New Books In Communications

Today I interview Julia Serano about her new book, Sexed Up: How Society Sexualizes Us and How We Can Fight Back (Seal, 2022). Serano is an activist, performer, and acclaimed author of Whipping Girl, Excluded, and other books. Her writing has appeared in The New York Times, the Guardian, TIME, Salon, and Ms. In Sexed Up, Serano argues that sexualization is a far more pervasive problem that we might recognize. She explores such questions as: Why do we perceive men as sexual predators and women as sexual objects? Why are LGBTQ+ people stereotyped as being sexually indiscriminate and deceptive? Why are people of color still being hyper-sexualized? Serano offers not only a clear-eyed understanding of how sexualization occurs and the harms it creates, but she also offers ways of leading us out of these dynamics toward a more kind, humane, and sex-positive future. Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at eric@er

Writer and editor Landon (Lanny) Jones, a former PEOPLE magazine editor, reveals how the cult of celebrity has shaped our politics, culture, and personal lives. In Celebrity Nation: How America Evolved into a Culture of Fans and Followers (Beacon, 2023), Jones explores how and why fame no longer stems only from heroic achievements but from the number of social media likes and shares and what this change means for American culture. In analyzing the stories of over 75 celebrities, spanning decades and industries, Jones shows how celebrity has been wielded as a weapon of mass distraction to spawn narcissism, harm, and loneliness. Celebrity Nation reveals how the apparatus of fame operates and provides a personal, first-person perspective on an entity complicated further by the birth of the internet and social media. Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fict

Kathryn McGarr’s City of Newsmen: Public Lies and Professional Secrets in Cold War Washington (U Chicago Press, 2022) explores foreign policy journalism in Washington during and after World War II—a time supposedly defined by the press’s blind patriotism and groupthink. McGarr reveals, though, that D.C. reporters then were deeply cynical about government sources and their motives, but kept their doubts to themselves for professional, social, and ideological reasons. The alliance and rivalries among these reporters constituted a world of debts and loyalties: shared memories of wartime experiences, shared frustrations with government censorship and information programs, shared antagonisms, and shared mentors.  McGarr shows how this small, tight-knit elite of white male reporters suppressed their skepticism to help the United States build a permanent national security apparatus and a shared, constructed reality on the meaning of the Cold War. Utilizing archival sources, she demonstrates how self-aware these repo

The COVID-19 lab leak theory went from being dismissed as mere misinformation, to now a credible matter of debate amongst media, scientific, and intelligence organizations. What’s changed, and what does this teach us about science journalism and science communication? Is it time to let go of our obsession over “misinformation”? First, Jacobin staff writer Branko Marcetic lays out the political problems with the idea of misinformation. Later, Nicole M. Krause, a PhD candidate focussing on science communication, looks at conceptual problems in the research itself. What’s “True,” and who gets to decide? SUPPORT THE SHOW You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button. If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus mat

Medieval books that survive today have been through a lot: singed by fire, mottled by mold, eaten by insects, annotated by readers, cut into fragments, or damaged through well-intentioned preservation efforts. In Holy Digital Grail: A Medieval Book on the Internet (Stanford UP, 2022), Michelle Warren tells the story of one such manuscript—an Arthurian romance with textual origins in twelfth-century England now diffused across the twenty-first century internet. This trajectory has been propelled by a succession of technologies—from paper manufacture to printing to computers. Together, they have made literary history itself a cultural technology indebted to colonial capitalism. Bringing to bear media theory, medieval literary studies, and book history, Warren shows how digital infrastructures change texts and books, even very old ones. In the process, she uncovers a practice of "tech medievalism" that weaves through the history of computing since the mid-twentieth century; metaphors indebted to King Arthur and

Prisons are not typically known for cutting-edge media technologies. Yet from photography in the nineteenth century to AI-enhanced tracking cameras today, there is a long history of prisons being used as a testing ground for technologies that are later adopted by the general public. If we recognize the prison as a central site for the development of media technologies, how might that change our understanding of both media systems and carceral systems? In Prison Media: Incarceration and the Infrastructures of Work and Technology (MIT Press, 2023), Anne Kaun and Fredrik Stiernstedt foreground the ways in which the prison is a model space for the control and transmission of information, a place where media is produced, and a medium in its own right. Examining the relationship between media and prison architecture, as surveillance and communication technologies are literally built into the facilities, this study also considers the ways in which prisoners themselves often do hard labor as media workers—labor that

What is the future of media? In Secret Cinema and the Immersive Experience Industry (Manchester UP, 2022), Sarah Atkinson, a Professor of Screen Media at Kings College London, and Helen W Kennedy, Professor of Creative and Cultural Industries, at the University of Nottingham, explore the rise of immersive experiences using the detailed case study of Secret Cinema. The book offers both a rich and extensive history of Secret Cinema, as well as analysis of the evolution of key trends in media production and consumption more generally. The book covers the key performances, including mainstream hits such as Back To The Future, Casino Royale, and Stranger Things, as well as the companies evolution and smaller projects. As live experiences and media industries evolve in the post-pandemic era, the book will be essential reading across media and cultural studies, as well as across humanities and social sciences, and for anyone interested in the future of media and live performance industries. Learn more about your ad

