New Books In Art

Daniel Neofetou's Rereading Abstract Expressionism, Clement Greenberg and the Cold War (Bloomsbury, 2021) rereads Clement Greenberg's account of Abstract Expressionism through Adorno and Merleau-Ponty in order to contend that Greenberg's criticism in fact testifies to how the movement opposes the ends to which it was deployed in efforts of U.S. imperialism during the Cold War. With reference not only to the most famous artists of the movement, but also female and non-white figures whom Greenberg himself neglected, such as Joan Mitchell and Norman Lewis, it is argued that, far from reinforcing the capitalist status quo, Abstract Expressionism engages corporeal and affective elements of experience dismissed or delegitimated by capitalism, and promises a world which would do justice to them. Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the exte

In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and ’70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution

Feeling is not “feelin”. Feelin, in African American Vernacular English, is how Black women artists approach and produce knowledge as sensation: internal and complex, entangled with pleasure, pain, anger, and joy, and manifesting artistic production itself as the meaning of the work. Feelin: Creative Practice, Pleasure, and Black Feminist Thought (Northwestern University Press, 2022) discusses Black women’s creative production as feminist knowledge production produced by registers of affect called feelin. Through interviews, close readings, and archival research, Judd draws on the fields of affect studies and Black studies to analyze the creative processes and contributions of Black women. Bettina Judd is an interdisciplinary writer, artist, scholar, and performer whose research focus is Black women’s creative production and our use of visual art, literature, and music to develop feminist thought. She is Associate Professor of Gender, Women, and Sexuality Studies at the University of Washington. Latoya Johnso

In Fluxus Forms: Scores, Multiples, and the Eternal Network (U Chicago Press, 2020), Natilee Harren captures the magnetic energy of Fluxus activities and collaborations that emerged at the intersections of art, music, performance, and literature. Reacting against an elitist art world enthralled by modernist aesthetics, Fluxus encouraged playfulness, chance, irreverence, and viewer participation. The diverse collective—including George Brecht, Robert Filliou, Dick Higgins, Alison Knowles, George Maciunas, Yoko Ono, Nam June Paik, Benjamin Patterson, Takako Saito, Mieko Shiomi, Ben Vautier, and Robert Watts—embraced humble objects and everyday gestures as critical means of finding freedom and excitement beyond traditional forms of art-making. While today the Fluxus collective is recognized for its radical neo-avant-garde works of performance, publishing, and relational art and its experimental, interdisciplinary approach, it was not taken seriously in its own time. The book offers insight into the nature of art

Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long ’68. Italian Political Cinema: Figure of the Long '68 (U Minnesota Press, 2023) conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country’s history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long ’68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical int

NFT, BTC, DAO, ETH, WAGMI, HODL. It would have been hard to avoid these acronyms only a year ago. The hype around cryptocurrencies and blockchain art was almost as annoying as the glee with which crypto sceptics welcomed the sudden onset of the crypto winter. But for all the popularity of Bored Apes and Ponzi scheme stories, there seems to have been little serious engagement with the philosophical, political, and aesthetic implications of the blockchain. The academy appears to have dismissed the crypto world out of hand, citing its financial unviability and the deeply ‘problematic’ philosophical foundations of its technology. Rhea Myers is a crypto artist, writer, and hacker who searches for faces in cryptographic hashes, follows a day in the life of a young shibe in the year 2032, and patiently explains why all art should be destructively uploaded to the blockchain. Her engagement in the technical history and debates in blockchain technology is complemented by a broader sense of the crypto movement and the a

Mike Jay's Psychonauts: Drugs and the Making of the Modern Mind (Yale UP, 2023) is a provocative and original history of the scientists and writers, artists and philosophers who took drugs to explore the hidden regions of the mind. Until the twentieth century, scientists investigating the effects of drugs on the mind did so by experimenting on themselves. Vivid descriptions of drug experiences sparked insights across the mind sciences, pharmacology, medicine, and philosophy. Accounts in journals and literary fiction inspired a fascinated public to make their own experiments--in scientific demonstrations, on exotic travels, at literary salons, and in occult rituals. But after 1900 drugs were increasingly viewed as a social problem, and the long tradition of self-experimentation began to disappear. From Sigmund Freud's experiments with cocaine to William James's epiphany on nitrous oxide, Mike Jay brilliantly recovers a lost intellectual tradition of drug-taking that fed the birth of psychology, the discovery o

