New Books In European Studies

The Crusader World (Routledge, 2015), edited by Adrian J. Boas, is a multidisciplinary survey of the current state of research in the field of crusader studies, an area of study which has become increasingly popular in recent years. In this volume Adrian Boas draws together an impressive range of academics, including work from renowned scholars as well as a number of though-provoking pieces from emerging researchers, in order to provide broad coverage of the major aspects of the period. This authoritative work will play an important role in the future direction of crusading studies. This volume enriches present knowledge of the crusades, addressing such wide-ranging subjects as: intelligence and espionage, gender issues, religious celebrations in crusader Jerusalem, political struggles in crusader Antioch, the archaeological study of battle sites and fortifications, diseases suffered by the crusaders, crusading in northern Europe and Spain and the impact of Crusader art. The relationship between Crusaders and

Steven Seegel’s Map Men: Transnational Lives and Deaths of Geographers in the Making of East Central Europe (University of Chicago Press, 2018) is an insightful contribution to the history of map making which is written through and by individual geographers/cartographers/map men. The book focuses primarily on four countries: Germany, Hungary, Poland, and Ukraine. When guiding his reader through the entanglements of transnational endeavors of making maps, Seegel zeroes in on personal stories of five, what he calls, characters/protagonists: Albrecht Penck, Eugeniusz Romer, Stepan Rudnyts’kyi, Isaiah Bowman, and Count Pal Teleki. An individual story is an archive of biographical data and statistics, but it also opens up an entire world of history and geography that provides an insight into geopolitical decisions which eventually change and impact lives of those who happen to be part of this map journey. Meticulously researched and beautifully written, Map Men offers a personalized version of how maps are drawn a

While there are still occasional uses of it today, the term "Central Europe" carries little of the charge that it did in the 1980s and early 1990s, and as a political and intellectual project it has receded from the horizon. Proponents of a distinct cultural profile of these countries―all involved now in the process of Transatlantic integration―used "Central European", as a contestation with the geo-political label of Eastern Europe. In Transatlantic Central Europe: Contesting Geography and Redefining Culture beyond the Nation (Central European University Press, 2019), Jessie Labov discusses the transnational set of practices connecting journals with other media in the mid-1980s, disseminating the idea of Central Europe simultaneously in East and West. A range of new methodologies, including GIS-mapping visualization, is used, repositing the political-cultural journal as one central node of a much larger cultural system. What has happened to the liberal humanist philosophy that "Central Europe" once evoked? I

In her recently published Migrant Anxieties: Italian Cinema in a Transnational Frame (Indiana University Press, 2019), Áine O'Healy explores how filmmakers in Italy have probed the tensions accompanying the country’s shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. Migrant Anxieties traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O’Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy’s colonial history. Showing how contemporary filmmaking practices in Italy are

Nicholas R. Jones’s book, Staging Habla de Negros: Radical Performance of the African Diaspora in Early Modern Spain (Penn State University Press, 2019), analyzes white appropriations of black African voices in Spanish theater in the sixteenth through eighteenth centuries, when performing habla de negros—how Africanized Castilian was commonly referred to—was in fashion. Jones problematizes long-held beliefs among literary critics and linguists that habla de negros as represented in dominant Spanish literature was exclusively racist stereotypes, and instead seeks to theorize habla de negros as a radical performance that “allow[s] black expression and black sensibilities to emerge whether there are black bodies present or not.” This elegant book demonstrates that black voices, speakers, bodies, subjects, were visible, present, and constitutive parts of the early modern Castilian soundscape and society and succeeds in drawing modern readers’ attention to their importance. By centering black historical and litera

