New Books In Art

Drawing from sources including the ethology of art and the cognitive science of religion, An Ethology of Religion and Art: Belief as Behavior (Routledge, 2020) proposes an improved understanding of both art and religion as behaviors developed in the process of human evolution. Looking at both art and religion as closely related, but not identical, behaviors a more coherent definition of religion can be formed that avoids pitfalls such as the Eurocentric characterization of religion as belief or the dismissal of the category as nothing more than false belief or the product of scholarly invention. The book integrates highly relevant insights from the ethology and anthropology of art, particularly the identification of "the special" by Ellen Dissanayake and art as agency by Alfred Gell, with insights from, among others, Ann Taves, who similarly identified "specialness" as characteristic of religion. It integrates these insights into a useful and accurate understanding and explanation of the relationship of art a

The idea that women are dangerous - individually or collectively - runs throughout history and across cultures. Behind this label lies a significant set of questions about the dynamics, conflicts, identities and power relations with which women live today. The Art of Being Dangerous: Exploring Women and Danger through Creative Expression (Leuven UP, 2021) offers many different images of women, some humorous, some challenging, some well-known, some forgotten, but all unique. In a dazzling variety of creative forms, artists and writers of diverse identities explore what it means to be a dangerous woman. With almost 100 evocative images, this collection showcases an array of contemporary art that highlights the staggering breadth of talent among today's female artists. It offers an unparalleled gallery of feminist creativity, ranging from emerging visual artists from the UK to multi-award-winning writers and translators from the Global South. This book emerges from the Dangerous Women Project. For more informati

Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities.  Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What role do algorithms play in the construction of images and the representation of the world and weather in computer games? How does the design of rooms, levels and topographies influence the decisions and behavior of the players? Is Brutalism the first genuine architectural style of computer games? What is the importance of landscape gardens and national parks in structuring game worlds? How is nature represented in times of climate change? Particularly in the last 20 years, digital game worlds are adapting features of the physical real world more meticulously than ever before. Through elaborate production processes and complex visualization strategies, the adaptation to the rest of our everyday world is always created in dependence on game mechanics and worldliness. As can be seen at the latest in the example of open-world games, the adoption of certain worldviews and visual traditions leads to ideological implications that go far beyond the narrative conventions transferred from other media formats that

Digging My Own Grave: The Films of Caveh Zahedi (Factory 25, 2015) is the most comprehensive collection of filmmaker Caveh Zahedi possible with 36 films including: A Little Stiff, I Don’t Hate Las Vegas Anymore, In the Bathtub of the World, Tripping with Caveh, I Am a Sex Addict, and The Sheik and I. Writings by Bill Brown, Arnold Barkus, Greg Watkins, Thomas Logoreci, Alison Bechdel, Amanda Field, Richard Clark, Britta Sjorgren, Matthew L. Weiss, Jay Duplass, Lena Dunham, Akira Lippitt, Don Lennon, Josh Safdie, Jay Rosenblatt, and Caveh Zahedi. Caveh Zahedi is an independent filmmaker and Assistant Professor of Screen Studies at the New School. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Stephen Ramsey's On the Digital Humanities: Essays and Provocations (University of Minnesota Press, 2023) is a witty and incisive exploration of the philosophical conundrums that animate the digital humanities. Since its inception, the digital humanities has been repeatedly attacked as a threat to the humanities: warnings from literary and cultural theorists of technology overtaking English departments and the mechanization of teaching have peppered popular media.  Stephen Ramsay’s On the Digital Humanities, a collection of essays spanning the personal to the polemic, is a spirited defense of the field of digital humanities. A founding figure in what was once known as “humanities computing,” Ramsay has a well-known and contentious relationship with what is now called the digital humanities (DH). Here Ramsay collects and updates his most influential and notorious essays and speeches from the past fifteen years, considering DH from an array of practical and theoretical perspectives.  The essays pursue a broad v

Airplanes, gas masks, and bombs were common images in wartime Japan. Yet amid these emblems of anxiety, tasty caramels were offered to children with paper gas masks as promotional giveaways, and magazines featured everything from attractive models in the latest civil defense fashion to futuristic weapons. Gas Mask Nation: Visualizing Civil Air Defense in Wartime Japan (U Chicago Press, 2023) explores the multilayered construction of an anxious yet perversely pleasurable visual culture of Japanese civil air defense--or bōkū--through a diverse range of artworks, photographs, films and newsreels, magazine illustrations, postcards, cartoons, advertising, fashion, everyday goods, government posters, and state propaganda. Gennifer Weisenfeld reveals the immersive aspects of this culture, in which Japan's imperial subjects were mobilized to regularly perform highly orchestrated civil air defense drills throughout the country. The war years in Japan are often portrayed as a landscape of privation and suppression unde

