New Books In Dance

How can we make creative industries fair and inclusive? In Reimagining the Creative Industries: Youth Creative Work, Communities of Care (Routledge, 2021), Miranda Campbell, an associate professor in the School of Creative Industries at Ryerson University, explores this question theoretically and empirically to present a new vision for both young creative workers and creative production itself. Drawing on ideas of ordinariness and the everyday, along with the need for care and inclusivity, the book is critical of current creative industry practice at corporate level, whilst offering new models and new methods for making culture. With examples from a range of art and cultural forms, the book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for creative practitioners everywhere. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adcho

Edited by Charles Hiroshi Garrett and Carol J. Oja, Sounding Together: Collaborative Perspectives on U.S. Music in the Twenty-21st Century (University of Michigan Press, 2021) is a multi-authored, collaboratively conceived book of essays that tackles key challenges facing scholars studying music of the United States in the early twenty-first century. This book encourages scholars in music circles and beyond to explore the intersections between social responsibility, community engagement, and academic practices through the simple act of working together. The chapters of the volume address issues of race, nationalism, mobility, cultural domination, and identity; as well as the crisis of the Trump era and the political power of music. Each contribution to the volume is written collaboratively by two scholars, bringing together contributors who represent a mix of career stages and positions. Through the practice of and reflection on collaboration, Sounding Together breaks out of long-established paradigms of soli

Wim Wenders: Making Films That Matter (Bloomsbury, 2020) is the first book in 15 years to take a comprehensive look at Wim Wenders's extensive filmography. In addition to offering new insights into his cult masterpieces, the 10 essays in this volume highlight the thematic and aesthetic continuities between his early films and his latest productions. Wenders's films have much to contribute to current conversations on intermediality, whether it be through his adaptations of important literary works or his filmic reinventions of famous paintings by Edward Hopper or Andrew Wyeth. Wenders has also positioned himself as a decidedly transnational and translingual filmmaker taking on the challenge of representing peripheral spaces without falling into the trap of a neo-colonial gaze. Making Films That Matter argues that Wenders remains a true innovator in both his experiments in 3D filmmaking and his attempts to define a visual poetics of peace. Olivier Delers is Associate Professor of French and Chair of the Departm

What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures. Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself. Ubermorgen, Amazon Noir Núria Güell, Stateless by Choice, Humanitarian Aid Marina Abramović, The Artist is Present Ann Liv Young archive.org capture, Sheryl Is Present Lauren Barri Holstein Anna Watkins Fisher is a cultural and media theorist whose research sp

Stephanie M. Pridgeon's book Revolutionary Visions: Jewish Life and Politics in Latin American Film (U Toronto Press, 2020) examines recent cinematic depictions of Jewish involvement in 1960s and 1970s revolutionary movements in Latin America. In order to explore the topic, the book bridges critical theory on religion, politics, and hegemony from regional Latin American, national, and global perspectives. Placing these theories in dialogue with recent films, the author asks the following questions: How did revolutionary commitment change Jewish community and families in twentieth-century Latin America? How did Jews contribute to revolutionary causes, and what is the place of Jews in the legacies of revolutionary movements? How is film used to project self-representations of Jewish communities in the national project for a mainstream audience? Jewish involvement in revolutionary movements is rife with contradictions. On the one hand, it was a natural progression of patterns of political participation, based on

In 1963, sisters Barbara Ann and Rosa Hawkins and their cousin Joan Marie Johnson traveled from the segregated South to New York City under the auspices of their manager, former pop singer Joe Jones. With their wonderful harmonies, they were an immediate success. To this day, the Dixie Cups’ greatest hit, “Chapel of Love,” is considered one of the best songs of the past sixty years. In Chapel of Love: The Story of New Orleans Girl Group the Dixie Cups (University Press of Mississippi, 2021), Rosa Hawkins and Steve Bergsman discuss the ups and downs of one of the most successful girl groups of the early 1960s. Telling their story for the first time, in their own words, Chapel of Love reintroduces the Louisiana Music Hall of Famers to a new audience. Podcast guest Steve Bergsman is a longtime journalist who has written over a dozen books. His most recent book was a biography of Screamin’ Jay Hawkins. Emily Ruth Allen (@emmyru91) holds a PhD in Musicology from Florida State University. Her current research focus

Quyền Văn Minh (b. 1954) is not only a jazz saxophonist and lecturer at the prestigious Vietnam National Academy of Music, but he is also one of the most preeminent jazz musicians in Vietnam. Considered a pioneer in the country, Minh is often publicly recognized as the “godfather of Vietnamese jazz.” Playing Jazz in Socialist Vietnam: Quyền Văn Minh and Jazz in Hà Nội (UP of Mississippi, 2021) tells the story of the music as it intertwined with Minh’s own narrative. Stan BH Tan-Tangbau details Minh’s life story, telling how Minh pioneered jazz as an original genre even while navigating the trials and tribulations of a fervent socialist revolution, of the ideological battle that was the Cold War, of Vietnam’s war against the United States, and of the political changes during the Đổi Mới period between the mid-1980s and the 1990s. Minh worked tirelessly and delivered two breakthrough solo recitals in 1988 and 1989, marking the first time jazz was performed in the public sphere in the socialist state. To gain ja

Banksy is the world's most famous living artist, yet no one knows who he is. For more than twenty years, his wryly political and darkly humorous spray paintings have appeared mysteriously on urban walls around the globe, generating headlines and controversy. Art critics disdain him, but the public (and the art market) love him. With Banksy: Completed (MIT Press, 2021), artist and critic Carol Diehl is the first author to probe the depths of the Banksy mystery. Through her exploration of his paintings, installations, writings, and Academy Award-nominated film, Exit Through the Gift Shop, Diehl proves unequivocally that there's more to Banksy than the painting on the wall. Seeing Banksy as the ultimate provocateur, Diehl investigates the dramas that unfold after his works are discovered, with all of their social, economic, and political implications. She reveals how this trickster rattles the system, whether during his month-long 2013 self-styled New York “residency” or his notorious Dismaland of 2015, a full-s

Why does a clarinet play at lower pitches than a flute? What does it mean for sounds to be in or out of tune? How are emotions carried by music? Do other animals perceive sound like we do? How might a musician use math to come up with new ideas? This book offers a lively exploration of the mathematics, physics, and neuroscience that underlie music in a way that readers without scientific background can follow. David Sulzer, also known in the musical world as Dave Soldier, explains why the perception of music encompasses the physics of sound, the functions of the ear and deep-brain auditory pathways, and the physiology of emotion. He delves into topics such as the math by which musical scales, rhythms, tuning, and harmonies are derived, from the days of Pythagoras to technological manipulation of sound waves. Sulzer ranges from styles from around the world to canonical composers to hip-hop, the history of experimental music, and animal sound by songbirds, cetaceans, bats, and insects. He makes accessible a vas

Haaz Sleiman (هاز سليمان) is a Lebanese actor who has appeared as Tarek in Tom McCarthy’s 2007 award-winning film The Visitor, for which he was nominated for the Independent Spirit Award for Best Supporting Male and the role of Jesus in the American TV mini-series Killing Jesus. He’s also appeared alongside Edie Falco and Anna Deavere Smith (guest on The Proust Questionnaire) in the hit show Nurse Jackie, and stars in Chloe Zhao’s 2021 blockbuster Eternals, where he plays (spoiler alert!) the path-breaking role of Ben, the husband of superhero Phastos as the first wonderful, compelling, and courageous same-sex couple in the Marvel universe.  Ulrich Baer is University Professor at New York University where he teaches literature and photography, and writes frequently about photography, art, literature, and other subjects. He is also the host of the podcast “Think About It” and editorial director at Warbler Press. Twitter: @UliBaer; Intragram. Caroline Weber is a specialist of French literature, history, and cul

Inhospitable World: Cinema in the Time of the Anthropocene (Oxford UP, 2018) explores the connection between cinema and artificial weather, climates, and even planets in or on which hospitality and survival are at stake. Cinema’s dominant mode of aesthetic world-making is often at odds with the very real human world it is meant to simulate. The chapters in this book take the reader to a scene —the mise-en-scène— where human world-making is undone by the force of human activity, whether it is explicitly for the sake of making a film, or for practicing war and nuclear science, or for the purpose of addressing climate change in ways that exacerbate its already inhospitable effects. The episodes in this book emphasize our always unnatural and unwelcoming environment as a matter of production, a willed and wanted milieu, however harmful, that is inseparable from but also made perceivable through film. While no one film or set of films adds up to a totalizing explanation of climate change, cinema enables us to glim

The Physics of Banjos is based on an in-depth filmed conversation between Howard Burton and David Politzer, 2004 Nobel Laureate and the Richard Chace Tolman Professor of Theoretical Physics at Caltech. This extensive conversation examines many of the intriguing aspects associated with the physics of banjos, including the ocarina effect, string-stretching, the subtleties of how we hear pitch, transient growth, and the mysterious ringing sound of banjos; while also touching briefly on contemporary issues in black holes and particle physics. Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Today, oral histories of everyday Singaporeans are more widely circulated in the nation’s mediascape than ever before. At first glance, storytelling in Singapore appears to have lost its monolithic quality, becoming diffuse and diversified. But as Dr Cheng Nien Yuan argues, Singapore has become a Storytelling State, marketing bite-sized pieces of consumable lives as authentic windows to the private self. The result is the use of personal stories within the neoliberal public sphere, mirroring a growing global phenomenon. To tell this story, Dr Natali Pearson is joined by Dr Cheng Nien Yuan to discuss her award-winning research that charts Singapore’s development into a storytelling state over the last decade. About Cheng Nien Yuan: Cheng Nien Yuan is an Honorary Associate at the University of Sydney’s School of Literature, Art and Media, as well as the Sydney Southeast Asia Centre. Her research centres around the politics and poetics of storytelling in Singapore. She obtained her PhD in Theatre and Performance

The Strange Genius of Mr. O.: The World of the United States' First Forgotten Celebrity (Omohundro Institute of Early American History and Culture and the University of North Carolina Press, 2021) by Carolyn Eastman is at once the biography of a remarkably odd celebrity---a gaunt, opium-addicted Scottish orator who lectured in a toga--and a tour of the fledgling United States. James Ogilvie arrived in the United States in 1793 as an educated, impoverished, and deeply ambitious teacher. By the time he returned to Britain in 1819, he was a celebrity known simply as "Mr. O" who counted the nation's leading politicians, writers, and intellectuals among his admirers. Following Ogilvie on lecture tours from the Atlantic coast as far west as frontier Kentucky, Eastman reconstructs his path to renown, explaining how and why Ogilvie mattered to the citizens of the early republic. His example inspired countless men and more than a few women to become amateur orators and helped inaugurate America's golden age of oratory

Firebird and the Fox: Russian Culture under Tsars and Bolsheviks (Cambridge UP, 2019) by Jeffrey Brooks, Professor of History at Johns Hopkins University, is a summa of his lifetime study of Russian culture. In doing so, Brooks provides a needed corrective to the prior standard work, now over 50 years old. Firebird and the Fox chronicles a century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it. Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm & Carry On Investing podcast are at https://strategicdividendinves... Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The 2015 #WakingTheFeminists Campaign for gender equality in Irish theatre highlighted the marginalization of women in this industry and led to several significant initiatives that interrogated existing theater practices and pushed for inclusion and representation. Inspired by this movement, three academics, David Clare, Fiona McDonagh, and Justine Nakase, joined forces to co-edit a two-volume collection of scholarship on Irish women playwrights. In this episode, these three scholars discuss their new volumes entitled The Golden Thread: Irish Women Playwrights (1716-2016) (Liverpool UP 2021). Spanning from the eighteenth-century to the present day, The Golden Thread brings together the work of leading scholars in Irish theater and women’s writing with that of theater practitioners to recover the often-hidden contributions of women playwrights. The collection develops a counter-canon of Irish playwrights that examines issues of class, sexuality, and disability. Colleen English is a scholar of Irish and Romanti

Instruments of Empire: Filipino Musicians, Black Soldiers, and Military Band Music during US Colonization of the Philippines published in 2021 by the University Press of Mississippi by Mary Talusan focuses on the Philippine Constabulary band, a military band organized in 1902 that served the colonial government in the Philippines until World War II. Founded and led for most of its history by Walter Loving, a Black soldier in the American military, the band visited the United States four times between 1904 and 1939 and it is these visits that Talusan examines in Instruments of Empire. Listening with what Talusan calls the imperial ear, American commentators understood the group’s command of the standard band repertory of the period not as a result of the Filipino musician’s training and skill, but as evidence of their so-called natural musical ability which had been tamed by the allegedly civilizing influence of American colonial rule. Tracing the band’s reception over time, Talusan analyzes the cultural, poli

In Indirect Subjects: Nollywood's Local Address (Duke UP, 2021), Matthew H. Brown analyzes the content of the prolific Nigerian film industry's mostly direct-to-video movies alongside local practices of production and circulation to show how screen media play spatial roles in global power relations. Scrutinizing the deep structural and aesthetic relationship between Nollywood, as the industry is known, and Nigerian state television, Brown tracks how several Nollywood films, in ways similar to both state television programs and colonial cinema productions, invite local spectators to experience liberal capitalism not only as a form of exploitation but as a set of expectations about the future. This mode of address, which Brown refers to as “periliberalism,” sustains global power imbalances by locating viewers within liberalism but distancing them from its processes and benefits. Locating the wellspring of this hypocrisy in the British Empire's practice of indirect rule, Brown contends that culture industries li

In The Girl Singer (Fireside Industries, 2021), her latest collection of poems, Marianne Worthington weaves together nature writing, feminism, and country music to form a powerful strand of interlocking poems. In the book's first section, Worthington inhabits famous woman singers like Hazel Dickens and Sara Carter, but also unsung artists who struggled to find a voice or an audience in the patriarchal world of country music. Later sections pivot to more personal themes, but the resonances of the first section remain in lines that recall the lyrics of folksongs, evocations of the singing of birds, and poems that make use of traditional song structure. The collection as a whole is an immensely satisfying volume that should appeal to poetry fans in general, as well as fans of country, folk, and old-time music. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choi

By March 2020, the spread of COVID-19 had reached pandemic proportions, forcing widespread shutdowns across industries, including Hollywood. Studios, networks, production companies, and the thousands of workers who make film and television possible were forced to adjust their time-honored business and labor practices. In Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID (U Texas Press, 2021), Kate Fortmueller asks what happened when the coronavirus closed Hollywood. Hollywood Shutdown examines how the COVID-19 pandemic affected film and television production, influenced trends in distribution, reshaped theatrical exhibition, and altered labor practices. From January movie theater closures in China to the bumpy September release of Mulan on the Disney+ streaming platform, Fortmueller probes various choices made by studios, networks, unions and guilds, distributors, and exhibitors during the evolving crisis. In seeking to explain what happened in the first nine months of 2020, th