New Books In Communications

The Holocaust radically altered the way many East European Jews spoke Yiddish. Finding prewar language incapable of describing the imprisonment, death, and dehumanisation of the Shoah, prisoners added or reinvented thousands of Yiddish words and phrases to describe their new reality. These crass, witty, and sometimes beautiful Yiddish words – Khurbn Yiddish, or “Yiddish of the Holocaust” – puzzled and intrigued the East European Jews who were experiencing the metamorphosis of their own tongue in real time. Sensing that Khurbn Yiddish words harboured profound truths about what Jews endured during the Holocaust, some Yiddish speakers threw themselves into compiling dictionaries and glossaries to document and analyse these new words. Others incorporated Khurbn Yiddish into their poetry and prose. In Occupied Words: What the Holocaust Did to Yiddish (University of Pennsylvania Press, 2024), Dr. Hannah Pollin-Galay explores Khurbn Yiddish as a form of Holocaust memory and as a testament to the sensation of speech

In If All the World Were Paper: A History of Writing in Hindi (Columbia UP, 2024), Tyler W. Williams puts questions of materiality, circulation, and performance at the center of his investigation into how literature comes to be defined and produced within a language, specifically, premodern Hindi. Williams proposes new methods for working with written text artifacts and a new approach to theorizing and writing Hindi literary history. He responds to recent developments in quantitative and qualitative approaches to book history - including tools developed within the digital humanities - by applying new as well as traditional techniques of paleography, codicology, and bibliography to handwritten copies of romances, epics, songbooks, treatises, and scriptures.  To make the book more accessible and enjoyable for cross-disciplinary readers, Williams bookends (so to speak) each chapter with the story of a specific artifact - an ascetic's notebook, a Mughal general's storybook, a pandit's textbook, or a guru's copy o

What good is a good sense of humour especially when the humour may be ethically questionable? Although humour seems a valuable part of a good conversation and indeed a good life, jokes have never seemed more morally problematic than they do now. How can we then evaluate quips, gibes, pranks, teasing, light mockery, sarcasm when they can all too often be mean, deceitful, disrespectful, humiliating, cruel? And how is a moral philosopher to evaluate such dilemmas without taking himself and morality too seriously or too lightly?  In Wisecracks: Humor and Morality in Everyday Life (University of Chicago Press, 2024), David W. Shoemaker considers the interplay between humor and morality. With wit and evident joy, Shoemaker considers how "wisecracks" between family and friends are of ethical value despite how morally suspect they may appear. In arguing for the moral status of a wisecrack or a joke as partly resting on the wisecracker's intentions and motives, Shoemaker goes on to show just how complicated and someti

From The Wire to Intervention to Girls, postmillennial American television has dazzled audiences with novelistic seriality and cinematic aesthetics. Yet this television is also more perverse: it bombards audiences with misogynistic and racialized violence, graphic sex, substance abuse, unlikeable protagonists, and the extraordinary exploitation of ordinary people.  In Uncomfortable Television (Duke UP, 2024), Hunter Hargraves examines how television makes its audiences find pleasure through feeling disturbed. He shows that this turn to discomfort realigns collective definitions of family and pleasure with the values of neoliberal culture. In viscerally violent dramas, cringeworthy ironic comedies, and trashy reality programs alike, televisual unease trains audiences to survive under late capitalism, which demands that individuals accept a certain amount of discomfort, dread, and irritation into their everyday lives. By highlighting how discomfort has been central to the reorganization and legitimization of te

