Soundcheck

GRAMMY-winning musical omnivore Sullivan Fortner merges New Orleans grit and spice with invention (and not just J.S. Bach), for an alchemical jazz that is wise, feisty, mischievous, and dynamic. His exposure to R&B, soul, and gospel at home; his time at Oberlin and the influence of various teachers in jazz and classical disciplines; and his longtime collaborator Cécile McLorin Salvant have all informed his approach to writing and playing, with an emphasis on PLAY. Fortner is the inaugural Bell Jazz Award Winner, and he performs tunes from early blues and jazz, a version of a Chopin waltz, and his own original music, in-studio. Set list: 1. Grandpa's Spells (Jelly Roll Morton) 2. It's A Game 3. Chopin's Valse Du Petit Chien

The Spanish-born singer, songwriter and producer Pablopablo recently released his debut LP, but he’d already built up an impressive array of writing and producing credits, winning Latin Grammys back in 2022 under his given name, Pablo Drexler. Those awards were for his work on a collaboration between his father, the popular Uruguayan-born musician Jorge Drexler, and the Spanish superstar C. Tangana. And collaboration is an important part of Pablopablo’s music as well, as you’ll hear on his record, Canciones En Mi. Pablopablo plays solo, and with guest musician Macario Martinez, in-studio.  Set list: 1. Todavia 2. Vida Nueva 3. Ojos de Ajonjoli

Christone "Kingfish" Ingram has been steeped in the Blues since he was eight years old, when he visited the Delta Blues Museum as a student in Clarksdale, Mississippi (Jackson Advocate). He played drums, bass, and GUITAR and was recognized at a young age for his exceptional musical talent with his debut album Kingfish, in 2019 on Alligator Records. Since then he’s released two more albums, won a Grammy and a shelfful of Blues Music Awards, and he’s still just 26. His raw and inspired guitar playing, soulful vocals and mature songwriting, bandleading, mentoring younger musicians, and starting his own record label have led Christone “Kingfish” Ingram to be “the face of a new generation of blues artists” (Fender). Christone "Kingfish" Ingram and his band play songs from the new album, called Hard Road, in-studio. Set list: 1. Voodoo Charm 2. Bad Like Me 3. Nothin' But Your Love 

“Shamstep” band, 47SOUL, take their name from the Arabic name for the Levant region – Bilad al-Sham, with members from Jordan, Washington DC, and Israel - spanning the divides of the Palestinian Diaspora. The music is a mix of dubstep, hip-hop and electro-Arabic dabke with lyrics in both Arabic and English, which are intensely political in their call for celebration and freedom in the struggle for equality. The quartet 47SOUL performs their smart dance music in-studio. (From the Archives, 2019.)Set list: 1. Don’t care where you’re from 2. Moved Around  3. Intro To Shamstep 

The Hypnotic Brass Ensemble is a musically free-ranging band of brothers from the south side of Chicago. Their music draws from funk, funky jazz, Afrobeat, hip hop, rock, reggae, and R&B, and they’ve performed with Tony Allen, Wu Tang Clan, De La Soul, Prince, Femi Kuti, Gorillaz, Yasiin Bey (aka Mos Def), and the B52's, to name a few. Growing up, the members of HBE were raised with music as a constant, as they are the sons of the late jazz trumpeter Phil Cohran (Earth, Wind, and Fire, Sun Ra Arkestra). Now based between Brooklyn and Chicago, the full party of Hypnotic Brass Ensemble plays some tunes in-studio. (Archives, 2019)Set list:  1. Menage 2. War 3. ACF

Rumbo Tumba is the project of the Argentine musician Facundo Salgado, who uses a looping station and a battery of handmade, traditional South American instruments to create brilliant musical conversations between South American traditions and modern technology.  Rumbo Tumba can make an improbable amount of sound, live and alone, constructing sounds and atmospheres that transport listeners to the purest places in nature. Hear his live in-studio set for us and his explanation of how he makes all this music live. Rumbo Tumba plays in New York at Public Records on October 10.Set list: 1. Monte 2. Barro 3. Huguaju

From the 2025 New York Guitar Festival, hear music from legendary American jazz guitarist Bill Frisell and Icelandic bass player Skúli Sverrisson, who were about to go into the studio and record their second album as a duo. Part of the New Sounds Live concerts, the music was recorded at the First Unitarian Congregational Society in Brooklyn, and was a co-presentation of World Music Institute. Set list: 1. Sverrisson: Her Room 2. Sverrisson: Draumfari 3. Frisell: Baby 4. Sverrisson: Afternoon Variant