Art of Transition: The Field of Art in Post-Soviet Russia (Routledge, 2022) investigates contemporary art in Russia since the end of the Soviet Union. By drawing on historical and ethnographic research, this study examines the challenges faced by Russian artists in building a field of art as their society underwent rapid and significant economic, political, and social transformation. In doing so, the book constructs a genealogy of the contemporary field of post-socialist art, and illuminates how Russians have come to understand themselves and their place in the world. Elise Herrala is a Visiting Assistant Professor of Sociology at Haverford College. She is a sociologist of art and culture, and her research examines the dynamics of cultural production, and in particular the ways in which culture functions to reproduce inequality. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming

Who was Harry Smith? Was he an anthropologist, a filmmaker, a painter? Was he a charlatan? A genius? Was he a moocher, a schmuck, a bum? As John Szwed's Cosmic Scholar: The Life and Times of Harry Smith (FSG, 2023) reveals, Smith was all of these and more. Best known for editing The Anthology of American Folk Music, Smith was also a pioneer in experimental film who Jonas Mekas considered one of the leading lights of the New American Cinema. He created paintings that attempted to transcribe bebop recordings. He acted as mysticism consultant on the 1967 effort to levitate the Pentagon. But he also spent years living in poverty, in SROs, at the Chelsea Hotel, or at the apartments of famous friends like Allen Ginsberg. The story of Harry Smith is thus also a story of a vanished New York Bohemia that mixed high and low, the street and the gallery, the Bowery and MOMA, to create one of the most remarkable outpourings of cultural production this country has even seen. And Smith was at the center of it all. Andy Boyd

In Jewish Women in Comics: Bodies and Borders (Syracuse UP, 2022), contributors draw upon a rich treasure trove of Jewish women’s comics to explore the representation of Jewish women’s bodies and bodily experiences in pictorial narratives. Spanning national, cultural, and artistic borders, the essays shine a light on the significant contributions of Jewish women to comics. The volume features established figures including Emil Ferris, Amy Kurzweil, Miriam Libicki, Trina Robbins, Sharon Rudahl, and Ilana Zeffren, alongside works by artists translated for the first time into English, such as artist Rona Mor. Exploring topics of family, motherhood, miscarriages, queerness, gender and Judaism, illness, war, Haredi and Orthodox family life, and the lingering impact of the Holocaust, the contributors present unique, at times intensely personal, insights into how Jewishness intersects with other forms of identity and identification. In doing so, the volume deepens our understanding of Jewish women’s experiences. Nat

Hamid Keshmirshekan's book The Art of Iran in the Twentieth and Twenty-First Centuries: Tracing the Modern and the Contemporary (Edinburgh UP, 2023) deals with the exploration and theorization of Modern and Contemporary art of Iran through the examination of art movements and artistic practices in relation to other cultural, social and political discourses during the twentieth and twenty-first centuries. It focuses on discourses and their impact on art movements and practices and aims to selectively explore certain prevailing debates in action during this time. To come to grips with the way that artistic trends in Iran can be traced within the intellectual and political landscape of the country mainly from the 1940s to the present, Keshmirshekan articulates new ideas for relating art to its wider context--whether social, cultural or political--and to bring together critical and historical evidence in order to provide an insight into current artistic concerns. The book explores these underlying themes and disc

Vanessa I. Corredera’s book Reanimating Shakespeare's Othello in Post-Racial America (Edinburgh Univeristy Press, 2022) looks at how that seventeenth-century play and its protagonist was imagined in theatre, television, and other media between 2008 and 2016. Corredera’s analysis ranges from the sketch comedy Key & Peele to Keith Hamilton Cobb’s play American Moor, from ever-persistent tradition of minstrel Othello to the reimagining of Shakespeare’s play by writers of color. Bringing together examples of cultural texts that perpetuate anti-black racism and other artifacts that offer anti-racist possibilities, Corredera’s book helps us to understand this recent moment in U.S. history. At times, to quote Reanimating Shakespeare’s Othello in Post-Racial America, creators like Serial’s Sarah Koenig “have operationalize[d] what this book demonstrates is in fact the common Othello narrative without truly thinking about its force, wielding Shakespearean authority without any regard as to the potentially subjugating

the near universal disappearance of shared social enterprise: the ruling class builds walls and lunar shuttles, while the rest of us contend with the atrophy of institutional integrity and the utter abdication of providing even minimal shelter from looming disaster. The irony of the Anthropocene era is that, in a neoliberal culture of the self, it is forcing us to consider ourselves as a collective again. For those of us who are not wealthy enough to start a colony on Mars or isolate ourselves from the world, the Anthropocene ends the fantasy of sheer individualism and worldlessness once and for all. It introduces a profound sense of time and events after the so-called "end of history" and an entirely new approach to solidarity. How to Live at the End of the World: Theory, Art, and Politics for the Anthropocene (Stanford UP, 2022) is a hopeful exploration of how we might inherit the name "Anthropocene," renarrate it, and revise our way of life or thought in view of it. In his book on time, art, and politics i

