New Books In Communications

Will voters this fall be voting for or against Donald Trump, even though he isn’t on the ballot? Will they be voting on national issues, such as immigration or relations with North Korea, even when the election is for city council or mayor? If all politics is ultimately local, then the answer should be no. Instead, most assume that national issues will dominate vote choice up and down the ballot in 2018. For Daniel Hopkins, this is not a new phenomenon: the United States has been nationalizing for a long time, and political behavior has long reflected it. Hopkins is the author of The Increasingly United States: How and Why American Political Behavior Nationalized (University of Chicago Press, 2018). He is associate professor in the Political Science Department at the University of Pennsylvania. In his new book, Hopkins marshals an incredible amount of data, from reanalysis of existing data to newly collected surveys to original experiments. From this mound of data, he shows how US politics has nationalized a

The recent Supreme Court Masterpiece Cakeshop ruling showed the on-going debate between religious conservatives and advocates of LGBTQ rights. Much of this debate has been about the definition of religious freedom and how to balance religious rights against other important individual rights. This is the topic of the new book The Rhetoric of Religious Freedom in the United States (Lexington Books, 2017). Eric Miller has brought together over a dozen scholars to consider the language used to argue over these rights claims. Chapters focus on everything from Conservative Evangelicals to environmental policy to Fundamentalists response to Donald Trump. Eric C. Miller is assistant professor of communication studies at Bloomsburg University of Pennsylvania. Learn more about your ad choices. Visit megaphone.fm/adchoices

As part of its effort to forge a new secular Jewish nation, the nascent Israeli state tried to limit Jewish religiosity. However, with the steady growth of the ultraorthodox community and the expansion of the settler community, Israeli society is becoming increasingly religious. Although the arrival of religious discourse in Israeli politics has long been noticed, its cultural development has rarely been addressed. In his new book Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016), Yaron Peleg explores how the country’s popular media, principally film and television, reflect this transformation. In doing so, it examines the changing nature of Zionism and the place of Judaism within it. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here. Learn more about your ad choices. Visit megaphone.

In Middle Eastern history, the printing press has been both over- and under-assigned significance as an agent of social change. Hala Auji’s Printing Arab Modernity: Book Culture and the American Press in Nineteenth-Century Beirut (Brill, 2016) is not only a history of the American Protestant mission’s Arabic press in Beirut, which printed books  for Ottoman readers during the 19th century, but a window into the world of Arabic printing at large. Auji uses art history to chart the transition between manuscripts and printed books, using a deep appreciation for Islamic art and book-production to highlight rupture and continuity. Text and non-textual elements are used to tell a story that was not local simply to Beirut, but had connections to the entire region and the development of printing in Arabic-language script at large. Part book-history, part art history, part intellectual history, Printing Arab Modernity ebbs between lithography and typography to tell an essential narrative of modern Middle Eastern histo

To find out what Americans really think about their government, University of Texas-Austin Professor Roderick P. Hart read and analyzed approximately 10,000 letters to the editor, from 12 “ordinary” cities, written between 1948 and the present. In Civic Hope: How Ordinary Americans Keep Democracy Alive (Cambridge University Press, 2018), Hart argues these letter writers are essential because “[c]reating and sustaining a culture of argument at the grassroots level” is what makes “democracy flourish.” Despite the sometimes cantankerous nature of letter writers, Hart praises their commitment to participating in a public dialogue. He notes the importance of sharing opinions in local newspapers in one’s own name, where neighbors can see them and respond to them, aiding communal understanding. But Hart also sees in his research a decline over the past several decades in “Oppositional Literacy,” the understanding of opposing views, possibly fed by “hyper-partisanship” in non-local online discourse. Nevertheless, “Ci

The Lòlop’ò of Southwest China’s Yunnan Province have a folktale in which they, Han Chinese, and Tibetans were given the technology of writing. The Han man was wealthy, purchased paper, and wrote on paper. And so the Han continue to have writing today. The Tibetan man wrote on an animal hide, and so the Tibetans now have writing as well. The Lòlop’ò man, being poor, wrote on buckwheat pancakes. He ate the pancakes on the way home, and the Lòlop’ò now keep their texts orally among a group of ritual specialists. In Erik Mueggler’s Songs for Dead Parents: Corpse, Text, and World in Southwest China (University of Chicago Press, 2017), Lòlop’ò oral literature and Han Chinese writing feature prominently in local “work on the dead.” For the Lòlop’ò, one’s familial ancestors, and non-familial ancestors are present in the world, and people maintain complex intimate relations with them that are not constrained by death. These relations find expression in rituals in which souls are given material body and then dispersed

In his new book, The World’s Din: Listening to Records, Radio and Films in New Zealand 1880–1940 (Otago University Press, 2018), Peter Hoar, a senior lecturer in radio and media history at Auckland University of Technology, explores how new technology shaped how New Zealanders experienced the very act of listening in the late 19th and early 20th century.  Hoar traces how this cultural revolution in sound reflected new global possibilities in recordings, radio, and film that New Zealanders made all their own. Learn more about your ad choices. Visit megaphone.fm/adchoices

Follow-up interviews are always fun. Listen to my follow-up interview with Dahlia Schweitzer, author of Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018). I talk with her and Rob Thomas, the creator of Veronica Mars and the co-creator of iZombie and Party Down as well as the author of several young adult novels including Rats Saw God and Slave Day. In this interview we talk about how Schweitzer’s book discusses some of the ways in which Thomas’ series iZombie is ahead of its time, while Thomas shares some of the stories behind co-creating and writing iZombie. In addition, we discuss Thomas’ work on Veronica Mars, how the series came to be, as well as the ways in which it relates to Schweitzer’s new book. It’s a great interview for zombie lovers and marshmallows alike. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She i

Veiled Superheroes: Islam, Feminism, and Popular Culture (Lexington Books, 2017) by Sophia Rose Arjana (with Kim Fox), takes us on a riveting journey through the world of superheroes and villains from the streets of New York to Pakistan. The book is a creative, masterful, and fascinating analysis of female Muslim superheroes in popular comic books and animation.  Through the use of global examples, such as Ms. Marvel, Burka Avenger and Bloody Nasreen, just to name a few, Arjana engages her readers beyond reductive discussions of the veil, sexuality, and gender to highlight the ever-complex ways in which female Muslim superheroes can help us engage constructively with ideas of Islamic feminism, the Muslim female body, intersectionality, and even notions of violence. With supernatural powers, such through the mystical arts (i.e., Sufism), or human qualities of courage and bravery, the Muslimah superheroes featured in this study capture the real and complex lives of Muslim women globally, and the vast negotiatio

Appeals to “press freedom” can be heard from across the political spectrum. But what those appeals mean varies dramatically. Sam Lebovic, in his excellent new book, Free Speech and Unfree News: The Paradox of Press Freedom in America (Harvard University Press, 2016), traces the fraught history of that contested concept throughout the twentieth century. Beginning his analysis in the 1920s, Lebovic shows how conservative politicians, lawyers, and publishers began to define press freedom as freedom from state censorship, wrapped it in the first amendment, and fought New Deal attempts at regulation. Meanwhile, liberal politicians and journalists feared corporate control of the press as a threat to the democratic need for information, and advocated a freer and more trustworthy press. Not interested solely in the debates over press freedom, Lebovic also focuses on, what he calls, “the everyday politics of information.” He reveals how state classification practices and the political economy of the news fundamentally

It seems safe to assume that media coverage changes the behavior of politicians and voters.  And it seems safe to assume this happens in cases of humanitarian crisis. But it’s really hard to go beyond these platitudes to determine exactly how this feedback loop works.  John Nathaniel Clarke’s new book, British Media and the Rwandan Genocide (Routledge, 2018), uses Rwanda as a test case to tease out the relationship between media coverage and policy.  To do so, he uses carefully structured, labor intensive and analytically rich process to determine exactly what the media was reporting and writing about the genocide.  By examining the media coverage so systematically, he is also able to detect changes over time in the nature of the reporting.  He then examines the way in which members of parliament respond to the reports, analysis and op-eds in a variety of British newspapers. Clarke knows his way around an excel spreadsheet, and his analysis is statistically sophisticated and his conclusions carefully consid

What do Mary Shelley’s Frankenstein, media theorist Marshall McLuhan and Canadian popular culture have in common? This is the question that Mark A. McCutcheon seeks to answer in his new book, The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology, published in 2018 by Athabasca University Press. In this unique and penetrating analysis, McCutcheon argues that Shelley’s 1818 novel essentially reinvented the word “technology” for the modern age, establishing its connections with ominous notions of manmade monstrosity. In the twentieth century, this monstrous, Frankensteinian conception of technology was globalized and popularized largely through Marshall McLuhan’s media theory and its numerous, diverse adaptations in Canadian popular culture. The Medium is the Monster establishes Frankenstein, and its various adaptations, as the originating intertext for a modern conceptualisation of technology that has manifested with a unique potency in Canadian pop culture, informing w

The use of our data and the privacy, or lack thereof, that we have when we go online has become a topic of increasing importance as technology becomes ubiquitous and more sophisticated. Governments, advocacy groups and individual citizens are demanding that action be taken to protect their valuable data. But what does this sporadic noise amount to? B.J. Mendelson in his book Privacy: And How to Get It Back (Curious Reads, 2017) argues that a complacent citizenry and the overly-intimate relationship that corporations have with government has led to massive breaches of people’s privacy. Mendelson humorously explains the way people’s data is used and abused as he tracks the long history of government surveillance leading to an explanation of, what he believes, could be the solution to the abuse of people’s privacy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I was joined by Seamus Grimes from Ireland where he is Emeritus Professor at the National University of Ireland, Galway. With Yutao Sun (Dalian University of Technology), he just published a very interesting and timely book China and Global Value Chains: Globalization and the Information and Communications Technology Sector (Routledge, 2018). President Trump has raised the intriguing question of bringing the manufacturing of companies like Apple back from China to the U.S. This book, however, argues that in this age of the knowledge-based economy and increased globalization, that value creation and distribution based on knowledge and innovation activities are at the core of economic development. The double-edged sword of globalization has transformed China’s economic development in the past few decades. Although China has benefitted from globalization and is now the second largest economy in the world, having become a global manufacturing power and the biggest exporter of high-tech products, it continu

