The Coode Street Podcast

Once again with no guest to give us focus, Jonathan and Gary return to rambling mode, spurred on by the observation that voting for the 2024 Hugo Awards is now open. This leads to our ongoing discussion of what the Hugo Awards do and do not represent, why voting for your favorite works is important even if you haven’t read all the nominees, what makes a genuine SFF classic, and how the Hugo procedures and categories differ from those of the World Fantasy Awards—which are also accepting nominations from members of the 2022, 2023, and 2024 conventions. We suggest you take a look at Jo Walton's An Informal History of the Hugos if you're interested in a history of the Hugos, and point out that nominations for the 2024 World Fantasy Awards are now open too.

This week we are joined by the  legendary author of The Last Unicorn, Peter S. Beagle, who discusses his new novel I'm Afraid You've Got Dragons (published next month by Saga Press & Gollancz), as well as his storied career, his pals from childhood, influential writers such as Robert Nathan and Avram Davidson, and last year’s important retrospective collection The Essential Peter S. Beagle. As always, our thanks to Peter for making time to talk to us, and we hope you enjoy the podcast.

On the fiftieth anniversary of his groundbreaking anthology Wandering Stars: An Anthology of Jewish Science Fiction and Fantasy, we’re joined by the terrific author and editor Jack Dann. During our conversation, we mention his new collection Islands of Time—published almost exactly 50 years after his first book— as well as his The Fiction Writer’s Guide to Alternate History and some of his classic novels like The Memory Cathedral and The Rebel. Mostly, though, we discuss how that classic anthology evolved, in part from his friendship with Pamela Sargent and George Zebrowski, what the anthology meant in 1974, and how the nature of Jewish science fiction has evolved over the decades.

This time out, Jonathan and Gary consider the meaning of "cozy" (or "cosy") SF and fantasy, and whether cozy horror is even a thing. We trace the term back to cozy mystery novels and Brian W. Aldiss’s characterization of certain British writers of the 1950s—especially John Wyndham—as "cozy catastrophes". Not surprisingly, this doesn’t lead to any meaningful conclusions, but we do touch upon whether the notion of cozy has to do with the fiction itself, or just the reader's experience of it. Authors mentioned include Travis Baldree, Becky Chambers, Peter S. Beagle, Martha Wells, and Terry Pratchett. Then, with our usual lack of grace, we transition awkwardly into a discussion of the new Harlan Ellison’s Greatest Hits, how well Ellison’s fiction holds up, and some brief previews of forthcoming episodes.

Somewhat hesitantly, Jonathan and Gary return to the mics, sans guests, and somehow get into a discussion of various SFF listicles—partly because of Gary’s recent contribution to fivebooks.com of a list of five novels about science fiction. Why are such lists so appealing and so ubiquitous these days, and who are they for? By the time we're done, Jonathan begins musing on a possible list of the top five most disappointing SF novels of all time. You'll have to tune in to see what’s at the top of that list—and get ready to argue!

This week Nebula and World Fantasy award winner, Premee Mohamed, joins Gary and Jonathan from somewhere in the wilds of Canada to discuss writing, reading, building a career, and her fabulous new novella, The Butcher of the Forest. We also discuss the projects Premee has planned for the rest of the year, including forthcoming new novel  The Siege of Burning Grass, which you can pre-order now. As always, we'd like to thank Premee for making time to join us, and hope you enjoy the episode.

For our second episode of 2024, we’re joined by the inimitable Kelly Link, whose forthcoming first novel The Book of Love is already receiving stellar advance reviews (including one from Gary in Locus). Kelly explains how the novel evolved, it connections to various genres from romance to supernatural horror, the importance of valuable encouragement from friends such as Holly Black and Cassandra Clare, the challenges of shifting from short fiction to a long novel, managing multiple narrative viewpoints, and maintaining the balance between the interiority of the characters and the large-scale history and spectacle of the fantasy elements. She also updates us a bit on Small Beer Press and her own plans for future work. As always, our thanks to Kelly. We hope you enjoy the podcast!

All round good guy Scott Edelman was at the recent World Fantasy Convention, and took Gary and Jonathan out for lunch and a chat. That chat became the latest episode of Eating the Fantastic, Scott's terrific podcast. If you're interested, you can hear the episode here.