In Breaks in the Air: The Birth of Rap Radio in New York City (Duke UP, 2022), John Klaess tells the story of rap's emergence on New York City's airwaves by examining how artists and broadcasters adapted hip hop's performance culture to radio. Initially, artists and DJs brought their live practice to radio by buying time on low-bandwidth community stations and building new communities around their shows. Later, stations owned by New York's African American elite, such as WBLS, reluctantly began airing rap even as they pursued a sound rooted in respectability, urban sophistication, and polish. At the same time, large commercial stations like WRKS programmed rap once it became clear that the music attracted a demographic that was valuable to advertisers. Moving between intimate portraits of single radio shows and broader examinations of the legal, financial, cultural, and political forces that indelibly shaped the sound of rap radio, Klaess shows how early rap radio provides a lens through which to better under

As social media is increasingly becoming a standard feature of sociological practice, this timely book The Public and Their Platforms: Public Sociology in an Era of Social Media (Bristol UP, 2021) rethinks the role of these mediums in public sociology and what they can contribute to the discipline in the post-COVID world. It reconsiders the history and current conceptualizations of what sociology is, and analyses what kinds of social life emerge in and through the interactions between ‘intellectuals’, ‘publics’ and ‘platforms’ of communication. Cutting across multiple disciplines, this pioneering work envisions a new kind of public sociology that brings together the digital and the physical to create public spaces where critical scholarship and active civic engagement can meet in a mutually reinforcing way. Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research i

Ethics and civics have always mattered, but perhaps they matter now more than ever before. Recently, with the rise of online teaching and movements like #PlayApartTogether, games have become increasingly acknowledged as platforms for civic deliberation and value sharing. We the Gamers: How Games Teach Ethics and Civics (Oxford UP, 2021) explores these possibilities by examining how we connect, communicate, analyze, and discover when we play games. Combining research-based perspectives and current examples, this volume shows how games can be used in ethics, civics, and social studies education to inspire learning, critical thinking, and civic change. We the Gamers introduces and explores various educational frameworks through a range of games and interactive experiences including board and card games, online games, virtual reality and augmented reality games, and digital games like Minecraft,Executive Command, Keep Talking and Nobody Explodes, Fortnite, When Rivers Were Trails, Politicraft, Quandary, and Anima

The heroic romance is one of the West's most enduring narratives, found everywhere, from religion and myth to blockbuster films and young adult literature. Within this story, adolescent girls are not, and cannot be, the heroes. They are, at best, the hero's bride, a prize he wins for slaying monsters. Crucially, although the girl's exclusion from heroic selfhood affects all girls, it does not do so equally- whiteness and able-bodiedness are taken as markers of heightened, fantasy femininity. Female Heroes in Young Adult Fantasy Fiction: Reframing Myths of Adolescent Girlhood (Bloomsbury, 2023) by Dr. Leah Phillips explores how the young female-heroes of mythopoeic YA, a Tolkienian-inspired genre drawing on myth's world-creating power and YA's liminal potential, disrupt the conventional heroic narrative. These heroes, such as Tamora Pierce's Alanna the Lioness, Daine the Wildmage, and Marissa Meyer's Cinder and Iko, offer a model of being-hero, an embodied way of living and being in this world that disrupts th

Transnational Advocacy in the Digital Era (Oxford UP, 2022) explores the role of digital advocacy organizations, a major new addition to the international arena. Organizations such as MoveOn, GetUp, and Campact derive power and influence from their ability to rapidly mobilize members on-line and off-line and are shaping public opinion on many issues including climate change, trade, and refugees. Research in international relations (IR) has highlighted the influence of non-governmental organizations, which wield power through their expertise and long-term, moral commitment to an issue. However, no IR scholars have explored the spread and power of digital advocacy organizations. Nina Hall provides a detailed investigation of how these organizations have harnessed digitally networked power and can quickly respond to the most salient issues of the day, and mobilize large memberships, to put pressure on politicians. She finds that these organizations operate in a globalized world but tackle transnational problems

In Peak TV’s Unapologetic Jewish Woman: Exploring Jewish Female Representation in Contemporary Television Comedy (Lexington Books, 2022), Samantha Pickette analyzes the ways in which contemporary American television is establishing a new version of the Jewish woman and a new take on American Jewish female identity that challenges the stereotypes of Jewish femininity proliferated on television since its inception. Using case studies of streaming, cable, and network comedy series from the past decade written and created by Jewish women, including Broad City, Crazy Ex-Girlfriend, The Marvelous Mrs. Maisel, among others, this book illustrates how this new Jewish woman has been given voice and agency by the bevy of Jewish female showrunners interested in telling stories about Jewish women for wider audiences. Samantha Pickette is assistant professor of Instruction in Jewish Studies and the assistant director of the Schusterman Center for Jewish Studies at the University of Texas at Austin. Schneur Zalman Newfield 

