New Books In Communications

The Unruly Tongue: Speech and Violence in Medieval Italy (University of Pennsylvania Press, 2025) by Dr. Melissa Vise, offers a new account of how the power of words changed in Western thought. Despite the association of freedom of speech with the political revolutions of the eighteenth century that ushered in the era of modern democracies, Dr. Vise locates the history of the repression of speech not in Europe’s monarchies but rather in Italy’s republics. Exploring the cultural process through which science and medicine, politics, law, literature, and theology together informed a new political ethics of speech, Dr. Vise uncovers the formation of a moral code where the regulation of the tongue became an integral component of republican values in medieval Europe. The medieval citizens of Italy’s republics understood themselves to be wholly subject to the power of words not because they lived in an age of persecution or doctrinal rigidity, but because words had furnished the grounds for their political freedom.

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers’ canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His re

Brynn Quick speaks with Dr Amy McHugh, an Academic Facilitator at the National Centre for Cultural Competence at the University of Sydney. Dr McHugh’s research focuses on the roles of technology and motivation in the continuous pursuit of cultural competence, and she facilitates workshops for both staff and students at the University of Sydney on these topics while working as the unit coordinator for the centre’s OLE: The Fundamentals of Cultural Competence. She also teaches online courses to undergraduate and graduate students in intercultural communication for the State University of New York at Oswego. In this episode, Brynn and Amy discuss Amy’s doctoral thesis entitled “Learning From Student Perceptions and Peer Feedback in a Virtual Exchange: Reconceptualizing Intercultural Competence as ‘ICCCSA’ – Intercultural Competence as a Co-Constructed and Situated Achievement”. This thesis explored Collaborative Online International Learning (COIL) and its influence on (inter)cultural competence in digital space

The Dreadful Word: Speech Crime and Polite Gentlemen in Massachusetts, 1690–1776 (Cambridge University Press, 2022) by Dr. Kristin Olbertson is the first comprehensive study of criminal speech in eighteenth-century New England, traces how the criminalization, prosecution, and punishment of speech offenses in Massachusetts helped to establish and legitimate a social and cultural regime of politeness. Analyzing provincial statutes and hundreds of criminal prosecutions, Dr. Olbertson argues that colonists transformed their understanding of speech offenses, from fundamentally ungodly to primarily impolite. As white male gentility emerged as the pre-eminent model of authority, records of criminal prosecution and punishment show a distinct cadre of politely pious men defining themselves largely in contrast to the vulgar, the impious, and the unmanly. “Law,” as manifested in statutes as well as in local courts and communities, promoted and legitimized a particular, polite vision of the king's peace and helped effect

On June 8, 1967, Egypt's most famous radio broadcaster, Ahmed Said, reported that Egyptian, Syrian, and Jordanian forces had defeated the Israeli army in the Sinai, had hobbled their British and US allies, and were liberating Palestine. It was a lie. For the rest of his life, populations in the Middle East vilified Said for his duplicity. However, the truth was that, by 1967, all the world's major broadcasters to the Middle East were dissimulating on the air. For two decades, British, Soviet, American, and Egyptian radio voices created an audio world characterized by deceit and betrayal. In Frequencies of Deceit: How Global Propaganda Wars Shaped the Middle East (University of California Press, 2025), Dr. Margaret Peacock traces the history of deception and propaganda in Middle Eastern international radio. Dr. Peacock makes the compelling argument that this betrayal contributed to the loss of faith in Western and secular state-led political solutions for many in the Arab world, laying the groundwork for the r

Sarah Stang, editor, joins Jana Byars to talk about Monstrosity in Games and Play (Amsterdam UP, 2024). Monsters fascinate us. From ancient folklore to contemporary digital games, they are at the core of the stories we tell. They reflect our fears, deepest desires, and the monstrosity hidden within ourselves. Monsters hold a mirror to our contemporary society and reveal who we truly are.  This edited collection examines monsters and monstrosity in games and play. Monsters are a key feature of most games: we fight, kill, and eat them--and sometimes, we become them. However, monsters in games and play are not only entertaining but also a reflection of the monstrosity of our world. In this book, twenty-two scholars explore how themes such as mental health, colonialism, individualism, disability, gender, sexuality, racism, and exclusion are reflected in the monsters we interact with in games, play, and our daily lives both online and offline. Monstrosity in Games and Play is recommended to readers interested in t