The horror genre has endured a long and controversial success within popular culture. Fraught with accusations pertaining to its alleged ability to harm and corrupt young people and indeed society as a whole, the genre is constantly under pressure to suppress that which has made it so popular to begin with - its ability to frighten and generate discussion about society's darker side.  In The Myth of Harm: Horror, Censorship and the Child (Bloomsbury, 2022), Dr. Sarah Cleary analyses controversies, myths, and falsehoods surrounding the genre of horror. Focusing on five major controversies, the text examines how horror media has become a scapegoat for political and social issues, platforms for “moral entrepreneurs” and tools of hyperbole for the news industry. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Routledge Handbook of Esports (Routledge, 2024) offers the first fully comprehensive, interdisciplinary study of esports, one of the fastest growing sectors of the contemporary sports and entertainment industries. Global in coverage, the book emphasizes the multifaceted nature of esports and explores the most pressing issues defining the competitive video gaming landscape today. Featuring the work of 93 leading esports academics and industry specialists from around the world, and rigorously peer-reviewed, the book is structured around ten key themes: 1) Introduction to Esports, 2) Esports Research, 3) Esports Players, 4) Esports Business and Management, 5) Esports Media and Communication, 6) Esports Education, 7) Critical Concerns in Esports, 8) Global Esports Cultures, 9) Esports Future Directions, and 10) Key Terms Definitions. Examining the current state of esports, emerging areas of interest and the ongoing debates shaping the esports industry, each of the 62 chapters offers key highlights, an assessm

I spoke with Hannah Gabel, Literary Director of the Texas Book Festival. The Festival first began in 1995, and has since donated over $3.5 million to Texas public libraries and hundreds of thousands of books to students across the state. This year, more than 250 authors will speak and 40,000 people are expected to attend. The festival takes place in downtown Austin, Texas on November 16th and 17th this year and is free and open to all who wish to attend. I’m excited today to speak with Hannah about what people can expect from this incredible event. Books mentioned in this intervew: Bone of the Bone by Sarah Smarsh Trippy by Ernesto Londoño We Are Home by Ray Suarez Our Hidden Conversations by Michele Norris The God of the Woods by Liz Moore Real Americans by Rachel Khong Five-Star Stranger by Kat Tang The Alchemist by Paulo Coelho Martyr! by Kaveh Akbar Greenlights by Matthew McConaughey Hannah Gabel is the Literary Director of Texas Book Festival. She also runs the book blog, Bookmarkp

Focusing on games that examine a range of national histories and heritages from across Central and Eastern Europe, Central and Eastern European Histories and Heritages in Video Games (Routledge, 2024) looks beyond the diversity of the local histories depicted in games, and the audience reception of these histories, to show a diversity of approaches which can be used in examining historical games – from postcolonialism to identity politics to heritage studies. The book includes chapters on Serbia, Poland, Ukraine, Russia, Belarus, Hungary, Estonia, Slovakia, Czechia, Finland, and (a Western guest with regional connections) Luxembourg. Through the lens of video games, the authors address how nations struggle with the legacies of war, colonialism, and religious strife that have been a part of nation-building - but also how victimized cultures can survive, resist, and sometimes prevail. Appealing primarily to scholars in the fields of game studies, heritage studies, postcolonial criticism, and media studies, this

The Association of University Presses (AUPresses), a global organization of 161 mission-driven publishers, is proud to announce a collection of 123 books, journals, and projects that embody the #StepUP theme of this year’s University Press Week, happening Nov. 11 to 15. The featured publications, curated by AUPresses members in 12 countries, present thought-provoking concepts, new points of view, and inspiring ideas, many of which advocate for social change. For a complete list of UP Week events, see here For the gallery of 103 publications, see here To work at a university press, see here Anthony Cond is director of Liverpool University Press and president of the Association of University Presses Caleb Zakarin is editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

A veteran music journalist argues that the rise of music streaming and the consolidation of digital platforms is decimating the musical landscape, with dire consequences for the future of our culture ... In The Endless Refrain: Memory, Nostalgia, and the Threat to New Music (Melville House, 2024), former Washington Post writer and editor David Rowell lays out how commercial and cultural forces have laid waste to the cultural ecosystems that have produced decades of great American music. From the scorched-earth demonetizing of artist revenue accomplished by Spotify and its ilk to the rise of dead artists "touring" via hologram, Rowell examines how a perfect storm of conditions have drained our shared musical landscape of vitality. Combining personal memoir, intimate on-the-ground reporting, industry research, and cultural criticism, Rowell's book is a powerful indictment of a music culture gone awry, driven by conformity and subverted by the ways the internet and media influence what we listen to and how we li