Final Fantasy VII altered the course of video game history when it was released in 1997 on Sony's PlayStation system. It converted the Japanese role-playing game into an international gaming standard with enhanced gameplay, spectacular cutscenes and a vast narrative involving an iconic cast. In the decades after its release, the Final Fantasy VII franchise has grown to encompass a number of video game sequels, prequels, a feature-length film, a novel and a multi-volume remake series.  Jason C. Cash and Craig T. Olsen's The World of Final Fantasy VII: Essays on the Game and Its Legacy (McFarland, 2023), the first edited collection of essays devoted only to the world of Final Fantasy VII, blends scholarly rigor with fan passion in order to identify the elements that keep Final Fantasy VII current and exciting for players. Some essays specifically address the game's perennially relevant themes and scenarios, ranging from environmental consciousness to economic inequity and posthumanism. Others examine the mechan

Susan Schuppli is Director of the Centre for Research Architecture in the Department of Visual Cultures at Goldsmiths, University of London. In her book, Material Witnesss, her research is an exploration of the evidential role of matter in contexts including the natural disaster, climate change, and conflict zones. In this interview she discusses her work as a writer, artist and educator. The evidential role of matter--when media records trace evidence of violence--explored through a series of cases drawn from Kosovo, Japan, Vietnam, and elsewhere. In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, Material Witness moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather. These cases inc

In Iranian Literature After the Islamic Revolution: Production and Circulation in Iran and the World (Edinburgh UP, 2021), Dr. Laetitia Nanquette explores how Iranian literature has functioned and circulated from the 1979 revolution to the present. She looks at prose productions in particular, analyzing several genres and media. Taking Iran as a starting point, Nanquette explores the forms, structures and functions of Iranian literature within Iranian society. She then turns to the diaspora – with a focus on North America, Western Europe and Australia – and the world beyond Iranians to examine the current dynamics of literary production and circulation between Iranian diasporic spaces and the homeland. Laetitia Nanquette is Senior Lecturer in the School of the Arts and Media at the University of New South Wales. Between 2015 and 2019, she was an Australia Research Council DECRA Fellow at UNSW and worked on the project "A Global Comparative Study of Contemporary Iranian Literature". Connor Christensen is a gra

In Co-Illusion, writer and critic David Levi Strauss, tracks the rise of Donald Trump and the media landscape that warped around him. In this interview he discusses the language of Trump, the forthcoming election, and the changing relationship between image and truth. The political crisis that sneaked up on America--the rise of Trump and Trumpism--has revealed the rot at the core of American exceptionalism. Recent changes in the way words and images are produced and received have made the current surreality possible; communication through social media, by design, maximizes attention and minimizes scrutiny. In Co-Illusion, the noted writer on art, photography, and politics David Levi Strauss bears witness to the new "iconopolitics" in which words and images lose their connection to reality. The collusion that fueled Trump's rise was the secret agreement of voters and media consumers--their "co-illusion"--to set aside the social contract. Strauss offers dispatches from the epicenter of our constitutional earthq

Journalists around the world agree that autonomy is central to their work, but what exactly is it journalists should be autonomous from, and for what should they use this autonomy? Henrik Örnebring and Michael Karlsson discuss their book Journalistic Autonomy: The Genealogy of a Concept (University of Missouri Press, 2022), which traces the genealogy of the idea of journalistic autonomy from the press freedom debates of the 17th century up to the digital, networked world of the 21st century. In a conversation with Joanne Kuai, the authors talk about what is ‘autonomy’ and what it means in the context of journalism, and the journey of exploring the concept, using a theoretical framework that draws upon Friedrich Nietzsche, feminist philosophy, theoretical biology, and other disciplines. They reflect on whether the concept could be applied not only in liberal democracies but also in totalitarian regimes, and also discuss their ideals of journalism as an institution and what conditions are needed to facilitate t

Listen to this interview of Helen Sword, professor emerita in the School of Humanities and the Centre for Arts and Social Transformation at the University of Auckland, founder of WriteSPACE, an international virtual writing community, and author of Writing with Pleasure (Princeton UP, 2023). We talk about how pleasure is difficult-but-good. Helen Sword : "If you have a text that has not been written with pleasure — it's been like pulling teeth for the author — it's going to feel the same way for the reader. So I think an issue with a lot of academic writing is that we have to read a lot of things that we don't enjoy, and then we get this message that that's how we're supposed to write too. So, it just becomes this never-ending cycle. But what if we brought in here the potentialities of play and reversed this situation and thought, 'Okay, I'm going to write with pleasure, I'm going to be excited about this, I'm going to create a beautifully crafted sentence or paragraph so that my reader will read it and just

Listen to this interview of Jan Recker, Professor for Information Systems and Digital Innovation at the University of Hamburg, Germany and author of Scientific Research in Information Systems: A Beginner's Guide (Springer, 2021). We talk about how your research is what you write. Jan Recker : "Very few of us scientists are gifted readers, and very few of us are gifted writers, but those who are, I do think that they have an advantage in science. It's not that they're the better scientists, but they just understand the literature better, or they can help a reader understand their own research better. And these are just really key and fundamental techniques of the research." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications