New Books In Art

This is an ambitious history of flags, stamps, and currency—and the role they played in US imperialism over the 20th century. In Imperial Material: National Symbols in the US Colonial Empire (U Chicago Press, 2023), Alvita Akiboh, Assistant Professor of History at Yale University, reveals how US national identity has been created, challenged, and transformed through embodiments of empire found in US territories, from the US dollar bill to the fifty-star flag. Akiboh argues that these symbolic objects encode the relationships between territories—including the Philippines, the Hawaiian Islands, Puerto Rico, and Guam—and the American empire with which they have been entangled. Akiboh shows how such items became objects of power, and how their original intent was changed. For even if imperial territories were not always front and center for federal lawmakers and administrators, their inhabitants remained continuously aware of the United States, whose presence announced itself through localized fights over the pre

On the podcast today, I am joined by Mai Corlin, who is researcher at the department of cross-cultural and regional studies in the University of Copenhagen. Mai will be talking about her new book, The Bishan Commune and the Practice of Socially Engaged Art in Rural China (Palgrave Macmillan, 2020) Mai’s book examines the new rural reconstruction movement in Bishan village, Anhui province. She uses the Bishan Commune as a case study to explore the ways that art and culture can revive regional economies. The book´s focus is the socially engaged art projects in the Chinese countryside, with the artists and intellectuals who are involved, the villagers they meet and the local authorities with whom they negotiate. In recent years an increasing number of urban artists have turned towards the countryside in an attempt to revive rural areas perceived to be in a crisis. The vantage point of this book is the Bishan Commune. In 2010, Ou Ning drafted a notebook entitled Bishan Commune: How to Start Your Own Utopia. The n

"Fascism" is a word ubiquitous in our contemporary political discourse, but few know about its roots in the ancient past or its long, strange evolution to the present. In ancient Rome, the fasces were a bundle of wooden rods bound with a leather cord, in which an axe was placed—in essence, a mobile kit for corporal or capital punishment. Attendants typically carried fasces before Rome's higher officials, to induce feelings of respect and fear for the relevant authority. This highly performative Roman institution had a lifespan of almost two millennia, and made a deep impression on subsequent eras, from the Byzantine period to the present. Starting in the Renaissance, we find revivals and reinterpretations of the ancient fasces, accelerating especially after 1789, the first year of the United States' Constitution and the opening volley of the French Revolution. But it was Benito Mussolini, who, beginning in 1919, propagated the fasces on an unprecedented scale. Oddly, today the emblem has grown largely unfamil

Mediterranean maritime art and the forced labour on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. The Sun King at Sea: Maritime Art and Galley Slavery in Louis XIV's France (Getty Research Institute, 2022) by Dr. Gillian Weiss & Dr. Meredith Martin changes that. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France. With an abundant selection of startling images, many never before published, The Sun King at Sea emphasises the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circ

Object Lessons is a Bloomsbury series of short, beautifully designed books about the hidden lives of ordinary things. This book, Relic, by Dr. Ed Simon was published in 2024. Every culture, every religion, every era has enshrined otherwise regular objects with a significance which stretches beyond their literal importance. Whether the bone of a Catholic martyr, the tooth of a Buddhist lama, or the cloak of a Sufi saint, relics are material conduits to the immaterial world. Yet relics aren't just a feature of religion. The exact same sense of the transcendent animates objects of political, historical, and cultural significance. From Abraham Lincoln's death mask to Vladimir Lenin's embalmed corpse, Emily Dickinson's envelopes to Jimi Hendrix's guitar pick, relics are the objects which the faithful understand as being more than just objects. Material things of sacred importance, relics are indicative of a culture's deepest values. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses

In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world. Matt is the host of the American Vandal Podcast at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, Criticism, LTD, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty substack newsletter with the transcripts from Criticism, LTD, if you’re keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we’re excited to have him back on High Theory to tell us about his investigations. In the episode he offers a recuperative reading of Mark Twain’s acerbic take on critics in his late notebooks: “The critic’s symbol should be the tumble-bug; he deposits his egg in somebody else’s du

The Gift: How Objects of Prestige Shaped the Atlantic Slave Trade and Colonialism (Cambridge University Press, 2023) explores how objects of prestige contributed to cross-cultural exchanges between Africans and Europeans during the Atlantic slave trade. An eighteenth-century silver ceremonial sword, commissioned in the port of La Rochelle by French traders, was offered as a gift to an African commercial agent in the port of Cabinda (Kingdom of Ngoyo), in twenty-first century Angola. Slave traders carried this object from Cabinda to Abomey, the capital of the Kingdom of Dahomey in twenty-first century's Republic of Benin, from where French officers looted the item in the late nineteenth century. Drawing on a rich set of sources in French, English, and Portuguese, as well as artifacts housed in museums across Europe and the Americas, Ana Lucia Araujo illuminates how luxury objects impacted European-African relations, and how these economic, cultural, and social interactions paved the way for the European conque

