New Books In Communications

For decades, scholars have been calling into question the universality of disciplinary objects and categories. The coherence of defined autonomous categories—such as religion, science, and art—has collapsed under the weight of postmodern critiques, calling into question the possibility of progress and even the value of knowledge. Jason Ānanda Josephson Storm aims to radicalize and move beyond these deconstructive projects to offer a path forward for the humanities and social sciences using a new model for theory he calls metamodernism. Metamodernism: The Future of Theory (U Chicago Press, 2021) works through the postmodern critiques and uncovers the mechanisms that produce and maintain concepts and social categories. In so doing, Storm provides a new, radical account of society’s ever-changing nature—what he calls a “Process Social Ontology”—and its materialization in temporary zones of stability or “social kinds.” Storm then formulates a fresh approach to philosophy of language by looking beyond the typical

This book addresses the recent transformations of popular Hinduism by focusing upon the religious cum artistic practice of Ramkatha, staged narratives of the Ramcharitmanas. Focusing on the sensory and media experiences, the author examines the aesthetics and dynamics of the Ramkatha ethnoscape through participant-observation in everyday practices, and how it particularly, translates politics from the realm of religion. Besides being socially constructed, the Ramkatha heavily relies on technologies for its production and continuation. Negotiated through a telling of Hindu religious stories, the mediated voice of Morari Bapu, a former school-teacher turned narrator, is a major medium of performance transposed into multiple media such as theatre, stage, music and spectacle. The book engages with voice as a vehicle of meaning to scrutinize its discursive production, imagination and re-production across mobile contexts. It investigates how the transnationally disseminated practices re-contextualize religious subj

The Remaking of Archival Values by Victoria Hoyle (Routledge, October 2022) posits that archival theory and practice are fields in flux, and that recent critical archival discourse that addresses neoliberalism, racism, and the legacies of colonialism and patriarchy represents a disruption not only to established principles but also to the values that underpin them. Using critical discourse analysis and comparing theory and practice from the UK and the Anglophone world, Hoyle explores the challenges faced by scholars, institutions, organizations, and practitioners in embedding new values. She demonstrates how persistent underlying discursive structures about archives have manifested from the late nineteenth century to the present day. Qualitative and participatory research in the UK shows how conceptions of archival value arise, are expressed, and become authorized in practice at international, national, and local levels. Considering what might be learnt from similar debates in public history and cultural heri

Jane Stevenson’s newest book, Women and Latin in the Early Modern Period (Brill, 2022), tracks the history and historiography of women Latinists in the early modern period. She relates how the first early modern women Latinists lived in mid-fourteenth century Italy, and were educated as diplomats. By the fifteenth century, other upper-class women were educated in order to perform as prodigies on behalf of their city. Both strands of education for women spread to other European countries in the course of the sixteenth century: the principal women humanists were either princesses or courtiers. In the seventeenth century Latin lost its importance as a language of diplomacy and was no longer needed at court, but there was still a place for the ‘woman prodigy’, and a variety of women performed in this way. However, the productions of seventeenth and eighteenth-century women Latinists are more extensive and more varied than those of their predecessors, and include scientific writing and ambitious translations. By t

Hello, world! This is the Global Media & Communication podcast series. In this episode, our host Florence Madenga discusses the book Left to Our Own Devices Coping with Insecure Work in a Digital Age (2022) by Dr. Julia Ticona. You’ll hear about: Dr. Ticona’s intellectual trajectory and how her first monograph has been transformed from a dissertation project into a book What audience the book is intended for and what critical scholarship means for the author The design of the research project and the processes and ethics of conducting research about the gig economy How the ongoing pandemic has changed or altered the way Dr. Ticona thinks about this book The core arguments and take-away points from the book around keywords such as “digital inequality,” “precarity,” “platform economy,” and “digital hustle” The global implications of a study on low-wage gig economy workers in the American labor market The question of agency in workers’ everyday life and how people survive in the global platform economy T

Autumn Womack is a professor of English and of African American Studies at Princeton University. Her new book, The Matter of Black Living: The Aesthetic Experiment of Racial Data, 1880–1930 (University of Chicago Press, 2022), addresses scholars and readers interested in literary studies, visual culture, and transformative justice in modern America. The book also transcends these areas to speak to readers in science & technology studies, in history of technology, or broadly interested in science justice. The premise of the book is that America was living through two collective experiments as it suffered the aftermath of the failed Reconstruction following the US Civil War. The first was the experiment of Black freedom and the second was the experiment of new technologies to document (Black) life at a time when standards for how to use and to read their outputs were excitingly wide-open. In the hands of Black cultural producers, the yield of these technologies was “undisciplined data,” which pointed to the pos

Games can act as invaluable tools for the teaching of the Middle Ages. The learning potential of physical and digital games is increasingly undeniable at every level of historical study. These games can provide a foundation of information through their stories and worlds. They can foster understanding of complex systems through their mechanics and rules. Their very nature requires the player to learn to progress. The educational power of games is particularly potent within the study of the Middle Ages. These games act as the first or most substantial introduction to the period for many students and can strongly influence their understanding of the era. Within the classroom, they can be deployed to introduce new and alien themes to students typically unfamiliar with the subject matter swiftly and effectively. They can foster an interest in and understanding of the medieval world through various innovative means and hence act as a key educational tool. Teaching the Middle Ages through Modern Games: Using, Moddi

