New Books In Dance

From glove puppets of Chinese origin and Hakka religious processions, to wartime political theatre and contemporary choirs and dance groups, the diverse performance practices of ethnic Chinese communities throughout Southeast Asia highlight the complexity of minority self-representation and sense of identity of a community that is often considered solely in socioeconomic terms. Each performance form is placed in its social and historical context, highlighting how Sino-Southeast Asian groups and individuals have represented themselves locally and nationally to the region's majority populations as well as to state power. In this episode, Dr Josh Stenberg talks to Dr Natali Pearson about Sino-Southeast Asian self-representation in performance arts, and challenges essentialist readings of ethnicity or minority. In showing the fluidity and adaptability of Sino-Southeast Asian identities as expressed in performance and public display, Dr Stenberg enriches our understanding of Southeast Asian cultures and art forms,