Colleen Lye and Christopher Nealon's edited volume After Marx: Literature, Theory, and Value in the Twenty-First Century (Cambridge UP, 2022) demonstrates the importance of Marxist literary and cultural criticism for an era of intersectional politics and economic decline. The volume includes fresh approaches to reading poetry, fiction, film and drama, from Shakespeare to contemporary literature, and shows how Marxist literary criticism improves our understanding of racial capitalism, feminist politics, colonialism, deindustrialization, high-tech labor, ecological crisis, and other issues. A key innovation of the volume's essays is how they attend to Marx's theory of value. For Marx, capitalist value demands a range of different kinds of labor as well as unemployment. This book shows the importance of Marxist approaches to literature that reach beyond simply demonstrating the revolutionary potential or the political consciousness of a 19th-century-style industrial working class. After Marx makes an argument fo

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators. The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the a

Blunt Instruments: Recognizing Racist Cultural Infrastructure in Memorials, Museums, and Patriotic Practices (Beacon Press, 2022) provides a field guide to the memorials, museums, and practices that commemorate white supremacy in the United States—and how to reimagine a more deeply shared cultural infrastructure for the future. Cultural infrastructure has been designed to maintain structures of inequality, and while it doesn’t seem to be explicitly about race, it often is. Blunt Instruments helps readers identify, contextualize, and name elements of our everyday landscapes and cultural practices that are designed to seem benign or natural but which, in fact, work tirelessly to tell us vital stories about who we are, how we came to be, and who belongs. Examining landmark moments such as the erection of the first American museum and Colin Kaepernick’s kneeling pledge of allegiance, historian Kristin Hass explores the complicated histories of sites of cultural infrastructure. With sharp analysis and a broad lens

In Unseen Art: Making, Vision, and Power in Ancient Mesoamerica (U Texas Press, 2023), Claudia Brittenham unravels one of the most puzzling phenomena in Mesoamerican art history: why many of the objects that we view in museums today were once so difficult to see. She examines the importance that ancient Mesoamerican people assigned to the process of making and enlivening the things we now call art, as well as Mesoamerican understandings of sight as an especially godlike and elite power, in order to trace a gradual evolution in the uses of secrecy and concealment, from a communal practice that fostered social memory to a tool of imperial power. Addressing some of the most charismatic of all Mesoamerican sculptures, such as Olmec buried offerings, Maya lintels, and carvings on the undersides of Aztec sculptures, Brittenham shows that the creation of unseen art has important implications both for understanding status in ancient Mesoamerica and for analyzing art in the present. Spanning nearly three thousand year

Maximilian Schich, Isabel Meirelles, and Roger Malina discuss the contents and creation of the new article collection, Arts, Humanities, and Complex Networks, which explores the application of the science of complex networks to art history, archeology, visual arts, the art market, and other areas of cultural importance. This conversation was recorded on April 26, 2012. Maximilian Schich, DFG fellow at László Barabási's Center for Complex Network Research in Boston. Isabel Meirelles, information designer and associate professor of graphic design at Northeastern University, Boston. Roger Malina, physicist, astronomer, editor-in-chief of Leonardo, distinguished professor at the University of Texas, Dallas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Feeling bad about the environment? You should. Artist Alexis Rockman talks about his art, the potential for real change, and his ongoing relationship with the American Museum of Natural History. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The relationship between images and truth has a complicated history. In the Western tradition, the Kantian settlement on aesthetic judgment as detached from external interests gave rise to artistic production of images that were read with epistemic authority. But the advent of modernity has at once shaken this certainty and reinforced it. No sooner than we reckoned with the singular history painting and illustrated magazines, we have landed in a mass-media world where any possible image can and does exist. And the more we are surrounded by images, the greater claims they make. Photographs are not only routinely used to convey news, they are used to establish what is and isn’t true. The crime scene photograph is now as likely to be used in a court of law as in a newspaper infographic explainer. The artifact is at once the evidentiary carrier of truth and a visualisation used to confirm it. It creates meaning and it argues for it Visual Culture and the Forensic: Culture, Memory, Ethics (Routledge, 2022) bridges