Elia Powers' book Performing the News: Identity, Authority, and the Myth of Neutrality (Rutgers UP, 2024) explores how journalists from historically marginalized groups have long felt pressure to conform when performing for audiences. Many speak with a flat, “neutral” accent, modify their delivery to hide distinctive vocal attributes, dress conventionally to appeal to the “average” viewer, and maintain a consistent appearance to avoid unwanted attention. Their aim is what author Elia Powers refers to as performance neutrality—presentation that is deemed unobjectionable, reveals little about journalists’ social identity, and supposedly does not detract from their message. Increasingly, journalists are challenging restrictive, purportedly neutral forms of self-presentation. This book argues that performance neutrality is a myth that reinforces the status quo, limits on-air diversity, and hinders efforts to make newsrooms more inclusive. Through in-depth interviews with journalists in broadcasting and podcasting

In Experimental Histories: Interpolation and the Medieval British Past (Cornell University Press, 2024), Dr. Hannah Weaver examines the mediaeval practice of interpolation—inserting material from one text into another—which is often categorised as being a problematic, inauthentic phenomenon akin to forgery and pseudepigraphy. Instead, Weaver promotes interpolation as the signature form of mediaeval British historiography and a vehicle of historical theory, arguing that some of the most novel concepts of time in mediaeval historiography can be found in these altered narratives of the past. For Weaver, historiographical interpolation constitutes the traces of active experimentation with how best to write history, particularly the history of Britain. Historians in twelfth- and thirteenth-century Britain recognized the difficulty of enfolding complex events into a linear chronology and embraced innovative textual methods of creating history. Focusing on the Brut tradition but also analysing the long history of in

The British love to complain that words and phrases imported from America--from French fries to Awesome, man!--are destroying the English language. But what about the influence going the other way? Britishisms have been making their way into the American lexicon for more than 150 years, but the process has accelerated since the turn of the twenty-first century. From acclaimed writer and language commentator Ben Yagoda, Gobsmacked! is a witty, entertaining, and enlightening account of how and why scores of British words and phrases--such as one-off, go missing, curate, early days, kerfuffle, easy peasy, and cheeky--have been enthusiastically taken up by Yanks. After tracing Britishisms that entered the American vocabulary in the nineteenth century and during the world wars, Gobsmacked!: The British Invasion of American English (Princeton UP, 2024) discusses the most-used British terms in America today. It features chapters on the American embrace of British insults and curses, sports terms, and words about foo

The Reparative Impulse of Queer Young Adult Literature (Routledge, 2024) is a provocative meditation on emotion, mood, history, and futurism in the critique of queer texts created for younger audiences. Given critical demands to distance queer youth culture from narratives of violence, sadness, and hurt that have haunted the queer imagination, this volume considers how post-2000s YA literature and media negotiate their hopeful purview with a broader—and ongoing—history of queer oppression and violence. It not only considers the tactics that authors use in bridging a supposedly “bad” queer past with a “better” queer present, but also offers strategies on how readers can approach YA reparatively given the field’s attachments to normative, capitalist, and neoliberal frameworks. Central to Matos’ argument are the use of historical hurt to spark healing and transformation, the implementation of disruptive imagery and narrative structures to challenge normative understandings of time and feeling, and the impact of