Cole Quest & The City Pickers are a bluegrass band from Brooklyn, and if that surprises you, well, the fact is New York City has had a long, strong bluegrass scene going back to the 1950’s. Cole Quest draws on that tradition, and his own family tradition - he’s the grandson of the folk icon Woody Guthrie – in originals and updated versions of Guthrie tunes. Cole Quest & The City Pickers shred with high-spirited energy and that high lonesome sound, in-studio. Set list: 1. Where I'm From 2. Early Morning Dew 3. I Ain't

The Soundcheck Podcast series offers up music from recent sessions, all revolving around The Blues –at the root of so much popular music, and where the roots have grown into other fruits worldwide. Listen to French-Moroccan band Bab L' Bluz and their hot psychedelic blues spiked with the Gnawa trance rhythms of northern Africa's Maghreb. There’s the “Desert Blues” of West Africa in music by singer and guitarist Mdou Moctar from Niger. He and his band combine rock and psychedelia, call-and-response and accelerating threes, and fiery guitar playing for trancey and ecstatic results. Listen to Texas-raised singer, guitarist, and songwriter Ruthie Foster and her longtime bandmates who play some of their feel-good and hopeful blues. Hear the timeless sound of West Georgia Blues by singer and guitarist Jontavious Willis (along with the wicked tunings and his slide playing), in-studio. Plus, there’s the groove and swagger of Yemen Blues, and their fusion of Moroccan trance, Arab and Bedouin folk, and Western funk and

Canada’s Ron Sexsmith is a songwriter whose fans include Elvis Costello, Elton John, Paul McCartney, and a few other folks who know a thing or two about that mysterious process. Sexsmith is now forty years into his career, with 18 albums, three of Canada’s Juno Awards, and a novel to show for it. His latest album is called Hangover Terrace, and it ranges from aching ballads to the tongue-in-cheek advice for living. Ron Sexsmith plays solo, in-studio.Set list: 1. Cigarette and Cocktail 2. Rose Town 3. Gold In Them Hills

Distinctive songwriter Cass McCombs takes a broad view of the American experience – from the mundane to the mythic. His new songs from a wide-ranging double album -  Interior Live Oak contain “specific detail amid strange painterly settings” (The Guardian) and remain hopeful despite the feeling of listening to someone who has lived the extreme aspects of modern life. Cass McCombs plays a stripped-down set, in-studio.Set List: 1. Missionary Bell 2. Home At Last 3. Peace

Pianist and composer Omar Sosa draws on his own Afro-Cuban heritage, American jazz, and spiritual and meditative practices from around the world to create music that defies categorization. He’s traveled widely, especially in Africa, recording the sounds of the people, the animals, and the instruments of those places and sometimes incorporating them into his own works. Sosa, along with the Cuban-born, New York-based sax player Yosvany Terry, and drummer Julian Miltenberger, play new music, in-studio. Set list: 1. Bola 2. My Three Notes (Mis Tres Notas) 3. Muevete en D

“Failed bull-rider turned seminal songwriter” (Red Light Management), native Texan Rodney Crowell is considered to be one of the chief architects of Americana music, and a songwriter admired by good songwriters. Crowell has had an eventful career in his half century of writing songs, making records and helping create the style that’s come to be known as alternative country. He’s worked with a who’s who of American music:  Emmylou Harris at first, and then much later as well, but also Johnny Cash, Willie Nelson, Sheryl Crow – the list is too long to go into. Rodney Crowell is back with a new album called "Airline Highway" featuring many top-notch collaborations. He plays a solo set, in-studio.Set list: 1. Rainy Days in California 2. The Twenty-One Song Salute (Owed to G.G. Shinn and Cléoma Falcon) 3. Taking Flight

From the 2025 New York Guitar Festival, listen to a live set by the adventurous guitarist/composer Mary Halvorson along with drummer/composer Tomas Fujiwara, playing their original works. This show was recorded at the First Unitarian Congregational Society in Brooklyn, as part of the New Sounds Live concert series, and was also a co-presentation of World Music Institute.  Set list: 1. Fujiwara: June   2. Fujiwara: Nudgestorms   3. Halvorson: Folded Secret  4. Frisell: Untitled