And just liked that, our end of year hiatus is over and the Coode Street Podcast is back! Gary and Jonathan return from their annual break and kick off a brand new year with discussions of recent news events in science fiction, how our thoughts about books and ideas change over time, 50th anniversaries, the delightfully happy news that Gary got married(!!!), and the sad news about the passing of several friends of the podcast, including Howard Waldrop, Terry Bisson, and Rick Bowes. As it always is at the start of a new year, it's great to be back and we're filled with optimism for the year ahead. We hope to get at least our scheduled 26 episodes out this year, to do some special episodes, and to travel to Scotland for the 2024 World Science Fiction Convention in Glasgow. For now, though, we hope you enjoy the new episode!

For the 2023 instalment of the Very Coode Street Gift Guide, we invited some old friends to share their recommendations of books read in 2023:  Alix E. Harrow (whose very worthy Starling House was a favorite, officially excluded from discussion because of her participation in the episode), award-winning Locus reviewer Ian Mond, and distinguished novelist James Bradley, whose nonfiction Deep Water: The World in the Ocean will be out next year.   The books mentioned during the podcast are listed below.   James Bradley recommended: The Deluge, Stephen Markley Chain-Gang All-Stars, Nana Kwame Adjei-Brenyah White Cat, Black Dog, Kelly Link Translation State, Ann Leckie Some Desperate Glory, Emily Tesh Alix E. Harrow recommended: Menewood, Nicola Griffith The Last Tale of the Flower Bride, Roshani Chokshi He Who Drowned the World, Shelley Parker-Chan The Magician's Daughter, H.G. Parry Emily Wilde's Encyclopaedia of Faeries, Heather Fawcett Ian Mond recommended: Conquest, Nina Allan Terrace Stories, Hilary Leicht

The end of the year may be fast approaching, but this episode isn’t quite our usual year-in-review discussion (which will come up later), or our books-we’re-looking-forward-to episode. Instead, we spend some time musing about books we maybe should be looking forward to, if we only knew about them. This raises the question of forthcoming novels that contain substantial fantasy or speculative elements, but that are marketed almost entirely as general or “literary” fiction. The examples Gary cites are The Other Valley by Scott Alexander Howard and Moon of the Turning Leaves by Waubgeshig Rice. (Of course, some of our favorites like Kelly Link also get this “mainstream” treatment, as with The Book of Love.) This is turn raises the question of how we find out about new novels from the margins of the field, how we choose what we read when discovering an exciting new writer may mean forgoing a new novel by a favorite, and how to find a balance.

With plans for are promised chat with Elizabeth Hand and Alix E. Harrow on temporary hold, Jonathan and Gary share some pleasant memories of the World Fantasy Convention, muse about whether the nature of conventions has changed in the wake of the pandemic, and speculate about next year’s events in Glasgow, Niagara Falls, and elsewhere. They then touch upon some books they're looking forward to in 2024, including novels by Kelly Link, Nisi Shawl, Peter S. Beagle, and Paolo Bacigalupi, and some titles they’d recommend from 2023, including novels by Ian McDonald, Nina Allan, Geoff Ryman, Christopher Priest, Francis Spufford, Wole Talabi, and Nicola Griffith, as well as a few story collections, anthologies, and nonfiction books. By the end, it almost all comes into some sort of focus.

The 2023 World Fantasy Convention was held in Kansas City, Missouri over the weekend of October 26-29 2023. The convention was incredibly kind and generous and featured Jonathan as a guest of honour and Gary as a panelist. During the weekend we grabbed long-time friends of the podcast Kij Johnson and Jeffrey Ford and attempted to discuss 'the art of narrative' or perhaps how you go about finding and telling a story.  The conversation was interesting and we hope you enjoy it. Our thanks to everyone at the Kansas City convention, but special thanks to co-chair Rosemary Williams and her spouse, both of whom went far above and beyond to make sure you got to hear this recording. See you again soon!

Responding in part to some issues raised by Niall Harrison in The Los Angeles Review of Books, Jonathan and Gary discuss the value and purpose of year’s best anthologies, whether it’s even possible to still represent such a diversified international field, and how stories we read in anthologies frame our own reading experiences and help us discover exciting new writers. Needless to say, a lot of digressions leads us into some other topics as well.