Creative storytelling is the beating heart of Darwin's science. All of Darwin's writings drew on information gleaned from a worldwide network of scientific research and correspondence, but they hinge on moments in which Darwin asks his reader to imagine how specific patterns came to be over time, spinning yarns filled with protagonists and antagonists, crises, triumphs, and tragedies. His fictions also forged striking new possibilities for the interpretation of human societies and their relation to natural environments. After Darwin: Literature, Theory, and Criticism in the Twenty-First Century (Cambridge UP, 2022) gathers an international roster of scholars to ask what Darwin's writing offers future of literary scholarship and critical theory, as well as allied fields like history, art history, philosophy, gender studies, disability studies, the history of race, aesthetics, and ethics. It speaks to anyone interested in the impact of Darwin on the humanities, including literary scholars, undergraduate and gra

Sabina Andron's book Urban Surfaces, Graffiti, and the Right to the City (Routledge, 2024) focuses on urban surfaces, on exploring their authorship and management, and on their role in struggles for the right to the city. Graffiti, pristine walls, advertising posters, and municipal signage all compete on city surfaces to establish and imprint their values on our environments. It is the first time that the surfacescapes of our cities are granted the entire attention of a book as material, visual, and legal territories. The book includes a critical history of graffiti and street art as contested surface discourses and argues for surfaces as sites of resistance against private property, neoliberal creativity, and the imposition of urban order. It also proposes a seven-point manual for a semiotics of urban surfaces, laying the ground for a new discipline: surface studies. Page after page and layer after layer, surfaces become porous and political and emerge as key spatial conditions for rethinking and re-practici

Any tattoo is the outcome of an intimate, often hidden process. The people, bodies, and money that make tattooing what it is blend together and form a heady cocktail, something described by Matt, the owner of Oakland's Premium Tattoo, as "blood and lightning." Faced with the client's anticipation of pain and excitement, the tattooer must carefully perform calm authority to obscure a world of preparation and vigilance. "Blood and lightning, my dude"—the mysterious and intoxicating effect of tattooing done right. In Blood and Lightening: On Becoming a Tattooer (Stanford UP, 2023), Dustin Kiskaddon draws on his own apprenticeship with Matt and takes us behind the scenes into the complex world of professional tattooers. We join people who must routinely manage a messy and carnal type of work. Blood and Lightning brings us through the tattoo shop, where the smell of sterilizing agents, the hum of machines, and the sound of music spill out onto the back patio. It is here that Matt, along with his comrades, reviews

An essential—and monumental—member of the Sonoran Desert ecosystem, the saguaro cactus has become the quintessential icon of the American West. In the Arms of Saguaros: Iconography of the Giant Cactus (U Arizona Press, 2023) shows how, from the botanical explorers of the nineteenth century to the tourism boosters in our own time, saguaros and their images have fulfilled attention-getting needs and expectations. Through text and lavish images, this work explores the saguaro’s growth into a western icon from the early days of the American railroad to the years bracketing World War II, when Sun Belt boosterism hit its zenith and proponents of tourism succeed in moving the saguaro to the center of the promotional frame. This book explores how the growth of tourism brought the saguaro to ever-larger audiences through the proliferation of western-themed imagery on the American roadside. The history of the saguaro’s popular and highly imaginative range points to the current moment in which the saguaro touches us as

Why do so many contemporary Chinese artists use porcelain in their work? How do artists make sense of the legacy that porcelain has in China, and how do they use it to transmit ideas about China, Chinese art, and Chinese culture? In New Export China: Translations across Time and Place in Contemporary Chinese Porcelain Art (University of California Press, 2023), Alex Burchmore explores the place of ceramics in the work of four artists: Liu Jianhua, Ai Weiwei, Ah Xian, and Sin-ying Ho. By unpacking the history of porcelain production and export in China, the way artists make use of the unique features of ceramics, and the global reception of ceramics, Burchmore effectively demonstrates why understanding ceramics is central to understanding Chinese contemporary art. Filled with wonderfully nuanced readings of artworks and equally beautiful images, this book is sure to be of interest to readers looking to learn more about contemporary art and porcelain, and anyone looking to think about phrases like "Chinese art"