Norwegian pianist Tord Gustavsen and his trio, featuring new bassist Sigurd Hole and long-time collaborator, drummer Jarle Vespestad, combine together folk influences and church music for unhurried embraces of melody. Expressive and reflective, Gustavsen’s ‘Nordic blues’ slowly unfurls passages of delicate lyricism, with enough space for contemplation, and only the notes that are needed from all players in the trio.On the 2018 release, The Other Side, the trio effortlessly injects old Norwegian lullabies and dance forms into original works, and develops haunting and riveting responses to both Scandinavian hymns and Bach Chorales. The Tord Gustavsen Trio joins us to play some of these compositions in-studio. (From the Archives, 2018) - Caryn HavlikSet List: 1. The Tunnel 2. O Traurigkeit 3.Schlafes Bruder

Adrian Quesada is probably best known as one of the two co-founders of the psychedelic soul band Black Pumas, but the guitarist and producer has also been part of Grupo Fantasma, Brownout and Ocote Soul Sounds.  Lately, he’s also been pursuing another musical project called  Boleros Psicodélicos, an homage to the phenomenon of balada music that blossomed throughout Latin America between the late ‘60s and early ‘70s. Balada is “a refined collision of bossa nova smoothness, Beatlesque psychedelia and torrid boleropathos” which “used art-pop instrumentation (mostly strings and harpsichords)”, and “employed songs about heartbreak and longing as a means to transport the listener to an opulent, cinematic fantasy world”, (Bandcamp). Quesada has recently released the second volume of these modern takes on vintage Latin pop sounds, all featuring some of the leading voices in modern Latin alternative music. Quesada, his band, and guest artists -L.A. singer and producer Angélica Garcia, Grammy-winning Puerto Rican singe

The New York-based singer, songwriter, and producer Anand Wilder was a cofounder of the experimental indie band Yeasayer, and more recently has pursued a wide-ranging solo career.  His 2022 solo debut, I Don’t Know My Words, was a genuine solo project, with Anand playing everything himself. Now, though, Anand Wilder has a new record called Psychic Lessons, and it is very much a collaboration with two other musician/producers, Walter Fancourt and Jachary, both of whom join him to play new songs, in-studio. Set List: 1. Appointment in Samarra 2. Selkie Bride 3. Molly's Song 4. Bog People

The singer Elisapie is an Inuk musician, filmmaker, advocate, and writer who has become a nationally-celebrated figure in Canada – her portrait appears on a postage stamp in that country’s Indigenous leaders series. Her latest album, Inuktitut, is notable for a couple of reasons: first, it’s sung in the language called Inuktitut, and second, it is an album of reworked songs by Fleetwood Mac, Led Zeppelin, Pink Floyd and more. Elisapie, in looking back to the songs of her youth, celebrates the resilience and joy of the Inuit people and the spirit of connection. She and her band play in-studio. Set list: 1. Uummati Attanarsimat (Heart of Glass) 2. Isumagijunnaitaungituq (The Unforgiven) 3. Arnaq

Named after being mis-identified while returning a uHaul, the pop’n’roll band We Are Scientists has been making melancholic, nostalgic, and melodic songs, familiar and fun, for some 20 years. Since their debut album With Love And Squalor, they’ve wandered into the worlds of comedy and English soccer while continuing their own spin on indie rock with and without synths. Keith Murray and Chris Cain, on their latest, Qualifying Miles, return to a more direct, "band in a room" sound, reminiscent of the '90s guitar rock heroes of their youth with pedal boards aplenty and rock waltzes. We Are Scientists, with touring drummer, Keith Carne, plays in-studio. Set list: 1. Please Don't Say It 2. Dead Letters 3. What You Want Is Gone

Eleanor Friedberger, best known as one half of the indie rock duo The Fiery Furnaces, has recently shifted her musical landscape, swapping out live instruments in favor of drum programming and synths for a sound that she can create mostly on her own. (Part of her desire to be more self-reliant, in the wake of the 2016 election.) On her 2018 record, Rebound, she channels the sound and energy of an experience at a very smoky 80’s goth disco in Athens where they do a “chicken dance.” Lyrical inspiration came to Friedberger from a biography about the poet Edna St Vincent Millay. Eleanor Friedberger brings these dark and smoky, yet groovy and poetic tunes to perform in-studio. (From the Archives)