In Wandering Games (MIT Press, 2022), Melissa Kagen analyzes wandering within different game worlds, viewed through the lenses of work, colonialism, gender, and death. Wandering in games can be a theme, a formal mode, an aesthetic metaphor, or a player action. It can mean walking, escaping, traversing, meandering, or returning. Kagen introduces the concept of “wandering games,” exploring the uses of wandering in a variety of game worlds. She shows how the much-derided Walking Simulator—a term that began as an insult, a denigration of games that are less violent, less task-oriented, or less difficult to complete—semi-accidentally tapped into something brilliant: the vast heritage and intellectual history of the concept of walking in fiction, philosophy, pilgrimage, performance, and protest. Kagen examines wandering in a series of games that vary widely in terms of genre, mechanics, themes, player base, studio size, and funding, giving close readings to Return of the Obra Dinn, Eastshade, Ritual of the Moon, 80

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work.  But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up come

What is the journalism culture in Vietnam? What role does Sweden play in the transformation of Vietnamese journalism? How has Swedish media aid fulfilled its political aim to contribute to the democratic development of media in Vietnam? Andreas Mattsson speaks about how two media aid projects from Sweden were used to intervene in the development of journalism in Vietnam between 1993 and 2007. In a conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden and an affiliated PhD student at NIAS, Andreas Mattsson talks about how the Swedish media aid intervened in the Vietnamese media by contributing to a technological transition of journalism although the training in newsroom management and media ethics were challenged by conflicting journalism ideology and social norms. Drawing from interviews with Swedish trainers from the media aid projects and informed by his analysis of project documents that provide first-hand information from a period when Vietnamese journalism underwent a dramatic trans

Digital platforms controlled by Alibaba, Alphabet, Amazon, Facebook, Netflix, Tencent and Uber have transformed not only the ways we do business, but also the very nature of people's everyday lives. It is of vital importance that we understand the economic principles governing how these platforms operate. Paul Belleflamme and Martin Peitz's book The Economics of Platforms: Concepts and Strategy (Cambridge UP, 2021) explains the driving forces behind any platform business with a focus on network effects. The authors use short case studies and real-world applications to explain key concepts such as how platforms manage network effects and which price and non-price strategies they choose. This self-contained text is the first to offer a systematic and formalized account of what platforms are and how they operate, concisely incorporating path-breaking insights in economics over the last twenty years. Martin Peitz is professor of economics at the University of Mannheim (since 2007), a director of the Mannheim Cent

Digital Activism in Russia: The Communication Tactics of Political Outsiders (Palgrave MacMillan, 2022) examines various forms of Russian online anti-establishment resistance, focusing in particular on the period between 2016 and 2019. Grounded in qualitative content analysis of the YouTube videos and social media activities of opposition activist Alexey Navalny and his associates, the book covers the history of digital resistance associated with this cohort, its style and strategies, and the impact that this form of political communication has had on the Russian public sphere. Sofya Glazunova is a Postdoctoral Research Fellow within the Digital Media Research Centre at the Queensland University of Technology in Australia. Glazunova specialises in political communication, digital resistance, Russian media, disinformation, fake news, and digital propaganda. In addition to Digital Activism in Russia: The Communication Tactics of Political Outsiders (2022), she is the co-author of the Global Disinformation Index

In queer culture, silence has been equated with voicelessness, complicity, and even death. Queer Silence: On Disability and Rhetorical Absence (U Minnesota Press, 2022) insists, however, that silence can be a generative and empowering mode of survival. Triangulating insights from queer studies, disability studies, and rhetorical studies, J. Logan Smilges explores what silence can mean for people whose bodyminds signify more powerfully than their words. Queer Silence begins by historicizing silence’s negative reputation, beginning with the ways homophile activists rejected medical models pathologizing homosexuality as a disability, resulting in the silencing of disability itself. This silencing was redoubled by HIV/AIDS activism’s demand for “out, loud, and proud” rhetorical activities that saw silence as capitulation. Reading a range of cultural artifacts whose relative silence has failed to attract queer attachment, from anonymous profiles on Grindr to ex-gays to belated gender transitions to disability perf

Frans Camphuijsen explored records from the law courts of York, Paris, and Utrecht and used them as a base for Scripting Justice in Late Medieval Europe: Legal Practice and Communication in the Law Courts of Utrecht, York, and Paris (Amsterdam University Press, 2022). Late medieval societies witnessed the emergence of a particular form of socio-legal practice and logic, focused on the law court and its legal process. In a context of legal pluralism, courts tried to carve out their own position by influencing people's conception of what justice was and how one was supposed to achieve it. These "scripts of justice" took shape through a range of media, including texts, speech, embodied activities and the spaces used to perform all these. Looking beyond traditional historiographical narratives of state building or the professionalization of law, this book argues that the development of law courts was grounded in changing forms of multimedial interaction between those who sought justice and those who claimed to pr