Jonathan Scott is one of the most original interpreters of the early modern world. How the Old World Ended: The Anglo-Dutch-American Revolution, 1500-1800 (Yale University Press, 2019) is a deft and cogent synthesis in which Scott returns to the turbulent seventeenth century in Britain, and examines how a period of political upheaval in its middle decade laid the foundations for a process of state-formation across the Anglo-Dutch-American world. While it tracks across the familiar ground of revolution, empire, commerce, and republicanism, this is a book with broad horizons. It is about movement, water, the interchange of ideas, peoples, and cultures. At its centre is the Anglo-Dutch relationship and, at its many peripheries, Scott reveals the transformative effects of this unique republican pulse. Jonathan Scott is Professor of History at the University of Auckland, and the author of seminal studies of the early modern British world, Commonwealth Principles: Republican Writing of the English Revolution (2004)

Karima Moyer-Nocchi is a professor of modern languages at the University of Siena and a lecturer for the Master in Culinary Studies program at the University of Rome, Tor Vergata. Her first book, Chewing the Fat – An Oral History of Italian Food from Fascism to Dolce Vita (Medea, 2015) explored the folklore and foodways of Italy in the twentieth century through the first-hand accounts of women who lived through the twenty-year fascist regime. Moyer-Nocchi’s new book, The Eternal Table: A Cultural History of Food in Rome (Rowman & Littlefield, 2019), covers the entirety of Roman (or romanesco) food history from pre-Roman times to the present day. According to Moyer-Nocchi, the cucina romanesca is multi-layered from the papal court to the flow of pilgrims and Grand Tourists, from the House of Savoy and the Kingdom of Italy to Fascism and the rise of the middle classes. It is not a cuisine frozen in time, but a cuisine that’s as fluid and changeable as the city’s inhabitants. Indeed, human, plant, and animal mig

In Unreasonable Histories: Nativism, Multiracial Lives, and the Genealogical Imagination in British Africa (Duke University Press, 2014), Christopher J. Lee recovers the forgotten experiences of multiracial peoples in the British colonies of Nyasaland, Southern and Northern Rhodesia. By carefully reading fragmented correspondence, colonial reports, periodicals and oral testimonies, the author traces the development of Anglo-African, Euro-African and Eurafrican identities that complicated colonial concepts of native and non-native. In light of their ambiguous status, multiracial individuals were generally marginalized and lived in a legal limbo. This led them to redefine kinship ties and political allegiances with the goal of improving their economic and social prospects. Ultimately, the book questions the analytical categories inherited both from colonial and nationalist historiographies and argues that they obscure the social, cultural and intellectual diversity that informs what it means to be African. Espe

In A Specter Haunting Europe: The Myth of Judeo-Bolshevism (Harvard University Press, 2018), Paul Hanebrink, Professor of History and Jewish Studies at Rutgers University, traces the complex history of the myth of Judeo-Bolshevism. Hanebrink shows how Fascists, Conservatives and Nazis imagined Jewish Bolsheviks as enemies who crossed borders to subvert order from within and bring destructive ideas from abroad. This is a hundred years history that traces how this myth transformed through the Cold War period and continues to this day in new forms. Hanebrink's book breaks new ground, is based on brilliant research and is highly readable. Dr Max Kaiser teaches at the University of Melbourne. He can be reached at kaiserm@unimelb.edu.au  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Who or what originated and/or caused the Great War from breaking out in July 1914? Was it Serbia with its expansionist and aggressive designs on Austria-Hungary? Was it Austria-Hungary itself, unnecessarily plunging itself and the rest of Europe in a futile effort to keep together its tottering Monarchy? Was it Tsarist Russia? Attempting to both expand its influence in the Balkans at the expense of both Austria and Germany and at the very same time, seeking to bolster its own tottering monarchy by showing its aggrieved public that Mother Russia was backing the cause of its down-trodden, Slavic brothers. Was it Kaiserreich Germany? Aiming in the famous thesis of 20th-century German historian Fritz Fischer, to launch a Great War to establish itself as the hegemonic power on the European continent? A war which its military leaders stated repeatedly, Germany could only win if war occurred in the next few years. Was it France? Aiming in conjunction with its Russian ally to start a war with the aim of regaining the