Surround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby. Making Stereo Fit: The History of a Disquieting Film Technology (University of California Press, 2024) reveals that, in fact, filmmakers have been creating stereo and surround-sound effects for nearly a century, since the advent of talking pictures, and argues that their endurance owes primarily to the longstanding battles between stereo and mono technologies.  Throughout the book, Eric Dienstfrey analyzes newly discovered archival materials and myriad stereo releases, from Hell’s Angels (1930) to Get Out (2017), to show how Hollywood’s financial dependence on mono prevented filmmakers from seeing surround sound’s full aesthetic potential. Though studios initially explored stereo’s unique capabilities, Dienstfrey details how filmmakers eventually codified a conservative set of surround-sound techniques that prevail today, despite the arrival of more immersive formats. Learn more

Succinct and eloquent, On Privacy and Technology (Oxford UP, 2025) is an essential primer on how to face the threats to privacy in today's age of digital technologies and AI. With the rapid rise of new digital technologies and artificial intelligence, is privacy dead? Can anything be done to save us from a dystopian world without privacy? In this short and accessible book, internationally renowned privacy expert Daniel J. Solove draws from a range of fields, from law to philosophy to the humanities, to illustrate the profound changes technology is wreaking upon our privacy, why they matter, and what can be done about them. Solove provides incisive examinations of key concepts in the digital sphere, including control, manipulation, harm, automation, reputation, consent, prediction, inference, and many others. Compelling and passionate, On Privacy and Technology teems with powerful insights that will transform the way you think about privacy and technology. Learn more about your ad choices. Visit megaphone.fm/a

In Postcolonial Bollywood and Muslim Identity: Production, Representation, and Reception (Oxford UP, 2024), Nadira Khatun explores the contentious Muslim identity in contemporary India as reflected in recent Bollywood films. She argues that the approach towards Muslim identity in Bollywood films are influenced by the changing political landscape from Nehruvian India to the rise of BJP, which views Hindus and Muslims as separate religious communities instead of recognizing the syncretic culture manifesting in Hindu-Muslim unity. By analyzing the representation of Muslims in various films like Roja, Fanna, Mission Kashmir, Black Friday, New York, A Wednesday, Sarfarosh, she shows that the militant portrayal of Muslims is good for commercial success as opposed to a secular image. Overall, the study problematizes Muslim identity formation in Bollywood against the backdrop of nationalism and communalism in India. Author: Dr. Nadira Khatun, Associate Professor of Communications, Xavier University, India Host: Dr. N

Russia has a long history of publishers operating from abroad, producing books and periodicals for a Russian-speaking audience. One notable example is The Bell (Kolokol), published by Alexander Herzen, the Russian writer and thinker who emigrated in the mid-19th century. The waves of Russian emigration in the 20th century—beginning with those fleeing the 1917 Bolshevik Revolution—led to the creation of numerous Russian-language publishing ventures, ranging from short-lived projects to long-standing institutions. Among the most well-remembered are the YMCA Press in Paris, Posev and Grani in Germany, and Ardis Publishing, founded in the early 1970s—not by Russians, but by American literary scholars. Exiled Russian publishers not only printed the works of fellow émigré authors but also played a crucial role in tamizdat—smuggling manuscripts deemed ideologically unacceptable by the Soviet regime out of the USSR, publishing them abroad, and then covertly reintroducing them into the country for clandestine distribu

