their marriage frays, the daughter of an ex appears on television, and a woman destroys the reputation of her only friend. The collection is about cravings of one kind or another, but also covers a range of complex emotions that arise over the course of a lifetime. Garnett Kilberg Cohen was born and raised in Ohio and feels a strong connection to the Midwest, a place in her memory that is replete with farms, small towns, car factories and fields of corn and purple clover. As a child, sh

Luna Levi is an ordinary 19-year-old with extraordinary problems. Her mother's acting career is more important to her than the stage of real life. Her father struggles with PTSD as an ex-combat soldier and is equally MIA when it comes to his daughter. The Levis jump from financial crisis to financial crisis until in one-split second someone enters their lives and throws them into the biggest disaster of all. When Luna tries to warn her mother, she is pushed aside and it's the first hint that her mother has every intention of going full steam ahead with a partner who lies--about everything. This family drama is part crime fiction and part domestic noir. Gila Green's novel With A Good Eye (AOS Publishing, 2024) will make you question: can you ever save anyone but yourself and do any of us ever really leave home? Israel-based Gila Green grew up in Ottawa then moved to Johannesburg before settling outside of Tel Aviv. She is the author of dozens of short stories, three novels and one novel-in-stories: White Zion

The New England Review bills itself as a “snapshot of the literary moment,” which for my guest Elizabeth Kadetsky means great writing, of course, but also work that’s relevant to today and showcases a writer able to get out of her or his own head by getting out into the world at large. Fittingly, this episode jumps in locale from Greece to India to Sudan and, finally, to New York City. In every case, a reckoning is taking place—a chance to ponder objects, people, events to try and grasp their value and meaning. In Greece as explored by Joseph Pearson in “The Island That Eats Its People,” a treacherous local landscape doesn’t prove to be nearly as daunting as the war-torn Syria some refugees the writer encounters have come from. In “Stories: South Sudan by Adrie Kusserow,” the key is realizing that as a NGO worker in Africa and a witness to the trauma-aid being insufficiently offered to refugees relocated to Vermont, she’s an outsider always. The episode also includes two pieces by Kadetsky outside the scope o

Josie Belle Gore is only six years old when we meet her in 1908, yet her father has tied a rope around her waist and is lowering her into a dark well to retrieve a dead animal that is poisoning the water. The third daughter of a growing family, Josie has moved with her family from western Texas to Arizona, then eastward again, settling in the New Mexican desert region known as the Jornada del Muerto. Her father, a railroad engineer, spends much of his time away, and it is her mother who holds the family together through poverty, sickness, and drought. From an early age, Josie learns that her lot in life is to subsume her own interests to those of her family. Although she yearns to become a teacher, even mastering basic literacy is a challenge in a region where schools are few and far between, household chores never-ending, and such basic needs as food and water not always met. As her father falls prey to alcoholism, loses one job after another, and repeatedly uproots the family in search of a better future, J

Mrs. Lowe-Porter (Jackleg Press 2024) was an American writer (1876-1963) who, after proving her ability, was contracted by publisher Alfred A. Knopf to translate the brilliant books and stories of Thomas Mann from 1924 -1960. Her flowing German to English translations led to Mann’s growing reputation and helped earn him the 1929 Nobel Prize in Literature. In 1911, she married paleographer Elias Lowe, with whom she had three children and many good years, but he was also another dominating man in her life (in addition to Mann and Knopf). Lowe-Porter wrote numerous stories and one original play that was performed in 1948, but her struggle to write and publish was stymied by convention and the requirements of her time. On a side note, she was also the great-grandmother of former U.K. prime minister, Boris Johnson. Jo Salas is a New Zealander now living in upstate New York. She has a BA in English literature from Victoria University in New Zealand and an MM in music therapy from New York University. As the cofound

After her prize-winning debut, Karen Rigby returns with a beguiling ars poetica and tribute to the dazzling. From Dior to Olympic figure skating, Bruegel to British crime drama, Rigby’s poems revere memorable art, where “performance masks the hours.” Here, thread galvanizes air. A poem is a diamond heist. And menace and elegance are twin gloves directing each cinematic moment. A book of feminine ardor, teenaged MDD and survival, Fabulosa (Jackleg Press, 2024) embroiders beauty out of ache, raises culturally difficult topics with poise, and helps readers feel seen with elegance and originality. Born in the Republic of Panama in 1979, Karen Rigby now lives and writes in Arizona. Her latest poetry book, Fabulosa, is forthcoming from JackLeg Press in 2024. Her debut poetry book, Chinoiserie, was selected by Paul Hoover for a 2011 Sawtooth Poetry Prize.Karen’s work has been honored by a National Endowment for the Arts literature fellowship, a Vermont Studio Center Fellowship, and an Artist Opportunity Grant from t

Patrick Madden and Joey Franklin are English professors at Brigham Young University. Madden’s latest book is Disparates (U Nebraska Press, 2020) and Franklin’s is The Writer's Hustle: A Professional Guide to the Creativity, Discipline, Humility, and Grit Every Writer Needs to Flourish (Bloomsbury, 2022). They serve as co-editors-in-chief of Fourth Genre. Two guest voices in this episode means twice the fun, as Patrick Madden and Joey Franklin reinforce as well as diverge somewhat in their essay preferences. Madden is more in the Montaigne reflection vein, whereas Franklin admits he can prefer a narrative-driven memoir approach. Together, we worked our way through three essays from a recent issue of Fourth Genre, one of three magazines that spearheaded a renewed appreciation for the essay form beginning a quarter of a century ago. Both editors enjoyed the surprises that bubble up in Peggy Shinner’s essay, “The Rest Is History,” which explores the conflation of female sexuality and nuclear testing during World

Barely able to walk and rendered mute by the cancer metastasizing in his throat, Ulysses S. Grant is scratching out words, hour after hour, day after day. Desperate to complete his memoirs before his death so his family might have some financial security and he some redemption, Grant journeys back in time. He had once been the savior of the Union, the general to whom Lee surrendered at Appomattox, a twice-elected president who fought for the civil rights of Black Americans and against the rising Ku Klux Klan, a plain farmer-turned-business magnate who lost everything to a Wall Street swindler, a devoted husband to his wife Julia, and a loving father to four children. In this gorgeously rendered and moving novel, Grant rises from the page in all of his contradictions and foibles, his failures and triumphs. Moving from blood-stained battlefields to Gilded Age New York, The General and Julia (Atria Books, 2023)explores how Grant's own views on race and Reconstruction changed over time. "A graceful, moving narrat