Praying to Portraits: Audience, Identity, and Inquisition in the Early Modern Hispanic World (Penn State University Press, 2023), art historian Adam Jasienski examines the history, meaning, and cultural significance of a crucial image type in the early modern Hispanic world: the sacred portrait. Across early modern Spain and Latin America, people prayed to portraits. They prayed to “true” effigies of saints, to simple portraits that were repainted as devotional objects, and even to images of living sitters depicted as holy figures. Jasienski places these difficult-to-classify image types within their historical context. He shows that rather than being harbingers of secular modernity and autonomous selfhood, portraits were privileged sites for mediating an individual’s relationship to the divine. Using Inquisition records, hagiographies, art-theoretical treatises, poems, and plays, Jasienski convincingly demonstrates that portraiture was at the very center of broader debates about the status of images in Spain

Today’s guest is Ramzi Fawaz, the Romnes Professor of English at the University of Wisconsin-Madison. Published by NYU Press in 2016, The New Mutants: Superheroes and the Radical Imagination of American Comics is his first book. In 2022, Ramzi published Queer Forms, for which he was interviewed by Lilly Goren for the New Books in Political Science channel. He is also the co-editor of Keywords for Comics Studies, with Deborah Whaley and Shelley Streeby, both with NYU Press. Ramzi’s recently published articles include “Legions of Superheroes: Diversity, Multiplicity, and Collective Action Against Genocide in the Superhero Comic Book,” in Social Text; and wrote the introduction to “Queer About Comics,” a special issue of American Literature, with Darieck Scott. A bit about the book:  n 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fi

The late nineteenth century witnessed a rapid increase in colonial conflicts throughout the French and British empires. It was also the period in which the first mass-produced cameras became available. Colonial authorities were quick to recognise the power of this new technology, which they used to humiliate defeated opponents and project an image of supremacy across the world. Drawing on a wealth of visual materials, from soldiers’ personal albums to the collections of press agencies and government archives, The Violence of Colonial Photography (Manchester UP, 2022) offers a new account of how conflict photography developed in the decades before the First World War. It explores the ways the camera was used to impose order on subject populations in Africa and Asia and to generate propaganda for the public in Europe, where a visual economy of violence was rapidly taking shape. At the same time, the book reveals how photographs could escape the intentions of their creators, offering a means for colonial subject

Contemporary art in the early twenty-first century is often discussed as if the very idea of art that is contemporary is new. Yet all works of art were once contemporary. In What Was Contemporary Art? Richard Meyer reclaims the contemporary from historical amnesia, and gives the contemporary its own art history. By exploring episodes in the study, exhibition, and reception of early twentieth-century art and visual culture, Meyer retrieves moments in the history of once-current art and redefines “the contemporary” as a condition of being alive to and alongside other moments, artists, and objects. A generous selection of images, many in color—from works of fine art to museum brochures and magazine covers—support and extend Meyer's narrative. These works were contemporary to their own moment. Now, in Meyer's account, they become contemporary to ours as well. Richard Meyer is Professor of Art History at Stanford University. He is the author of Outlaw Representation: Censorship and Homosexuality in Twentieth-Centu

Photography matters, writes Jerry Thompson, because of how it works--not only as an artistic medium but also as a way of knowing. With this provocative observation, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. In Why Photography Matters, he constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote "Tell all the Truth but tell it slant") to detailed readings of photographs by Eugène Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. Forcefully and persuasively, he argues for photography as a medium whose business is not constructing fantasies pleasing to the eye or imagination, but describing the world in the toughest and deepest way. Jerry L. Thompson is a working photographer who also writes about photography. He worked as Walker Evans’s principal assistant from 1973 to Evans’

In December 1936, a villager was led by a dream to the ruins of the West Mebon shrine in Angkor where he uncovered remains of a bronze sculpture. This was the West Mebon Visnu, the largest bronze remaining from pre-modern Southeast Asia, and a work of great artistic, historical, and political significance. Prominently placed in an island temple in the middle of the vast artificial reservoir, the West Mebon Visnu sculpture was an important focal point of the Angkorian hydraulic network. Interpretations of the statue, its setting, date, and role have remained largely unchanged since the 1960s--until now.  Integrating the latest archaeological and historical work on Angkor, extensive art historical analysis of the figure of Visnu Anantasayin in Hindu-Buddhist art across the region, and a detailed digital reconstruction of the sculpture and its setting, Marnie Feneley brings new light to this important piece. Marnie Feneley's Reconstructing God: Style, Hydraulics, Political Power and Angkor's West Mebon Visnu (Na

Taylor McCall's The Art of Anatomy in Medieval Europe (Reaktion, 2023) is the first history of medieval European anatomical images. Richly illustrated, The Art of Anatomy in Medieval Europe explores the many ways in which medieval surgeons, doctors, monks, and artists understood and depicted human anatomy. Taylor McCall refutes the common misconception that Renaissance artists and anatomists such as Leonardo da Vinci and Andreas Vesalius were the fathers of anatomy who performed the first human dissections. On the contrary, she argues that these Renaissance figures drew upon centuries of visual and written tradition in their works. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art