For this episode, Jonathan and Gary are joined by the distinguished novelist, editor, and scholar Jack Dann, whose new The Fiction Writer’s Guide to Alternate History: A Handbook on Craft, Art, and History has just been published by Bloomsbury Academic. Jack discusses definitions of alternate history (as opposed to secret history or parallel universes), his own work in developing his da Vinci novel The Memory Cathedral and his more recent Shadows in the Stone, the responsibilities of the alternate history writer, some key writers and texts, and some recent trends in alternate history fiction.

In a return to classic rambling form, Jonathan and Gary begin thinking about the waning months of the year, and the inevitable recommended reading discussions. Jonathan starts off by asking why we always seem to say it was a surprisingly good year for collections, when just about every year is a good year for collections. We also touch upon anthologies, such as Jared Shunn’s massive The Big Book of Cyberpunk, and what implicit arguments are being made by such broadly inclusive anthologies. We also touch upon Jonathan’s brand-new The Book of Witches, the question of whether SFF is starting to mature enough that broadly diverse voices are viewed as simply part of the mainstream of the field, and some of the books we’ve been reading or anticipating, including Elizabeth Hand’s A Haunting on the Hill and Aliz E. Harrow’s Starling House (both will be guests on a future podcast), Tobias S. Buckell’s A Stranger in the Citadel, Nicola Griffith’s Menewood (and how historical fiction relates to SFF),The Best of Michael

This week Hugo and Nebula nominee Wole Talabi joins Jonathan and Gary for a wide-ranging discussion celebrating the publication of his wonderful first novel Shigidi and the Brass Head of Obalufon and his Hugo Award-nominated novelette, "A Dream of Electric Mothers". We discuss the recent worldwide recognition of African SFF, his use of Yoruba religion and mythology in his novel, the importance of movies (especially heist movies)to his work, the nature of Africanfuturism, his attraction to SF as a professional engineer, and his future plans—including a new volume of short fiction due next spring.

After Gary enjoyed a weekend at Readercon, we’re back with another one-on-one ramble that covers topics from the proliferation of SF awards (and what they really might be for), to some recent and forthcoming books we’re excited about (including Kemi Ashing-Giwa's The Splinter in the Sky, Vajra Chandrasekera's The Saint of Bright Doors, Wole Talabi’s Shigidi and the Brass Head of Obalufon, and Emily Tesh's Some Desperate Glory), the question of whether anthologies might rightly or wrongly be seen as definitive, and the importance of supporting short fiction publications given some major changes facing the field in 2023. As always, we hope you enjoy the podcast.

After an unplanned hiatus, we’re back with the wonderful Kij Johnson, who will be a guest of honour at this year’s World Fantasy Convention in Kansas City this coming October. Small Beer will publish a new collection of Kij's work, The Privilege of the Happy Ending, to coincide with the convention. We discuss the challenges and opportunities of teaching fiction writing in workshops versus university creative writing programs, how the workshop and the reading group have become so important to new writers since the early days of Kate Wilhelm and Damon Knight’s Milford, the different problems of writing short stories, novellas, or novels, the balance between estrangement and immersion in stories, and Kij’s own current and recent work, which ranges from experimental fiction to stories that revisit older writers like Lovecraft and Kenneth Grahame. As always, Kij is bristling with good ideas, and we could easily have gone on for another hour.

In this episode, Jonathan and Gary have a long overdue extended discussion with the wonderful Ursula Vernon (aka T. Kingfisher), whose excellent horror novel A House With Good Bones appeared in late March, and whose thoroughly original imagining of the Sleeping Beauty story Thornhedge, is forthcoming in August. We also touch upon some of her best-known works like Nettle and Bone and A Wizard’s Guide to Defensive Baking, what she read while growing up, her career from webcomic artist to children’s author to fantasy and horror novelist, the role of humour in horror, and why even stories involving murder priests, child abductions, and gruesomely reanimated corpses are actually sweet romances. As always, we would like to thank Ursula for making the time to talk to us, and we hope you enjoy the episode.