How does the portrayal of a character like Apu matter? What does the representation of South Asian TV characters tell us about society at large?  In her new book, South Asians on the U.S. Screen: Just Like Everyone Else? (Lexington Books, 2018), Bhoomi Thakore uses interviews and audience studies to explore these questions and more. By having participants list South Asian characters they’ve seen on TV, she learns a lot about representation in addition to the positive and negative characteristics attributed to these characters. Often times South Asians are relegated to minor characters in shows and Thakore explores how The Mindy Project breaks out of this mold. Exploring ideas and concepts including “forever foreigners,” assimilation, and acculturation, Thakore analyzes this media sociologically. The book also sheds light on the portrayal of South Asian female characters specifically, as well as how some shows emphasize the “every-day”-ness of some South Asian characters versus those portrayed as tokens. Overa

How do the media make race? This question is at the heart of Race and the Cultural Industries (Polity, 2018), the new book by Anamik Saha, Lecturer in Media, Communications and Promotion at Goldsmiths, University of London. The book sits between critical race theory and the political economy of culture, proving to be an astute and valuable contribution to a field that, as yet, has yet to find a definitive take on the question of race and the cultural industries. The book is filled with examples from media, including news rooms, publishing, music, theatre and film, as well as rich and detailed theoretical engagements with scholarship accounting for the often hidden structures that give us a culture dominated by the norms of whiteness. It is not only essential reading for media studies scholars, but also is important for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Unconventional, Partisan, and Polarizing Rhetoric: How the 2016 Election Shaped the Way Candidates Strategize, Engage, and Communicate (Rowman and Littlefield, 2017), Jeanine Kraybill, assistant professor of political science at Cal State University, Bakersfield, has edited a timely book on the 2016 election. From all accounts, the 2016 election was unusual, and the role of political communication was no different. Using a variety of methods, the chapter authors examine how rhetoric and political communication shaped the tone of campaigns and ultimate outcomes of the election. They study how candidates primed voters for an anti-establishment candidate. They also examine how political communication influenced key campaign issues such as climate change, immigration, national security, religion, and gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Natalia Roudakova’s book Losing Pravda: Ethics and the Press in Post-Truth Russia (Cambridge University Press, 2017) explores changes in the world of journalism in Russia in the last fifty years. Drawing from more than a decade of research of various ethnographic and historical sources, Roudakova approaches truth as a social category. She demonstrates that the status of truth was relatively secure and stable under the Soviet state socialism. It was the transformation from communism to capitalism that led to a drastic dissolution of a sense of responsibility towards the public and, consequently, into the very possibility to produce truth in the post-socialist era. Looking into everyday practices of Soviet journalists and the post-socialist transformation of the media, Losing Pravda provides a glimpse into one possible future of the US and other post-truth settings in the West. Exploring how truth-seeking and truth-telling work under different socio-political conditions, it offers a new, ethics-based vocabulary

Everyone loves a good conspiracy theory as we prep for the zombie apocalypse. In her new book Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018), Dahlia Schweitzer brings them together as she explores the outbreak narrative in popular film, television and other media. Examining the outbreak narrative in popular culture, Schweitzer traces the film cycle of the outbreak narrative as it plays out in the themes of globalization, terrorism, and the end of civilization. Schweitzer explores how popular cultural narratives in additional to official media sources heighten and perpetuate the fears created through the outbreak narrative. Although we leave in a world that is far safer today than most any time in history, the outbreak narrative as it is structured in popular culture creates a pattern of fear and conspiracy theories that are representative of larger societal panics. Well researched and covering a wide array of film, television, and other media that address the outbreak

Daniel Kapust‘s book, Flattery and the History of Political Thought: That Glib and Oily Art (Cambridge University Press, 2018), is a rich and fascinating exploration of political thought through the complex lens of the question or concept of flattery. The book traces this complicated concept through both many of the “expected” writers and thinkers in the western political theory canon while also integrating some unexpected thinkers. Kapust positions many of these thinkers in encounters with each other—exploring the kinds of conversations these thinkers might have with each other. The encounters between authors and texts tease out the differing understandings of flattery and the way that it can be used in political contexts as well as within the affective webs in which humans live and engage with one another on a personal level. Thus, Kapust situates flattery within politics, provides the reader with different definitions of flattery, and also teases out the differences between flattery and friendship. The boo