In Fandom, the Next Generation (University of Iowa Press, 2022), Bridget Kies and Megan Connor have edited the first collection to offer a close study of fan generations, which are defined not only by fans’ ages, but by their entry point into a canon or via their personal politics. Divided into three parts--Reboots, Revivals, and Nostalgia; Generations of Enduring Fandoms; and Generation Tensions--contributors further the conversation about how generational fandom is influenced by and, in turn, influences technologies, industry practices, and social and political changes. As reboot culture continues, as franchises continue expanding over time, and as new technologies enable easier access to older media, Fandom, the Next Generation offers a necessary investigation into transgenerational fandoms and intergenerational fan relationships. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices i

On August 6, 2020, the Trump Administration issued a ban on TikTok in the United States, requiring that the owner, Beijing-based Bytedance, sell the company to American investors or shut it down. Legions of TikTokers were devastated at the possible loss of their beloved platform, and for what: a political grudge with China? American suitors like Walmart and Oracle tried to make a deal with Bytedance to keep the platform operating in the US. But then something curious happened. The Chinese government refused to let Bytedance sell TikTok on national security grounds. As it turns out, the pandemic era platform for dance challenges is a Chinese government asset. As digital technologies and social media have evolved into organizing forces for the way in which we conduct our work and social lives, the business logic that undergirds these digital platforms has become clear: we are their product. We give these businesses information about everything--from where we live and work to what we like to do for entertainment

In African Ecomedia: Network Forms, Planetary Politics (Duke UP, 2021), Cajetan Iheka examines the ecological footprint of media in Africa alongside the representation of environmental issues in visual culture. Iheka shows how, through visual media such as film, photography, and sculpture, African artists deliver a unique perspective on the socioecological costs of media production, from mineral and oil extraction to the politics of animal conservation. Among other works, he examines Pieter Hugo's photography of electronic waste recycling in Ghana and Idrissou Mora-Kpai's documentary on the deleterious consequences of uranium mining in Niger. These works highlight not only the exploitation of African workers and the vast scope of environmental degradation but also the resourcefulness and creativity of African media makers. They point to the unsustainability of current practices while acknowledging our planet's finite natural resources. In foregrounding Africa's centrality to the production and disposal of med

Robert J. Savage is a professor in the Boston College History Department and served as one of the directors of the University’s Irish Studies program for close to twenty years. He has been awarded Visiting Fellowships at Trinity College, Dublin, the University of Edinburgh, Queen’s University, Belfast and the University of Galway. Savage’s publications explore contemporary Irish and British history and include The BBC’s Irish Troubles: Television, Conflict and Northern Ireland (2015) short listed for the Ewart-Biggs Literary Award; A Loss of Innocence? Television and Irish Society 1960-1972, (2010) winner of the James S. Donnelly Sr. Book Prize from the American Conference for Irish Studies and Sean Lemass, a biography (2014). In this interview, he discusses his new book Northern Ireland, the BBC and Censorship in Thatcher’s Britain (Oxford University Press, 2022), which explores issues of censorship, paramilitary violence and British and international politics in the 1980s. Northern Ireland, the BBC and Cens

Many of today’s digital technologies inadvertently amplify the power structures and prejudices of wider society. By examining the way digital tools and platforms are designed, built, and maintained, this BWB Text aims to identify how we can do better for everyone in Aotearoa. Following on from the success of Shouting Zeros and Ones (BWB Texts), More Zeros and Ones: Digital Technology, Maintenance and Equity in Aotearoa New Zealand (Bridget Williams Books, 2022) includes writers with specific expertise in applying topics such as environmental science, law, and Te Tiriti o Waitangi to recent developments in technology. More Zeros and Ones continues the exploration of emerging issues for digital technology and society in Aotearoa New Zealand. Contributors Dr Nessa Lynch, Amber Craig, Hīria Te Rangi, Dr Sarah Bickerton, Sarah Pritchett, Hannah Blumhardt, Dr Paul Smith, Professor Graeme Austin, Siobhan McCarthy, Dr Karaitiana Taiuru, Dr Andrew Chen, Dr Karly Burch, Dr Moana Nepia, Nicholas Jones, Dr Marama Muru-Lan

In 2020, during the nadir of the pandemic, Annie Rauwerda began posting strange, humorous, and obscure Wikipedia entries on social media. She dubbed her project Depths of Wikipedia, and after several hundred posts on Instagram and Twitter, she began to amass a following of fellow Wikipedians. More than two years later, Depths of Wikipedia has more than one million followers and a touring live comedy show. In addition to professionally browsing Wikipedia, Annie works with the Wikimedia Foundation on a number of exciting projects. In this interview, Annie describes her spectacular rise to Wiki-fame, her burgeoning career as a comedian, and the future of the internet. Depths of Wikipedia is a bright spot in our fraught social media landscape. Follow Annie's work on Instagram (@depthsofwikipedia) and Twitter (@depthsofwiki). You can also find her other projects, live shows, and a submission form for Wiki finds here: https://linktr.ee/depthsofwiki... Annie Rauwerda is a writer and the creator of Depths of Wikipedi