Limning – the painting of miniature portraits – was an important art form in 16th-century Europe. Among its greatest practitioners was Nicholas Hilliard, who enjoyed an international reputation for his skill in crafting the finely wrought images. In Nicholas Hilliard: Life of an Artist (Yale University Press, 2019), Elizabeth Goldring explains how a young man from a family of Exeter goldsmiths became one of the premier artists of his age. Timing was a key factor, as the ascent of the Catholic Queen Mary to the throne in 1553 led the Protestant Hilliard family to decamp for the continent. Exposure to the art styles there influenced the young Hilliard, who after returning to England and completing his apprenticeship as a goldsmith quickly established himself as the foremost miniature portraitist in England. Goldring shows how both Hilliard’s technical skills and his court connections played equal roles in his prominence, over a career that led to a period at the court of the French king Henri III and lasted thr

Who was the real Marie-Antoinette? She was mistrusted and reviled in her own time, and today she is portrayed as a lightweight incapable of understanding the events that engulfed her. In this new account, Marie-Antoinette: The Making of a French Queen (Yale University Press, 2019), acclaimed historian of 18th-century French history and the biographer of Louis XVI, John Hardman redresses the balance, corrects and tears away the smears and calumny and sheds fresh light and understanding on Marie-Antoinette’s story. Hardman shows how Marie-Antoinette played a significant but misunderstood role in the crisis of the last years of the ancien regime. Drawing on new and or rarely used sources, he describes how, from the outset, Marie-Antoinette refused to prioritize the foreign policy of her mother, the Queen-Empress Maria-Theresa, bravely took over the helm from Louis XVI after the collapse of his morale, and, when revolution broke out, listened to the Third Estate and worked closely with repentant radicals to give

Shanghai’s role in shaping modern China and indeed the very idea of what modernity is in China can hardly be overstated. Much of this long-lasting influence can be seen in how the city itself came into being as a complex product of Chinese and colonial forces, and as Cole Roskam shows us in Improvised City: Architecture and Governance in Shanghai, 1843-1937 (University of Washington Press, 2019), it is in the very material actions of architects and town planners that this is most obvious. Accompanied by a rich array of archival photos, maps and designs, Roskam’s book takes us down to street level, showing up close how the competing influences of Chinese, British, French, American and other governance and architectural regimes interacted and shaped the urban landscape. As Shanghai has again become an arena where global markets and design innovations collide, appreciating this tangled legacy is key to understanding this metropolis and indeed China as a whole. Ed Pulford is a postdoctoral researcher at the Unive

Should we understand the rise of Trump or the success of Brexit in terms of populism? Culture? Xenophobia? Do the same political forces produce Sanders and Trump? In his new book Anti-System Politics: The Crisis of Market Liberalism in Rich Democracies (Cambridge University Press, 2020), Jonathan Hopkin provides case studies of Spain, Italy, Greece, the US, and UK to argue that the election results in rich Western democracies are not the result of populism or hostility to migration – but opposition to the inequalities brought on by the economic policy of neo-liberalism. Hopkin’s finely grained qualitative study emphasizes the ways in which economics fuels movements from both left and right. Anti-systems candidates attack the ways in which neo-liberal institutions and politics distribute benefits and risks. For Hopkin, the greater the impact of economic inequality and hardship, the higher the vote share for anti-systems candidates and policies. Hopkin looks back to look forward. As nations abandoned the post-w

At the 1919 Paris Peace Conference, where the victorious Allied powers met to reenvision the map of Europe in the aftermath of World War I, President Woodrow Wilson's influence on the remapping of borders was profound. But it was his impact on the modern political structuring of Eastern Europe that would be perhaps his most enduring international legacy: neither Czechoslovakia nor Yugoslavia exist today, but their geopolitical presence persisted across the twentieth century from the end of World War I to the end of the Cold War. They were created in large part thanks to Wilson's advocacy, and in particular, his Fourteen Points speech of January 1918, which hinged in large part on the concept of national self-determination. But despite his deep involvement in the region's geopolitical transformation, President Wilson never set eyes on Eastern Europe, and never traveled to a single one of the eastern lands whose political destiny he so decisively influenced. Eastern Europe, invented in the age of Enlightenment