Based on sources from rare book libraries in Russia and around the world, Picturing the Page: Illustrated Children’s Literature and Reading under Lenin and Stalin (U Toronto Press, 2020) offers a vivid exploration of illustrated children’s literature and reading under Lenin and Stalin – a period when mass publishing for children and universal public education became available for the first time in Russia. By analyzing the illustrations in fairy tales, classic "adult" literature reformatted for children, and war-time picture books, Megan Swift elucidates the vital and multifaceted function of illustrated children’s literature in repurposing the past. Picturing the Page demonstrates that while the texts of the past remained fixed, illustrations could slip between the pages to mediate and annotate that past, as well as connect with anti-religious, patriotic, and other campaigns that were central to Soviet children’s culture after the 1917 Revolution. Megan Swift is an associate professor of Russian Studies at th

The Philosophy of Tattoos (British Library, 2021) by Dr. John Miller presents an impressively broad yet personal account, exploring tattooing as a unique expression of individual, cultural and national identity. Dr. Miller explores tattooing as an innate human impulse throughout history, following its suppression and revival in cultures around the world. A bold and nuanced story of colonial oppression, social deviance and tattooing in the age of social media, the book features original tattoo designs from London-based tattoo artist Luca Ortis, as well as illustrations from the British library collections. The Philosophy of Tattoos returns to its origins in cultural locations as disparate as Polynesia, the Amazon and the Arctic to interrogate the innate human desire to mark the skin. It asks what the history of tattooing might tell us about that fundamental question: what does it mean to be human? This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integrat

In Autonomy: The Social Ontology of Art under Capitalism (Duke University Press, 2019), Nicholas Brown offers a fresh perspective on aesthetic autonomy and its political value, one of the great debates of the twentieth century. The monograph illustrates the viability of the modernist project in the era after postmodernism while offering one illuminating reading after another of contemporary examples in novels, photography, sculpture, popular music, TV, or movies. Brown defends art as a liberatory force in an age dominated by markets. By exploring the nuances of artistic production, Autonomy is a feast of delicious and insightful appraisals of artwork—with surprising turns and twists—within a larger context of the dialectics between art and market. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Arya Aryan's book The Postmodern Representation of Reality in Peter Ackroyd's Chatterton (Cambridge Scholars, 2022) explores the postmodernist representation of reality and argues that historiographic metafictional texts, such as Peter Ackroyd’s Chatterton (1987), are hetero-referential in their creation of a heterocosm, as opposed to representational and anti-representational views of art. It argues that postmodernist historiographic metafiction is not simply self-referential, but hetero-referential, consciously revealing the paradoxes of self-referentiality while simultaneously creating a heterocosmic world where the text is capable of referring to an external reality. The book highlights Chatterton’s narrative strategies and techniques which result in revealing the text’s meaning-granting process. The novel acknowledges the existence of reality and the text’s possibility of representation, but contends that reality is a human construct. In addition, the book demonstrates that representation is possible thr

In this podcast, Claire MacDonald and Sarah Parry discuss the history of recording, the sharing of sound art between artists, how recording has shaped communities, the impact of technology on artists and their publics, and the artist's voice and the different genres it inhabits. About the Contributors: Claire MacDonald is a curator, writer, and editor whose work focuses on the intersections of performance, writing, and art. She is a founding editor of Performance Research and a contributing editor to PAJ: A Journal of Performance and Art. She recently served as Director of the International Centre for Fine Art Research at University of Arts London, and is currently Professor II at the Norwegian Theatre Academy. She has a PhD in Critical and Creative Writing from the University of East Anglia, and has recently written a novel. Sarah Parry has been teaching at the Univeristy of British Columbia since 2005. Her Ph.D. dissertation at the University of Alberta, entitled "Caedmon Records, the Cold War, and the Scen

To the Collector Belong the Spoils: Modernism and the Art of Appropriation (Cornell UP, 2023) rethinks collecting as an artistic, revolutionary, and appropriative modernist practice, which flourishes beyond institutions like museums or archives. Through a constellation of three author-collectors—Henry James, Walter Benjamin, and Carl Einstein—Annie Pfeifer examines the relationship between literary modernism and twentieth-century practices of collecting objects. From James's paper hoarding to Einstein's mania for African art and Benjamin's obsession with old Russian toys, she shows how these authors' literary techniques of compiling, gleaning, and reassembling constitute a modernist style of collecting which that reimagines the relationship between author and text, source and medium. Placing Benjamin and Einstein in surprising conversation with James sharpens the contours of collecting as aesthetic and political praxis underpinned by dangerous passions. An apt figure for modernity, the collector is caught bet