Not so long ago, comedy and laughter were a shared experience of relief, as Freud famously argued. At their best, ribbing, roasting, piss-taking and insulting were the foundation of a kind of universal culture from which friendship, camaraderie and solidarity could emerge. Now, comedy is characterized by edgy humour and misplaced jokes that provoke personal and social anxiety, causing divisive cultural warfare in the media and among people. Our comedy is fraught with tension like never before, and so too is our social life. We often hear the claim that no one can take a joke anymore. But what if we really can’t take jokes anymore? Post-Comedy (Polity, 2025) argues that the spirit of comedy is the first step in the building of society, but that it has been lost in the era of divisive identity politics. Comedy flares up debates about censorship and cancellation, keeping us divided from one other. This goes against the true universalist spirit of comedy, which is becoming a thing of the past and must be recovere

Alexandra Grey speaks with Karen McAuliffe about multilingual law-making. Karen is a Professor of Law and Language at Birmingham Law School in the UK. The conversation is about the important legal opinions delivered by the Advocates General at the European Court of Justice, and the effects of Advocates General drafting those opinions in their second or third language and with multilingual support staff. It builds on a chapter written by Karen McAuliffe, Liana Muntean & Virginia Mattioli in the book Researching the European Court of Justice, edited by Madsen, Nicola and Vauchez and published by Cambridge University Press in 2022. For additional resources, show notes, and transcripts, go here. You can also follow Alexandra on LinkedIn and Karen on BlueSky @profkmca.bsky.social. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Empire of Culture: Neo-Victorian Narratives in the Global Creative Economy (SUNY Press, 2024) by Dr. Waiyee Loh brings together contemporary representations of Victorian Britain to reveal how the nation's imperial past inheres in the ways post-imperial subjects commodify and consume "culture" in the late twentieth and early twenty-first centuries. The globalization of English literature, along with British forms of dress, etiquette, and dining, in the nineteenth century presumed and produced the idea that British culture is a universal standard to which everyone should aspire. Examining neo-Victorian texts and practices from Britain, the United States, Japan, and Singapore—from A. S. Byatt's novel Possession and its Hollywood film adaptation to Japanese Lolita fashion and the Lady Victorian manga series—Dr. Loh argues that the British heritage industry thrives on the persistence of this idea. Yet this industry also competes and collaborates with the US and Japanese cultural industries, as they, too, engage wi

My guest today Sam Srauy is an Associate Professor in the Department of Communication, Journalism, and Public Relations at Oakland University, Her research examines race, video games, and the political economy of the video game industry. Srauy’s work appears in various academic journals including Social Media + Society, First Mondays, Games and Culture, and Television and New Media. She teaches courses on identity, race/racism, digital media production, and video game studies/production. Prior to academia, Srauy worked for over a decade in the high-tech industry. Her experience in that field includes municipal wireless networks, open-source technology, and streaming media systems. About the book:  Race, Culture and the Video Game Industry: A Vicious Circuit (Routledge, 2024) offers a detailed and much needed examination of how systemic racism in the US shaped the culture, market logic, and production practices of video game developers from the 1970s until the 2010s. Offering historical analysis of the video g

Factual misinformation is spread in conflict zones around the world, often with dire consequences. But when is this misinformation actually believed, and when is it not?  Seeing is Disbelieving: Why People Believe Misinformation in War, and When They Know Better (Cambridge University Press, 2024) by Dr. Daniel Silverman examines the appeal and limits of dangerous misinformation in war, and is the go-to text for understanding false beliefs and their impact in modern armed conflict. Dr. Silverman extends the burgeoning study of factual misinformation, conspiracy theories, and fake news in social and political life into a crucial new domain, while providing a powerful new argument about the limits of misinformation in high-stakes situations. Rich evidence from the US drone campaign in Pakistan, the counterinsurgency against ISIL in Iraq, and the Syrian civil war provide the backdrop for practical lessons in promoting peace, fighting wars, managing conflict, and countering misinformation more effectively. This in