It's possible to organize a 20th-century German history course around the date 9 November. In 1918, Phillipp Schedemann proclaimed the creation of a new German Republic. In 1989, 9 November saw the opening of the Berlin Wall. In between, in 1938, Krystallnacht began on the night of 9 November. Krystallnacht, as most students of the Holocaust know, was a short, intense period of state-sponsored terror against those Germans identified as Jewish. It marked a dramatic escalation in the persecution of Jews in Germany. We often assume we know everything there is to know about such a well-studied event. But the contributions to Steven Ross and Wolf Gruner's excellent new volume of essays demonstrate how wrong this assumption is. In New Perspectives on Krystallnacht: After 80 years, the Nazi Pogrom in Global Comparison (Purdue University Press, 2019), authors examine media coverage of Krystallnacht, new understanding of the scope and location of the violence, the way in which Krystallnacht has been used in contempora

Learning, innovation and adaptation are not concepts that we necessarily associate with the British Army of the First World War. Yet the need to learn from mistakes, to exploit new opportunities and to adapt to complex and novel situations are always necessary. Learning to Fight: Military Innovation and Change in the British Army, 1914-1918 (Cambridge University Press, 2017), by Dr. Aimée Fox, Lecturer in Defence Studies at King's College London, grapples with this most intriguing of topic, particular for academics with their generally less than positive views of the mental capacities of the armed forces. Dr. Fox's book is the first institutional examination of the army's process for learning during the First World War. Drawing on organizational and management theories. Dr. Fox critiques existing approaches to military learning in wartime. Focused on a series of case studies, the book ranges across multiple theatres and positions the army within a broader context in terms of relationships with allies and civi

While armies have seized enemy records and rare texts as booty throughout history, it was only during World War II that an unlikely band of librarians, archivists, and scholars traveled abroad to collect books and documents to aid the military cause. Galvanized by the events of war into acquiring and preserving the written word, as well as providing critical information for intelligence purposes, these American civilians set off on missions to gather foreign publications and information across Europe. They journeyed to neutral cities in search of enemy texts, followed a step behind advancing armies to capture records, and seized Nazi works from bookstores and schools. When the war ended, they found looted collections hidden in cellars and caves. Their mission was to document, exploit, preserve, and restitute these works, and even, in the case of Nazi literature, to destroy them. In The Information Hunters: When Librarians, Soldiers, and Spies Banded Together in World War II Europe (Oxford University Press, 20

There is far more to a map than meets the eye. Such is the case in historian Alex Hidalgo’s Trail of Footprints: A History of Indigenous Maps from Viceregal Mexico (University of Texas Press, 2019), which focuses on the complex lives of dozens of Oaxacan maps created by Indigenous mapmakers. Tracing the legal, social, cultural, and political history of these maps, Hidalgo sheds new light on the purpose, production, and preservation of maps as well as the lives of Indigenous peoples and Spaniards alike involved in their production. The result is a vivid re-orientation of Oaxacan history that speaks to the historical power of collaboration, adaptation, and cartography. Trail of Footprints provides a deep dive into the production and use of maps, focusing specifically on the roles of patrons, painters, and notaries as well as the complex material dimension of mapmaking. Hidalgo lends equal attention to both the broader historical context of mapmaking and the smallest details of each cartographic creation, emphas

Who built Africa’s cities? Going beyond the colonial archive and the planner’s gaze, David Morton’s Age of Concrete: Housing and the Shape of Aspiration in the Capital of Mozambique (Ohio University Press, 2019) describes the incremental process through which Maputo’s suburbios – popular neighborhoods outside the formally planned city – were built and occupied. Through key episode’s in Mozambique’s urban history – from colonial responses to migrant labor to independence-era responses to flooding, he interprets the routine forms of house construction as critical political acts through which ordinary residents of the city have inserted themselves into the city and concretized urban belonging. The materiality of different building materials are central this story. The risks and obstacles of constructing permanent, concrete, housing in the face of politically enforced urban impermanence an d ambiguous legal status kept the popular suburbios in suspension. David Morton talks to host Jacob Doherty about the ways th