Jana Byars speaks with Catherine Powell-Warren about Gender and Self-Fashioning at the Intersection of Art and Science: Agnes Block, Botany, and Networks in the Dutch 17th Century (Amsterdam University Press, 2024). The conversation begins by examining the ways modern scholars are radically changing our understanding of the position of early modern women one monograph at a time before dialing in on a book that does just that. At once collector, botanist, reader, artist, and patron, Agnes Block is best described as a cultural producer. A member of an influential network in her lifetime, today she remains a largely obscure figure. The socioeconomic and political barriers faced by early modern women, together with a male-dominated tradition in art history, have meant that too few stories of women's roles in the creation, production, and consumption of art have reached us. This book seeks to write Block and her contributions into the art and cultural history of the seventeenth-century Netherlands, highlighting th

In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science. Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War. Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, Emma Gleadhill's Taking T

Anti-Heimat Cinema: The Jewish Invention of the German Landscape (U Michigan Press, 2020) studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers' contemplations of "Heimat"-- a provincial German landscape associated with belonging and authenticity -- it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. The book shows how these filmmakers devised the landscapes of the German "Homeland" as Jews, namely as acculturated "outsiders within." Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from the end of World War One to the early decades of the Cold War. Consequently, the Jewish filmmakers discussed in this book anticipated the anti-Heimatfilm of the ensuing decades and functioned as an uncredited inspiration for the critical New German Cinema. Ofer Ashkenazi is an Associate Professor of Histo

Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy (Oxford University Press, 2018), offers a holistic treatment of the development of the Mid-Republican city from 396 to 168 BCE. As Romans established imperial control over Italy and beyond, the city itself radically transformed from an ambitious central Italian settlement into the capital of the Mediterranean world. Seth Bernard describes this transformation in terms of both new urban architecture, much of it unprecedented in form and extent, and new socioeconomic structures, including slavery, coinage, and market-exchange. These physical and historical developments were closely linked: building the Republican city was expensive, and meeting such costs had significant implications for urban society. Building Mid-Republican Rome brings both architectural and socioeconomic developments into a single account of urban change. Seth Bernard, an Assistant Professor of Classics at the University of Toronto, assembles a wide array of evidence, fr

In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas. In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life she characterizes as “some of the least appreciated in the vast O’Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant socia

The Illuminated Window: Stories Across Times (Reaktion, 2023) is a unique journey through stained-glass installations that spans both time and place. Diverse in technique and style, these windows speak for the communities that created them. From the twelfth to the twenty-first century, we find in the windows stories of conflict, commemoration, devotion and celebration. Dr. Virginia Chieffo Raguin is our guide through the cathedrals of Chartres, Canterbury and Cologne, and takes us from Paris’s Sainte-Chapelle to Swiss guildhalls, Iran’s Pink Mosque, Tiffany’s chapel for the World Exposition, Frank Lloyd Wright’s houses and more. As she reveals, the art of stained glass relies on not only a single maker, but the relationship between the physical site, the patron’s aims, the work’s legibility for the spectator and the prevailing style of the era. This is a fascinating and beautifully illustrated volume for anyone interested in stained-glass works. This interview was conducted by Dr. Miranda Melcher whose forthc

Underlying every great city is a rich and vibrant culture that shapes the texture of life within. In The Speculative City: Art, Real Estate, and the Making of Global Los Angeles (U Minnesota Press, 2021), Susanna Phillips Newbury teases out how art and Los Angeles shaped one another’s evolution. She compellingly articulates how together they transformed the Southland, establishing the foundation for its contemporary art infrastructure, and explains how artists came to influence Los Angeles’s burgeoning definition as the global city of the twenty-first century. Pairing particular works of art with specific innovations in real estate development, The Speculative City reveals the connections between real estate and contemporary art as they constructed Los Angeles’s present-day cityscape. From banal parking lots to Frank Gehry’s designs for artists’ studios and museums, Newbury examines pivotal interventions by artists and architects, city officials and cultural philanthropists, concluding with an examination of

Who do you turn to at the brink of the apocalypse? What might help us to mitigate the financial, commercial, political, social, and cultural collapse for which we may be heading? Museums and Societal Collapse: The Museum as Lifeboat (Routledge, 2023) proposes an unlikely hero in this narrative. Robert Janes’ text explores the implications of societal collapse from a multidisciplinary perspective and considers the potential museums have to contribute to the reimagining and transitioning of a new society with the threat of collapse. Arguing that societal collapse is underway, but that total collapse is not inevitable, Janes maintains that museums are well-positioned to mitigate and adapt to the disruptions of societal collapse. As institutions of the commons, belonging to and affecting the public at large, he contends that museums are both responsible and capable of contributing to the durability and well-being of individuals, families, and communities, and enhancing societal resilience in the face of critical