As the second Trump administration reshapes the U.S. government and its role in the world, how do technology, media, and political power intersect? In this episode of International Horizons, host John Torpey speaks with Zeynep Tufekci—New York Times columnist, Princeton professor, and author of Twitter and Tear Gas—about the evolving relationship between social media platforms, political movements, and democracy. From the shifting role of the internet in global protests to Elon Musk’s interventions in European politics, Tufekci unpacks the historical patterns shaping today’s political landscape. The conversation also explores the erosion of public trust in institutions, the implications of a weakened federal government, and the risks of unchecked technological influence. Tune in for a deep dive into the forces reshaping democracy at home and abroad. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communicat

The future ain't what it used to be. Is nostalgia revitalizing or killing 21st-century culture? The concept of nostalgia has seeped into almost all aspects of modern-day media, none more so than horror culture and its borderlands of Hauntology, Folk Horror, and found footage film. From film and TV franchises building endlessly on past glories, to musicians whose work now spans decades, modern media borrows heavily from the past. Ghost of an Idea: Hauntology, Folk Horror, and the Spectre of Nostalgia examines the use and effect of nostalgia in the Horror and Hauntological realms. It asks why these genres hold such a fascination in popular culture, often inspiring devoted fanbases. From Candyman to The Blair Witch Project, and Dark Shadows to American Horror Story, are the folk horror and found footage phenomena significant artistic responses to political, social, and economic conditions, or simply an aesthetic rebranding of what has come before? How has nostalgia become linked to other concepts (psychogeograph

How does social media shape perceptions of global cultural trends? On Chinese platforms like WeChat, the concept of Nordic Style (北欧风) has been widely adopted—but often in an oversimplified and commercialized form. In this episode of the Nordic Asia Podcast, Dr. Heidi Hui Shi discusses her research on digital misinformation and the portrayal of Nordic aesthetics in China. Through corpus linguistics, sentiment analysis, and digital storytelling (DST), Dr. Shi examines how consumer narratives influence public understanding of Nordic design. She highlights the challenges posed by misinformation, the dominance of commercial narratives, and the role of independent creators in countering misleading portrayals. The conversation also explores the broader implications for cultural exchange and how Nordic brands can more effectively engage with Chinese consumers. Dr. Heidi Hui Shi is an Assistant Professor in Chinese at the University of Turku, Finland. This episode is hosted by Hanna Holttinen, University Teacher in C

In the third podcast of this series, “Brain Rot: What Our Screen Are Doing to Our Minds,” host Dr. Karyne Messina, psychologist, psychoanalyst and author talked about the problems that can emerge in Erik Erikson’s Identity versus Identity Diffusion stage of development along with Dr. Harry Gill, a psychiatrist who has a PhD in neuroscience. The two mental health professionals discussed major difficulties they see in their young patients when they are exposed to too much screen time. For one thing, excessive screen time during this stage of development can have significant effects on pruning which leads to structural changes in the brain. This is a crucial process in adolescent brain development that involves the elimination of unnecessary neural connections to enhance efficiency while optimizing brain functioning. They also focused on the impact of social media on the formation of identity, a critical part of healthy personality development. Drs. Messina and Gill shared the challenges young people have naviga

The Possibility of Literature: The Novel and the Politics of Form (Cambridge University Press, 2024) is a collection of Peter Boxall's essays over twenty years, the earliest from 1996. These essays cover a vast timespan, from the 17th century to contemporary times; a multiplicity of authors ranging from canonical, such as Cervantes, to underappreciated, such as Kelman; and various traditions, from realism to 'deathwriting'. Despite the richness of material, Boxall's penetrating and refreshing vision never loses sight of two central questions: what makes literature possible and what does literature generate? The essays are clustered into three sections, 'On Writers', 'On Literary Tradition', and 'On the Contemporary'. Exploring questions such as 'The Idea of Beauty', the nature of 'Mere Being', or the possibilities of Rereading, the author anatomises the myriad forces that shape the literary imagination. At the same time, he gives vivid critical expression to the imaginative possibilities of literature itself