Queer men's cultures of intimacy have long been sites of fierce contestation. Indeed, debates have raged for decades over issues such as monogamy, safer sex, sexual racism and gay marriage. The introduction of the smartphone in 2008 only intensified these debates whilst also raising a further set of questions which are explored in this open access book. Through interviews with a diverse group of 43 queer men about their smartphone mediated intimacies, Digital Intimacies: Queer Men and Smartphones in Times of Crisis (Bloomsbury, 2024) reveals that queer men use their smartphones, not simply to arrange intimate encounters, but more specifically to gain a sense of control over the parts of their intimate lives that make them feel most vulnerable. For instance, some use messaging apps to gain a sense of control over intimate conversations that they feel too vulnerable to have in person. Others use the 'block' function on dating apps to feel in control of the racism and transphobia they are vulnerable to on these

Technology has surpassed religion as the central focus of our lives, from our dependence on smartphones to the way that tech has infused almost every aspect of our lives including our homes, our relationships, and even our bodies. Beyond these practical matters, Tech has become a religion with multiple sects who follow their own beliefs, practices, hierarchies, and visions of heaven and hell. There are zealous prophets and humble servants, messiahs and visions of a coming apocalypse.  In Tech Agnostic: How Technology Became the World's Most Powerful Religion, and Why It Desperately Needs a Reformation (MIT Press, 2024), Harvard and MIT’s humanist chaplain Greg Epstein approaches Tech with the perspective of a critical thinker who is fascinated by technical innovation and also questions the worth of those advancements in human terms. He places the current faith in Tech in historical and personal context by examining the skeptics, mystics, heretics, and whistleblowers who embody the reform mindset he believes w

Dr Laura Smith-Khan speaks with Dr Anthea Vogl about her new book, Judging Refugees: Narrative and Oral Testimony in Refugee Status Determination (Cambridge UP, 2024). The conversation introduces listeners to the procedures involved in seeking asylum in the global north and how language is implicated throughout these processes. Discussing Dr Vogl’s new book and research, the podcast explores the difficult narrative demands these processes place on those seeking asylum, and the sociopolitical context underlying them. It reflects on the contributions scholars across disciplines have made and can make to law and policy reform, informing best practice, and advocating for more just systems. For additional resources, show notes, and transcripts, go here. Follow Laura Smith-Khan on Bluesky and Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Digital Masquerade: Feminist Rights and Queer Media in China (NYU Press, 2023) offers a trenchant and singular analysis of the convergence of digital media, feminist and queer culture, and rights consciousness in China. Jia Tan examines the formation of what she calls “rights feminism,” or the emergence of rights consciousness in Chinese feminist formations, as well as queer activism and rights advocacy. Expanding on feminist and queer theory of masquerade, she develops the notion of “digital masquerade” to theorize the co-constitutive role of digital technology as assemblage and entanglement in the articulation of feminism, queerness, and rights. Drawing from interviews with various feminist and queer media practitioners, participant observation at community events, and detailed analyses of a variety of media forms such as social media, electronic journals, digital filmmaking, film festivals, and dating app videos, Jia Tan captures the feminist, queer, and rights articulations that are simultaneously disrupt

Sequels, reboots, franchises, and songs that remake old songs—does it feel like everything new in popular culture is just derivative of something old? Contrary to popular belief, the reason is not audiences or marketing, but Wall Street. In this book, Andrew deWaard shows how the financial sector is dismantling the creative capacity of cultural industries by upwardly redistributing wealth, consolidating corporate media, harming creative labor, and restricting our collective media culture. Moreover, financialization is transforming the very character of our mediascapes for branded transactions. Our media are increasingly shaped by the profit-extraction techniques of hedge funds, asset managers, venture capitalists, private equity firms, and derivatives traders. Illustrated with examples drawn from popular culture, Derivative Media: How Wall Street Devours Culture (University of California Press, 2024) offers readers the critical financial literacy necessary to understand the destructive financialization of fil

During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Rock stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. Indeed, casting rock stars for film provided a tool for bridging new relationships across media industries and practices. From Elvis Presley to Madonna, this book examines the casting rock stars in films. In so doing, Rock Star/Movie Star: Power and Performance in Cinematic Rock Stardom (Oxford UP, 2020) offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock's emergence and its staying powe