New Books In Art

During the early years of photography, settlers around the Pacific World were fascinated with the landscapes of the places they conquered. According to Dr. Jarrod Hore, a postdoctoral researcher and co-director of the New Earth Histories Research Program at the University of New South Wales, wilderness images helped Americans and Australians make sense of the places they were in the process of dispossessing. In Visions of Nature: How Landscape Photography Shaped Settler Colonialism (U California Press, 2022), Hore tells the story of six landscape photographers from around the Pacific World and explains how their images of places like the Tasmanian Central Highlands, the Yosemite Valley, and even California's Spanish Missions, helped construct a narrative of wild frontier spaces emptied of people, waiting to be settled and improved by white hands. Hore places these photographers in their context as imperial actors, and in doing so explains how images attempted to legitimize settler colonialism in the American

How can a library change the world? How can an art library change the art school or the gallery? Or even an art practice? In Shelf Documents: Art Library as Practice (Royal Academy of Fine Arts in Antwerp, 2021), artists, writers, curators, teachers, and librarians reflect on how they can use the beloved library as a source of inspiration or a field of action. In thinking about diversity in collections, the publication proposes art libraries as sites of intersubjective communion. shelf documents is rooted in a collaborative book acquisition project, initiated by the artist Heide Hinrichs at the Royal Academy of Fine Arts in Antwerp, in which her group integrated over 200 new titles in art libraries as a way to fill gaps, to amplify voices, and seek out the self-initiated or the overlooked. Heide Hinrichs, Elizabeth Haines, and Jo-ey Tang speak to Pierre d’Alancaisez about working with institutions, working slowly, and working together to interfere with the permanence of libraries. Heide Hinrichs is an artist

In 2018 India's prime minister, Narendra Modi, inaugurated the world's tallest statue: a 597-foot figure of nationalist leader Sardar Patel. Twice the height of the Statue of Liberty, it is but one of many massive statues built following India's economic reforms of the 1990s. In Gods in the Time of Democracy (Duke UP, 2021), Kajri Jain examines how monumental icons emerged as a religious and political form in contemporary India, mobilizing the concept of emergence toward a radical treatment of art historical objects as dynamic assemblages. Drawing on a decade of fieldwork at giant statue sites in India and its diaspora and interviews with sculptors, patrons, and visitors, Jain masterfully describes how public icons materialize the intersections between new image technologies, neospiritual religious movements, Hindu nationalist politics, globalization, and Dalit-Bahujan verifications of equality and presence. Centering the ex-colony in rethinking key concepts of the image, Jain demonstrates how these new aesth

Alan John Ainsworth's book Sight Readings: Photographers and American Jazz, 1900-1960 (Intellect, 2022) explores the work of a wide range of American photographers attracted to jazz during the period 1900–60. It includes discussions of jazz as a visual subject, its attraction to different types of photographers and offers analysis of why and how they approached the subject in the way they did. While some of these photographers are widely recognized for their work, many African American photojournalists, studio photographers, early twentieth-century émigrés, the Jewish exiles of the 1930s and vernacular snapshots are frequently overlooked. Drawing on ideas from contemporary photographic theory backed up by extensive archival research, this book allows the reader to explore and understand twentieth-century jazz photography in both an engaging and comprehensive fashion. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim

China’s urban landscapes are full of radically different architectural styles which memorialise different eras in the country’s political past, from the remains of imperial palaces or city walls, to Republican-era shophouses, early-PRC medium-rise apartments, and soaring glass buildings of twenty-first-century vintage. But lodged – both temporally and physically – between these latter two are constructions from a time that is only now beginning to receive more attention, namely the early reform period of the 1970s-90s. This is exactly the timespan covered in Cole Roskam’s excellent new book Designing Reform: Architecture in the People's Republic of China, 1970-1992 (Yale UP, 2021) which shows that architecture had a key place in the emerging political, social and cultural developments of China’s pivotal post-Mao years. Examining stylistic, institutional, sociological and aesthetic aspects to Chinese architecture and its cross-border entanglements, this is a book which – as we transition deeper into Xi Jinping

As a way to comment on a person’s style or taste, the word “tacky” has distinctly southern origins, with its roots tracing back to the so-called “tackies” who tacked horses on South Carolina farms prior to the Civil War. The Tacky South (LSU Press, 2022) presents eighteen fun, insightful essays that examine connections between tackiness and the American South, ranging from nineteenth-century local color fiction and the television series Murder, She Wrote to red velvet cake and the ubiquitous influence of Dolly Parton. Charting the gender, race, and class constructions at work in regional aesthetics, The Tacky South explores what shifting notions of "tackiness" reveal about US culture as a whole and the role that region plays in addressing national and global issues of culture and identity. Editors Katharine Burnett and Monica Carol Miller have created a Spotify playlist celebrating tackiness. Follow them on Twitter @thetackysouth or visit their website. Carrie Helms Tippen is Associate Professor of English a

Erin L. Thompson talks about monuments, and their role in American public life. Public art intervenes in directly in politics, shaping social behavior in the present. Monuments, in her account, are a bid for immortality that says “this is how things are” but often means “this is how things should be.” In the episode she talks about The Houston Museum of African American Culture. They are engaged in a super exciting project reinterpreting the cultural memory of the US Civil War, as the first Black cultural institution that has re-housed a Confederate monument. If you’re keen on the history and politics of monuments, check out her brand new book: Smashing Statues: The Rise and Fall of America’s Public Monuments. It’s coming out from Norton this Tuesday (Feb 8)! You learn more about the book, and her upcoming talks on her website: artcrimeprof.com Erin L. Thompson is an associate professor of Art Crime at the John Jay College of Criminal Justice of the City University of New York. Her first book Possession (Yale

In Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art (Duke University Press, 2022) Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs colle

Reenvisioning Israel Through Political Cartoons: Visual Discourses During the 2018-2021 Electoral Crisis (Lexington Books, 2022) by Matt Reingold, published by Lexington Books as part of its Lexington Studies in Jewish Literature series, offers an incisive—and prescient, given the recent dissolution of the incumbent government—consideration of how political cartoonists in Israel broaden the conversation about the various challenges faced by the country. Organized thematically around issues that emerged at various points across the three-year period under consideration (including political mudslinging, the ultra-Orthodox community, the Coronavirus pandemic, and coverage of Benjamin Netanyahu in the right-leaning press), analysis of the cartoons complemented by interviews with many of the cartoonists whose works feature in the book, Reenvisioning Israel Through Political Cartoons moves the conversation about the Jewish State away from its typically partisan (and thus limiting) vistas. Reingold shows how with hu

In Formulations: Architecture, Mathematics, Culture (MIT Press, 2022), Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics. The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled for design. Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects. Witt presents a series of extensively illustrated “biographies of method”—episodes that chart the myriad ways in which mathematics, particularly the mathematical notion of modeling and drawing, was spliced into the creative practice of design. These include early drawing machines that mechanized cu

In October 1946, shortly before Independence, Mulk Raj Anand founded Marg, a magazine that soon became a pioneering forum for research on Indian and South Asian art and architecture. Over its 75 years, Marg (in its quarterly magazine as well as books) has promoted a deeper understanding of eras past while examining contemporary art practices. To mark our platinum anniversary, we are delving into Marg's archive of writing on temple art and architecture, to understand the shifts in perspective over the decades. The result is a lavishly illustrated magazine, which could also serve as a guide for educators teaching the Indian Temple over a semester. It presents a cross-section of themes and covers both key sites—Khajuraho, Thanjavur and Konarak—and those less written about—Kashmir, Bangladesh, Nepal, Sri Lanka, and Kerala. These are unique not only architecturally, but also from the point of view of patronage and the diverse public functions they served. Conceptualized and curated by our General Editor, Dr Naman

It is a scary and disorienting time for art, as it is a scary and disorienting time in general. Aesthetic experience is both overshadowed by the spectacle of current events and pressed into new connection with them. The self-image of art as a social good is collapsing under the weight of capitalism’s dysfunction. Art in the After-Culture: Capitalist Crisis and Cultural Strategy (Haymarket Books, 2022), art critic Ben Davis makes sense of our extreme present as an emerging "after-culture"—a culture whose forms and functions are being radically reshaped by cataclysmic events. In the face of catastrophe, he holds out hope that reckoning with the new realities of art, technology, activism, and the media, can help us weather the super-storms of the future. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of

Who are the girls that helped build America? Conventional history books shed little light on the influence and impact of girls’ contributions to society and culture. This oversight is challenged by Girl Museum and their team, who give voice to the most neglected, yet profoundly impactful, historical narratives of American history: young girls. Exploring American Girlhood through 50 Historic Treasures (Rowman and Littlefield, 2021) showcases girls and their experiences through the lens of place and material culture. Discover how the objects and sites that girls left behind tell stories about America that you have never heard before. Through a fascinating collection of historic sites, archaeological evidence, artifacts, literature, and music, the authors tell a groundbreaking new story of America itself, one that finally showcases the role that girls have played in the nation’s history and development. In this interview, Allison Leigh talks to Ashley Remer and Tiffany Isselhardt about how they researched 12,000

We are not what we think we are. Our self-image as natural individuated subjects is determined behind our backs: historically by political forces, cognitively by the language we use, and neurologically by sub-personal mechanisms, as revealed by scientific and philosophical analyses. Under contemporary capitalism, as the gap between this self-image and reality becomes an ever greater source of social and mental distress, these theoretical insights are potential dynamite. Shifting his explorations from the sonic to the social, amplifying alienation and playing with psychic noise, artist and performer Mattin finally lights the fuse. The noise is here to stay. Alienation is a constitutive part of subjectivity and an enabling condition for exploring social dissonance—the territory upon which we already find ourselves, the condition we inhabit today. Mattin speaks (and sings) to Pierre d’Alancaisez about his performance score Social Dissonance, in which the audience is the instrument and the legacy of the Marxist t

Ella Hawkins talks about the biscuits she makes, inspired by her research on Elizabethan dress, and on everything from William Morris wallpapers to TV shows like Outlander and Game of Thrones. She also talks about her upcoming monograph, titled Shakespeare in Elizabethan Costume: ‘Period Dress’ in Twenty-First-Century Performance (forthcomin from Bloomsbury), which examines how early modern garments are recycled and reimagined in contemporary costume design for Shakespeare. (You’ll hear Saronik trying, and failing, to recall something Oscar Wilde said. Turns out he was slightly misremembering the exact quote; it’s in “The Soul of Man Under Socialism” and the passage begins with the sentence: “Now, I have said that the community by means of organisation of machinery will supply the useful things, and that the beautiful things will be made by the individual.”) Ella is a design historian and artist based in Birmingham, England. She has a PhD in Shakespeare Studies and specializes in the study of stage and costum

The ongoing debate surrounding who gets to determine the subjects of public commemoration, particularly in the form of statues, has become more heated over the past few years. In his timely book, A History of Love and Hate in 21 Statues (Aurum Press, 2021), Peter Hughes examines the long history of statues being used to articulate the values of rulers, governments, organizations, and average citizens. Of course, that also means statues are often targets of people who want to challenge those values. In this wide-ranging conversation, we discuss whether the motivation for public commemorations, as well as the opposition to them, can be found first and foremost in a society’s emotional relationship to the person (or god, for that matter) being commemorated, as is suggested in the book’s title; or, if the timeless debate over who does and doesn’t get commemorated is really about power. Lia Paradis is a professor of History at Slippery Rock University and co-host of the NBN partner podcast, Lies Agreed Upon. Learn

Manuscripts teem with life. They are not only the stuff of history and literature, but they offer some of the only tangible evidence we have of entire lives, long receded. Hidden Hands: The Lives of Manuscripts and Their Makers (Riverrun, 2021) tells the stories of the artisans, artists, scribes and readers, patrons and collectors who made and kept the beautiful, fragile objects that have survived the ravages of fire, water and deliberate destruction to form a picture of both English culture and the wider European culture of which it is part. Without manuscripts, she shows, many historical figures would be lost to us, as well as those of lower social status, women and people of colour, their stories erased, and the remnants of their labours destroyed. From the Cuthbert Bible, to works including those by the Beowulf poet, Margery Kempe, Julian of Norwich, Sir Thomas Malory, Chaucer, the Paston Letters and Shakespeare, Mary Wellesley describes the production and preservation of these priceless objects. With an

With I Am Jugoslovenka!: Feminist Performance Politics During and After Yugoslav Socialism (Manchester UP, 2022), Jasmina Tumbas examines forms of feminist political and artistic engagement in Yugoslavia and its successor nations. By bringing together a wide range of materials—from performance and conceptual art, video works, film and pop music, lesbian activism, and press photos of female snipers in the Yugoslav wars—this study reveals that performative representations of women’s emancipation were crucial for the rise of gender equality in the socialist project. Covering celebrated and lesser-known artists from the 1970s to today, I am Jugoslovenka offers a unique insight into the struggles and ambitions of Yugoslav women through the intersection of feminism, socialism, and nationalism in visual culture. Jasmina Tumbas is an Assistant Professor of Contemporary Art History and Performance Studies in the Department of Global Gender and Sexuality Studies at the University at Buffalo. Her research interests incl

The Hygienic Apparatus: Weimar Cinema and Environmental Disorder (Northwestern UP, 2022) traces how the environmental effects of industrialization reverberated through the cinema of Germany’s Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder. Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema’s material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, enco

Labour has taken an about-turn. From Adam Smith’s proposal for specialisation which saw the factory line reorganised so that each worker needed to understand only a small aspect of the production process, many industries now rely on access to specialised skills and resources that are commanded at-hoc in discrete, time- and output-bound chunks. This is the logic of projects. The workforce no longer dedicates itself to the making of a singular commodity, as it was the case with Smith, but bids for discrete pieces of work when those are in demand. In some industries, for example, in the art world, the workforce is also charged with building the demand for their work by initiating the project which would then employ them. The ABC of the Projectariat: Living and Working in a Precarious Art World (Manchester UP, 2021) by Kuba Szreder contributes new thinking on and practical responses to the widespread problem of precarious labour in contemporary art. It is both a critical analysis and a practical handbook, speakin